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The Empire Air Training Scheme: Identity, Empire and Memory

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identity. Scholars have established that by 1939 the Australian cultural heritage hadalready developed the concepts of masculinity, hardihood, courage, <strong>and</strong>resourcefulness from the Australian bushman. 29 In the broader context the linksbetween masculinity <strong>and</strong> war have been well documented defining two areas ofinfluence. First, the concept of masculinity was traditionally linked to the site ofmilitary action where manliness could be attained through the glory of war. 30 Secondwas the heroic sense of responsibility linking the state <strong>and</strong> the individual in the duty toserve. Graham Dawson has defined the cultural link between masculinity <strong>and</strong> war inSoldier Heroes. Masculinities are lived out in the flesh but fashioned in theimagination, with the most durable form of idealized masculinity the soldier hero, ishis theme. 31 George Mosse provided further support in applying theories of masculinedominance directly to the emergence of the aviator hero. 32 He was one to recognize,that while the warrior was the dominant male, the airman was seen as the elite. 33<strong>The</strong> duty to serve had long been embedded in concepts of masculinity, findingits origin in the code of chivalry. 34 Duty to serve was part of the Australian culturalscene. 35 Part of every child’s daily mantra in Australian schools included, ‘I honour the29 Marilyn Lake, ‘Mission Impossible. How men gave birth to the Nation. Nationalism, Gender <strong>and</strong>other Seminal Acts.’ Gender <strong>and</strong> History 4. 1992. Marilyn Lake <strong>and</strong> Joy Damousi, eds. Gender <strong>and</strong>War: Australians at war in the twentieth Century Cambridge : Cambridge University Press, 1995, 11.30 Graham Dawson, in Soldier Heroes: British Adventure, <strong>Empire</strong> <strong>and</strong> the imaginings of masculinitiesLondon: Routledge, 1994, has covered the construction of masculinity as it centres around the glory ofwar <strong>and</strong> the attainment of heroism as an ideal.31 Graeme Dawson, Soldier Heroes, 2-3.32 George Mosse, <strong>The</strong> Image of Man New York: Oxford University Press 1996. Mosse linksmasculinity to nationalism, <strong>and</strong> image of the masculine body.33 See Michael Paris who has identified the elitism of the aviator warrior in, <strong>The</strong> Wright Brothers toTop Gun: Aviation nationalism <strong>and</strong> popular cinema Manchester: Manchester University Press 1995.<strong>and</strong> ‘<strong>The</strong> Rise of <strong>Air</strong>men: <strong>The</strong> origins of <strong>Air</strong> Force Elitism 1890-1918,’ Journal of ContemporaryHistory, 28, 1, 1993, 123-141.34 Allen Frantzen, Bloody Good: chivalry, sacrifice <strong>and</strong> the Great War Chicago: University of ChicagoPress 2004, 121. Also books such as Kenelm Digby’s, <strong>The</strong> Broad Stone of Honour. <strong>The</strong> True Sense <strong>and</strong>Practice of Chivalry London: Booker published 1823 as a ‘book of rules for the gentlemen ofEngl<strong>and</strong>,’ traced the history of chivalric heroes who sacrificed for their country, outlining their sense ofduty, loyalty, obedience, devotion <strong>and</strong> honour with a romantic longing for these values to be returnedto the youth of Engl<strong>and</strong>. He concluded, ‘chivalry reminds us why there is war: … because ideas <strong>and</strong>traditions can be worth dying for—<strong>and</strong> worth killing for.’35 One example was Baden Powel’s Scout movement, Young Knights of the <strong>Empire</strong>. With the motto<strong>Training</strong> scouts for manhood, it was established in Australia in 1908 <strong>and</strong> promoted the spirit of selfdiscipline, self regulation sense of honour, helpfulness to others, loyalty <strong>and</strong> patriotism which go tomaking good character.9

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