- Page 1: The Empire Air Training Scheme: Ide
- Page 4 and 5: nature of the national and individu
- Page 6 and 7: PrefaceMy interest in the Empire Ai
- Page 8 and 9: Table of contentsAbstract .........
- Page 11 and 12: List of IllustrationsFigure 1 Postc
- Page 13 and 14: from the 1930s, to post war decades
- Page 15 and 16: and the RAF, two of the dominion hi
- Page 17 and 18: Yet within several decades EATS had
- Page 19 and 20: lives. 26 Stuart Ward is one of man
- Page 21 and 22: flag, serve the King, and cheerfull
- Page 23 and 24: The concepts of Empire, masculinity
- Page 25 and 26: form the stories we choose to tell
- Page 27 and 28: Australian involvement in EATS. 57
- Page 29: The last source used is the intervi
- Page 33 and 34: contradictions between illusion and
- Page 36 and 37: CHAPTER 1Aerial War Comes of AgeWit
- Page 38 and 39: destruction of aerial combat was wi
- Page 40 and 41: ules the roost.’ 19 More than man
- Page 42 and 43: enemy was doomed to suffer continua
- Page 44 and 45: emarked on trait of Australian fore
- Page 46 and 47: Empire Air Scheme.’ 47 While stro
- Page 48 and 49: are also hesitant in confronting th
- Page 50 and 51: not just an aircraft but also had a
- Page 52: Third, was the human element. Seduc
- Page 55 and 56: Frank was one who was delighted to
- Page 57 and 58: The images constructed around EATS
- Page 59 and 60: anger and lack of hope persisted.
- Page 61 and 62: Although he did not complete in the
- Page 63 and 64: The ethos of the glamour of serving
- Page 65 and 66: the male body for service as an ess
- Page 67 and 68: promoting the thrill of conquest an
- Page 69 and 70: Figure 7 Wings over Europe 56Public
- Page 71 and 72: only 18 and the concept of the self
- Page 73 and 74: the masculine role. 65 The real val
- Page 75 and 76: country, defence of Empire.’ 71 A
- Page 77 and 78: RAF. 80 Here the entries are obsess
- Page 79 and 80: Of all the days and nights of swotA
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very last moment. When I got back I
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wills giving every thing to our mat
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CHAPTER 3This is Really It. The Ima
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to interpret experiences once they
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studied through representations suc
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1942. One of the Valiant. Till then
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in afternoon and dance in camp. Ele
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for.’ 38 He confessed to a consta
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occasions and, on return to Austral
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Figure 12 Halifax Crew 51In Halifax
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strength is emphasised in the elati
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Death was glorified through the thr
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kills or is killed. It’s exciting
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The images that glorified war were
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egan his diary had become strangely
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memorialise their valor, Bulcock’
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CHAPTER 4A Diminishing Image‘Empi
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efore, makes the devastation of the
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‘The Empire School of Drama’ wh
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Europe, explained the process as on
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original announcement of Australia
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we don’t get the detail. I hope t
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prompted a public debate around the
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administered by a War History Commi
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George Odgers remained silent on ma
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historians’ accounts revealing th
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individuals are important in buildi
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institution of Empire and does not
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the formation of individual identit
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CHAPTER 5Reconstruction of the Imag
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suggestion that control would be su
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attitudes towards the plan. 14 Both
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strengthening Empire relationships,
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Forming the Australian Collective I
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No. 1 Initial Training School This
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Figure 20 Memorial to eight English
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Australian forces for her own defen
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the Scheme in wider military accoun
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like it.’ Coulthard Clarke direct
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writing of history, Peter Stanley a
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and culture of the airmen would be
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Lack of Moral Flying (LMF) at any s
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Moonlight developed into a delibera
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collective memory, in a country ‘
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picture of national values. Announc
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In every generation there emerges a
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military aviation, military aircraf
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CHAPTER 6Reconciling Contradictory
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in forming an identity. 4 This incl
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While such recollections appeared t
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narrative, while acknowledging time
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We were the last boat out of Englan
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without the organisation of the Bri
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arrived home I realized I was in th
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We landed at Melbourne on a Saturda
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national identity. The first was th
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jumps up. So, I said, “You tell h
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I borrowed my own aircraft, and fle
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CHAPTER 7The Masculine Image Challe
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epresented the individual human dim
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The historical culture surrounding
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masculine qualities. 29 The dominan
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would offer an outlet and encourage
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While several Australian psychiatri
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under conditions of stress, as ‘t
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was built, have been relativised an
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Despite arguments that social value
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veterans including airmen, claimed
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People forget what a war was really
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one of the buggers we could see.’
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predominant feeling of powerlessnes
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‘didn’t even know I was in the
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in short, don’t cry. 132 R.W.Conn
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a socially accepted narrative in wh
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of what is not socially acceptable
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qualities that underpinned the stor
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While certain veterans of EATS have
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image, in a patriotic interplay bet
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Talking of blood, as I floated down
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as his mascot.’ He excelled in bo
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The point is not in the story but w
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personally got in on the tail end o
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ush. The airman symbolized the age
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120. We are down because we are all
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Thus, in squadron histories airmen
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459 and nine other squadrons. It wa
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press. I don’t talk about it very
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encapsulated the fundamental comple
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The focus of Anzac commemoration is
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convincing. Responses of veterans w
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CANADIAN WAR MUSEUM INTERVIEWSThe f
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Berglund, Geoffrey. Private Papers
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JOURNALS OF RAAFWINGS 1939-46.RAAF
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, More Charlton London: Longmans &
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Officer, George John. Six O’Clock
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Batchelder, Alf. Only Yesterday: Do
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Buckner, Phillip. Canada and the En
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Crotty, Martin. Making the Australi
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Dudink, Stephan, Karen Hagemann, an
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Granatstein, J.L. Canada at War: Th
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Fingarette, Herbert. Self Deception
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Kansteiner, Wulf. ‘Finding Meanin
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Lotringer, Sylvere. ed, Michael Fou
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Modjeska, Drusilla. Stravinsky’s
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Paris, Michael. Winged Warfare: the
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Sassoon, Siegfried. The Complete Me
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Stoddart, Brian, ‘Sport, Cultural
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Wastell, Collin. Understanding Trau
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Blair, Dale, ‘Beyond the Metaphor
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Griffith Soldier Settlers Memorial.