S TA F FADMINISTRATIONExecutive Director, George S. BolgeAssistant to <strong>the</strong> Executive Director, Valerie JohnsonDirector <strong>of</strong> Administration, Roberta StewartSpecial Events/Volunteers, Phyllis Messina<strong>Museum</strong> Store Manager, Laura Toia<strong>Museum</strong> Store Assistant Manager, Laura WeissmanStore Sales Associate, Carole RovnerReceptionist, Amy CassaroFacility Manager, Robin ArchibleMaintenance, John FinewoodCustodian, Terry DrouillardOffice Assistant (V), Connie BowersFINANCEDirector <strong>of</strong> Finance, Linda UrsilloAccountant, Ellen JohnstonAccountant, Vivienne WilsonCURATORIALSenior Curator, Wendy M. BlazierRegistrar, Martin HanahanExhibitions Curator, Meg KaplanDEVELOPMENTDirector <strong>of</strong> Development, Louise C. AdlerMembership Coordinator, Philip JohnsDevelopment Coordinator, Linda M. MaderaVisitor Services/Sales, Sharon FlynnVisitor Services Representative, Carol NiteEDUCATIONCurator <strong>of</strong> Education, Claire Elisabeth ClumAssistant Curator <strong>of</strong> Education, Luis GlickmanEducational Programs Coordinator, Maria Brueggeman<strong>Museum</strong> Educator, Annette SeitlesDocent Council Chairperson (V), Lucy Hawkins<strong>Art</strong> Reference Librarians (V), Betty and Marvin KoenigMARKETINGDirector <strong>of</strong> Marketing and Public Relations, Bruce HermanCommunications Coordinator, April HallART SCHOOL<strong>Art</strong> School Director, Rebecca SandersAdministrative Assistant, Lynn NanceAdministrative Assistant, Ann G<strong>of</strong>fredoFacility Manager, Mark CreamerOffice Assistant (V), Carmie PepeOffice Assistant (V), Mimi Friedland(V) Denotes VolunteerVolunteersThrough <strong>the</strong> thousands <strong>of</strong> hours thatvolunteers give to support staff members,<strong>the</strong> <strong>Museum</strong> enriches <strong>the</strong> lives <strong>of</strong> <strong>the</strong>residents and visitors <strong>of</strong> our community.These civic-minded people serve onvarious committees, organize andparticipate in special events, greet ourvisitors, provide docent tours and <strong>of</strong>ficesupport, maintain <strong>the</strong> reference libraryand work in The <strong>Museum</strong> Store.These volunteers, along with <strong>the</strong> manystudents who complete internshipswithin every department, allow <strong>the</strong><strong>Museum</strong> to make tremendous stridestoward fulfilling its mission.BOCA RATON MUSEUM OF ARTANNUAL REPORT 5
C U R ATO R I A LDuring fiscal year <strong>2007</strong>-<strong>2008</strong>, <strong>the</strong> CuratorialDepartment presented 13 temporary exhibitionsin <strong>the</strong> <strong>Museum</strong>’s first-floor galleries, eight <strong>of</strong>which were organized completely from <strong>the</strong><strong>Museum</strong>’s Permanent Collection. ConflictingCurrents: Aspects <strong>of</strong> American <strong>Art</strong> 1920 – 1950(September 5 – November 4, <strong>2007</strong>) was <strong>the</strong> firstexhibition drawn entirely from <strong>the</strong> PermanentCollection to be organized for <strong>the</strong> <strong>Museum</strong>’smain gallery. Presenting 120 paintings, drawingsand prints, many for <strong>the</strong> first time, ConflictingCurrents was a pioneering exhibition, establishingnew benchmarks in scholarship and publicunderstanding <strong>of</strong> an important subject. Thisyear brought <strong>the</strong> exhibition Degas In Bronze:The Complete Sculptures (January 26 – April 27,<strong>2008</strong>) to <strong>the</strong> <strong>Museum</strong>, <strong>the</strong> most ambitiouspresentation ever mounted by <strong>the</strong> <strong>Boca</strong> <strong>Raton</strong><strong>Museum</strong> <strong>of</strong> <strong>Art</strong>. The negotiation, installationand supplementary education programmingfor Degas In Bronze involved more than a year<strong>of</strong> preparation, as Curatorial staff worked withnumerous American museums and privatelenders to secure Degas paintings and drawingsto amplify <strong>the</strong> exhibition, while developingoriginal documentary materials to providecontextual information about <strong>the</strong> works. Theawarding <strong>of</strong> federal indemnification from <strong>the</strong>National Endowment for <strong>the</strong> <strong>Art</strong>s IndemnityProgram to help in underwriting <strong>the</strong> insurancefor <strong>the</strong> Degas in Bronze exhibition wasa significant affirmation <strong>of</strong> <strong>the</strong> <strong>Museum</strong>’spr<strong>of</strong>essionalism, and recognition <strong>of</strong> <strong>the</strong>national stature <strong>of</strong> its programming.George Bolge, Executive Director <strong>of</strong> <strong>the</strong> <strong>Boca</strong> <strong>Raton</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong>, Pr<strong>of</strong>essor JoseNetto, Curator <strong>of</strong> <strong>the</strong> Museu de <strong>Art</strong>e de São Paulo, Ambassador Luiz Saint-Brissonde Araujo Castro, Counsul General from Brazil and Michael Gora, President <strong>of</strong> <strong>the</strong><strong>Boca</strong> <strong>Raton</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong>Loans From The <strong>Museum</strong> Collection<strong>Art</strong> to Touch: Exhibition for <strong>the</strong> Visually Impaired,developed by <strong>the</strong> <strong>Boca</strong> <strong>Raton</strong> <strong>Museum</strong> <strong>of</strong> <strong>Art</strong>, on loanto Nassau County <strong>Museum</strong> <strong>of</strong> <strong>Art</strong>, Roslyn Harbor,New York, May 1 – August 31, <strong>2007</strong>Pérez Celis (Argentinean, 1939-<strong>2008</strong>), Untitled,circa 1991, oil on wood and metal, height 84 inches.Permanent Collection 2006.14.53, gift <strong>of</strong> Dr. Jay D.Hyman and Nivèse [Nives Oscari] (French, born inCroatia, 1944- ), City, circa 1995, cut and painted steel,height 81 inches. Permanent Collection 2001.263, gift<strong>of</strong> Dr. Mark Plon in Memory <strong>of</strong> Es<strong>the</strong>r Plon on loan toEpcot ® International Flower & Garden Festival, WaltDisney World, Orlando, Florida, March 1 – July 1, <strong>2008</strong>Norman Colp (American, 1948-<strong>2007</strong>),The Relative Sameness <strong>of</strong> Difference, 1988-1989,chromogenic print triptych in wood hinged frame,18 x 96 inches, on loan to <strong>the</strong> American Embassy inLima, Peru as part <strong>of</strong> <strong>the</strong> <strong>Art</strong> in Embassies Program,May 2003 – January <strong>2008</strong>Nine artworks on paper by Georges Braque, Jean-MichelFolon, Sam Martin, Robert Rauschenberg and HermanSomberg on loan to <strong>the</strong> City <strong>of</strong> <strong>Boca</strong> <strong>Raton</strong>, City Hall,Mayor’s Office, 2001-<strong>2008</strong>Jeff Wyman, Jump and Play, 1991, painted steelsculpture, height 14 feet on permanent loan to AddisonMizner Elementary School, <strong>Boca</strong> <strong>Raton</strong>BOCA RATON MUSEUM OF ARTANNUAL REPORT 6