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1<br />
2012
The UNIMA <strong>Research</strong> Commission<br />
THE UNIMA DIRECTORY<br />
OF PUPPET THEATRE<br />
RESEARCHERS<br />
By Ida Hledíková PhD<br />
2012<br />
2
INTRODUCTION<br />
UNIMA <strong>Research</strong> Commission proposes you a new version of “Directory of Puppet Theatre<br />
<strong>Research</strong>ers”.<br />
Our version is in fact a continuation of work elaborated by our predecessors – members<br />
of previous <strong>Research</strong> Commissions of UNIMA. The first edition of the “Directory” was<br />
published in Warsaw in 1991. In this innovated version are published those researchers<br />
from the previous issues who answered us and it also presents the new names of<br />
researchers and theorist of puppet theatre from all over the world.<br />
This contemporary index is supplemented by new persons and includes 183 names.<br />
According to the bibliographies it is obvious, that most of them respond to our appeals.<br />
Not starred are entries of those individuals who were in personal contact with us or those<br />
the information on whom was sent by UNIMA National Centres.<br />
In an introduction of one of the previous editions the former President of <strong>Research</strong><br />
Commission Edi Majaron wrote, that this way of publication seemed to be oldfashioned in the<br />
world of new communication technologies. On one hand he was right, but on the other hand,<br />
thanks to those “oldfashioned” Directories we could continue. In all these documents<br />
including this newest version from 2012 year are chronicled researchers and their works.<br />
When comparing the first (1991) and the last version (2012) of the Directory we can see how<br />
many people dedicated their research to writing on puppetry since then. The researchers<br />
and their works have become at the same time a part of puppetry, a part of its history. They<br />
all create a cultural heritage. That is why we can consider all mentioned UNIMA directories<br />
of puppetry researchers a part of UNIMA memory. That is why such work as this one is also<br />
meaningful in the modern Information Society.<br />
Information on human sources and results of their research in a form of our Directory is<br />
a good aid for all who want to find researchers in different parts of the world and be informed<br />
about topics of their research. It is useful not only for reseachers but for everybody who is<br />
interested in puppets, puppet theatre, its origin, history and dramaturgy. Those are students,<br />
dramaturges, directors, various creators, amateurs, but also employees of libraries,<br />
museums and others professional workplaces as well.<br />
Many colleagues and UNIMA National Centres from different parts of the world have<br />
participated on this task. I would like to thank all of you who helped us update this issue<br />
not forgetting the Presidents and members of the last UNIMA <strong>Research</strong> Commissions,<br />
who worked on previous printed as well as electronic issues H. Jurkowski, M. Waszkiel, E.<br />
Majaron, J.McCormick, B. Pratasik, K. Smith.<br />
Assoc. Prof. Ida Hledíková M.A. PhD<br />
President of the UNIMA <strong>Research</strong> Commission 2008 – 2012<br />
The editor stipulates the right for non-completed information.<br />
Because of a number and diversity of formats it was not possible to verify and complete all<br />
(cca 2500) bibliographical statements.<br />
3
1. Dr. ABBOTT, Chris (Mr.)<br />
Address:<br />
King's College London<br />
Dept. of Education & Professional Studies<br />
Franklin-Wilkins Building<br />
London SE1 9NN<br />
UK<br />
Telephone: 020 7848 3165<br />
Fax: 020 7848 3182<br />
E-mail: chris.abbott@kcl.ac.uk<br />
List of publications:<br />
An East Anglian Odyssey: The Story of the DaSilva Puppet Company. Wisbech: Wisbech &<br />
Fenland Museum, 2006.<br />
Reviews in Puppet Notebook.<br />
Animations Online.<br />
Other (non-puppet) academic publications listed on www.kcl.ac.uk/education/cabbott.html.<br />
<strong>Research</strong>:<br />
Puppets in pantomime (for the UK-based pantomime website It's Behind You).<br />
2. ABRAMS, Steve (Mr.)<br />
Address:<br />
4809 Warrington Ave<br />
Philadelphia, PA 19143<br />
USA<br />
Telephone: 215-726-6793<br />
E-mail: sapuppets@gmail.com<br />
List of publications:<br />
Encyclopedia Mondiale Des Arts De La Marionnette. Edited by Henryk Jurkowski and Thieri<br />
Foulc, North American Editor: Steve Abrams, Amerique du Nord, pp. 49-52, Bread and<br />
Puppet Theatre, pp. 115-116, Etast-Unis, pp. 255-260, Jim Henson, pp. 337-338, and other<br />
articles. L’Entretemps, Montpellier: UNIMA, 2009.<br />
A Timeline of <strong>Puppetry</strong> in America. A special publication of <strong>Puppetry</strong> Journal, edited by Paul<br />
Eide, with Alan Cook and Steve Abrams. Puppeteers of America, 2001.<br />
American <strong>Puppetry</strong>: Collections, History Performance. Edited by Phyllis T. Dircks, foreward<br />
by Steve Abrams, McFarland and Co, Jefferson North Carolina, 2004. Foreward pp. 1-2,<br />
and Appendix A: Selected Additional <strong>Puppetry</strong> Collections, pp. 285-293.<br />
A Panorama of New York <strong>Puppetry</strong>. In E Pur Si Muove UNIMA Magazine #4 2005 (annual),<br />
Charleville-Mézières, p. 61.<br />
Notes on Puppets and Dance. In <strong>Puppetry</strong> International, issue 18, 2005, pp. 30-31.<br />
4
Basil Twist's Dogugaeshi. In <strong>Puppetry</strong> International, issue 17, 2005, pp. 38-39.<br />
The American Puppet: A History of <strong>Puppetry</strong> in America. Bristol, CT: Mazarella Brothers,<br />
Productions, 2001.<br />
60 articles and reviews, (selection):<br />
Gender Bender Defender. In Spring, Vol. 50 # 3, 1999, p. 13.<br />
Master Puppeteers. In <strong>Puppetry</strong> Journal, Vol. 54 # 2, Winter 2002, p. 25.<br />
Puppets on Broadway. In <strong>Puppetry</strong> Journal, Vol. 55, # 2, Winter 2003, pp. 28, 30.<br />
Little Shop of Horrors, review. In <strong>Puppetry</strong> Journal, Vol. 55, # 2, Winter 2003, p. 10.<br />
<strong>Puppetry</strong> Obie Winners. In <strong>Puppetry</strong> Journal, Vol. 55, # 2, Winter 2003, p. 9.<br />
Ave Q, review. In Vol. 55 # 2, Winter 2003, pp. 3-4.<br />
On Broadway. In Vol. 55 # 2, Winter 2003, pp. 2-3.<br />
Thirty Year of UNIMA Citations. In <strong>Puppetry</strong> Journal, Vol. 56 # 2, Winter 2004, pp. 2-3.<br />
It Gets Better: Gay Puppeteer. In <strong>Puppetry</strong> Journal, Vol. 62 # 2, Winter 2010, pp. 25-27.<br />
War Horse. Review. In <strong>Puppetry</strong> Journal, Vol. 62, # 3, Spring 2011, pp. 2-4.<br />
3. ADAM, Marthe (Ms.) *<br />
Address:<br />
Département de théâtre, Université du Québec<br />
Case postale 8888, Succursale Centre-Ville<br />
Montréal, Québec, H3C 3P8<br />
Canada<br />
E-mail: adam.marthe@uqam.ca<br />
List of publications:<br />
Le théâtre de marionnettes actuel: ambiguîté, provocation, recherche. Cahiers de théâtre<br />
jeu. Montreal, Canada, 1989, No. 51, pp. 70-89 (French).<br />
Analyse comparative du jeu du marionnettiste/Manipulator dans le théâtre de marionnettes<br />
traditionnel au XIXe siécle et du jeu du manipulateur/Acteur dans le nouveau théâtre au XXe<br />
siécle. Mémoire de maîtrise déposée á l´Université du Québec á Montréal, 1991, 105 pp.<br />
(French).<br />
<strong>Research</strong>:<br />
Direction and acting in puppet theatre.<br />
5
4. ALISEITSCHIK, Galina (Ms.)*<br />
Address:<br />
F. Skorina pr. 16 – 78<br />
22050 Minsk<br />
Belorussia<br />
List of publications:<br />
Kukly, maski, litsa (Puppets, Masks, Characters), editor, author of a contribution. Minsk,<br />
1998, p. 112.<br />
Belorusskij Teatr Kukol. Tradicija i experimenty (Belorussian Puppet Theatre. Traditions<br />
and Experiments). In Kukly, maski, litsa. Minsk, 1998, p. 26.<br />
Jascik s kuklami (A Box with Puppets). In Teatralnyj almanach. Minsk, 1999, p. 80.<br />
Kukla v drevneslavjanskich kalendarnych obrjadah (The Puppet in Old Slavonic Calendar<br />
Festivals). In Teatralnyj almanach. Minsk, 1999, pp. 35-41.<br />
Journal Teatr Cudes. Editor in chief, author of contributions. Moscow, No. 0, 1, 2, 2000,<br />
2001.<br />
Koljada – prazdnik zimnogo solncevorota (Carol – Festival of Winter Solstice). In Teatr<br />
Cudes, Journal No. 1. Moscow, 2001, pp. 16-19.<br />
Lutskije misterija (Lutsk´s Mysteries). In Teatr Cudes, Journal No. 1. Moscow, pp. 8-9.<br />
Prazdnichnyje misterija drevnih Slavjan (Festival Mysteries of Old Slavs). In Duhovnaja<br />
energia teatra. Vitebsk, 1995, pp. 43-75.<br />
Kukly i maski v prazdnike koljady (Puppets and Masks in Carol´s Festival). Paper.<br />
International symposium on Nativity Mystery. Lutsk, January, 2001.<br />
5. Prof. ALLEGRI, Luigi (Mr.)<br />
Address:<br />
Via Castagnola, 41<br />
43100 Parma<br />
Italy<br />
Telephone and Fax: +390521988377<br />
E-mail: luigi.allegri@unipr.it<br />
Institution:<br />
Università degli studi di Parma, Dipartimento dei Beni Culturali e dello Spettacolo<br />
Piazzale della Pace 7/A<br />
43100 Parma<br />
Italy<br />
Tel.: +390521281248, fax +390521533659<br />
6
List of publications:<br />
Per una storia del teatro come spettacolo: il teatro di burattini e di marionette (Through the<br />
History of Theatre as a Spectacle: Marionette and Puppet Theatre). Parma: Studi e Archivio<br />
della Comunicazione, 1978.<br />
Dal teatro di burattini al teatro di figura: un’ipotesi di trasgressione realizzata (From<br />
Marionette Theatre to Puppet Theatre: a Hypothesis of the Realized Transgression).<br />
Quaderni di teatro, 1986, No. 31.<br />
L’angelo e la maschera: la marionetta nel teatro del Novecento (The Angel and the Mask:<br />
the Marionette in the Theatre of the 20th Century). Report at conference of Saintes 1988,<br />
published in Pulcinella: Una maschera tra gli specchi, by Franco Carmelo Greco. Napoli:<br />
E.S.I., 1990.<br />
Pulcinella e i burattini (Pulcinella and the Puppets). In Pulcinella: Una maschera tra gli<br />
specchi, cit.<br />
Un don Cristóbal d’autore: il teatro per burattini di Federico Garcia Lorca (A Don Cristóbal<br />
of the Author: the Theatre for Puppets by Federico Garcia Lorca). In Pulcinella e le arti dal<br />
Cinquecento al Novecento, by Franco Carmelo Greco. Napoli: Electa, 1990.<br />
Dal filosofo al folle: la marionetta nel Medioevo (From the Philosopher to the Crowd:<br />
the Marionette in the Middle Ages). In Il mito dell’automa. Teatro e macchine animate<br />
dall’antichità al Novecento, by Umberto Artioli and Francesco Bartoli. Florence: Artificio,<br />
1991.<br />
La marionetta e l’Angelo, nel mondo (The Marionette and the Angel of the World). Il teatro<br />
contemporaneo e il mito della marionetta, Il castello di Elsinore, 1991, No. 12.<br />
La marionetta fra tradizione e utopia (The Marionette between Tradition and Utopia).<br />
In Storia del teatro moderno e contemporaneo. III. Avanguardie e utopie del teatro.<br />
Il Novecento, by Roberto Alonge and Guido Davico Bonino. Turin: Einaudi, 2001.<br />
Don Cristóbal nel teatro per burattini di Federico García Lorca (Don Cristóbal in the Puppet<br />
Theatre by Federico García Lorca). Homenaje and Luis Quirante, eds. Rafael Beltrán, Marta<br />
Haro, Josep Lluís Sirera, Antoni Tordera. Estudios teatrales, Vol. I, Universitat de València,<br />
2003.<br />
De l’acteur romantique au mythe de la marionette. Hypothèse pour une modélisation<br />
(From the Romantic Actor to the Myth of the Marionette. Hypothesis for Modeling).<br />
In Le Spectaculaire dans les arts de la scène du Romantisme à la Belle Époque, by Isabelle<br />
Moindrot. Paris: CNRS, 2006.<br />
Il mondo delle figure. Burattini e marionette fra tradizione e consapevole linguaggio teatrale<br />
(The World of Figures. Puppets and Marionettes between Tradition and Conscious Theatrical<br />
Language). In mondo delle figure. Burattini e marionette della tradizione padana, catalogo<br />
della mostra, by Luigi Allegri. Brescia: Palazzo Martinengo, March – May 2007.<br />
7
6. AMARAL, Ana Maria (Ms.)<br />
Address:<br />
Av. Pedroso de Morais 70 apt. 31<br />
S. Paulo, S.P. 05420-000<br />
Brazil<br />
Telephone: 55-11-3814-5693<br />
E-mail: amaral_am@terra.com.br<br />
List of publications:<br />
Le théâtre de marionnettes au Brésil, des années 40 aux années 60 (The Brazilian<br />
Marionette Theatre from the 40s to the 60s). By M. C. Rodrigues Alves of Teatro de Bonecos<br />
no Brasil, 1994. S. Paulo: Com Arte, 1994, tr.<br />
Teatro de Formas Animadas (Theatre of Animation Forms). 4rd Ed. S. Paulo: EDUSP, 2011.<br />
Teatro de Animação; da teoria à prática (Theatre of Animation; from Theory to Practice).<br />
2nd Ed. S. Paulo: Ateliê Editorial, 2002.<br />
O ator e seus duplos: máscaras, bonecos, objetos (The Author and His Doubles: Masks,<br />
Puppets, Objects). 3rd Ed. S. Paulo: Editora SENAC\EDUSP, 2010.<br />
7. ANDRIANOV, Katriina (Ms.)<br />
Address:<br />
University of Tampere<br />
School of Communication, Media and Theatre<br />
Theatre and Drama <strong>Research</strong><br />
FI-33014 University of Tampere<br />
Finland<br />
Telephone: +358 40 5861967<br />
E-mail: katriina.andrianov@kolumbus.fi<br />
List of publications:<br />
Animering som åskådarens animism (Animating as the Spectator’s Animism. Translation<br />
from English: Tomas Alldahl). In Tidskrift för scenkonst med animationsfigurer, masker och<br />
objekt (Nordic UNIMA Magazine). UNIMA Sweden & UNIMA Norway, 2006, p. 9.<br />
Diskurssia etsimässä: Professional Development -puheohjelma, Perth 2008 (Searching for<br />
Discourse: Professional Development Programme, Perth 2008). In Nukketeatteri (UNIMA<br />
Finland Magazine, re-named), 1/2008, pp. 10-11.<br />
Keskustelu Pyhän Olavin kanssa (Discussion with Saint Olaf). In Peltonen, Leila & Tawast,<br />
Marjut (edit.), Nukketeatteria suomalaisilla näyttämöillä (Puppet Theatre on Finnish Stages).<br />
Helsinki: LIKE, 2009, pp. 24-29.<br />
Report: International Conference of Stage Animation in Tampere 29.-30. 10. 2009.<br />
In Nukketeatteri (UNIMA Finland Magazine), 1/2010, pp. 4-5.<br />
8
Lapsia, lintuja, kukkasia – vähäisempi musikaali. Havainnon, kokemuksen ja teorian<br />
vuoropuhelu (Children, Birds, Flowers – A Minor Musical. Dialogue between Perception,<br />
Experience and Theory). In Ikonen, Liisa, Järvinen, Hanna & Loukola, Maiju (edit.),<br />
Näyttämöltä tutkimukseksi. Esittävien taiteiden metodologiset haasteet. (From Stage to<br />
<strong>Research</strong>. Methodological Challenges in Performing Arts.). Helsinki: The Theatre <strong>Research</strong><br />
Society, 2012, pp. 191-210. Open access yearbook (www.teats.fi/julkaisut.html).<br />
<strong>Research</strong>:<br />
Esine roolissa. Elollistuminen pyhän (re)presentaationa Kristian Smedsin<br />
näyttämöanimaatiossa (An Object in a Role. Becoming Animate as (re)presentation of<br />
Sacred in Kristian Smeds’s Stage Animation), 2012, doctoral dissertation.<br />
8. Dr. ARDALAN, Hamidreza (Mr.)<br />
Address:<br />
Second floor, No. 7 (new)<br />
Emad Moghnieh st, Argentina sq.<br />
Tehran<br />
Iran<br />
Telephone: 00982188886203<br />
Fax: 00982188798506<br />
Web: www.musikaoc.com<br />
Email: h_ardalan@musikaoc.com<br />
List of publications:<br />
Trans Modern Puppet Theatre Based on Post Metaphysical Thinking<br />
Puppets without Verbs<br />
Puppet, Object and Word<br />
Ritual and Traditional Puppet in the Post Metaphysical Time<br />
Think and Time in Ritual Puppet Theatre<br />
Episteme and Puppet Theatre<br />
The Origin and Appearance of “Pahlavan Kacial“ as a Comic Figure and His Role in Ritual<br />
Performances, Literature and Traditional Theatre<br />
9. Dr. ARNOLDI, Mary Jo (Ms.)*<br />
Address:<br />
Curator, Africa<br />
National Museum of Natural History<br />
Department of Anthropology<br />
MRC 112<br />
Smithsonian Institution<br />
Washington, D.C. 20560-0112<br />
USA<br />
9
Telephone: 202-357-1396<br />
Fax: 202-357-2208<br />
E-mail: arnoldi.mary@nmnh.si.edu<br />
List of publications:<br />
Playing with Time. Art and Performance in Central Mali. Bloomington: Indiana University<br />
Press, 1995.<br />
African Material Culture. Ed. Arnoldi, Geary and Hardin. Chapter 8, Arnoldi, Negotiating<br />
Identities Through Objects: The Youth Association Masquerades in Mali. Bloomington:<br />
Indiana University Press, 1996, pp. 167-187.<br />
African Masks and Masquerades. In Encyclopedia of Sub-Saharan Africa. New York: Charles<br />
Scribner and Sons, 1997.<br />
Yaya Coulibaly: Contemporary Malian Artist and Puppeteer. <strong>Unima</strong> – United States, 1997,<br />
pp. 8-10.<br />
Wild Animals and Heroic Men: Visual and Verbal Arts in the Sogo bò Masquerades of Mali.<br />
<strong>Research</strong> in African Literature. 2000, Vol. 31, No. 4, pp. 63-75.<br />
Somono Puppet Masquerades in Kirango, Mali. African Arts Journal, 2001, Vol. 34, No. 1,<br />
pp. 72-77.<br />
<strong>Research</strong>:<br />
Rural Malian puppet masquerade, Malian national arts festivals, urban arts and<br />
contemporary Malian monuments.<br />
10. Dr. ASTLES, Cariad (Ms.)<br />
Address:<br />
33 Westfield<br />
Bradninch<br />
Exeter<br />
Devon EX5 4QU<br />
UK<br />
Telephone: 0044 (0) 1392 881231<br />
E-mail: Cariadastles@yahoo.co.uk<br />
List of publications:<br />
Mamulengo: Comedy and Commentary. In BrUNIMA Bulletin, March 1998.<br />
Lorca, the Grotesque and the Carnivalesque. In Blood, Fire and the Alphabet. Edited by<br />
Thompson, Michael. Sheffield: University of Sheffield Press, 1998.<br />
Lorca, Don Cristobal and the Carnivalesque. In Fire, Blood and the Alphabet. Edited by<br />
Doggart, Sebastian and Thompson, Michael. University of Durham Modern Languages<br />
Series, 1999, pp. 107-123.<br />
Lorca i Kantor i el seu legado (Lorca and Kantor, and Their Legacy). Edited by Zurbach,<br />
Christine. Teatro de Marionetas; Tradição i Modernidade. Evora: Editora Casa do Sul, 2000.<br />
Puppet Theatre for Development. Ed. BrUNIMA Bulletin. UNIMA, November 2001.<br />
10
O grotesco: de Lorca a Kantor, O ator e seus duplos: máscaras, bonecos, objetos (The<br />
Grotesque: from Lorca to Kantor). In Adagio – III. Seminario internacional de marionetas de<br />
Evora. Evora: Centro Dramatico de Evora Associação, junho/dezembro 2001, pp. 103-111.<br />
O grotesco: de Lorca a Kantor, e o seu legado (The Grotesque: from Lorca to Kantor,<br />
and Their Legacy). In Teatro de Marionetas – tradicao e modernidade. Edited by Zurbach,<br />
Christine. Evora: Casa do Sul, 2002, pp. 275-286.<br />
Lorca and Kantor: Two Versions of the Grotesque. In Adagio. Evora: Cendrev, 2002.<br />
Lorca the Puppeteer. DaSilva Books, 2002.<br />
Puppet Theatre and Child Rights. In Cultures and Settlements. Astles Cariad in Miles,<br />
Malcolm and Nikola Kirkham, eds. Bristol: Intellect, 2003, pp. 121-132.<br />
Catalan <strong>Puppetry</strong> during the Spanish Civil War and the Dictatorship. Puppet Notebook.<br />
London, April 2005.<br />
Moving House. (transl.) Ed. Periale, Andrew. <strong>Puppetry</strong> International, Issue 20, Strafford,<br />
USA, UNIMA-USA, 2006.<br />
Catalan Puppet Theatre: a Process of Cultural Affirmation. Ed. Delgado, Maria, David<br />
George and Lourdes Orozco. Contemporary Theatre Review, Special Issue: Catalan Theatre<br />
1975-2006: Politics, Identity and Performance. Vol. 17, No. 3, August 2007.<br />
(This issue of CTR won the Premi Joan B Cendrós, made by Omnium Cultural to that is<br />
judged to be the best piece of work written about Catalan culture, language and identity or<br />
the best contribution to Catalan studies outside Catalonia.)<br />
“<strong>Puppetry</strong> in Great Britain”, “Doo Cot”, “Theatre-rites”, “Green Ginger”, “Welfare State<br />
International”, “Emergency Exit Arts”, “Caricature Theatre”, “Improbable Theatre”, “Little<br />
Angel Marionette Theatre”, “Faulty Optic”. Astles, Cariad (ed.). World Encyclopedia of<br />
<strong>Puppetry</strong> Arts, Paris: EMAM, 2008.<br />
(The Encyclopedia was awarded a prize for best theatre book by the French Critics’ Union in<br />
2010. This was awarded at the Théâtre Artistique Athevains on 21st June 2010.)<br />
Alternative Puppet Bodies. In Moin Moin. UNIMA Brazil (ed.), August 2008.<br />
African Spectacle within Cuban Theatre. Edited by Osita Okagbue. In African Theatre<br />
Journal: African Theatre in the Diaspora, October 2009.<br />
Dancing Giants and Bigheads: Processions and Puppets in Catalonia. Edited by Dorothy<br />
Max Prior. In Animated Advances. Puppet Centre, April 2009.<br />
Wood and Waterfall: <strong>Puppetry</strong> Training and Its Anthropology. Edited by Gough, Richard and<br />
Simon Shepherd. In Performance <strong>Research</strong>: On Training, 14. 2, September 2009.<br />
Barcelona: Earth, Puppets and Embodiment. Edited by Counsell, Colin and Roberta Mock. In<br />
Performance, Embodiment and Cultural Memory, CUP, November 2009.<br />
<strong>Puppetry</strong> Training in Contemporary Live Theatre. Edited by Murray, Simon and Simon<br />
Pitches. In Theatre, Dance and Performance Training, March 2010.<br />
<strong>Research</strong>:<br />
Popular Puppet Theatre and the Carnivalesque. The language of visual theatre Catalan<br />
and Spanish puppet theatre during the Civil War, dictatorship and post-Franco.<br />
11
11. ATANASOVA, Nadezhda (Ms.)<br />
Address:<br />
34 “Mara Gidik” str. app. 11<br />
1505 – Sofia<br />
Bulgaria<br />
Telephone: +359 877643916<br />
E-mail: ilkova_theatre@abv.bg<br />
List of publications:<br />
Gostuvane v GDR (Visiting the GDR). Teatar, 1976, No. 12.<br />
Otgovorat na moeto ochakvane – Slaveyat i rozata po O. Uayld; Prikazka za zvanchevata<br />
gora ot Ch. Shinov, rezh. Zlati Zlatev, DKT – Varna (The Answer to My Expectation –<br />
“Nightingale and the Rose” by O. Wilde, "A Tale of Bell Forest" by X. Shinov, director Zlati<br />
Zlatev, Puppet Theatre – Varna). Teatar, 1, 1972.<br />
Za chasovnikarya i ostanalite personazhi – Chasovnikaryat ot Ivan Teofilov, rezh.<br />
L. Docheva, TSKT (For the Watchmaker and the Other Characters – "Watchmaker" by Ivan<br />
Teofilov, directed by L. Docheva, CCTV). Teatar, 2, 1966.<br />
Izsledvane na spetsifikata – Vasil Stefanov “Savremenen kuklen teatar” (Investigation<br />
of Specificity – Vasil Stefanov "Contemporary Theatre). Teatar, 3, 1972.<br />
Tsentralniyat kuklen teatar na 30 godini (The Central Puppet Theatre for 30 Years), Teatar,<br />
5, 1978.<br />
Hudozhestven obraz – edinstvo aktyor i kukla (Artistic images – Unity Actor and Puppet).<br />
Teatar Sofiya, 1978, No. 6.<br />
Tematichni i stilovi osobenosti na nay-novata kuklena dramaturgiya (Thematic and Stylistic<br />
Features of the Latest Puppet Drama). Teatar, 4, 1979.<br />
Savremenniyat stil na aktyorskata igra v kukleniya teatar (The Modern Style of Acting in the<br />
Theatre). Teatar Sofiya, 1983, No. 10.<br />
Za Yolanta Raykova (About Yolanta Raykova). Teatar, 12, 1983.<br />
Za smetka na kuklite (On the Other Hand Puppets). In Hudozhestvena samodeynost<br />
(Amateur Art Magazine), Sofiya, 1984, No. 6.<br />
Ochakvaniya, rezultati, perspektivi (Expectations, Performance, Prospects). In Narodna<br />
kultura, Sofiya, 26. IV 1985.<br />
Plasticheski obobshteniya na kuklata (Summaries of Plastic Doll). Hudozhestvena<br />
samodeynost, Sofiya, 1986, No. 3.<br />
Dramaturgiya i kuklen teatar (Dramaturgy and Puppet Theatre). Teatar, issue 9-12, 1988.<br />
12
Edin gubi, nikoy ne pecheli – Gubeshtiyat e kuklenoto izkustvo (One Loses, Nobody Wins –<br />
Loser is <strong>Puppetry</strong>). Teatar, 4, 1989.<br />
Za kuklite i horata (About Puppets and People). A book. Sofiya, 2009.<br />
12. ATTINGER, Eliane (Ms.)<br />
Address:<br />
Woudweeren 2<br />
1151 AV Broek in Waterland<br />
Netherlands<br />
Institution:<br />
Feikes Huis, productiehuis voor poppen - en objecttheater<br />
List of publications:<br />
The Development of Policy on the Field of <strong>Puppetry</strong>. In BEWOGEN, BEELDEN. Amsterdam:<br />
Nederlands Poppenspiel Instituut, 1994 (Dutch).<br />
Different articles on Dutch puppetry in DAT (Das Andere Theater, present Double) and<br />
the Dutch WP.<br />
13. AYUSO, Adolfo (Mr.)<br />
Address:<br />
Conde de Aranda, 124, 2º izda<br />
50003 Zaragoza<br />
Spain<br />
Telephone: +34 661 755 535<br />
E-mail: ayusoroy@terra.es<br />
List of publications:<br />
Historia y mecánica de la marioneta en España (History and Mechanics of the Marionette<br />
in Spain). Adolfo Hayuso, Helena Millán. Zaragoza: DPZ, 2001.<br />
Instinto de comediantes. Industrias y andanzas de Los Titiriteros de Binéfar (Comediants’<br />
Instinct. Skills and Adventures of the Puppeteers ‘Los Titiriteros de Binéfar’). Zaragoza: DPZ,<br />
2002.<br />
La sombra desvelada. Un viaje por el teatro de sombras (The Shadow Unveiled. A Journey<br />
through the Shadow Theatre). (Coord). Zaragoza: DPZ, 2004.<br />
Alberti y el teatro de títeres. El vuelo de La Pájara Pinta (Alberti and the Puppet Theatre.<br />
The Spotted Bird’s Flight). IGAEM. Bululú, 4, primavera, 2003, pp. 60-72.<br />
Cómicos y virtuosos. Los títeres durante la dictadura franquista (Comics and Virtuosos.<br />
Puppets during the Francoist Dictatorship). In AAVV, Títeres, Centro Etnográfico Joaquín<br />
Díaz. Diputación de Valladolid, 2004, pp. 120-159.<br />
13
Para un público menor (For a Young Audience). Theatre and performances for children<br />
in Aragón (1950-2005). Zaragoza: Centro Dramático de Aragón, 2007.<br />
Miguel Prieto, director de La Tarumba. El guiñol en defensa de la República (Miguel Prieto,<br />
Director of La Tarumba. The Puppet Show in Defense of the Republic). UNIMA Federación<br />
España, Fantoche, arte de los títeres, 1, octubre 2007, pp. 48-61.<br />
Gigantes y cabezudos, actores de calle (Giants and Big-Heads, Street Actors). In Domingo<br />
Moreno (Coord), La danza de los diferentes, Gigantes, cabezudos y otras criaturas.<br />
Ayuntamiento de Zaragoza, 2008, pp. 89-113.<br />
Félix Malleu, domador de leones y hombre del guiñol (Félix Malleu, Lion Tamer and<br />
Puppeteer). Fantoche, arte de los títeres, III, 2. octubre 2008, pp. 5-23.<br />
El títere de tipo catalán y la saga de los Vergés (Catalan-type Puppets and the Saga of the<br />
Vergés). Fantoche, arte de los títeres, V, 4, 2010, pp. 17-48.<br />
<strong>Research</strong>:<br />
History of the Puppets in Spain (especially the period 1800 – 2000).<br />
Puppets in the Spanish Republic, during the Civil War and the Franco government.<br />
14. AZIMPOUR TABRIZI, Poupak (Ms.)<br />
Address:<br />
Second floor, Apartment No. 5<br />
Building No. 67 (new)<br />
Rastovan St. Ehteshamiye Sq. Pasdaran St.<br />
19466-14886 Tehran<br />
Iran<br />
Telephone: 00982188886104, 00982122580472<br />
Fax: 00982188798506<br />
E-mail: poupak.azimpour@gmail.com<br />
Institution:<br />
University of Tehran<br />
College of Fine Arts, School of Performing Arts and Music<br />
Enghelab St.<br />
PO Box: 14155-6458<br />
Tehran<br />
Iran<br />
List of publications:<br />
Iranian Ritual and Traditional Puppets and Puppet Shows Dictionary. Tehran, Iran:<br />
Namayesh Publications, 2010.<br />
Buke Barana and Hole Barani Kurdish Rain Puppets. Tehran, Iran: Namayesh Publications,<br />
2006.<br />
Teke. Tehran, Iran: Peyke Bahar publications, 2004.<br />
Toward an Aesthetics of the Puppet. By Steve Tillis (Translated to Persian by Poupak<br />
Azimpour). Tehran, Iran: Peyke Bahar, 2004.<br />
14
The Appearance of the Goddess of Water and the God of Rain as Forms of Iranian <strong>Puppetry</strong><br />
– Theatrical Rain Rites. <strong>Puppetry</strong> International, <strong>Unima</strong>, USA, Atlanta, Spring and Summer<br />
#31, 2012.<br />
The Appearance of the Ritual Motives in Peter Schumann’s Works and Bread and Puppet<br />
Theatre. The 2 nd International Traditional – Ritual Performances Seminar (A collection of<br />
Articles). Tehran, Iran, 30 th July – 1 st August 2009.<br />
A Contemporary Comparison of Iranian Ancient Rain Rituals. The First International<br />
Traditional – Ritual Performances Seminar (A collection of Articles). Tehran, Iran, 2007.<br />
Iranian Ritual Puppets. Daily Publication of 11th International Puppet Festival. Tehran, Iran,<br />
2006.<br />
Metaphor and Puppet. Local Publication of Theatre forum, No 4., Tehran, Iran, 2006.<br />
Relation of Fancy and Oriental Performances (With Specially Look at Shadow Puppet<br />
Theatre). Tajir, Nowrouz – Honar institute of C culture & Art, Tehran, Iran, 2006.<br />
Analysis of Peter Schumann’s Directing Taking into Consideration. The Politics and Social<br />
Elements. Tajir, <strong>Puppetry</strong> Season Review, Art University, Tehran, Iran, Fall 2004.<br />
<strong>Research</strong>:<br />
Bread and Puppet Theatre (Method Analysis of Peter Schumann’s to Direct)<br />
15. BADIOU, Maryse (Ms.)<br />
Address:<br />
Viladomat, 123, 1º, 1ª<br />
08015 Barcelona<br />
Spain<br />
Telephone: +34 934 238 826<br />
E-mail: ysemars@gmail.com<br />
Institution:<br />
TNC Teatre Nacional de Catalunya<br />
Plaça de les Arts, 1<br />
08013 Barcelona<br />
Spain<br />
Telephone: +34 933 065 700<br />
E-mail: Mbadiou@tnc.cat<br />
List of publications:<br />
She has written over 100 articles in the magazine, specializing in Performing Arts,<br />
The Public (Ministry of Culture) on theatre, dance, scenery and puppets from 1983 – 1992:<br />
on Joan Baixas, Malic Theatre, Els Quatre Gats, Neville Tranter, Hugo and Ines, Lecucq,<br />
Comediants, the International Festival of Barcelona, etc.<br />
Collaborated on magazines Primer Acto (Spain) and Puck y Thèâtre/Public (France).<br />
15
Deux aspects du Thèâtre d’ombres: Le Thèâtre d’ombres de Kelantan et le Thèâtre de<br />
Karagheuz (Two Aspects of the Shadow Theatre: Shadow Theatre of Kelantan and Theatre<br />
of Karagöz). Tesina, Université de Toulouse-Le Mirail, 1976.<br />
L’ombre et la marionette. Essai d’interpretation de l’objet animé en relation avec l’espectacle<br />
(The Shadow and the Puppet. Essay on the Animated Object in Relation with the<br />
Performance). Tesis doctoral, Université de Toulouse-Le Mirail, 1980.<br />
L’ombra i la marioneta o les figures dels déus (The Shadow Puppet and the Marionette or<br />
Figures of Gods). Institut del Teatre-Edicions 62, Barcelona, 1988.<br />
H. V. Tozer: la marioneta o el teatre de la vida en Harry V. Tozer (H. V. Tozer:<br />
The Marionette or the Theatre of Life in Harry V. Tozer). Institut del Teatre de Barcelona –<br />
Centre de Titelles de Lleida, 1993.<br />
A marioneta ou o vinculo existencial entre a vida e o sentido, en Teatro de marionetas,<br />
tradiçao e modernidade (The Marionette or the Link between Life and Sense). Évora: Casa<br />
do Sul, 2002, pp. 67-78.<br />
Las sombras entre continentes y culturas: una visión del mundo, en Adolfo Ayuso (Shadow<br />
Puppets between Continents and Cultures: A Vision of Life). La sombra desvelada. Un viaje<br />
por el teatro de sombras. Zaragoza: DPZ, 2004, pp. 13-47.<br />
El pesebre, mite escenografia (The Crib, A Myth on Stage). Serra d’Or, 541, enero 2005, pp.<br />
49-53.<br />
Sombras y marionetas. Tradiciones, mitos y creencias: del pensamiento arcaico al<br />
Robot sapiens (Shadow Puppets and Marionettes. Traditions, Myths and Beliefs: From<br />
Archaic Thinking to Robot Sapiens). Prensas Universitarias de Zaragoza, 2009.<br />
Nativité (Nativity). In Encyclopédie Mondiale des Arts de la Marionnette<br />
(Worldwide Encyclopedia of <strong>Puppetry</strong> Arts). <strong>Unima</strong> – L’Entretemps. Montpellier, 2009,<br />
pp. 488-490.<br />
<strong>Research</strong>:<br />
Dialogue between theatrical practice and theory. The animated object as a key means<br />
Of apprehension of space and time. The animated object and his relationship to other arts.<br />
Nativity scenes with puppets.<br />
16. BAGNO, Albert (Mr.)<br />
Address:<br />
Via Don Achille Bolis 21<br />
23801 Calolziocorte (LC)<br />
Italy<br />
Telephone: 0314631434 – 3495963504<br />
E-mail: albert.bagno@libero.it<br />
List of publications:<br />
Le objet pour comuniquer (Communication through the Object). COE, 2000 (Italian).<br />
Le théâtre des marionnettes à l´école (Puppet Theatre in the School). RTL, 2000 (Italian).<br />
16
Le non Docteur Marionnette (The Non-doctor Puppet). Saronno: AZL, 1999 (Italian).<br />
<strong>Research</strong>:<br />
Puppets in Arab World. Puppets and Fairground. Songs, Music and Puppets.<br />
17. BALOGH, Géza M.A. (Mr.)<br />
Address:<br />
Budapest<br />
Damjanich u. 23.<br />
H-1071<br />
Hungary<br />
Telephone: 36-1-3428-913<br />
Institution:<br />
Budapest Bábszínház<br />
Andrássy út 69<br />
1062 Budapest<br />
Hungary<br />
Telephone: (36-1) 322-5051<br />
Fax: 342-4765<br />
E-mail: bubab@hdsnet.hu,baloghg36@freemail.hu<br />
List of publications:<br />
Elfogult jóslatok (Partial Predictions). Színház 6, 1996.<br />
Tadeusz Kantor. Criticai Lapok 7-8, 1996.<br />
Mitől bábszínház a bábszínház? (Of What Is the Theatre Sometimes a Puppet Theatre?)<br />
Criticai Lapok 9, 1996.<br />
Kínai bábművészek Budapesten (Chinese Puppeteers in Budapest). Criticai Lapok 11, 1997.<br />
A Tandarica vendégjátéka (A Guest Performance of Tandarica). Criticai Lapok 5, 1998.<br />
Bábfesztivál úton-útfélen (Puppet Festivals Everywhere). Criticai Lapok 9, 1998.<br />
Madarak minden mennyiségben (Birds in Large Quantitie; Puppet Festival in Bukharest).<br />
Criticai Lapok 12, 1998.<br />
Bábszínház 1949 – 1999 (Puppet Theatre 1949 – 1999). Editor. Budapest, 1999.<br />
A Napsugár fél évszázada (Half a Century of Sunshine). Békéscsaba, 1999.<br />
Tréfa, irónia és... epikus bábszínház (Joke, Irony and... Epic Puppet Theatre). Criticai Lapok<br />
9, 1999.<br />
Bábszínházi találkozó Kecskeméten (Meeting of Puppeteers in Kecskemét). Criticai Lapok 6,<br />
2000.<br />
UNIMA 2000, Magdeburg. Criticai Lapok 10, 2000.<br />
Massimo Schuster. Criticai Lapok 3-4, 2001.<br />
17
Egy divatjamúlt zseni (An Outdated Genius. Sergey Obrastzov). Criticai Lapok 7-8, 2001.<br />
Felnött bábfesztivál (An Adult Festival with Puppets). Criticai Lapok 9, 2001.<br />
Kontrasztok – Moszkva, bábok, 2001 (Contrasts – Moscow, Puppets, 2001). Criticai Lapok<br />
11, 2001.<br />
Önarckép profilból (Self-portrait in Profile, Meeting of Hungarian Puppeteers). Criticai Lapok<br />
7-8, 2002.<br />
Tiszta Amerika (Pure America, Puppet Festival in Atlanta). Criticai Lapok 11, 2002.<br />
Az állandó bábszínházak (Permanent Puppet Theatres); A vásári és a művészi bábjáték<br />
(The Fairground and Artistic Puppet Theatres). In Magyar Színháztörténet 1920-1949<br />
(History of the Hungarian Theatre 1920-1949). Budapest, 2003.<br />
Ország Lili (Lili Ország). Art Limes 2003.1.<br />
Brave Laszlo Is 80 Years Old! E pur si muove 04, 2005.<br />
A Távol-Kelet bábművészete (The Oriental Puppet Art). Báb-Tár II.- III., 2006.<br />
A Mesebarlangtól a Budapest Bábszínházig (From the Fairy Tale Cave to the Budapest<br />
Puppet Theatre). Báb-Tár IV, 2007.<br />
Obrazcov két színháza (Obrastzov´s Two Theatres). Báb-Tár V., 2007.<br />
Mimezis v loutkovém divadle (Mimesis in the Puppet Theatre), Divadlo a interakce II.<br />
(Theatre and Interaction III). Praha: Pražská scéna, 2007.<br />
Edward Gordon Craig és az übermarionett (Edward Gordon Craig and the Übermarionette).<br />
Báb-Tár VI, 2008.<br />
Variace na loutkovou hru Kral jelenem (Variations on the Puppet Play Stag King), Divadlo<br />
a interakce III. (Theatre and Interaction III). Praha: Pražská scéna, 2008.<br />
Változatok egy magyar bábjátékra. Heltai Jenő és a Szarvaskirály (Variations on<br />
a Hungarian Puppet Play. Jenő Heltai and the Stag King). Báb-Tár, VII, 2008.<br />
A Hungarian Puppeteer in Paris: Géza Blattner. E pur si muove 06, 2008.<br />
Pillanatképek az európai bábjáték történetéből (Snapshots from the History of the European<br />
<strong>Puppetry</strong>). Báb-Tár VIII, 2009.<br />
Encyclopédie mondiale des Arts de la Marionnette (World Encyclopaedia of <strong>Puppetry</strong> Arts).<br />
Author of Hungarian contributions, councillor scientific. Édition L’Entretemps, Montpellier,<br />
France, 2009.<br />
Az ember tragédiája a bábszínpadon (The Tragedy of Man in the Puppet Theatre). Báb-Tár<br />
IX, 2009.<br />
Doktor Faust a bábszínpadon (Doctor Faustus on the Puppet Stage). Báb-Tár X, 2010.<br />
A bábjáték Magyarországon (Puppet Theatre in Hungary). Budapest: Vince Kiadó, 2010.<br />
18
Variacjje jedne alegorije (Variations of an Allegory). Subotica, 2010.<br />
Bábkabaré az ötvenes években (Puppet Cabaret of the 1950s). Báb-Tár XII, 2011.<br />
Književnost za decu, pozorište za decu, pozorište lutaka (Children's Literature, Children's<br />
Theatre, Puppet Theatre). Subotica, 2011.<br />
Dvě režiserské generace maďarského loutkového divadla (Two Director´s Generation of the<br />
Hungarian Puppet Theatre). Praha: Loutkář 5, 2011.<br />
Himnusz és önirónia. Egy jubiláló prágai bábfesztiválon (National Anthem and Self-irony).<br />
Criticai Lapok 2, 2011.<br />
A színész a demiurgosz szerepében. Henryk Jurkowski könyve (Actor in the Role<br />
of Demiurgos. Henryk Jurkowski´s Book). Criticai Lapok 3, 2011.<br />
Gyermekszínházi fesztivál mindenkinek (?), Szabadka, 2011 (Childrens' Theatre Festival<br />
for Everybody (?), Subotica, 2011). Criticai Lapok 11, 2011.<br />
<strong>Research</strong>:<br />
Little forms of puppetry. History of the Hungarian puppetry.<br />
18. BAUDIN, Yves (Mr.)<br />
Address:<br />
Théâtre de la Poudrière<br />
Quai Philippe-Godet 22<br />
CH 2000 Neuchâtel<br />
Switzerland<br />
Telephone: 0041 32 724 65 19<br />
Fax: 0041 32 724 65 17<br />
E-mail: info@theatre-poudriere.ch<br />
Web: www.theatre-poudriere.ch<br />
List of publications:<br />
Le Discours marionnettique: mémoire de licence (<strong>Puppetry</strong> Discourse). Université de<br />
Neuchâtel, 1982.<br />
Théâtre de la Poudrière, un parcours (Poudrière Theatre, A Direction). Hauterive: Editions<br />
Attinger, 1998.<br />
Marionnettes: préface “Du verbe à sa disparition” (From the Verbe to Its Disappearance).<br />
Par Yves Baudin dans la publication de troispièces marionnettiques. Revue UWA, avril 1999.<br />
En Scène, la vie théâtrale en Pays Neuchâtelois (On the Stage, Theatre Life in Neuchâtel).<br />
Ouvrage collectif. Hauterive: Editions Attinger, octobre 2010.<br />
Different articles, general or subjective in Théâtre de la Poudrière in the specialised revues:<br />
Figura, Mimos, Double… notably: “Gratwanderungen”: Thesen zu einer spezifischen<br />
Dramaturgie des Figurentheaters. Revue Double, april 2005 (translated by Katja Spiess and<br />
Meike Wagner).<br />
19
19. BELL, John Dr. (Mr.)<br />
Address:<br />
100 Jackson Street<br />
Cambridge, Massachusetts 02140<br />
USA<br />
Institution:<br />
Ballard Institute and Museum of <strong>Puppetry</strong><br />
University of Connecticut<br />
6 Bourn Place<br />
Storrs, Connecticut 06269<br />
Telephone: 617/599-3250<br />
E-mail: john.bell.puppeteer@gmail.com<br />
List of publications:<br />
American Puppet Modernism. Book. New York: Palgrave/Macmillan, 2008.<br />
Puppets, Masks, and Performing Objects. Editor. Book. Cambridge: MIT Press, 2001.<br />
Strings, Hands, Shadows: A Modern Puppet History. Book. Detroit: Detroit Institute of Arts,<br />
2000.<br />
Landscape and Desire: Bread and Puppet Pageants in the 90s. Monographs. Bread and<br />
Puppet Press, Glover, Vermont, 1997, 1998.<br />
The Short Entertaining History of Toy Theatre. Monographs. Great Small Works, New York,<br />
1996, 1998, 2003.<br />
Masks: Outer Image, Inner Spirit. Monographs. Center for <strong>Puppetry</strong> Arts. Atlanta, 2001.<br />
A Chronology of European Theatre Events Involving Performing Objects 1887 – 1939.<br />
Monographs. The <strong>Puppetry</strong> Yearbook 1. Edwin Mellen Press, Lewiston, N.Y., 1995.<br />
Book Chapters and Encyclopedia Entries:<br />
Picture Performance and Transformation in the Modern World: Brecht’s Bänkelsang and<br />
Schumann’s Cantastoria. Banners and Cranks: Tradition & Reinvention, edited by Clare<br />
Dolan. Bibliotheca Librorum, San Juan, 2010.<br />
Travailler et grandir avec le Bread and Puppet (Working and Growing with Bread and<br />
Puppet), Passeurs et complices (Passing it On). Edited by Lucile Bodson, Margareta<br />
Niculescu, and Patrick Pezin. L’Entretemps, Paris, 2009.<br />
Playing with a Lack of Control. In The Puppet Show. Edited by Ingrid Schaffner and Carin<br />
Kuoni. Institute of Contemporary Art, Philadelphia, 2008.<br />
“United States: 1940-Present”, “Political Theatre”, “Spalding Gray”, and “Luis Valdez”, for<br />
The Columbia Encyclopedia of Modern Drama. Columbia University Press, New York, 2007.<br />
Performance Studies in an Age of Terror. In The Performance Studies Reader, Second<br />
Edition. Edited by Henry Bial. Routledge, New York, 2007.<br />
20
The Influence of Bread and Puppet Theate. In Restaging the Sixties: Radical Theatres and<br />
Their Legacies. Edited by James Harding and Cindy Rosenthal. University of Michigan<br />
Press, Ann Arbor, 2006.<br />
Bread and Puppet Theatre (with F. Elaine Williams). The Encyclopedia of New England<br />
Culture. Yale University Press, New Haven, 2006.<br />
American Drama in the Postwar Period. A Concise Companion to Postwar American<br />
Literature and Culture. Edited by Josephine Hendin. Blackwell Publishers, Boston, 2004.<br />
Puppets and ‘The Iconography of Drama’: The Brander Matthews Collection at Columbia<br />
University. In American <strong>Puppetry</strong>: Collections, History and Performance. Edited by Phyllis<br />
T. Dircks. McFarland & Company, Jefferson, North Carolina, 2004.<br />
Paul McPharlin and <strong>Puppetry</strong> at the Detroit Institute of Arts. In American <strong>Puppetry</strong>:<br />
Collections, History and Performance. Edited by Phyllis T. Dircks. McFarland & Company,<br />
Jefferson, North Carolina, 2004.<br />
Another Revolution to be Heard From: Jane Heap and the International Theatre Exposition<br />
of 1926. In Experimenters, Rebels, and Disparate Voices: The Theatre of the 1920s<br />
Celebrates Diversity. Edited by Arthur Gewirtz and James J. Kolb. Praeger, Westport, 2003.<br />
Paesaggio e desiderio. In Bread & Puppet. La cattedrale di cartapesta. Edited by Andrea<br />
Mancini. Titivillus Edizioni, Pisa, 2002.<br />
La fine del Domestic Resurrection Circus. In Bread & Puppet. La cattedrale di cartapesta.<br />
Edited by Andrea Mancini. Titivillus Edizioni, Pisa, 2002.<br />
Un intervista con Peter Schumann. In Bread & Puppet. La cattedrale di cartapesta. Edited<br />
by Andrea Mancini. Titivillus Edizioni, Pisa, 2002.<br />
AIDS and Avant-Garde Classicism. In Rebecca Schneider and Gabrielle Cody, eds. Re:<br />
Direction: A Theoretical and Practical <strong>Guide</strong>. Routledge, New York, 2002.<br />
Bread and Puppet Theatre and the Rediscovery of Performing Objects. Bread and Puppet<br />
Museum (catalogue), 1989, 2002.<br />
AIDS and Avant-Garde Classicism. In Daniel Mufson, ed., Reza Abdoh. Johns Hopkins<br />
University Press, Baltimore, 1999.<br />
Beyond the Cold War: Bread and Puppet Theatre and the New World Order. In Staging<br />
Resistance: Essays on Political Theatre. University of Michigan Press, Ann Arbor, 1998.<br />
Louder Than Traffic: Bread and Puppet Parades. In Jan Cohen-Cruz, ed., Radical Street<br />
Performance: An International Anthology. Routledge, New York, 1998.<br />
Remo Bufano and World's Fair Puppet Theate. In 1939: Music and the World’s Fair.<br />
Eos Press, New York, 1998.<br />
<strong>Research</strong>:<br />
Cross-cultural puppetry and hybrid performance.<br />
21
20. BELTRAME, Valmor Nini (Mr.)<br />
Address:<br />
Caixa Postal 491<br />
88.010.970, Florianópolis, SC<br />
Brasil<br />
Telephone: (48) 232.3074<br />
Institution:<br />
Universidade do Estado de Santa Catarina – UDESC<br />
Brasil<br />
Telephone: 48. 334.2016<br />
Fax: 48. 334.2016<br />
E-mail: ninibel@zaz.com.br<br />
List of publications:<br />
Boi-de-Mamão: Um Teatro de Bonecos (Boi-de-Mamão: A Kind of Puppet Theatre).<br />
In Folha da Cultura, Jornal da Fundação Franklin Cascaes, Ano III, No. 10, Florianópolis,<br />
Maio/junho 1995.<br />
A Formação Profissional dos Bonequeiros (The Professional Formation of the Puppeteer).<br />
In Jornal de Artes Cênicas, No. 10, Fundação Nacional da Arte – Funarte – Rio de Janeiro,<br />
Setembro1995.<br />
A Máscara e o Ator (The Mask and the Actor). In Universidade & Desenvolvimento, Revista<br />
Científica da UDESC, Vol. 3, No. 2, Florianópolis, Outubro 1996.<br />
O Boi-de-Mamão de Jaguaruna (The Boi-de-Mamão from Jaguaruna). Artigo publicado no<br />
Boletim da Comissão Catarinense de Folclore, No. 45-46, Florianópolis, SC.. 1996.<br />
Teatro de Sombras: técnica e linguagem (Shadow Teatre: Technic and Language).<br />
Publicado nos Anais da Jornada de Pesquisa da UDESC, Florianópolis, SC.. Setembro<br />
1996.<br />
Reflexões sobre o Teatro de Bonecos (Thoughts about Puppet Theatre). In Continente SUL<br />
SUR – Revista do Instituto Estadual do Livro do Estado do Rio Grande do Sul, No. 5., A<br />
Magia dos Bonecos, Porto Alegre, Outubro 1997.<br />
A Dramaturgia no Teatro de Bonecos (The Dramaturgy on Puppet Theatre). In Continente<br />
SUL SUR – Revista do Instituto Estadual do Livro do Estado do Rio Grande do Sul, No. 5.,<br />
A Magia dos Bonecos, Porto Alegre, Outubro 1997.<br />
Cutucando a Onça... Esse Nosso Teatro Infantil (Challanging... Our Children Theatre). In Ô<br />
Catarina, Jornal da Fundação Catarinense de Cultura, No. 26, Florianópolis, Nov./Dez. 1997.<br />
Reflexões Sobre a Dramaturgia no Teatro de Bonecos (Thoughts about Dramaturgy on<br />
Puppet Theatre). In Revista do Primeiro Festival Nacional de Teatro Infantil de Blumenau,<br />
Blumenau, SC., 1997.<br />
Teatro de Animação: do ilustrativo à forma animada (Animation Theatre: From Ilustractive<br />
to the Animated Form). In Revista do Segundo Festival Nacional de Teatro Infantil de<br />
Blumenau, Blumenau, SC., 1998.<br />
22
Dramaturgia: discussões do festival (Dramaturgy: Discussion about the Festival). In Revista<br />
do Terceiro Festival Nacional de Teatro Infantil de Blumenau, Blumenau, SC., 1999.<br />
Teatro de Animação (Animation Theatre). In Ô Catarina, Jornal da Fundação Catarinense<br />
de Cultura, No. 49, Florianópolis, Outubro 2001.<br />
<strong>Research</strong>:<br />
Showing and Hiding: puppeteer´s work.<br />
21. Dr. BERNSTENGEL, Olaf (Mr.)<br />
Address:<br />
Bärwalder Str. 16<br />
D – 01127 Dresden<br />
Germany<br />
Telephone: +49-351-8038456<br />
Fax: +49-351-8038456<br />
E-mail: bernstengels-marionetten@vodafone.de<br />
Web: www.bernstengels-marionetten.de<br />
List of publications:<br />
Sachsisches Wandermarionettentheater (Saxony Wandering Marionette Theatre). Dresden:<br />
Verlag der Kunst, 1995.<br />
Östliche Einflüsse auf das europäische Figurentheater (Easterly influences on the European<br />
Figure Theatre). In Programmheft Europäisch – Indonesische Figurentheaterwoche,<br />
Düsseldorf, 1995.<br />
Gemeinsamkeiten und Unterschiede im sächsisch-böhmisch-slowakisch-österreichischen<br />
Puppenspiel (Joint Actions and Differences in the Saxon-Bohemia-Slovak-Austria-Puppet<br />
Play). In Symposium Kasper-Teufel-Krokodil, Wien, 1995.<br />
Militaria und Puppenspiel (Military and Puppet Play). In FrontPuppenTheater. Edited by<br />
Dorothea Kolland. Berlin: Elefanten Press, 1997.<br />
Mistelbach lässt die Puppen tanzen (Mistelbach Let the Puppets Dancing). In 125 Jahre<br />
Mistelbach, Mistelbach, 1999.<br />
Wie einst bei Dreher und Schütz in Potsdam… Ritscher’s Künstler-Marionettentheater,<br />
Bielatal (How Once by Dreher and Schütz in Potsdam – Ritscher´s Artist Marionette Theatre,<br />
Bielatal). Ed. Verlag Gunter Oettel Görlitz – Zittau, Germany, 2002, 112 pp.<br />
Dresdner Puppenspielmosaik (Puppet Play Mosaic from Dresden). Ed. Sutton, Verlag, Erfurt,<br />
Germany, 2005, 157 pp.<br />
Internationale PuppenTheaterTage Mistelbach (International Puppet Theatre Days<br />
Mistelbach). Ed. Stadtgemeinde Mistelbach, Austria, 2006, 126 pp.<br />
Überlegungen zum europäischen Puppentheater zu Beginn des 21. Jahrhunderts<br />
(Reflections on the European Puppet Theatre at the Beginnig of the 21st Century). In: In der<br />
Hand des Höllenfürsten sind wir alle Puppen. Ed. Herbert Utz Verlag, München, pp. 55 – 66,<br />
2008.<br />
23
Volkstheater an Fäden – Vom Massenmedium zum musealen Objekt; sächsisches<br />
Marionettentheater im 20. Jahrhundert (Popular Theatre on Strings – from Mass Medium to<br />
a Subject in Museum. Saxony Marionette Theatre in the 20th Century). With Lars Rebehn.<br />
Ed. Mitteldeutscher Verlag Halle (Saale), 302 pp.<br />
Die Eibesthaler Passion – ein Figurenspiel nach dem Evangelium von Markus (The Passion<br />
from Eibesthal – a Figure Play after the Gospel According to Markus). In Das andere Theater<br />
No. 75/76, Mitteilungsblatt der UNIMA Deutschland, pp. 7-13.<br />
<strong>Research</strong>:<br />
The ensemble play in the puppet theatre of GDR and the history of puppet theatre<br />
in Magdeburg and environs. Scientifically leader for the construction of the new museum<br />
in the “Mitteldeutsches Figurentheaterzentrum Magdeburg” to 2012. Bernstengel was curator<br />
of more than 40 exhibitions between 1982 and today.<br />
22. Dr. BHANUMATHI, R. (Ms.)*<br />
Address:<br />
B-1 Sumitra Flats<br />
19, Ranichinnamba Road, Alwarpet,<br />
Chennai<br />
Tamil Nadu 600018<br />
India<br />
Institution:<br />
Pavai Centre for <strong>Puppetry</strong><br />
Chennai<br />
India<br />
<strong>Research</strong>:<br />
A Study on the Status of Traditional Shadow <strong>Puppetry</strong> and Puppeteers of South India.<br />
23. BLECHA, Jaroslav PhDr. (Mr.)<br />
Address:<br />
Brožíkova 18<br />
638 00 Brno<br />
Czech Republic<br />
Institution:<br />
Moravské zemské muzeum (Moravian Museum)<br />
Zelný trh 6<br />
659 37 Brno<br />
Czech Republic<br />
Telephone: +420533435256, +420721117413<br />
E-mail: jblecha@centrum.cz, jblecha@mzm.cz<br />
List of publications:<br />
Moravské zemské muzeum v Brně, oddělení dějin divadla 1957-2007 (Moravian Museum<br />
in Brno, Theatre Department 1957-2007). Book. Brno: Moravské zemské muzeum, 2007.<br />
24
Txekiar txotxongilora leihoa – Ventana al títere Checo; Ventana al títere Checo – Window<br />
to Czech puppetry (Window to Czech <strong>Puppetry</strong>). Book. Tolosako Ekinbide Etxea, Centro de<br />
Iniciativas, 2007, L.G./D.L. SS 1637/2007.<br />
Loutkové divadlo (Puppet Theatre). Book. Olomouc: Univerzita Palackého v Olomouci, 2008.<br />
Česká loutka (Czech Puppet). Book. Co-authors Pavel Jirásek, Václav Jirásek – photos.<br />
Praha: Kant, 2008.<br />
Rodinná loutková divadélka, skromné stánky múz (Family Puppet Scenes – Modest Little<br />
Temples of the Muses). Book. Brno: Moravské zemské muzeum, 2009.<br />
Selected articles and essays:<br />
Itinerant String Puppeteers – the Roots of Czech Puppet Theatre. In E pur Si Muove<br />
La Marionnette 4, Charleville-Mézières, 2005.<br />
Význam typologie postav a jejich podoby v kontinuitě vývoje českého loutkového divadla<br />
(The Meaning of Character Typology and Character Forms within the Evolutionary Continuity<br />
of Czech Puppet Theatre). In Acta Mus. Moraviae, Sci. soc., Brno, 2005.<br />
“Theatrum cum pimperlis” a odkaz slavného marionetářského rodu Kopeckých ve sbírce<br />
Moravského zemského muzea v Brně („Theatrum cum pimperlis“ and Legacy of Popular<br />
Kopeckýs’ Marionetteer’s Dynasty in Collection of Moravian Museum in Brno).<br />
In Národopisná revue 1/2007, XVII, Národní ústav lidové kultury, Strážnice, pp. 3-8.<br />
Václav Kopecký – marný buditel loutkářské tradice (Václav Kopecký – A Fruitless Awakener<br />
of Puppeteers’ Tradition). In Acta Mus. Moraviae, Sci. soc., XCII, 2007, pp. 149-161.<br />
Skvosty, rarity a excesy v českých tištěných loutkových divadlech a dekoracích (Treasures,<br />
Rarities and Excesses in Czech Printed Puppet Theatres and Sceneries). In Acta Mus.<br />
Moraviae, Sci. soc., XCIV, Brno, 2009.<br />
Glosy k specifickým kořenům loutkového divadla na Moravě (Comments on the Specific<br />
Roots of Puppet Theatre in Moravia). In Poklady Moravy (Treasures of Moravia), MZM, Brno,<br />
2010, pp. 226-238.<br />
Rudolf Flachs, opatrovník tradice kočovného loutkářství (Rudolf Flachs, the Holder of the<br />
Itinerant Puppeteering's Tradition). In Tři Radosti moravského loutkáře Vladimíra Matouška.<br />
Loutkové divadlo v Břeclavi (Three “Radosti” of Moravian puppeteer Vladimír Matoušek.<br />
Puppet Theatre in Břeclav). Klub přátel umění, Břeclav, Vlastivědná společnost regionu<br />
Břeclavsko, Břeclav, 2010, pp. 5-6, 74-75.<br />
Rodinné loutkové divadlo (a hesla k oponám českých tištěných loutkových divadel) (Family<br />
Puppet Theatre (and the entries for the curtains of Czech printed puppet scenes).<br />
In Malované opony divadel českých zemí (Painted Curtains of Czech Countries Theatres).<br />
Národní informační a poradenské středisko pro kulturu v Praze – NIPOS, 2010, pp. 371-387.<br />
The History and Scenographic Influence of Czech Family Marionette Theatres. In Czech<br />
Stage Art and Stage Design. Brno: Masarykova univerzita, 2011, pp. 114-146.<br />
Specifikum, jazyk a umělecké hodnoty tradičního českého loutkového divadla – odkaz nebo<br />
anachronizmus? (Specific Feature, Language and Artistic Values of the Traditional Czech<br />
Puppet Theatre – Heritage or Anachronism?). In Stopy času (Traces of Time). Brno:<br />
Moravské zemské muzeum, 2011, pp. 255-268.<br />
25
<strong>Research</strong>:<br />
Primary focus is research on the Czech puppet theatre history, above all on travelling puppet<br />
theatre and so called family puppet theatre and conception and building of the systematic<br />
museum collection of authentic puppet theatre documents. Presentation of the results of this<br />
research via lectures, discussions, exhibits, non-traditional workshops, and appearances<br />
in television and radio.The main scientific work is in the area of conceiving and preparing<br />
scientific exhibits and exhibitions.<br />
24. BLUNDALL, John M. (Mr.)<br />
Address:<br />
29 Kensington Court<br />
20 Kensington Road<br />
Glasgow G12 9NX<br />
Scotland<br />
UK<br />
E-mail: info@theworldthroughwoodeneyes.co.uk<br />
Web: www@theworldthroughwoodeneyes.co.uk<br />
List of publications:<br />
Puppet Theatre. The Continuum Companion to Twentieth Century Theatre, 2002.<br />
Practise, Learning and Teaching in the Puppet Theatre. The Language of the Puppet, 1990.<br />
Music and the Puppet Theatre; Cue. Technical Theatre Review, 23 May/June 1983.<br />
The Immortal Villain, Mister Punch; Punch in Postcards. Picture Postcard Monthly,<br />
March 1989, No. 119.<br />
Ventriloquism and the Puppet Theatre. Die Welt Des Puppenspiels, 1989.<br />
John Blundall – APF’S Master Sculptor, Andersonic, Episode 12, 2011.<br />
How a Puppet Play is Made. Puppet Theatre, A Cannon Hill Publication, 1971.<br />
Joeys; Miscellany Four. Edited by Edward Blishen. 1967.<br />
Creative Thinking for the Puppeteer. SNAP, Scottish News about <strong>Puppetry</strong>, Puppet<br />
Animation Scotland, August 2007, No. 1 (Puppeteers UK Newsleter).<br />
Puppet Master articles, The British Puppet and Model Theatre Guild:<br />
Monkey “Sun Wu Kung“. Autumn 2004.<br />
Remembering Whanny (H. W. Whanslaw), 1883-1955. Autumn 2005.<br />
The Women Millet Grinders. Autumn 2005.<br />
The World through Wooden Eyes. Autumn 2005.<br />
Mackintosh Puppets. Autumn 2006.<br />
Tillers Clowes and “Qusto“. 2006.<br />
26
The Hand Puppe., Autumn 2006.<br />
Marionette Theatre in Quanzhou. Book Review, Autumn 2007.<br />
Early Personalities of the Guild. Autumn 2007.<br />
40 Years at Cannon Hill Puppet Theatre. Autumn 2008.<br />
Podrecca’s Piccoli. Autumn 2007.<br />
The Making of ‘Fireball XL5. Autumn 2009.<br />
Peter Jackson’s Toy Theatres. Autumn 2010.<br />
The World through Wooden Eyes. Autumn 2010.<br />
Puppets on Eba. Autumn 2010.<br />
Edward Bersudsky and Petrushka. Autumn 2011.<br />
Ray’. Zhang Liang’s, Sketchbook. Autumn 2011.<br />
I am a Lazy Cow Now; The Lotte Reiniger I Knew. Dance Gazette, the Royal Academy<br />
of Dance, issue 2, 2007.<br />
Perrot’s, Puppets and Pictures. Old Theatres, Edition 7, 2011.<br />
Puppets-The Music Hall and Variety. Stage Door, Theatre Magazine, issue 89, Winter 2009.<br />
Frank and Maisie Mumford; One of the Lost Generations of Marionettists. Stage Door,<br />
Theatre Magazine, Issue 95, Autumn 2011.<br />
25. Prof. BONIFACIO-RAMOLETE, Amihan (Ms.)<br />
Address:<br />
27 Matimtiman St.,<br />
Teachers Village,<br />
Quezon City 1101<br />
Philippines<br />
Telephone: (+63.2) 921.9773<br />
E-mail: monami701@gmail.com<br />
Institution:<br />
Department of Speech Communication and Theatre Art<br />
College of Arts and Letters<br />
University of the Philippines<br />
Diliman, Quezon City 1101<br />
Philippines<br />
Telefax: (+63.2) 924.3224<br />
27
List of publications:<br />
Ang Sining ng Papetri. In H. Beltran and A. Valerio (Eds.), Batang-Sining ANI CCP Literary<br />
Yearbook, Vol. 30, 2004, pp.15-23.<br />
Trends and Development in Philippine Puppet Theatre. Diliman Review, 1999, Vol. 47,<br />
No. 3-4, pp. 25-31.<br />
Papetri: Ang Pagtuturo at Sining. TELON, 1998, Vol. I, No. 3, p. 2.<br />
<strong>Puppetry</strong> in the Philippines. Sulyap Kultura, 2nd Quarter, 1996, pp. 75-83.<br />
<strong>Research</strong>:<br />
Ang Pagtatanghal ng Kaisahan ng Papetir at Papet sa Dulang ‘Dalawang Bayani’<br />
(Performing the Oneness of the Puppeteer and the Puppet in the play ‘Two Heroes’).<br />
University of the Philippines Office of the Vice Chancellor for <strong>Research</strong> and Development,<br />
Oct. 2011-Sept. 2012.<br />
26. BRADSHAW, Richard David (Mr.)<br />
Address:<br />
74 Mount Road<br />
Bowral NSW 2576<br />
Australia<br />
Telephone: +61 2 4861 1269<br />
Fax: +61 2 4861 7569<br />
E-mail: livedodo@hinet.net.au, livingdodo@gmail.com<br />
List of publications:<br />
The Merlin of the South. In Australasian Drama Studies. October 1985, No. 7, pp. 83-130.<br />
Webb’s Royal Marionettes (1876-1886). In Australasian Drama Studies. October 1991,<br />
No. 19, pp. 77-93.<br />
Thiodon’s Wonders: A Mechanical Theatre in Nineteenth-Century Australia. In Australasian<br />
Drama Studies. October 2007, No. 51, pp. 77-93.<br />
Entries on puppetry in Australia for:<br />
Companion to Theatre in Australia. Currency Press, Sydney, 1995.<br />
The World Encyclopedia of Contemporary Theatre. Vol. 5, Routledge, Toronto, 1998<br />
(Co-written with Katharine Brisbane).<br />
Encyclopédie Mondiale des Arts de la Marionnette. Éditions L’Entretemps, Montpellier, 2009.<br />
Australian Dictionary of Biography: Supplement 1580 – 1980. Entry on Henry Beaufoy Merlin<br />
(1830-1873), puppeteer, actor, journalist, photographer, pp. 276-277.<br />
<strong>Research</strong>:<br />
Early puppetry in Australia, especially Aspinall Thiodon, Henry Beaufoy Merlin, Charles<br />
Webb and D’Arc’s Marionettes.<br />
28
27. BURNEIKAITĖ, Salomėja (Ms.)<br />
Address:<br />
Pušyno 29-9, Klaipėda<br />
LT-92266<br />
Lithuania<br />
Telephone: +370 615 16604<br />
E-mail: salomeja.burneikaite@gmail.com<br />
Institution:<br />
Klaipėda University<br />
Herkaus Manto str. 84,<br />
Sveikatos mokslų fakultetas, Reabilitacijos katedra<br />
Klaipėda, LT-94492<br />
Lithuania<br />
Telephone: +370 46 398528<br />
List of publications:<br />
Lellu teātra elementi baltu kultūrā (<strong>Puppetry</strong> Elements in Baltic Culture). In Sab edrība un<br />
kultūra/ Rakstu krājums IX., LiePa, Liepāja, 2007, pp. 27-32 (Latvian).<br />
Lėlių keliais iš Kretingos (By the Roads of Puppets from Kretinga). In Šiaurės Atėnai, 10. 9.<br />
2004, p. 10 (Lithuanian).<br />
Lietuvos lėlių teatras: nuo ištakų iki mokyklos (Lithuanian <strong>Puppetry</strong>: from Source to School).<br />
Collection of artictles about Lithuanian puppetry/compiled by Salomėja Burneikaitė – material<br />
of conference in Klaipėda University. Klaipėdos universiteto leidykla, 2005 (Lithuanian).<br />
Lėlių teatro elementai lietuvių etnokultūroje (<strong>Puppetry</strong> Elements in Lithuanian Ethnic Culture).<br />
In Liaudies kultūra. 2005, No. 3, pp. 25-33 (Lithuanian).<br />
Klaipėdos lėlių teatras iš Kaltinėnų (Klaipėda Puppet Theatre from Kaltinėnai). In Šiaurės<br />
Atėnai, 27. 8. 2005, p. 11 (Lithuanian).<br />
Lėlių teatro meno forumas Belsko Bialoje (<strong>Puppetry</strong> Forum in Bielsko Biala). In Literatūra<br />
ir menas, 7. 7. 2006, pp. 6-7 (Lithuanian).<br />
Lietuvos lėlių teatras nepriklausomybės metais (1990-2006) (Lithuanian <strong>Puppetry</strong> in the<br />
Years of Independence (1990-2006)). In Lietuvos nepriklausomybės metų teatras. 1990-<br />
2006 (sud. A. Guobis). Vilnius, 2006, pp. 18-23 (Lithuanian).<br />
Lėlininkų ryšiai: Klaipėda – Bergenas (Puppeteers Links: Klaipėda – Bergen). In Literatūra<br />
ir menas (Literature and Art). 23. 12. 2006, p. 22 (Lithuanian).<br />
Tylus buvimas su lėlėmis (Silent Presence with Puppets – about Set Designer Aušra<br />
Bagočiūnaitė-Paukštienė). In Lietuvos scena (Lithuanian Stage). 2007, No. 3/8, pp. 22-24<br />
(Lithuanian).<br />
Ilgai lauktos Klaipėdos lėlių teatro įkurtuvės (The Long-awaited Houswarming of Klaipėda<br />
Puppet Theatre). In Literatūra ir menas (Literature and Art), 21. 3. 2008, p. 22 (Lithuanian).<br />
Liaudiškoji lėlių teatro tradicija Lietuvoje (Folk Puppet Theatre Tradition in Lithuania –<br />
conference material sacred to 100th birth anniversarry of Vytautas Maknys). VPU leidykla,<br />
2008, pp. 41-50.<br />
29
Nuolat artėti prie tikrumo...Amžinai... (Continuous Approach to Certainty... Forever...).<br />
About actress, playwright and director Nijolė Indriūnaitė. In Lietuvos scena. 2009, No. 1/14,<br />
pp. 17-19 (Lithuanian).<br />
Lėlių terapijos galimybės ir jų naudojimas lėlių teatrų projektuose (Possibilities of Puppet<br />
Therapy and Their Use in Puppeteers Projects). Socialinis ugdymas, 2009, 7 (18), Vilnius,<br />
Vilniaus pedagoginis universitetas, Socialinės komunikacijos institutas (Lithuanian).<br />
Apie kelionę paskui žydrąją paukštę (About a Traveler Folowing the Blue Bird). Interview<br />
with Stasys Ratkevičius, founder of Kaunas State Puppet Theatre. In Lietuvos scena. 2010,<br />
No. 1-2/18-19, pp. 12-15 (Lithuanian).<br />
Tekstilės ir lėlių technikų efektyvumas ergoterapeutų praktikoje (The Effectiveness of Textile<br />
and Puppet Techniques in Occupational Therapy). In Kūrybiški metodai reabilitacijoje,<br />
Klaipėdos universitetas, 2010, pp. 10-17 (Lithuanian).<br />
Pirmasis Klaipėdos lėlių teatro dvidešimtmetis (The First Two Decades of Klaipėda Puppet<br />
Theatre). In Lietuvos scena. 2011, No. 1/22, pp. 37-39 (Lithuanian).<br />
<strong>Research</strong>:<br />
History of puppet theatre, puppetry therapy and education.<br />
28. BUURMAN, Peter (Mr.)*<br />
Address:<br />
Dorpsstraat 163<br />
6871 AJ Renkum<br />
Netherlands<br />
Institution:<br />
Soil Science and Geology, Wageningen University<br />
P.O. Box 37, 6700AA Wageningen<br />
Netherlands<br />
Telephone: (private) +31 (0) 317 313695, (office) +31 (0) 317 483538<br />
Fax: (office) +31 (0) 317 482419<br />
E-mail: peter.buurman@bodeco.beng.wau.nl<br />
List of publications:<br />
Wayang golek, the Fascinating World of the West-Javanese Puppet Theatre. Oxford in Asia,<br />
Kuala Lumpur/Singapore, 1988.<br />
<strong>Research</strong>:<br />
Wayang golek cepak. Wayang cepak stories and puppets. Summarised stories have already<br />
been collected and partly transcribed. (Central) Javanese puppets that have feet and that<br />
were placed on a plank with holes, instead of a banana trunk.<br />
30
29. CARTER, Stephen (Mr.)<br />
Address:<br />
Northwest Puppet Center<br />
9123 – 15th Ave. NE<br />
Seattle, Washington 98115-3111<br />
USA<br />
Telephone: 206 523 2579<br />
Fax: 206 523 8078<br />
E-mail: lopez@nwpuppet.org<br />
Web: www.nwpuppet.org<br />
List of publications:<br />
Haydn and the Prince Esterhazy Marionettes. Article. Drawn from for later edition of Early<br />
Music America. <strong>Puppetry</strong> International, Issue #12, Fall 2002, 7 p.<br />
The Temptation of Gustave Flaubert. Article. <strong>Puppetry</strong> International, Issue #15,<br />
Spring/Summer 2004, 3 p.<br />
La Tentation de Saint Antoine. Script translation. <strong>Puppetry</strong> International, Issue #15,<br />
Spring/Summer 2004, 3 p.<br />
The Puppet Theatre of George and Maurice Sand. Article. <strong>Puppetry</strong> International, Issue #16,<br />
Fall/Winter 2004, 4 p.<br />
30. CHEN, Fan Pen PhD (Ms.)<br />
Address:<br />
Assistant Professor at SUNY – Albany<br />
Hu-210 East Asian Studies<br />
SUNY – Albany,<br />
Albany, NY 12222<br />
USA<br />
Telephone: 518-464-0302 (home), 518-442-2600 (office)<br />
E-mail: fanchen@albany.edu<br />
List of publications:<br />
The Chinese Shadow Theatre: History, Popular Religion and Women Warriors. McGill and<br />
Queens University Press, 2007, 343 pp.<br />
Baldy’s Wedding Night: A Post-Midnight Marionette Play. Chinoperl Papers (Chinese Oral<br />
and Performing Literatures Papers), Vol. 29, 2011, pp. 133-141.<br />
A Survey of <strong>Puppetry</strong> in China. Co-authored paper with Bradford Clark. Asian Theatre<br />
Journal, Vol. 27:2, 2010, pp. 333-365.<br />
Short Version of River Yang: a Shaanxi Marionette Play. Chinoperl Papers (Chinese Oral<br />
and Performing Literatures Papers), Vol. 28, 2010, pp. 13-71.<br />
All Three Fear Their Wives (Sanpaqi): A Post-Midnight Shadow Play. Asian Theatre Journal,<br />
Vol. 26:2, 2009, pp. 197-214.<br />
31
Transforming Ghosts into Mud and Sand: Religion and the Shadow Theatre of Hunan.<br />
<strong>Puppetry</strong> International, Issue 26, 2009, pp. 30-32. Complete article can be found at<br />
www.unima-usa.org/publications.<br />
A Post-Midnight Shadow Play from Shaanxi. In The Columbia Anthology of Chinese Folk and<br />
Popular Literature. Eds. Victor Mair and Mark Bender. Columbia University Press, 2011,<br />
pp. 288-302.<br />
Ombres et Mythe. La Marionette et les Autres Arts. PUCK, 2006, No. 14, pp. 31-36.<br />
Book Review of Marionette Theatre in Quanzhou by Robin Ruizendaal (Brill, Leiden and<br />
Boston, 2006, 470 pp.). Bulletin of the School of Oriental and African Studies, 70/2, 2007,<br />
pp. 445-447.<br />
Piyingxi de lishi (A History of the Chinese Shadow Theatre). Dengpan (Ascend), 25:40 – 43,<br />
Calgary Chinese Cultural Society, 1996/97 (Chinese).<br />
Visions for the Masses: Chinese Shadow Plays. Series, Cornell East Asia, 2004, 262 pp.<br />
Shadow Puppet Theatre (Troupes and Traditions). In Encyclopedia of Contemporary<br />
Chinese Culture. Edited by Edward L. Davis. Routledge, 2005, pp. 536-539.<br />
Lun shijie gedi de piying qiyuan jiqi xianghu guanxi (Origins of the Shadow Theatres of the<br />
World and Their Relationships). Minsuquyi (Journal of Chinese Ritual, Theatre and Folklore),<br />
Vol. 145, 2004, pp. 123-170 (Chinese).<br />
The Temple of Guanyin: a Chinese Shadow Play. Translation of a play with a twelve-page<br />
introduction. Asian Theatre Journal, Vol. 16:1, 1999, pp. 60-106.<br />
Women Warriors in Chinese Shadow Plays. Published electronically at:<br />
http://web.mit.edu/comm-forum/mit4/papers/chen.pdf at the conference website for "Media<br />
in Transition MIT4: the Work of Stories". Posted Fall 2005. 12 pp.<br />
State of the Shadow Theatres in China. San Diego Chinese Historical Society and Museum,<br />
Spring 2004, p. 4 and p. 6.<br />
Shadow Theatres of the World. Asian Folklore Studies, Vol. LXII – 1, 2003, pp. 25-64.<br />
Shadow Theatre <strong>Research</strong> 1998. News From the Joyous Dragon, Gold Mountain Institute<br />
for Traditional Shadow Theatres, Autumn 1999, p. 6.<br />
Second <strong>Research</strong> Trip to China. News From the Joyous Dragon, Gold Mountain Institute<br />
for Traditional Shadow Theatres, Spring 1998, p. 3.<br />
Shadow Theatre <strong>Research</strong> in China. News From the Joyous Dragon, Gold Mountain Institute<br />
for Traditional Shadow Theatres, Winter 1997, p. 1 and p. 4.<br />
<strong>Research</strong>:<br />
The Chinese marionette theatre.<br />
32
31. CIPOLLA, Alfonso (Mr.)<br />
Address:<br />
Scuola d’Arte Dramattica "Paolo Grassi"<br />
Milano<br />
Italy<br />
List of publications:<br />
Opera per marionette (Marionette Opera). In Garzanti Encyclopedia of Music. Milan:<br />
Garzanti, 1996.<br />
La seconda Guerra d'Indipendenza e i copioni dei Rame in Famiglia Rame, La battaglia<br />
di Palestro. La battaglia di Solferino e San Martino (The Second War of Independence and<br />
the Scripts of the Rames in the Rame Family, The Battle of Palestro. The Battle of Solferino<br />
and San Martino). By Pietro Porta and Alfonso Cipolla. I Quaderni del Battello Ebbro,<br />
Porretta Terme, 1999.<br />
Il segreto di Pulcinella in Pulcinell’arte. 200 opere sulla maschera di Pulcinella (The Secret<br />
of Pulcinella in “Pulcinell’arte”. 200 Works about the Mask of Pulcinella). The city of Voghera,<br />
Turin, 2000; republished on the XXIst International Biennial of Art Humour, the city of<br />
Tolentino, Tolentino, 2001.<br />
Dal segno al palcoscenico. L´avventura teatrale di Bruno Angoletta (From the Sign to the<br />
Stage. Theatrical Adveture by Bruno Angoletta). In Dalla A. alla Ang. Bruno Angoletta,<br />
illustrator, by Erik Balzaretti, Arnoldo and Alberto Mondadori Foundation. Little Nemo, Turin,<br />
2001.<br />
Per una drammaturgia della memoria (Through a Dramaturgy of the Memory).<br />
In Associazione Pellizza da Volpedo – Istituto per i Beni Marionettistici e il Teatro Popolare,<br />
Il sole della Fiumana. Volpedo racconta il Quarto Stato, by Alfonso Cipolla, Giovanni Moretti,<br />
Luca Valentino. Seb 27, Turin, 2001.<br />
Le marionette in Piemonte. Storie di famiglie e di compagnie (The Marionettes in the<br />
Piedmont Region. Family and Company Stories). In Istituto per i Beni Marionettistici<br />
e il Teatro Popolare, I fili della memoria: paths through the history of the marionettes<br />
in Piedmont, by Alfonso Cipolla and Giovanni Moretti. Seb 27, Turin, 2001.<br />
Teatro d’arte con marionette. Esperienze italiane del 900 (Art Theatre with Marionettes.<br />
Italian Experience of the 20th Century). In Dare gioia è un mestiere duro Trentanni più due<br />
di Teatro dei Sensibili of Guido Ceronetti. By Andrea Busto and Paola Roman. Edizioni<br />
Marcovaldo, Caraglio, 2002.<br />
Dall'Alpi alle piramidi, da Callianetto al Nilo, ovvero L'Egitto in terra di Lupi, con Gerolamo<br />
redivivo, Gianduja alle porte e Aida che ai dà (From the Alps to the Pyramids, from Callinetto<br />
to Nile, or Egypt in the World of Lupi with Revived Gerolamo, Gianduja at the Gates and<br />
“Aida che ai dà”). In Famiglia Lupi, Aida, Edizioni Junior, Bergamo, 2002.<br />
La voce di Eleonora Duse nel teatro di Gabriele dAnnunzio (The Voice of Eleonora Duse<br />
in Gabriele D’Annunzio’s Theatre). In La Duse: la tragedia dell’ultima diva, conference<br />
proceedings. University of Pisa, March 28th-29th 2000, L’oleandro, 2002.<br />
Gianduja da Callianetto al Gran Teatro dei Burattini dei Fratelli Niemen (Gianduja da<br />
Callianetto at Gran Teatro dei Burattini dei Fratelli Niemen). By Alfonso Cipolla and Giovanni<br />
Moretti. Istituto per i Beni Marionettistici e il Teatro Popolare, Turin, 2003.<br />
33
Gianduja (Gianduja). With Giovanni Moretti. Una riscoperta in corso, Edizioni Seb 27, Turin,<br />
2003.<br />
Commedianti figurati e attori pupazzani (Puppet Comedians and Puppet Actors). With<br />
Giovanni Moretti. Testimonianze di moralisti e memorialisti, viaggiatori e cronisti per una<br />
storia del teatro con le marionette e con i burattini in Italia, series “Linea teatrale”, Seb 27,<br />
Turin, 2003.<br />
La coccarda di Gianduja (The Cockade of Gianduja). First, a monographic number about<br />
theatre and Risorgimento. December 2003.<br />
I volti del doppio (Faces of the Double). Dallo sciamano al burattinaio, by Alfonso Cipolla and<br />
Giovanni Moretti, contributions by Delfina Arcostanzo, Sonia Barillari, Alfonso Cipolla, Jenaro<br />
Meléndrez Chas, Giovanni Moretti, Pier Giorgio Nosari, Peter Schumann. Istituto per i Beni<br />
Marionettistici e il Teatro Popolare, Turin, 2003.<br />
32. Prof. CLARK, Bradford (Mr.)*<br />
Address:<br />
Department of Theatre and Film<br />
Bowling Green State University<br />
338 South Hall<br />
Bowling Green, Ohio 43610-1333<br />
USA<br />
Telephone: 419-372-2222, 419-372-7174<br />
Fax: 419-372-7186<br />
E-mail: bclark@bgnet.bgsu.edu<br />
List of publications:<br />
Gilgamesh and the Golem: Two Experiments with <strong>Puppetry</strong>, Folklore and Myth. <strong>Puppetry</strong><br />
Yearbook, Vol. Three. Ed. James Fisher. Lewiston, NY: Edwin Mellon Press, 1997,<br />
pp. 67-88.<br />
Punch and Judy. With Scott Regan. Fools in Popular Culture. Ed. Vicki K. Janik. Westport,<br />
CT: Greenwood Press, Spring 1998, pp. 363-369.<br />
Observations upon the Work of a Contemporary Dalang: Bali, Indonesia 1999. <strong>Puppetry</strong><br />
Yearbook, Vol. Four. Ed. James Fisher. Lewiston, NY: Edwin Mellon Press, 2000,<br />
pp. 157-177.<br />
Putul Yatra: a Celebration of Indian <strong>Puppetry</strong>. Asian Theatre Journal 22.2 (2005),<br />
pp. 335-347.<br />
Exhibition Review: Divinities, Demons, Kings and Clowns: <strong>Puppetry</strong> of India and Southeast<br />
Asia. Asian Theatre Journal 22.1 (2005), pp. 164-168.<br />
Three Theatres for the Japanese: Ningyo Joruri. <strong>Puppetry</strong> International 19 (2006),<br />
pp. 22-23.<br />
Various book and performance reviews.<br />
34
<strong>Research</strong>:<br />
Creative work and research activities in areas of puppetry and scenic design.<br />
33. COCKAYNE, Steve (Mr.)<br />
Address:<br />
49 The Green, Lubenham,<br />
Market Harborough,<br />
Leics, LE16 9TD<br />
UK<br />
Telephone: 01858 465155<br />
E-mail: mail@stevecockayne.com<br />
List of publications:<br />
Legends of the Land. Fantasy fiction trilogy.<br />
Wanderers and Islanders. 2002, 278 pp.<br />
The Iron Chain. 2003, 356 pp.<br />
The Seagull Drovers. 2004, 328 pp.<br />
<strong>Research</strong>:<br />
Master of the Marionettes (provisional title). A full-length illustrated biography of Waldo<br />
Lanchester.<br />
34. COHEN, Matthew Isaac PhD (Mr.)<br />
Address:<br />
Department of Drama and Theatre<br />
Royal Holloway, University of London<br />
Egham, Surrey TW20 0EX<br />
UK<br />
Telephone: (office) +44 (0) 1784 414 336<br />
Fax: +44 (0) 1784 431 018<br />
E-mail: matthew.cohen@rhul.ac.uk<br />
List of publications:<br />
Performing Otherness: Java and Bali on International Stages, 1905-1952. Book. New York:<br />
Palgrave Macmillan, 2010.<br />
Contemporary Southeast Asian Performance: Transnational Perspectives. Book. Ed. with<br />
Laura Noszlopy. Cambridge: CSP, 2010.<br />
The Lontar Anthology of Indonesian Drama, Vol. 1: Plays for the Popular Stage. Book.<br />
Jakarta: The Lontar Foundation, 2010.<br />
The Komedie Stamboel: Popular Theatre in Colonial Indonesia, 1891-1903. Book. Athens,<br />
OH: Ohio University Press and Leiden, KITLV Press, 2006.<br />
35
Demon Abduction: A Wayang Ritual Drama from West Java. Book. Jakarta: The Lontar<br />
Foundation, 1998.<br />
Selected articles and essays:<br />
<strong>Puppetry</strong> and the Destruction of the Object. Performance <strong>Research</strong> 12 (4), 2007, pp. 119-<br />
127.<br />
Contemporary wayang in Global Contexts. Asian Theatre Journal 24 (2), 2007, pp. 338-369.<br />
Dancing the Subject of ‘Java’: International Modernism and Traditional Performance, 1899-<br />
1952. Indonesia and the Malay World 35 (101), 2007, pp. 9-29.<br />
Wayang Kulit and Islam: Perspectives from Cirebon. In Dimensions of Shadow Play in Malay<br />
Civilization. Edited by Faridah Noor Mohd Noor. Kuala Lumpur: Centre for Civilisational<br />
Dialogue, University of Malaya, 2006, pp. 39-61.<br />
Wayang kulit as a Contact Zone: Tradition in Global Flux. In Ethnicity and Identity: Global<br />
Performance. Edited by Ravi Chaturvedi and Brian Singleton. Jaipur, India: Rawat, 2005,<br />
pp. 423-441.<br />
Traditional and Popular Painting in Modern Java. Archipel 69, 2005, pp. 5-38.<br />
Entrusting the Scriptures: wayang kulit, Cultural Politics, and Truly Popular Art in New Order<br />
West Java. In Puppet Theatre in Contemporary Indonesia: New Approaches to Performance<br />
Events. Edited by Jan Mrazek. Ann Arbor: Center for South and Southeast Asian Studies,<br />
The University of Michigan, 2002, pp. 109-123.<br />
Reading Suluk Wayang: Javanese shadow puppets, nala-vision, private self, bodily self.<br />
Journal of the Royal Asiatic Society, Series 3, 12 (2), 2002, pp. 167-186.<br />
Reading for performance: A Cirebonese romance as a narrative model for wayang.<br />
In Reading Asia: New <strong>Research</strong> in Asian Studies. Edited by Frans Hüsken and Dick van<br />
der Meij. Richmond, Surrey: Curzon Press, 2001, pp. 197-218.<br />
The Big Man and the Puppeteer: A Transcultural Morality Tale from West Java. Indonesia:<br />
<strong>Puppetry</strong> Yearbook 4, 2000, pp. 103-156.<br />
The Barikan Banner of Gegesik: Ritual and History in a Village Painting from Colonial Java.<br />
Written with T. E. Behrend and T. L. Cooper. Archipel 59, 2000, pp. 97-144.<br />
Conceptual Worlds: Play and Theatre in Child Psychoanalysis. In The Many Meanings of<br />
Play: A Psychoanalytic Perspective. Edited by Albert J. Solnit, Donald J. Cohen, and Peter<br />
B. Neubauer, written with Phyllis M. Cohen. New Haven: Yale University Press, 1993,<br />
pp. 75-98.<br />
Chimeric Objects and Playthings. Psychoanalytic Study of the Child 42, 1987, pp. 85-103.<br />
<strong>Research</strong>:<br />
Indonesian theatre and performance, including shadow puppet theatre (wayang kulit);<br />
traditional and post-traditional puppetry worldwide; interculturalism, globalization and theatre;<br />
cross-cultural performance theory.<br />
36
35. Dr. CORNEJO, Francisco J. (Mr.)<br />
Address:<br />
C/ Mandarina nº 10, 8º B<br />
41006 Sevilla<br />
España<br />
Telephone: +34 954 521 718<br />
E-mail: fjc@us.es<br />
Institution:<br />
Universidad de Sevilla<br />
Facultad de Bellas Artes<br />
List of publications:<br />
La escultura animada en el arte español (Animation Sculpture in Spanish Art). Laboratorio<br />
de Arte, No. 9. Universidad de Sevilla, Secretariado de Publicaciones, 1996, pp. 239-261.<br />
Alcides “Titiritero Andante, Ultramarino y Prófugo, 1939-1998 (Travelling Puppeteer,<br />
Oversees and Fugitive,1939-1998). Cabra, UNIMA Andalucía, 1999.<br />
‘La máquina real’. Teatro de títeres en los corrales de comedias españoles de los siglos XVII<br />
y XVIII (‘La máquina real’ Theatre Company. Puppet Theatre in the Spanish ‘Corral de<br />
Comedias’ Theatres of the 7th and 8th Century). Fantoche, 2006, No. 0, pp. 13-31.<br />
Títeres y titiriteros en el siglo XIX: Don Cristóbal y el Tío Juan Misa (Puppets and<br />
Puppeteers in the 19th Century: Don Cristóbal and el Tío Juan Misa). Fantoche, 2007, No. 1,<br />
pp. 13-25.<br />
El títere y su misterio: magia, religión y teatro (incluso en el siglo XXI) (The Puppet and Its<br />
Mystery: Magic, Religion and Theatre (Including the 21st Century)). Fantoche, 2008, No. 2,<br />
pp. 24-49.<br />
El títere como metáfora (The Puppet as a Methaphor). Fantoche, 2009, No. 3, pp. 13-32.<br />
Títeres en la ciudad: las representaciones de la ‘máquina real’ en los corrales de comedias<br />
españoles de los siglos XVII y XVIII” (Puppets in the City: Performances of the ‘Máquina<br />
Real’ Theatre Company in the Spanish ‘Corral de Comedias’ Theatres from the 7th and<br />
8th Century). In Opinión pública y espacio urbano en la Edad Moderna, Oviedo, Ediciones<br />
Trea, 2010.<br />
Other (non-puppet) academic publications listed on: http://investigacion.us.es/sisius/<br />
36. COSTA, Felisberto Sabino da (Mr.)<br />
Address:<br />
Rua Sílvia, 225<br />
Térreo – Bela Vista<br />
S. Paulo – SP<br />
Brasil<br />
CEP: 01331-010<br />
37
Telephone: 55 11 32850472<br />
Fax: 32850472<br />
Institution:<br />
Escola de Comunicações e Artes da USP – CAC/ECA/USP<br />
Rua Prof. Lúcio Martins Rodrigues, 443<br />
São Paulo – SP<br />
Brasil<br />
CEP: 05508-900<br />
Telephone: 38184127<br />
E-mail: felisberto@uol.com.br<br />
List of publications:<br />
O Autor e o Teatro de Bonecos (The Author and Puppet Theatre). Revista Schemberg Arte<br />
e Ciência S. Paulo: ECA/USP, 1998, p. 65-72.<br />
O Sopro Divino: Animação, Boneco e Dramaturgia (Animation, Puppet and Dramaturgy).<br />
Revista Unicsul, First semester 2002.<br />
<strong>Research</strong>:<br />
Mask and actor's training in Brazilian theatre schools.<br />
37. Prof. DE LEONI, Marianna (Ms.)<br />
Address:<br />
Procula Valeria Piazza<br />
1 Ferentino 03013<br />
Italy<br />
Institution:<br />
Accademia di Belle Arti di Macerata (Academy of Fine Arts Macerata)<br />
Corso Cavour 153<br />
Macerata (MC)<br />
Italy<br />
E-mail: mariannadeleoni@libero.it<br />
List of publications:<br />
Luciano Damani. Interview with Luciano Damani. In Ariel Magazine. Ed. Bulzoni, 1996.<br />
Oltre l’attore (Beyond the Actor). In Ariel Magazine. Ed. Bulzoni, 1998.<br />
Svoboda, Artista – Scienziato (Svoboda, Artist-<strong>Research</strong>er). Interview with Czech<br />
scenographer Josef Svoboda. Ed. Artigiano. In Ariel Magazine. Ed. Bulzoni, 1999.<br />
Il Colore dei Giochi (The Color of Games). Teaching book with coauthor Claudio Rovagna.<br />
Ed. Anicia School, 2002.<br />
I figurini Plastici (The Plastic Figures). Essay on Maria Signorelli. Edizione Università, 2009.<br />
<strong>Research</strong>:<br />
Experimental theatre of figure, puppet drama.<br />
38
38. Van DETH-BECK, Felicia (Ms.)<br />
Address:<br />
Nassau Dillenburgstraat 8<br />
2596 AD S. Gravenhage<br />
Netherlands<br />
List of publications:<br />
De Theaterpop en iets van zijn geschiedenis (Puppet Theatre and Something of Its History).<br />
With Hetty Paërl. Heureka, Weesp, Holland, 1981, 104 pp. with illus. (Dutch).<br />
39. DI PALMA, Guido (Mr.)<br />
Address:<br />
Via Fanfulla da Lodi, 85<br />
00176 Roma<br />
Italy<br />
Telephone: 0039 06 274073<br />
Cel. 0039 3286713235<br />
E-mail: guidodipalma@tiscali.it<br />
Institution:<br />
Dipartimento di Storia dell’Arte e Spettacolo<br />
Università di Roma Sapienza<br />
Via dei Volsci 122<br />
00185 Roma<br />
Telephone: (+39) 0696040335<br />
E-mail: guido.dipalma@uniroma1.it<br />
Accademia Nazionale d’arte drammatica “Silvio d’Amico”<br />
Via Bellini 16<br />
00198 Roma<br />
Telephone: 0039 06 85832604<br />
List of publications:<br />
Figli d’ arte (Children of the Art). In AA. VV. Album di famiglia. Catalogo per la mostra sui 50<br />
anni di attivitàdi Giacomo Cuticchio. Palermo, Pezzino, 1984.<br />
Le vastasate, lo spettacolo in Sicilia nell’ ultimo ventennio del settecento (“Le Vastasate”,<br />
the Spectacle in Sicily in the Last Twenty Years of the 18th Century). In Biblioteca Teatrale,<br />
nuova serie, 1984, No. 3.<br />
Prolegomeni allo studio della fabulazione. La voce del mito: oralità e racconto (Prolegomena<br />
to Fabulation Study. The Voice of the Myth: Orality and Narration). In Biblioteca Teatrale,<br />
nuova serie, 1987, No. 7.<br />
Il racconto come tecnica performativa (Narration as Performance Technique). In Il silenzio<br />
e la voce. Trento, Servizio istruzione provincia autonoma di Trento, 1990.<br />
La fascinazione della parola. Dal racconto orale al teatro: i cuntastorie (Fascinated by the<br />
Word. From Oral Narration to the Theatre: “Cuntastorie”). Rome Bulzoni, 1991.<br />
39
La musica del senso. La struttura della performance verbale nel racconto orale: l’esempio<br />
del cunto (The Music of the Sense. The Structure of Verbal Performance in Oral Narration:<br />
Example of “Cunto”). In Il Libro di Teatro. Annali del Dipartimento Musica e Spettacolo<br />
dell’ Università di Roma, 1990. By Roberto Ciancarelli. Rome, Bulzoni, 1991.<br />
Trasformazioni dei cartelloni dell’ opera dei pupi di area palermitana (Transformations of<br />
the Playbills of the String Puppet Opera in the Palermo Area). In Tra le tele dell’ Opra.<br />
By Roberto Giambrone. Palermo, A.F.D.A.C., 2006.<br />
Hasn’t been published yet:<br />
L’opera dei pupi: la manovra (String Puppet Opera: the Manoeuvre). Centro Teatro Ateneo<br />
Università di Roma Sapienza, 20 mn.<br />
La spada di celano, ricostruzione dello spettacolo (The Sword of Celano, Reconstruction<br />
of the Performance). Centro Teatro Ateneo Università di Roma Sapienza.<br />
40. DRACK, Lothar (Mr.)<br />
Address:<br />
Seefeldstrasse 285<br />
CH- 8008 Zürich<br />
Switzerland<br />
Telephone: +41 44 381 29 69<br />
E-mail: ld@dracksache.ch<br />
Institution:<br />
Former director of Figura Theaterfestival Baden Switzerland (from 4th to the 9th edition)<br />
List of publications:<br />
Otto Morach – Seine Arbeit für das Marionettentheater: la boîte à joujoux (Otto Morach –<br />
His Work for the Puppet Theatre: la boîte à joujoux). Kuratorium für Kulturpflege, Solothurn,<br />
1988, 64 pp. (German).<br />
Video: La boîte à joujoux, Theaterrekonstruktion der Inszenierung von 1918 (La boîte<br />
à joujoux, Reconstruction of the Theatre Production from 1918). Solothurn, 1988; Kuratorium<br />
für Kulturpflege, aks@ed.so.ch.<br />
Several articles in the context of visual theatre, companies and festivals in various<br />
periodicals.<br />
Program booklets of the biannual festival Figura from 2000 to 2010, info@figura-festival.ch.<br />
41. DRIEŽIS, Rimantas (Mr.)<br />
Address:<br />
Traku g.6-19<br />
LT-01132 Vilnius<br />
Lithuania<br />
Telephone: +3706 8207862<br />
E-mail: rimas.driezis@gmail.com<br />
40
Institution:<br />
Live Puppet Museum<br />
Vilniaus Teatras „Lélé“<br />
Arkliu g. 5<br />
LT – 01305 Vilnius<br />
Lithuania<br />
List of publications:<br />
Dailininko Teatras (Theatre of Designer). About famous Lithuanian puppeteer Vitalijus<br />
Mazuras. In Lélé ir Kauké. Vilnius, 1999, pp. 206-207.<br />
Nepažistamas Teatras Vaikams (Unknown Theatre for Children). About problems in<br />
Lithuanian theatres for children and Japanese shadow theatre tour in Lithuania. In Literatura<br />
ir Menas, 2003-07-04, p. 17.<br />
Stasio Ušinsko Knyga Leliu ir Kaukiu Teatras (Stasys Ušinskas book Theatre of Puppets and<br />
Masks). In Literatura ir Menas, 2005-12-23, pp. 8, 15.<br />
Lėlių ir kaukių teatras (Theatre of Puppets and Masks). About Lithuanian art classic Stasys<br />
Ušinskas book aimed towards school theatres. In Literatūra ir menas (Literature and Art),<br />
2005.12.23, pp. 8, 15 (Lithuanian).<br />
Leles Televizijoje: Bandymas istorizuoti (Puppets on TV: A Try to Historize). On Lithuanian<br />
TV puppet theatre 1961-1993. In Menu Faktura 2009-02-04, www.menufaktura.lt.<br />
Didžiuotis ar Gedytis (Pride or Shame). About puppets in catholic church rituals 19 th -20 th<br />
centuries of Lithuania. In Šiaures Atenai, 2009-02-20, p. 8.<br />
B. Lukošius: Sukurti Leliu Teatra (B. Lukošius: To Create a Puppet Theatre). About<br />
prehistory of Vilnius puppet theatre Lélé and its creator Balys Lukošius. In Lietuvos Scena,<br />
2008, No. 1.<br />
Mykoles Krinickaites Teatras 1941-1944 (The Theatre of Mykole Krinickaite 1941-1944).<br />
About Lithuanian puppet theatre in Vilnius and its links with Polish puppet theatre “Bajka”.<br />
In Menotyra (Studies on Art), 2008, No. 4, pp. 27-32.<br />
Silvestro Dudeles Dvikova Su Spejblu Ir Hurvineku (The Duel Between Silvestras Dudele<br />
and Spejbl and Hurvinek). About a prehistory of Lithuanian classic Stasys Ušinskas Theatre<br />
of Marionettes and its links with Czech puppet theatre of Josef Skupa toured in Lithuania<br />
in 1935. In Kulturos Barai, 2010, No. 11, pp. 68-76.<br />
<strong>Research</strong>:<br />
History of Puppet Theatre.<br />
42. Doc. PhDr. DUBSKÁ, Alice CSc. (Ms.)<br />
Address:<br />
Detska 47<br />
Praha 10,<br />
Czech Republic<br />
Telephone: 420 603 710 693<br />
E-mail: alice.dubska@divadlo.cz<br />
41
List of publications:<br />
Cesta Říše loutek do 21. století (The History of Theatre Realm of Puppets in Prague).<br />
In Almanach Říše loutek 1920, Praha, 1997, pp. 22-62 (Czech, English summary).<br />
From the Hegemony od the Designer to Cooperation in Design. Czech Teatre 13, 1997,<br />
pp. 33-54 (English).<br />
Krátký příběh Dřevěného divadla (The History of Puppet Theatre of Jiří Trnka). Divadelní<br />
revue 1998, No. 3, pp. 29-43 (Czech, English summary).<br />
Czech Puppet Theatre over Centuries (An Outline of the History of Czech Puppeteering up<br />
to 1945). Praha, 1998, (English).<br />
Vyvojové proměny českého loutkového divadla 18. a 19. století (Developmental Changes<br />
in Czech Puppet Theatre in 18. and 19. Centuries).<br />
From the Hegemony of the Designer to Cooperation in Design (Od výtvarnické hegemonie<br />
k výtvarné spolupráci). Czech Theatre 13, 1997, pp. 33-54.<br />
Náchodský měšťan Jan Brát a jeho loutkářská rodina (K dějinám českého loutkářství 18.<br />
a 19. století) (Jan Brát and His <strong>Puppetry</strong> Family from Náchod (From the History of Czech<br />
<strong>Puppetry</strong> in 18th and 19th Century). Sborník Stopami Náchodska, Náchod 2000, p. 79.<br />
Striving for Theatre of Cheerful Joy. In Ladislav Sutnar – Praha – New York – Design<br />
in Action, Praha, 2003, pp. 290-296.<br />
České divadla – encyklopedie divadelnich souborů (Encyclopedia of Czech Theatres).<br />
Author’s cooperation on the parts about puppet theatre. Praha, 2000 (Czech).<br />
Dvě století českého loutkářství (Two Centuries of Czech <strong>Puppetry</strong>). Praha: AMU, 2004,<br />
302 pp.<br />
A 19. százabi bábjátek történetének elfeledett fejezette (A Forgotten Chapter from the<br />
History of <strong>Puppetry</strong> in 19th Century). Art Limes, Tatabanya, 2006, No. 2-3, pp. 18-29<br />
(Hungarian).<br />
Czech Puppet Theatre Yesterday and Today. Author´s co-operation, 2006.<br />
Starší české divadlo v českých zemích (Older Czech Theatre in Bohemia). By A. Jakubcová,<br />
author´s co-operation. Praha: Akademia, 2007.<br />
Tschuggmallovi samohybci v českých zemích /Tschuggmall´s Wanderers in Bohemia).<br />
Divadelní revue 18, 2007, No. 4, pp. 23-39, Akit lengoytek abábok, Iva Peřinová, Art limes,<br />
Tatabanya, 2007/4, pp. 82-90.<br />
Cesty loutkářů Brátů a Pratte Evropou 18. a 19. století (Routes of Brát and Pratte <strong>Puppetry</strong><br />
Families in Europe in 18th and 19th centuries). Příspěvek k dějinám evropského loutkářství.<br />
Praha: Nakladatelství AMU, 2011.<br />
42
43. DU PREEZ, Petrus (Mr.)<br />
Address (mailing):<br />
Drama Department<br />
University of Stellenbosch<br />
Private Bag X1<br />
Matieland, 7602<br />
South Africa<br />
Address:<br />
Drama building, corner of Andringa and Crozier street<br />
Stellenbosch<br />
South Africa<br />
Telephone: 021 808 3208<br />
Fax: 021 8829141<br />
E-mail cntr@sun.ac.za<br />
List of publications:<br />
The Tall Tale of Tall Horse: The Illusion (or Manifestation) of African Cultural and Traditional<br />
Aesthetics in Hybrid Performances. In Trends in Twenty-First Century African Theatre and<br />
Performance. Edited by Kene Igweonu. Amsterdam & New York: Rodopi Press, 2011,<br />
pp. 139-171.<br />
<strong>Research</strong>:<br />
Contemporary African puppetry.<br />
44. EDWARDS, Glyn (Mr.)<br />
Address:<br />
2 Pembury Road, Worthing<br />
West Sussex, BN14 7DN<br />
UK<br />
Telephone: (+44) 1903 200364<br />
E-mail: glyn@punch-and-judy.com<br />
List of publications:<br />
Successful Punch And Judy. DaSilva Puppet books, 2000, 135 pp.<br />
Successful Punch And Judy. 2 nd Edition. The Fedora Group, 2012.<br />
The Art of Punch and Judy. The Fedora Group, 2011, 90 pp.<br />
<strong>Research</strong>:<br />
Contemporary Punch and Judy practice.<br />
43
45. Prof. ERULI, Brunella (Ms.)<br />
Address:<br />
Via del Ronco 10,<br />
50125 Florence<br />
Italy<br />
Telephone: 00390552336519<br />
Fax: 00390552336519<br />
E-mail: Eruli@unifi.it<br />
List of publications:<br />
Puck, la marionnette et les autres arts. Le Point critique, Points critiques (Puck, the Puppet<br />
and Other Arts. Critical Point. Critical Points). Montpellier: Editions de L’Entretemps et de<br />
l'IIM, 2010, 180 pp.<br />
Puck, la marionnette et les autres arts. Marionnetts en Afrique (Puck, the Puppet and Other<br />
Arts. Puppets in Africa). Montpellier: Editions de L’Entretemps et de l'IIM, 2011, 180 pp.<br />
Encyclopédie mondiale de la marionnette (Worldwide Encyclopedia of <strong>Puppetry</strong> Arts).<br />
Montpellier: Editions de L'Entretemps, 2009.<br />
A la croisée des chemins, la marionette (At the Crossroads: the Puppet). In Passeurs et<br />
complices / Passing it on. Montpellier: Editions de L’Entretemps et de l'IIM, 2009, pp. 62-74.<br />
Puck, la marionnette et les autres arts. L'opéra des marionnettes (Puck, the Puppet and<br />
Other Arts. Puppet Opera). Montpellier: Editions de L’Entretemps et de l'IIM, 2009, 180 pp.<br />
Sotto voce. In Puck, la marionnette et les autres arts. L'opéra des marionnettes, 2009,<br />
No. 16, pp. 9-15.<br />
Donner à voir le noir (To Let See the Black). In Puck, la marionnette et les autres arts.<br />
Les marionnettes au cinéma, 2008, No. 15, pp. 3-8.<br />
Puck, la marionnette et les autres arts. Les marionnettes au cinéma (Puck, the Puppet and<br />
Other Arts. The Puppets in the Cinema). Montpellier: Editions de L’Entretemps, 2008, No.<br />
15, 180 pp.<br />
Le Mythe de Pinocchio (Pinocchio’s Myth). In Actes du collloque Marionnettes et cinema.<br />
Université de Nanterre, Avril 2006. La Vie filmique des marionnettes, Vol. X, Paris: Presses<br />
Universitaires de Paris, 2008, pp. 31-41.<br />
La traduzione come furto con scasso (Translation as a Burglary). In Italo Calvino, percorsi<br />
potenziali. By Raffaele Aragona, Lecce, Manni, 2008, pp. 103-119.<br />
Le albe costanti (The Continuous Daybreaks). In Teatro delle Albe, Suburbia, Molti Ubu<br />
in giro per il pianeta, 1998-2008. By Marco Martinelli and Ermanna Montanari. Milano:<br />
Ubulibri, 2008, pp. 11-17.<br />
O Ator desencarnado. Marionete e avanguardas (A Descarnate Author. Marionettes and<br />
Avant Garde). In Moin-Moin, revista de estudos sobre teatro de formas animadas, IV,<br />
No. 5, 2008, pp. 15-35.<br />
Santa Messalina vergine e martire (Saint Messalina – a Virgin and a Martyr). In Messalina,<br />
Alfred Jarry, transl., introduction and notes by Brunella Eruli. Firenze: Giunti, 2007, 254 pp.<br />
44
Messalina (Messalina). Alfred Jarry, Messaline. Introduction, comments and notes of the<br />
translator. Firenze: Giunti, 2007, 155 pp.<br />
Distruggere anche le rovine (Destroy the Ruins, Too). In Atti del Convegno "Il testo crudele",<br />
Bergamo, 10-11 febbraio 2005, Il testo crudele, by Franca Franchi, Bergamo: University<br />
Press Sestante Edizioni, 2007, pp. 147-154.<br />
Maszyny Kantora. Uwagi. Sposob Uzycia (Machines of Kantor. Notes. Directions for Use).<br />
In Tadeusz Kantor. Obiekty/Przedminoty, Zbiory Cricoteki, Cricoteka, Cracow, 2007, pp. 7-15<br />
(Titolo originale Les engrenages de Kantor. Notice. Mode d'emploi, In «Théâtre en Europe»,<br />
juillet 1985, pp. 109-117.)<br />
Para niños (For Children). In El Apuntador. Revista de artes escénicas, agosto – setiembre –<br />
octubre, 2006, pp. 4-7. (Traduzione in spagnolo di Javier Swedzky di "Pour enfants". In Puck,<br />
1997, No. 10.)<br />
Penser l'humain (To Think Human). In Puck, la marionnette et les autres arts. Les mythes<br />
de la marionnette, 2006, No. 14, pp. 7-15.<br />
La marionnette et les autres arts. Les mythes de la marionnette (Puck, the Puppet and Other<br />
Arts. The Myths of the Puppet). Montpellier: Editions de L’Entretemps, 2006, No. 14.<br />
Qui a volé la bicyclette d'Alfred Jarry? (Who Stole Alfred Jarry’s Bicycle?) In Viridis candela,<br />
Carnets trimestriels du Collège de 'Pataphysique, 15 juin, 2006, No. 24, pp. 13-14.<br />
Cocteau e il telefono (Cocteau and the Telephone). In Le bel indifferent. Torino: Teatro<br />
Stabile, 2006, pp. 25-29.<br />
Rapsodia di fiori in blu (The Rhapsody of Blue Flowers). In A Italo Calvino. Biblioteca<br />
Oplepiana, No. 25, by Oplepo. Napoli: Oplepo, 2005, pp. 11-13.<br />
La voix de la marionnette (The Voice of the Puppet). In E pur si muove! La marionnette<br />
aujourd'hui UNIMA Magazine, avril, 2005, pp. 10-12 (rivista annuale).<br />
Calvino traduttore de Les Fleurs Bleues di Queneau (Calvino, the Translator of Les Fleurs<br />
Bleues di Queneau). In Atti del convegno Calvino Oulipiano. Napoli, October 2005.<br />
Stand by. In La biblioteca Oplepiana, a cura di Oplepo. Bologna: Zanichelli, 2005.<br />
Assja Djebar. La disparition de la langue française (Assja Djebar. Disappearance of the<br />
French Language). In Atti del Convegno Francia - Algeria, 10 - 12 novembre 2003, Pisa:<br />
Pacini, 2005, pp. 69-79.<br />
Attenzione al potenziale! (Attention to Potential!), In Ecole, December 2004, p. 13.<br />
La marionnette: paroles, bruits, musique (The Puppet: Words, Noises, Music). In Adagio,<br />
setembro - dezembro, 2004, No. 38-39, p. 66.<br />
Introduction. In Messaline, L'Autre Alceste, Le Vieux de la Montagne, Alfred Jarry. Paris:<br />
Laffont, 2004.<br />
Kantor. In Le siècle rebelle. Dictionnaire de la contestation au XX siècle. Paris: Larousse<br />
poche, 2004.<br />
45
Présence et absence: Kantor sur la scène (Presence and Absence: Kantor on the Stage).<br />
In Esthétique et recyclages culturels, sous la direction de Jean Klucinskas et Walter Moser.<br />
Ottawa: Presses de l'Univeristé d'Ottawa, 2004, pp. 97-111.<br />
Introduction, Notes à A. Jarry, L'Amour Absolu, L'Autre Alceste, Messaline. In Œuvres, Alfred<br />
Jarry. Paris: Laffont, Bouquins, 2004, pp. 685-687, 723-725, 736-739.<br />
Présence et absence: Kantor sur la scènev (Presence and Absence: Kantor on the Stage).<br />
In Esthétique et recyclage culturels, Explorations de la culture contemporaine, sous la<br />
direction de Jean Klucinskas et de Walter Moser. Ottawa: Les Presses de l'Université<br />
d'Ottawa, 2004, pp. 97-108.<br />
Queneau: la Sibilla della domenica (Queneau: The Sunday Sybil). In Sillabe di Sibilla,<br />
by Raffaele Aragona. Napoli: ESI, 2004, pp. 75-81.<br />
Raymond Queneau, 1903 – 2003 (Raymond Queneau, 1903 – 2003). In Catalogo<br />
dell'esposizione Collage de Pataphysique. Brescia, Edizioni Arte, 2003.<br />
Il Gioco della letteratura (The Game of the Literature). In Raymond Queneau, 1903 – 2003,<br />
catalogo dell'esposizione "Collage de Pataphysique". Brescia, Edizioni Arte, 2003.<br />
Una carezza, un palpito ed è teatro. Quell'uomo sulla scena poò salvarci (A Stroke,<br />
a Palpitation and Its Theatre. That Man on the Stage Can Save Us). In DOC, II (4), July-<br />
September, 2002, pp. 122-128.<br />
Teatro, conquistaci (Theatre, Conquer Us). In DOC, II (4), 2002, pp. 129-136.<br />
Kantor, lo spazio delle emozioni (Kantor, the Space for Emotions). In Kantor a Firenze,<br />
Valerio Valoriani, Pisa, Titivillus Edizioni, 2002, pp. 35-42.<br />
Guido Ceronetti (Guido Ceronetti). In Dare gioia è un mestiere duro - Guido Ceronetti.<br />
Cuneo, Edizioni Marcovaldo, 2002.<br />
Frantumazione onomastica. Per Sanesi (The Onomastic Crushing. For Sanesi).<br />
In Oplepiana, Dizionario di Letteratura Potenziale, by Raffaele Aragona. Bologna: Zanichelli,<br />
2002, p. 74.<br />
Variazioni. T'amo pio bove! (Variations. I Love Thee, Pious Ox!) In Oplepiana, Dizionario<br />
di Letteratura Potenziale, by Raffaele Aragona. Bologna: Zanichelli, 2002, p. 170.<br />
Wielopole e Firenze. In Kantor, catalogo della mostra "Tadeusz Kantor, dipinti, disegni,<br />
teatro". Firenze, 23 maggio - 10 agosto 2002. Roma, Edizioni di Storia e Letteratura, 2002,<br />
pp. 9-12.<br />
Alloro per loro (A Laurel for Them). In Delitti di carta: quaderni gialli di racconti, studi, storie<br />
e cronistorie, February 2001, No. 8., pp. 29-39.<br />
L'attore disincarnato. Avanguardia e marionette, Catalogue de l'exposition "Il ballerino<br />
meccanico, MART, Trento, dicembre 2000 (A Discarnate Actor. Avant garde and<br />
Marionettes, The Catalogue of the Exposition “The Mechanical Dancer”, MART, Trento,<br />
December 2000). In Automi, marionette e ballerine nel teatro d'avanguardia. Milano: Skira,<br />
2000.<br />
Un espace décentré: Jarry Ymagier (A Decentered Space: Jarry Ymagier). In Catalogue<br />
de l'exposition Alfred Jarry. Valencia: IVAM, 2000 (edition Spanish, English).<br />
46
Variazioni su un tema di Giosué Carducci (Variations about the Theme of Giosué Carducci).<br />
In 35 variations, Hervé Le Tellier. Paris, Le Castor Astral, 2000.<br />
Kantor. Il costruttivista delle emozioni (Kantor. The Constructivist of Emotions). In Hystrio,<br />
XIII, No. 4, 2000, pp. 33-37.<br />
Träger unbekannten Lebens. In Theater des Zeit, October, 2000, pp. 30-33.<br />
Il tempo per Kanto (The Time for Kantor). In Hystrio, novembre 2000.<br />
Dire l'irrépresentable, montrer l'indicible. Le théâtre d'images en Italie (To Tell the<br />
Unrepresentable, to Show the Inexpressible. The Theatre of Iamges in Italy). In La scène<br />
et les images. Paris, Editions du C.N.R.S., 2000, 60 pp.<br />
Paesaggio romagnolo con struzzi (Landscape with Ostriches in Romagna). In Jarry 2000,<br />
Marco Martinelli, Ermanna Montanari. Milano: Ubulibri, 2000, pp. 119-123.<br />
Genet: naissance d'une écriture. Miracle de la rose (Genet: Birth of Writing. The Miracle<br />
of the Rose). In Actes du colloque "Genet". Cerisy-La-Salle, août 2000. Cerisy-La-Salle:<br />
Centre Culturel International de Cerisy-La-Salle.<br />
Le spectateur interactif (Interactive Spectator). In Puck. Langages croisés, 2000, No. 13,<br />
pp. 65-71.<br />
Meltingpot. In Puck. Langages croisés, 2000, No. 13, pp. 7-11.<br />
Puck. Langages croisés (Intersecting Languages). Charleville-Mézières, Editions de IIM,<br />
2000, No. 13.<br />
Dal Futurismo alla Patafisica. Percorsi dell’Avanguardia. Pisa, Pacini, 1994, p. 320.<br />
Pro-vocation. L’Ecole, Le dernier pas dépend du premier (Pro-vocation. The School,<br />
The Last Step Depends on the First). Puck, 1994, No. 7.<br />
Ecritures. Dramaturgies. Pour un théâtre de la métaphore (Writings. Dramaturgies.<br />
For a Metaphorical Theatre). Puck, 1995, No. 8.<br />
Images virtuelles, Le silence des sircnes (Virtual Images, The Silence of Sirens). Puck, 1996,<br />
No. 9.<br />
L’enfant au théâtre. Pour enfants (The Child in the Theatre. For Children). Puck, 1997,<br />
No. 10.<br />
Interférences. La marionnette sur la scéne contemporaine (Interferences. The Puppet on<br />
the Contemporary Stage). Puck, 1998, No. 11.<br />
Langages croisés, Melting-pot; Le spectateur interactif (Intersecting Languages, Melting pot;<br />
Interactive Spectator). Puck, 2000, No. 13.<br />
Per un altro teatro. La marionetta. L'Europa e il teatro. Bari, Edizioni del sud, 1995, pp. 277-<br />
285.<br />
La mort dans le vif (The Death in the Living). In Actes du colloque. La mise en critique<br />
47
de la forme dramatique. Paris, Musée d’Orsay, décembre 1998. Études réunies par JP.<br />
Sarrazac, Louvain, Etudes Théâtrales, 1999.<br />
Dire l’irréprésentable, montrer l’indicible. Le théätre d’images en Italie. AA.VV., La scéne<br />
et les images, C.N.R.S., 2000, p. 60.<br />
Métamorphoses d’un héros populaire: de Pulcinella é Polichinelle (Metamorphosis of<br />
a Pupular Hero: From Pulcinella to Polichinelle). In Actes du séminaire métamorphoses<br />
du héros populaire. Charleville, Les Cahiers Robinson, janvier 1999, 1999, pp.1-6.<br />
Le théâtre d’objets (Object Theatre). Varsovie, <strong>Unima</strong>, 2000.<br />
46. FAVERO, Alexandre Gindri (Mr.)<br />
Address:<br />
Rua São Manoel, 1632/202 – Santana<br />
90620-110 Porto Alegre/RS<br />
Brasil<br />
Institution:<br />
Clube da Sombra Criações e Produções Artísticas Ltda<br />
Companhia Teatro Lumbra de Animação<br />
Telephone: +55 (51) 9978 5657<br />
E-mail: clube@clubedasombra.com.br<br />
Web: www.clubedasombra.com.br<br />
List of publications:<br />
To the official website of Companhia Teatro Lumbra de Animação and search for blog.<br />
www.clubedasombra.com.br,dramasombra.blogspot.com<br />
Brincar com sombras é uma alternativa para a família (Playing with Shadows Is an<br />
Alternative to the Family). April 2008.<br />
Contemplações sobre a Sombraterapia (Contemplations on the Sombraterapia). December<br />
2007.<br />
Teatro de sombras no íntimo (Shadow Theatre in Intimate). January 2010.<br />
Sincretismo sobre a luz e a escuridão (Syncretism of Light and Darkness), June 2009,<br />
In La Hoja del Titiritero – Boletín electrónico de la Comisión para América Latina de la <strong>Unima</strong><br />
– Año 8 – No. 24 – December 2011.<br />
Princípios básicos para se expressar com as sombras (Basic Principles to Express<br />
Themselves with the Shadows). February 2009.<br />
EXPLUM – Um sacrifício expiatório na arte (EXPLUM – An Atoning Sacrifice in Art). July<br />
2010.<br />
<strong>Research</strong>:<br />
Dramatic Shadow – Concepts, techniques and aesthetics in the creative art of shadow<br />
theatre and contemporary visual theatre.<br />
48
47. Prof. FEDAS, Yosyp Yuhimovich (Mr.)*<br />
Address:<br />
Fl. 36, str. Teremkivska, 14<br />
Kyiv, 03187<br />
Ukraine<br />
Telephone: +38044252-38-55<br />
E-mail: wbhicks@offshorecode.com<br />
Institution:<br />
National Academy of Ukraine History of Art, Folklore Studying and Ethnology<br />
Institute named after M. Rylsky<br />
Str. Hrushevskogo 4<br />
Kyiv<br />
Ukraine<br />
Telephone: 228-34-54<br />
List of publications:<br />
Ukrainian National Nativity Play (In the <strong>Research</strong> of 19-20 Centuries). Monography. Kyiv:<br />
Naukova dumka, 1987, 184 pp. (Ukrainian).<br />
The articles about Nativity Play:<br />
Ivan Franko as a <strong>Research</strong>er of National Nativity Play. People’ creative activity and<br />
ethnography – 4th issue, 1986, pp. 50-55 (Ukrainian).<br />
Ukrainian Nativity Play. Eastern Slavonic Folklore: Dictionary of scientific and National<br />
Terminology, –. Minsk, 1993, pp. 33-34 (Ukrainian).<br />
Nativity Player. In the previous source, pp. 34-35 (Ukrainian).<br />
On the Problem of the Ukrainian Nativity Play Origin (Political science. Ethnology. Sociology.)<br />
Reports at the 3rd International Congress of Ukrainian culture researchers. Kharkiv: Oko,<br />
1996, pp. 146-150 (Ukrainian).<br />
Ukrainian Nativity Play as a Phenomenon of National Art Culture. Slavonic cultures: historical<br />
experience and contemporary problems. Minsk, 1996, pp. 327-333 (Ukrainian).<br />
Nativity Play from the Viewpoint of Folklore Studying. Polissya and Volyn national studying<br />
center, Issue 2, Folklore note-books. Lutsk, 1999, pp. 23-29 (Ukrainian).<br />
National Nativity Play. Ukrainians: Historical and Ethnographical monograph (consists of two<br />
volumes), Vol. 2. Opishne: Ukrainian nation studying, 1999, pp. 289-296 (Ukrainian).<br />
Nativity Play and Holy Write. Bulletin of Kiyv Institute “ Slavonic University ”<br />
Issue 9, Philology, Kyiv, 1999, pp.143-147 (Ukrainian).<br />
Nativity Play and “ Cossack Mamay”. Ethnic history of European peoples:<br />
Collection of scientific works, Issue 4., UNISERV, Kyiv, 2000, pp.13-16 (Ukrainian).<br />
Composition of the Nativity Puppet-show Performances. Ethnic history of European peoples:<br />
Collections of scientific works, Issue 6, UNISERV, Kyiv, 2000, pp. 23-28 (Ukrainian).<br />
Folklore Theatre and Rite. Ethnic history of European people: Collection of scientific works,<br />
Issue 8, UNISERV, Kyiv, 2001, pp.14-17 (Ukrainian).<br />
49
Nativity Play and Shopka. International Institute of Linguistics and Law, Bulletin (Literature<br />
studying workshops), Issue 2., Kyiv, 2000, pp. 291-298 (Ukrainian).<br />
At a Crossroads of Traditions. International Institute of Linguistics and Law, Bulletin<br />
(Literature studying workshops), Issue 3., Kyiv, 2001, pp.150-160 (Ukrainian).<br />
Problems of Nativity Play Classification. The 4th International congress of Ukrainian culture<br />
researchers, Odessa, August 26 – 29, Ethnology. Folklore studying: Speeches and Reports.<br />
Publishing house of Ethnologist Association, Odessa – Kyiv, 2001, Book 1. pp. 443-459<br />
(Ukrainian).<br />
Ukrainian Nativity Play: Definition. Lviv University Bulletin, Art studying series, 2001, Issue 1,<br />
pp. 7-13 (Ukrainian).<br />
Terminology of Folklore Theatre: Nativity Play. Kyiv National Taras Shevchenko University,<br />
Bulletin Literature studying. Language studying. Folklore studying. Issues 12-13, Kyiv, 2002,<br />
pp. 78-80 (Ukrainian).<br />
Phenomenon of Ukrainian Nativity Play. Ethnic history of European peoples: Collection<br />
of scientific works, Kyiv, 2003 (Ukrainian).<br />
Musical Component at Nativity Play. Collection of works in memory of Academician Kostyuk<br />
O.G., Kyiv, 2003 (Ukrainian).<br />
A Mystery of Ukrainian Nativity Play. Proscenium: Theatre magazine, Lviv, 2003 (Ukrainian).<br />
48. FELIPE RIVERO, Bianca (Ms.)<br />
Address:<br />
Instituto Superior de Arte<br />
Calle 120 No 1110 entre 9na y 13 Cubanacán<br />
Playa<br />
La Habana<br />
Cuba<br />
E-mail: blancafelipe@isa.cult.cu teatrolaproa@cubarte.cult.cu<br />
List of publications:<br />
Un pequeño príncipe de Los Zahoríes (A Little Prince from Los Zahoríes). In Tablas, No. 1,<br />
1985.<br />
Variaciones de una obertura (Variations To an Overture). In Diálogo, No. 1 de las Artes<br />
Escénicas de La Habana, 1994.<br />
Titiritería a la manera de Los Cuenteros (<strong>Puppetry</strong> In the Style of Los Cuenteros). In Revista<br />
Cultural de La Habana, Habáname, No. 0, 1999.<br />
Teatro de títeres y niños: universos compatibles (Puppet Theatre and Children: Compatible<br />
Universes). In Revista Cultural Habáname, Año II, No. 3, 2002.<br />
Una apertura a premiar (An Opening to Reward). In Tablas, No. 2, 2005.<br />
Maternidad de vida (Maternity of Life). In Tablas, No. 1, Tercera Época, 2008.<br />
50
La visualidad como identidad de una poética teatral (Visuality as Identity of Theatrical<br />
Poetics). In Tablas, No. 1, 2008.<br />
Alternancias para dialogar de teoría y títeres (Alternations to Talking about Theory and<br />
Puppets). In Tablas, No. 2, 2010.<br />
Oralidad y teatro (Orality and the Theatre). In A las raíces, No. 1, 2010.<br />
Señales que se alimentan de la urgencia (Signs That Feed on Urgency) and “La materia<br />
hecha metáfora en la paradoja de lo humano. In Tablas, No. 1, 2012.<br />
Dos aniversarios y un espectáculo (Two Anniversaries and One Performance). In La Jiribilla<br />
548, In Foro Iberoamericano Teatral de Atina, Argentina and In Perro Huevero, bulletin of the<br />
International Theatre Festival of La Havana, 2011.<br />
49. FELIX, Geoff (Mr.)<br />
Address:<br />
111 Raglan Court, Empire Way<br />
Wembley Park, Middlesex HA9 ORG<br />
England<br />
UK<br />
Telephone: 0208 903 3869<br />
E-mail: geoffreyfelix@hotmail.com<br />
Web: www.geofffelix.com<br />
List of publications:<br />
My Life with Punch. By Joe Beeby, ed. Geoff Felix, 1992.<br />
Conversations with Punch. Ed. Geoff Felix, 1994.<br />
Various articles including A new light on Piccini, http://www.mbertrand.freeserve.co.uk/.<br />
<strong>Research</strong>:<br />
Punch and Judy both contemporary and historical.<br />
50. Dr. FLEURY, Raphaèle (Ms.)<br />
Address:<br />
15 rue Rodier<br />
boîte 11<br />
F-75009 Paris<br />
France<br />
Institution:<br />
Institut International de la Marionnette<br />
7, place Winston Churchill<br />
F-08000 Charleville-Mézières<br />
Telephone: 0033 (0)3 24 33 72 50.<br />
51
E-mail: coordination@artsdelamarionnette.eu (thank you for using this e-mail address<br />
only for scientific matters).<br />
List of publications:<br />
Paul Claudel et les spectacles populaires, le Paradoxe du pantin (Paul Claudel and the<br />
Popular Shows, the Paradox of the Puppet). Paris: Classiques Garnier, 2012, 880 pp.<br />
La Marionnette traditionnelle (Traditional <strong>Puppetry</strong>). Lyon: Gadagne musées, collection<br />
Musée des marionnettes du monde: guide des collections, 2010, No. 1, 120 pp.<br />
Collectionner pour apprendre: la collection de Jacques Chesnais (Collect to Learn: Jacques<br />
Chesnais’ Collection). In Collections et collectionneurs, Puck, No. 19. Montpellier:<br />
L’Entretemps/I.I.M., 2012.<br />
Le projet du marionnettiste Georges Lafaye pour L’Ours et la Lune (1939), ou de l’influence<br />
de Paul Claudel sur l’invention de la marionnette moderne (Georges Lafaye’s Project for The<br />
Bear and the Moon, about the Influence of Paul Claudel on the Emergence of the Modern<br />
<strong>Puppetry</strong>). In Bulletin de la Société Paul Claudel, 2008, No. 191, pp. 20-30.<br />
Claudel marionnettiste: hésitations scéniques d’un combat spirituel (Claudel Puppeteer:<br />
Scenic Hesitations of a Spiritual Fight). in Paul Claudel 2005: perspectives critiques. Sergio<br />
Villani dir., New York, Ottawa, Toronto: Ed. Legas, 2008, pp. 111-126.<br />
<strong>Research</strong>:<br />
History of puppetry (19-20 th centuries); puppetry and literature; Paul Claudel; Jacques<br />
Chesnais; Georges Lafaye; asiatic influences on occidental dramaturgies; popular theatre.<br />
51. Prof. FOLEY, Kathy (Ms.)*<br />
Address:<br />
University of California<br />
Theatre Arts Dept.<br />
1156 High St.<br />
Santa Cruz, Ca 95064<br />
USA<br />
Telephone: 831-459 4967 (w), 831-459-4189 (o)<br />
E-mail: kfoley@cats.ucsc.edu<br />
List of publications:<br />
Editor and a major author of issue on Asian Mask including Topeng Sidha Karya: A Balinese<br />
Mask Dance, transcribed, translated and introduced by I Ketut Kodi, I Nyoman Sedana, and<br />
Kathy Foley and Balinese Mask Dance from the Perspective of a Master Artist: I Ketut Kodi,<br />
by Kathy Foley and I Nyoman Sedana as well as a book review, Asian Theatre Journal 22,<br />
2., 2005.<br />
Editor and major author of issue on South and Southeast Asian <strong>Puppetry</strong> with translation<br />
of The Origin of Kala (pp. 1-59), Burmese Marionettes: Yokthe Thay in Transition (pp. 69-81)<br />
and co-authored Hun: Thai Doll <strong>Puppetry</strong>, with Surapone Virulrak (pp. 81-87). Asian Theatre<br />
Journal 18, 2001.<br />
Puppets and Politics. <strong>Unima</strong> – USA Symposium Report (with Sandy Spieler and John Bell).<br />
<strong>Puppetry</strong> Journal (Spring), 2005.<br />
52
Wayang Wong: Human <strong>Puppetry</strong> in Southeast Asian Court Dance: Puppet Master Kings and<br />
Well Ordered Countries. <strong>Puppetry</strong> International 18, 2005, pp. 10-15.<br />
UNIMA-USA Symposium at UCONN: <strong>Puppetry</strong> in Islamic Culture. <strong>Puppetry</strong> Journal 56,<br />
1 (Fall), pp. 26-27) (also reprinted in publication of UNIMA – Australia), 2003.<br />
First Things. In Puppet Theatre in Contemporary Indonesia: New Approaches to<br />
Performance-Events. Edited by Jan Mrazek. Ann Arbor: Michigan Papers on South and<br />
Southeast Asia, 50, University of Michigan Press, 2003.<br />
Lou Harrison Collection: Music and <strong>Puppetry</strong>: East to West. In American <strong>Puppetry</strong>. Ed. by<br />
Phyllis Dirks. Theatre Library Association, Performing Arts Resources, Series, McFarland &<br />
Co., 2003.<br />
Puppet Collection of the American Museum of Natural History. Co-author Ann Wright-<br />
Parsons. In American <strong>Puppetry</strong>. Edited by Phyllis Dirks. Library Association, Performing Arts<br />
Resources, Series, McFarland & Co., 2003.<br />
Indonesian <strong>Puppetry</strong>: The World of Wayang. For Teacher Packet Asian Art Museum of<br />
San Francisco, 2003, pp. 9-28.<br />
Aspects of Ritual in <strong>Puppetry</strong>. <strong>Puppetry</strong> International 11, 2002, pp. 37-41.<br />
“Nartosabdho”, “Sidja, I Made”, “Sunarya, Asep Suanadar”, ”Nang Sebek Thom”, ”Nang<br />
Talung”, “Wayang Kulit”. Edited by Dennis Kennedy. Oxford Encyclopedia of Theatre and<br />
Performance, 2002.<br />
The Dancer and the Danced. <strong>Puppetry</strong> International 8, 2001, pp. 14-28.<br />
Danzare ed essere danzati. In La realta del mito. Edited by Giovanni Azzaroni. Bologna:<br />
CLUB, pp. 189-211 and “Le marioneete Birmane”, 2001.<br />
The Metonymy of Art: Vietnamese Water <strong>Puppetry</strong> as a Representation of Modern Vietnam.<br />
TDR (45, 4, Winter), 2001, pp. 129-141.<br />
The Dancer and the Danced. Pupppetry International 8, pp. 14-16, also in Henson<br />
International Festival of Puppet Theatre 2000 Symposia Papers, Sept. 17–18, 2000,<br />
pp. 25-28.<br />
Semar in Sunda. The Southeast Asian God-Clown in his Sundanese Embodiment. RIMA 33,<br />
2 (Summer), 1999, pp. 87-107.<br />
Reflections on Southeast Asian Theatre. PT 5 (August 1998), Setagaya Public Theatre,<br />
Tokyo, Japan, 1998, pp. 6-11, 56-57.<br />
My Bodies: The Performer in West Java. Acting (Re)Considered. Edited by Phillip B. Zarrilli.<br />
London: Routledge, pp. 161-176 (reprint of 1990 article).<br />
1997 South East Asia and Pacific. In Blackwell's Companion to Twentieth Century Theatre.<br />
Edited by Colin Chambers. Oxford: Blackwell.<br />
Nee Engey: Where Are You by R.V Ramani. Asian Theatre Journal 22, 1, 2005, pp. 169-170.<br />
Trance and Transformation of the Artist in Japanese Noh and Balinese Dance – Drama by<br />
Margaret Coldiron. Asian Theatre Journal 22, 2, 2005.<br />
53
Borrowed Fire by Anurag Wadehra and Salil Singh. Asian Theatre Journal 18, 2, pp. 82-83.<br />
Gatutkaca on Trial; Released from Kala’s Grip, Demon Abduction; The Traitor Jobin;<br />
The Birth of Gatotkaca. Edited by Joan Suyenaga. Asian Theatre Journal 18, 1, 2001,<br />
pp. 120-121.<br />
Masked Performance: The Play of the Self and the Other in Ritual and Theatre, by John<br />
Emigh, Shadows of Empire, by Laurie J. Sears, Bangsawan: a Social and Stylistic History<br />
of Popular Malay Opera, by Tan Sooi Beng, La Matiere des Emotions: Les Arts du Teps<br />
et du Spectacle dan la Societe Madouraise (Indonsie), by Helene Bouvier, Sbek Thom:<br />
Khmer Shadow Theatre, by Pech Tum Kravel, Gamelan: Cultural Interatction and Musical<br />
Development in Central Java, by Sumarsam. Asian Theatre Journal 15, 2, 1998, pp. 295-<br />
302.<br />
Curlew River. Theatre Journal 47, 2, p. 312.<br />
Malaysian Shadow Play and Music: Continuity of an Oral Tradition. By Patricia Matusky.<br />
Asian Theatre Journal 12, 2, 1995, pp. 359-360.<br />
<strong>Research</strong>:<br />
The Muppets and their impact on puppetry, culture, and media in the US and internationally.<br />
Historical Dictionary of Southeast Asian Traditional Theatre.<br />
52. FOURNEL, Paul (Mr.)<br />
Address:<br />
48, rue de l"abbé Groult<br />
75015 Paris<br />
France<br />
Telephone: 01 81 29 30 18<br />
E-mail: paulfournel@yahoo.fr<br />
List of publications:<br />
Guignol, les Mourguet (Guignol, the Morguets). Paris, 1995.<br />
Les marionnettes (The Puppets). Paris, 1982.<br />
Encyclopédie mondiale des arts de la marionnette (Worldwide Encyclopedia of<br />
<strong>Puppetry</strong> Arts). Préface, Paris, 2009.<br />
53. FRANCIS, Penny (Ms.)<br />
Address:<br />
86 Bromfelde Road<br />
London SW4 6PR<br />
UK<br />
Telephone: 00 44 20 76225058<br />
Mobile:+44(0)7968 800 069<br />
E-mail: pennyfran@btinternet.com<br />
54
Institution:<br />
Central School of Speech and Drama, Embassy Theatre,<br />
Eton Avenue, London NW3 3HY<br />
Puppet Centre Trust, BAC, Lavender Hill<br />
London SW11 5TN<br />
UK<br />
List of publications:<br />
<strong>Puppetry</strong>. A Reader in Theatre Practice. Palgrave Macmillan, Basingstoke, England, 2012.<br />
Ancient into Modern; Perceptions of an Onlooker. Essay. In Móin-Móin, Brazil, 2007.<br />
Lorca and the Curse of the Butterfly. Essay. In Symbolism and the Marionette Theatre. USA:<br />
Edwin Mellen Press, 2003.<br />
Editor of British entries for UNIMA’s proposed World Encyclopaedia of <strong>Puppetry</strong> Arts (EMAM,<br />
the French edition published 2009), Linguistic Editor of the projected English edition (WEPA,<br />
no date for publication).<br />
Keynote speaker at <strong>Puppetry</strong> and Animatronics Summit, Melbourne, Australia. Published<br />
in Report of the Summit. October 2002.<br />
The Influence of S.V Obraztsov on Western European <strong>Puppetry</strong>. Paper given at Symposium<br />
on Life and Work of Obraztsov, published in Moscow,Teatr Chudes, 2001.<br />
(Essay: A Brief Overview of Contemporary Practice) and Linguistic Editor of The Worldwide<br />
Art of <strong>Puppetry</strong>: UNIMA 2000. I.I.M. Publications, France, 2000 – contributor.<br />
<strong>Puppetry</strong> in the Essential Lorca. Public lecture at Munich Stadtmuseum (published<br />
in Germany, name of publication not found), 1999.<br />
The Obraztsov Influence. Article. Published in <strong>Puppetry</strong> International, USA, 1999.<br />
The Rise of the Puppeteer. Public lecture at the Puppet Barge, published by British Centre<br />
of UNIMA, London, 1998.<br />
Collaborating and linguistic Editor: A History of European <strong>Puppetry</strong>, Vols. I and II by Henryk<br />
Jurkowski. Edwin Mellen Press, N.Y., 1996 and 1998.<br />
The Role of <strong>Puppetry</strong> in Children’s Theatre. From a conference paper. In Loutkář (Czech<br />
Republic), 1997.<br />
The Puppet Operas of Antonio Jose da Silva. Essay. In Cultura magazine (produced<br />
by Portugal 600), 1993.<br />
Linguistic editor: Aspects of <strong>Puppetry</strong> (1988) by Professor Henryk Jurkowski, 1988.<br />
Contributing Editor, Animations magazine (Puppet Centre Trust), 1976-1990.<br />
<strong>Research</strong>:<br />
Co–translator and linguistic editor, for UNIMA's World Encyclopedia of <strong>Puppetry</strong> Arts (2004 –<br />
2005 under editorship of Henryk Jurkowski, and 2010 – 2011 under editorship of John Bell).<br />
55
Member of committee of Centre of <strong>Research</strong> into Object and Puppet Performance (CROPP)<br />
established by Central School of Speech and Drama.<br />
Areas of expertise: contemporary world puppetry, teaching puppetry in Higher Education,<br />
written English.<br />
54. FREIRE, Susanita (Ms.)<br />
Address:<br />
Caixa Postal 16232<br />
Rio de Janeiro, RJ<br />
Brazil<br />
E-mail: susanita@uol.com.br<br />
List of publications:<br />
O Fim de um Símbolo Theatro João Minhoca Companhia Authomatica (The End of<br />
a Symbol, Theatre João Minhoca). Authomatic Company Rio de Janeiro, RJ, achiamé, 2000,<br />
78 pp.<br />
<strong>Research</strong>:<br />
<strong>Research</strong> about popular puppetry theatre in Latin America.<br />
55. Dr. GARBEV, Lubomir (Mr.)*<br />
Address:<br />
Hadji Dimitar, bl. 179, entr. D, an. 90,<br />
Sofia 1510<br />
Bulgaria<br />
Telephone: (00359 2) 453 346<br />
Institution:<br />
National Academy for Theatre and Film Arts<br />
Rakovski, 108 A<br />
Sofia 1000<br />
Bulgaria<br />
Telephone: (00359 2) 987 98 62, (00359 2) 987 98 63<br />
List of publications:<br />
The Speaking Puppet. In Puppet Art, 1993. (Bulgarian)<br />
Images of Intonation. In New Bulgarian University Annual Book, Department Mass<br />
Communications, 1997. (Bulgarian)<br />
Image behind the words. In National Academy for Theatre and Film Arts Annual Book, 1999.<br />
Image behind the words. New Bulgarian University, 1999. (Bulgarian)<br />
<strong>Research</strong>:<br />
The Uttered Word in the Text of the Performance – project for theatre education of children<br />
from the minorities granted by The Ministoy of Culture and the Ministry of Education 2001-<br />
2005.<br />
56
Puppet Theatre – workshop in Croatia, 2001/2002, summer.<br />
Children of Bulgaria – National and Cultural Unity – project for the children from different<br />
ethnical groups in Bulgaria, 2001-2002.<br />
56. GARRÉ NICOARA, Marie (Ms.)<br />
Address:<br />
67 rue Edouard Branly<br />
62000 Arras<br />
France<br />
Institution:<br />
Université d’Artois<br />
9 rue du Temple<br />
62000 Arras<br />
France<br />
E-mail: marie.garrenicoara@yahoo.fr<br />
List of publications:<br />
Le théâtre de marionnettes, à la croisée des regards (Puppet Theatre from Crossing Points<br />
of Views). Manip’ 16 : 7, 2008.<br />
Porter la parole dans des espaces étranges (Leading the Speech in Strange Spaces). Manip’<br />
19, 2009, pp. 10-12.<br />
L’interprète – marionnettiste, une présence en éclats (The Puppeteer and His Presence<br />
in Fragments). Registres 15, 2011.<br />
Presence in Fragments. Puppet Notebook 18, 2010, pp. 12-15.<br />
<strong>Research</strong>:<br />
Contemporary puppet theatre, scenography; puppet and spectator; new forms of puppet<br />
theatre including the puppeteer’s body.<br />
57. GHARIBPOUR, Behrouz (Mr.)<br />
Address:<br />
No. 14, 8th alley<br />
Gisha street<br />
Tehran<br />
Iran<br />
Telephone: 00989121486276<br />
Web: www.behroozgharibpour.com<br />
E-mail: gharibpourbehrooz@gmail.com<br />
List of publications:<br />
Master Teaches Kheimeh Shab Bazi Renovation of Traditional <strong>Puppetry</strong> of Iran. Institute<br />
for the Intellectual Development of Children and Young Adults, IIDCYA, 1984.<br />
Entrance to Realm of Semi-puppets and Puppetries. IIDCYA, 1981.<br />
57
Travel of Green in Green. 1977.<br />
Expanded World of <strong>Puppetry</strong>. Writing & Translation, Soroush Publishing, 1985.<br />
What Is Theatre? How Is It Born? Writing &Translation, IIDCYA, 1989.<br />
<strong>Puppetry</strong>, Step by Step. IIDCYA, 1992.<br />
From First to Last Steps of Animation. Writing & Translation, Honar University, 1998.<br />
Hero Lazy. Writing, Cultural <strong>Research</strong> Bureau, 1999.<br />
Natiashastra (a chapter of thesis of Indian play). Translation.<br />
Ikaro. Translation, Ketab-e Sobh.<br />
Kaboki (colloquial Japanese play). Translation, Ketab-e Sobh.<br />
Theatre in Iran. Writing, Cultural <strong>Research</strong> Bureau, 2005.<br />
58. GHOSH, Sampa (Ms.)*<br />
Address:<br />
C-563, Sarita Vihar<br />
New Delhi 110044<br />
India<br />
Institution:<br />
Centre For Cultural <strong>Research</strong>ers And Trainong<br />
Plot No. 15A, Sector 7, Dwarka<br />
New Delhi 110075<br />
India<br />
Telephone: 9111-2694 1008/8057 (res) Cell: 09313356801<br />
E-mail: sampa7@rediffmail.com<br />
Web: www.puppetindia.com<br />
List of publications:<br />
(Published work since 1995)<br />
Bengali Puppet Theatre. In Bengali Theatre 200 Years, Publications Division, Ministry<br />
of Information & Broadcasting, Govt. of India, 1999 (First Edition), pp. 125-131.<br />
My First Experience in Educational <strong>Puppetry</strong>. In Puppet (A Quarterly for <strong>Puppetry</strong>, Theatre &<br />
Folk Arts), Vol. No. 1, Issue No. 1, April-June, Samanwaya Pavanataka Sangham, PO.<br />
Ayancheri, Dt. Kozhikode, Kerala, India, 2002, pp. 9-11.<br />
Bhartiya Kathputli Kala: Abashyakta Hain Nai Pahal Ka. (Hindi) In Rang Prasang, National<br />
School of Drama, Bahawalpur House, Bhagwan Das Road, New Delhi, Year 7, No. 4,<br />
October-December, 2004, pp. 123-128.<br />
Make Your Own Puppets. A Workbook on Puppets for Beginners & Teachers, IMH Press<br />
P. Ltd., New Delhi, 2005, 103 pp.<br />
58
<strong>Research</strong>:<br />
Video documentation: Route Of String Puppets Of West.<br />
Bengal & Assam Originated In Bangladesh.<br />
59. GIBERT NUNEZ, Yamila (Ms.)<br />
Address:<br />
Calle 4 No. 257 e/t Calle 11 y Calle<br />
13. Municipio plaza<br />
10400 La Habana<br />
Plaza Prov La Habana<br />
Cuba<br />
E-mail: yamina@cubaescena.cult.cu<br />
List of publications:<br />
Retablo de Juglares (Minstrels Altarpiece). In TABLAS, 1999.<br />
Un Príncipe preguntón como un romance de ciegos y videntes (A Prince Inquisitive as<br />
a Romance of Blind and Sighted). In TABLAS, 1998.<br />
Sobre la obra dramática de Samuel Feijoo (On the Play of Samuel Feijoo). In Signos, 2002.<br />
Títeres en pequeño formato (Puppets in Small Format). Ediciones Vigía, Mojiganga, 2004.<br />
Con la crítica y el público presencias titiriteras (With the Critical and Public Appearances<br />
Puppeteers). Ediciones Vigía, Mojiganga.<br />
El inagotable retablillo español (The Spanish Retablillo Inexhaustible). In TABLAS, 2004.<br />
Notas publicitarias y comentarios críticos (Blurbs and Critical Comments). In Periódicos<br />
y Revistas.<br />
Don Quijote en el Teatro Nacional de Guiñol (Don Quixote in the National Theatre Guignol).<br />
In Boletín Entretelones, 2008.<br />
La paradoja de la continuidad (The Paradox of Continuity). In Manita en el suelo, Anuario<br />
de teoría acerca del títere.<br />
Los títeres permanecen (The Puppets Remain). In Manita en el suelo, Anuario de teoría<br />
acerca del títere.<br />
El teatro más joven reta a la crisis (The Youngest Theatre Challenges the Crisis). Yorick<br />
en libro Ed. Abril.<br />
Los títeres ascienden (The Puppets Rise). Ed. Vigía Mojiganga.<br />
Retornan los títeres a casa (Tne Puppets come Home). Ed. Vigía Mojiganga.<br />
La ascensión de una muñeca abandonada (The Ascension of an Abandoned Doll). In<br />
Tablas, 2006.<br />
Luces de otra selva oscura (Lights Another Dark Forest). In Tablas.<br />
59
La magia desnuda del extraño circo de las pompas (The Strange Magic of the Circus Nude<br />
Pumps). Globos inflados de Pep BOU, Tablas.<br />
El juego del amor y del teatro (The Game of Love and tTeatre). In Perro Huevero<br />
Suplemento de critica teatral especializada.<br />
El Teatro Nacional de Guiñol (National Puppet Theatre Escuela). Tradición y Continuidad,<br />
Sitio digital Miami, 2009.<br />
La estética de un proyecto de vida (The Aesthetics of a Life Project). Book. El Teatro de las<br />
Estaciones el alma en viaje.<br />
El difícil camino de un rompecabezas (The Difficult Path of a Puzzle). In Tablas, 2010.<br />
Tradición y vanguardia en el títere cubano (Tradition and Art in the Cuban Puppet).<br />
La Jiribilla, 2011.<br />
El Dragón de Oro (The Golden Dragon). Sitio Digital CUBAESCENA, 2011.<br />
Visiones de ensayo: Pinocho/Corazòn Madera (Visiones Essay: Pinocchio/Heart Digital<br />
Madera). Sitio Digital Cubaescena, 2011.<br />
<strong>Research</strong>:<br />
The performance in puppetry. Puppet theatre in Cuba. Vanguard and puppetry.<br />
60. GILARDI, Paola (Ms.)<br />
Address:<br />
Rousseaustr. 23<br />
CH-8037 Zürich<br />
Switzerland<br />
Telephone: +41 (0)43 233 87 84<br />
E-mail: paogilardi@gmail.com<br />
Web: www.mimos.ch<br />
List of publications:<br />
Several articles about Swiss puppetry for the Encyclopédie mondiale des arts de la<br />
marionnette, coedited by UNIMA and Editions L’Entretemps, Montpellier, 2009.<br />
Afterword in Michel Poletti, Marionnettes à la porte du sud/Marionette al portale sud,<br />
Swiss Yearbook of theatre, No. 70, Swiss Theatre Society, Zurich, 2011.<br />
61. GIRDZIJAUSKAITĖ, Audronė PhD (Ms.)<br />
Address:<br />
A. Vienuolio 6 – 27, 01104<br />
Vilnius, Lithuania<br />
Telephone: +370 5 2623545<br />
E-mail: audronegir@yahoo.com<br />
60
List of publications:<br />
Lėlė ir kaukė (Puppet and Mask). Book about puppet theatre/compiled by Audrone<br />
Girdzijauskaite. Vilnius: Gervelė, 1999, 283, [2] p. (Lithuanian).<br />
Lietuviškų lėlių kelionė (Travel of Lithuanian Puppets). About 1th puppet theatre festival<br />
of Baltic States in Tallinn. In Tėvynės balsas, 1967, No. 3 (Lithuanian).<br />
Lėlės-vaikai-konfrontacijos (Puppets-Children-Confrontations). About Polish puppet theatres.<br />
In Pergalė, 1969, No. 4, pp. 141-147 (Lithuanian).<br />
Lėlės ir jų žiūrovai (Puppets and Audience). About puppet theatre impact to children.<br />
In Kultūros barai, 1969, No. 9, pp. 32-35 (Lithuanian).<br />
Dailininkas lėlių teatre (Designer in Puppet Theatre). About puppeteer Vitalijus Mazūras. In<br />
Muzika ir teatras, 1972, No. 8, pp. 80-86 (Lithuanian).<br />
Kiek pakelia lėlės pečiai? (How Strong is a Puppet?) A 5th Puppet Theatre Festival of Baltic<br />
States. In Pergalė, 1978, No. 11, pp. 145-153 (Lithuanian).<br />
Между закономерностью и неожиданностью (Between Regularity and Surprise). About<br />
Mazuras. In Художник, сцена (journal „Artist, Stage“), Moscow, 1978. pp. 72-82 (Russian).<br />
Творим для тех, кого любим… ( We Create for Those, Who We Love). About puppetry<br />
in Baltic States. In Театр (journal “Theatre”), Nо. 8, 1979, pp. 42-50 (Russian).<br />
Театул де пепушь: ориенерь, перспективе, спирит иноватор (Puppet Theatre:<br />
Orientation, Lookout, Innovations). In Литература шиарта, Кишинеу, 28 Feb. 1980, p. 6<br />
(Moldavian).<br />
Reikšmingas forumas (Significant Forum). About 1th Asian International puppet theatre<br />
festival in Tashkent, 1979. In Pergalė, 1980, No. 2, pp. 189-190 (Lithuanian).<br />
Pas Talino lėlininkus (At the Puppeteers of Tallinn). About Estonian puppeteers. In Pergalė,<br />
1980, No. 6, pp. 191-192 (Lithuanian).<br />
Vitalijus Mazūras (About famous Lithuanian puppeteer Vitalijus Mazuras). In Teatras,<br />
Almanachas, 1982, No. 1, pp. 23-33 (Lithuanian).<br />
В поисках поетическои образности (Search of Poetical Image). In Детская литература<br />
(Literature for Childen), 1982, No. 3, pp. 52-54 (Russian).<br />
Traukė į šviesesnį vaizdinį... (Attracted to the Light...). Interview with puppet theatre artist<br />
Balys Lukošius. In Teatras, Almanachas, 1983, No. 3, pp. 19-23 (Lithuanian).<br />
Iš tarptautinio lėlininkų simpoziumo sugrįžus (After International Puppeteers Forum<br />
in Moscow). In Teatras, Almanachas, 1984, No. 1, pp. 15-18 (Lithuanian).<br />
Tarptautinis lėlininkų susitikimas (International Meeting of Puppeteers in Moscow).In Pergalė,<br />
1984, No. 3, pp. 190-191 (Lithuanian).<br />
Lietuviškam lėlių teatrui -50 metų: nuo Ušinsko iki mūsų (50th Anniversary of Lithuanian<br />
<strong>Puppetry</strong>: From Ušinskas to Present). In Teatras, Almanachas, 1986, No. 3, pp. 9-12<br />
(Lithuanian).<br />
61
Lėlininkai susirinko septintą kartą (The Gathering of Puppeteers). About 7 th puppet theatres<br />
festival of Baltic States in Riga. In Kultūros barai, 1987, No. 1, pp. 33-35 (Lithuanian).<br />
Kauno lėlės (Puppets of Kaunas). About Kaunas Puppet Theatre tour in Vilnius. In Teatras,<br />
Almanachas, 1988, No. 3, pp. 6-9 (Lithuanian).<br />
Vitalijus Mazūras: lėlių teatras – tai skulptūrų teatras (Vitalijus Mazūras: Puppet Theatre –<br />
it‘s a Theatre of Sculptures). Interview with puppeteer V. Mazūras. In Kultūros barai, 1994,<br />
No. 12, p. 28 (Lithuanian).<br />
Stasys Ušinskas (1905-1974) (Stasys Ušinskas (1905-1974)). In book „Lietuvių teatro istorija<br />
(1935-1940)“ (“Lithuanian Theatre History (1935-1940)“), Vol. 2, Vilnius, 2002, pp. 155-166<br />
(Lithuanian).<br />
Iš lėlių teatro istorijos (1970-1990) (From the History of <strong>Puppetry</strong>). In book „Lietuvių teatro<br />
istorija (1980-1990)“ (Lithuanian Theatre History (1980-1990)), Vol. 4., Vilnius, 2009,<br />
pp. 312-402 (Lithuanian).<br />
V. Mazūras bundančiame Lietuvos teatre (V. Mazūras in the Awakening of Lithuanian<br />
Theatre. In Menotyra (Studies in Arts), 2008, No. 4, pp. 51-55 (Lithuanian).<br />
Puppet Theatre. About Lithuanian puppeteers. In „The World Encyclopedia of Contemporary<br />
Theatre“, Vol. 1, Europe, London and New York, 1994, p. 564.<br />
Lietuvių poezijos įvaizdžiai V. Mazūro metaforų teatre (Images of Lithuanian Poetry in V.<br />
Mazūras Theatre of Metaphors). In „Tradicija, autorystė, kūrinio ribos ir interpretacijos laisvė“,<br />
Vilnius, 2006, pp. 224-227 (Lithuanian).<br />
Stasys Ušinskas – Lietuvos teatrui (Stasys Ušinskas to Lithuanian Theatre). About impact on<br />
Lithuanian theatrical aesthetics. In “Constructions of Volitional Beuty“ (Exhibition Catalogue),<br />
Kaunas, 2010, pp. 47-50 (Lithuanian).<br />
<strong>Research</strong>:<br />
Album of works by puppeteer Vitalijus Mazūras.<br />
62. GOLDOVSKIJ, Boris (Mr.)*<br />
Address:<br />
Veresaeva Str. 17 – 20<br />
Moscow<br />
Russia<br />
E-mail: goldboris@yandex.ru<br />
Institution:<br />
State Academic Central Puppet Theatre named after Sergey Obraztsov<br />
Sadovaya- Samotechnaaya Str., 3<br />
Moscow 127473<br />
Russia<br />
Telephone: +007-495-699-89-10<br />
Fax: +007-495-699-89-10<br />
62
List of publications:<br />
Zapiski dramaturga teatra kukol (Notes of Dramaturg in Puppet Theatre). Book. Moscow,<br />
1993, 60 pp. with illus.<br />
Mechaniceskij teatr kukol v Rossii 18. stoletia (The Mechanic Puppet Theatre in Russia<br />
of 18th Century). Brochure. Moscow, 2001, 28 pp.<br />
Kukolnyj teatr v Peterburge (Puppet Theatre in St. Petersburg in 18th Century).<br />
A contribution in publication The Puppeteers of St. Petersburg (Kukolniki Peterburga).<br />
St. Petersburg 1995, pp. 2-44.<br />
Teatr kukol Ukrainy (The Puppet Theatre in Ukraine). Book written in a co-operation with<br />
S. Smeljanskaja. San Francisco, 1998, 276 pp. with illus.<br />
Zhizn i udivitelnyje prikljucenija vitebskih kukolnikov Jakubovskih (The Life and Unusual<br />
Adventures of Jakubovski <strong>Puppetry</strong> Family from Vitebsk). A contribution in publication<br />
Puppets, Masks and Characters. Minsk, 1999, pp. 30-36.<br />
Neskolko faktov v obchcuju kopilku (Facts into Common Deposit). A contribution about<br />
vertep. In Belorussian Theatre Almanac 1998 – 1999. Minsk, 1999, pp. 30-36.<br />
Kavaler ordena ulybki (Cavalier of the Smile Award). Introduction of S. V. Obrazcov´s book<br />
On Steps of Memory. Moscow, 2001, pp. 5-8.<br />
Neizvestnaja kukolnaja dramaturgia (Unknown Puppet Dramaturgy). A contibution on the<br />
world´s dramaturgy of puppet theatre. In: „Teatr Cudes“ puppetry journal, No. 0, 1, 2, 3, 4.<br />
Moscow, 2001-2002.<br />
Kukolnaja encyklopedija (Encyclopaedia of <strong>Puppetry</strong>). Entry. In Teatr Cudes – puppetry<br />
journal, No. 0, 1,2, 3, 4. Moscow, 2001-2002.<br />
Encyklopedija skazocnych geroev (Encyclopaedia Fairytales Heroes). Book. Moscow, 2001,<br />
60 pp. with illus.<br />
Ne tolko kukly – Vsio o Obrazcove (Not Only Puppets – Everything on Obrazcov).<br />
In a co-operation with A. Hort. Moscow, 2001, 64 pp. with illus.<br />
Kukolnyj teatr (Puppet Theatre). Book. Moscow, 1996, 60 pp. with illus.<br />
Vertep v Rossii (Vertep in Russia). A paper presented in an international symposium<br />
of Nativity puppet theatres. December 2001, Luck, 2001.<br />
Encyklopedija „Kukly (Encyclopaedia of <strong>Puppetry</strong>). Moscow, 2003, 496 pp.<br />
Kukolnaia Moskva (Puppet’s Moscow). Moscow, 2004, 50 pp.<br />
Author of idea and Leader of group of authors of book Museum of Puppets GACTK Named<br />
after Sergey Obraztsov. Moscow, 2005, 216 pp. with illus.<br />
Author of idea and leader of group of authors of book Academia of Obraztsov. Moscow,<br />
2007, 320 pp. with illus.<br />
Puppets of Theatre in War (Kukly teatra voiennych deistvii). In Teatr chudes, 2006, No. 9,<br />
pp. 26-29.<br />
63
Puppet Theatre. A Big Russian Encyclopaedia in 30 Volumes (Kukolnyj teatr. Bolshaia<br />
rossijskaia enciklopedija v 30. t.). Vol. 1, RAN, 2004, pp. 790-795.<br />
History of Puppet Theatre in Russia of XV. – XVII. Century (Letopis teatra kukol v Rossii XV.<br />
– XVII. veka). Мoscow,1994, 90 pp.<br />
History of the Russian Scripts for Puppets. Moscow, 2007, 250 pp.<br />
A Fragile Image of Perfection (Chrupkij obraz sovershenstva). Мoscow, 2007, 192 pp.<br />
DVD – Golden String. Film about puppetry, 3 hours. Moscow, 2003.<br />
63. GONCHARENKO, Alexey PhD (Mr.)<br />
Address:<br />
Bolshaya Cherkizovskaya st. 10-1-88<br />
Moscow 107061<br />
Russia<br />
Institution:<br />
Theatre Union of the Russian Federation<br />
Department for children and youth theatre, puppet theatre<br />
Strastnoy bulvar, 10<br />
Moscow 107031<br />
Russia<br />
Telephone: +7 (495) 694-41-33<br />
E-mail: padu@rambler.ru<br />
List of publications:<br />
Kukolnyi festival v Rossii (International Puppet Festivals in Russia). Article. Entry. In Teatr<br />
Cudes – puppetry journal. 2001, No. 3-4, 2002, No. 3-4, 2003, No. 3-4, 2006, No. 3-4,<br />
Moscow (Russian).<br />
Interviu s O. L. Glazunovoi “Te i eti mushketery”, o problemach sovremennogo teatra kukol<br />
v Rossii (Interview with O. L. Glazunova “These and Those Musketeers”. About Questions<br />
of Contemporary Puppet Theatre in Russia). In Teatr, 2006, No. 1 (Russian).<br />
Circ ujehal (The Circus Has Left). About Edmon and Ramona by Rezo Gabriadze.<br />
In newspaper Ekran I scena, 2007, No. 24-25 (Russian).<br />
Skazka dlja vzroslyh (The Fairy Tale for Adults). About II Open International Festival named<br />
after Valery Volhovsky. In newspaper “Novye Izvestia”. 13. 09. 2007 (Russian).<br />
Serjeznoje puteshestvije v detstvo (Serious Journey to Childhood). About VIth international<br />
Puppet Theatre Festival of Barents region. In journal «Strastnoy boulevard, 10, 2007,<br />
No. 4-104.<br />
Iz serdca Evropy – na nju-jorkskuju birzu (From The Heart of Europe – to the New-York<br />
Stock Exchange). About Angel by Dudo Pajva and Baldanders in Byalostok puppet theatre.<br />
In newspaper “Ekran i scena”, 2007, No. 40-41.<br />
Povelitel' tenej (The Lord of the Shadows). About Moscow painter Alexander Krupenin.<br />
Newspaper Culture, 2007, No. 51-52 (Russian).<br />
64
Teatr kukol v poiskah rejissera I zritelja (Puppet Theatre in Search of A Director and the<br />
Audience). About shows – national theatre award Golden mask winners in puppetry<br />
nomination, 1996-2008 (Russian).<br />
Alexander Tretiakov. UNIMA-USA.ORG, Publications, 40 under 40 (English).<br />
Maxim Udintsev. UNIMA-USA.ORG, Publications, 40 under 40 (English).<br />
Dnevnik critica (Critic's Blog). About XII International festival Ryazanskye Smotriny.<br />
In Strastnoy boulevard, 10, 2009, No. 3-123 (Russian).<br />
Ruslan Kudashov. <strong>Puppetry</strong> International, #25, 2009 (English).<br />
Anna Viktorova. <strong>Puppetry</strong> International, #25, 2009 (English).<br />
Plusy polysa (Advantages of the Pole). About V International festival Petrushka the Great<br />
in Yekaterinburg. In Strastnoy boulevard, 10», 2010, No. 3-133 (Russian).<br />
Leningradka. Cub Theatre. Russia. Context – a Discussion about Ambiguity (17th ASSITEJ<br />
World Congress and ITYARN) (English).<br />
<strong>Research</strong>:<br />
Contemporary puppet theatre.<br />
64. GRÜND, Françoise (Ms.)<br />
Address:<br />
La Rignière<br />
35 320 Tresboeuf<br />
France<br />
and<br />
150 boulevards de Magenta<br />
75 010 Paris<br />
France<br />
Telephone: 02 99 44 37 12 / 01 49 70 65 96<br />
E-mail: fgk@free.fr<br />
List of publications:<br />
Marionnettes et ombres d’Asie (Asian Puppets and Shadows). Catalogue d’exposition,<br />
Louvre des Antiquaires, Maison des Cultures du Monde, Paris, 1985.<br />
Trois danses de l’ombre (Three Shadow Dances). In Alternatives théâtrales. Institut<br />
international de la marionette et Alternatives théâtrales, 2003.<br />
Danses des ombres (Shadow Dances). Rapport des théâtre d'ombres et de la danse.<br />
In Scènes, 2004.<br />
Poupées guérisseuses in Marionnettes et thérapie (Healing Puppets in Puppets and<br />
Therapy). Association "Marionnettes et thérapie", Paris, 2005/4.<br />
65
La marionnettisation des acteurs in Tchiloli (The Marionettisation of Actors in Tchiloli). Edition<br />
Magellan, Paris, 2006.<br />
Parmi les marionnettes de l'Inde (Among Indian Puppets). In “E pui si mueve", publication<br />
de l'UNIMA.<br />
Encyclopédie mondiale des arts de la marionnette (Worldwide Encyclopedia of<br />
<strong>Puppetry</strong> Arts). Co-writer. Édition de L’Entretemps, Paris, 2009.<br />
65. GURINAVIČIENĖ ČEREDAITĖ, Aurelija (Ms.)<br />
Address:<br />
Didlaukio 52-13<br />
Vilnius 08329<br />
Lithuania<br />
Telephone: +370 68619010, +370 5 2763270<br />
E-mail: ceredaite@gmail.com<br />
List of publications:<br />
Kaip šešėliai žadina kūrybinę vaizduotę (How the Shadows Can Stretch the Imaginary –<br />
recommendations how to make shadow theatre). In Šiandien aktualu, metodikos<br />
rekomendacijos seminarams. Vilnius, 1992, II half-year, pp. 22-31 (Lithuanian).<br />
Žmonės, pavirtę paukščiais, tarsi nemirtingos vėlės (People Turned into Birds, Like the<br />
Immortal Souls – about artist Vega Vaičiūnaitė). In Lietuvos rytas, 3. 11. 1995 (Lithuanian).<br />
Šešėlių teatras (The Shadow Theatre). In Šaltinėlis, 1992, No. 5, pp. 14-15 (Lithuanian).<br />
Žirniuko pažintis su Norvegų lėlininkais (Little Pee-Wee Gets in Touch with Norwegian<br />
Puppeteers). In Lietuvos rytas, 1993, No. 3 (Lithuanian).<br />
60-metis Lietuvos lėlių teatras nenori būti antrarūšis (Sixty-years Old Lithuanian Puppet<br />
Theatre Does Not Want to be Second Rate). In Lietuvos rytas, 3. 5. 1996 (Lithuanian).<br />
Lėlės – mokytojų pagalbininkės (Puppets – Assistants to Teachers – about production<br />
of puppets and features of manipulation). In Mokykla, 1997, pp. 42-43 (Lithuanian).<br />
Lėlių teatras pradedantiesiems (<strong>Puppetry</strong> for Beginners – about creation of performance and<br />
making simple puppets). In Tarp knygų, October 1998, pp. 11-15 (Lithuanian).<br />
Kuklaus Kaukučio didele staigmena Kretingoje (Humble Kaukutis’s Big Surprise in the Town<br />
of Kretinga). Under the name of Lijana Galadauskaite. In Lietuvos rytas, 3. 11. 1998<br />
(Lithuanian).<br />
Lėlių teatras šalia mūsų (Puppet Theatre Near Us). In Mokykla, 1997, No. 1-2, pp. 42-43<br />
(Lithuanian).<br />
Asmenybės ugdymas teatro meno pagalba (Personality Development by Theatre Art).<br />
In Kultūros aktualijos, April 2006.<br />
Prancūzai myli lėlių teatrą (The French Love the Puppet Theatre – about Puppet Theatre<br />
Festival in Charleville Mezieres). In Literatūra ir menas, 16. 10. 2009 (Lithuanian).<br />
66
John Britton: Esate laisvi daryti, ką norite (John Britton: You are Free to Do Whatever You<br />
Like) Interview with actor and theatre educator J. Britton. In Lietuvos scena, 2011, No. 3-4/24<br />
(Lithuanian with English summary).<br />
<strong>Research</strong>:<br />
Current research related to creativity: puppet theatre – as an integral part of education.<br />
66. HAMAR, Juraj PhD (Mr.)<br />
Address:<br />
Starhradská 12<br />
851 05 Bratislava<br />
Slovakia<br />
Telephone: +421 638 35 364<br />
Fax: +421 638 35 364<br />
E-mail: hamar@internet.sk<br />
Institution:<br />
Comenius University in Bratislava<br />
Department of Aesthetics, Faculty of Arts<br />
Gondova 2, P.O.Box 1,<br />
818 01 Bratislava<br />
Slovakia<br />
List of publications:<br />
Die brutalität im traditionellen slowakischen Marionettentheater und was davon übrigblieb<br />
(On the Brutal Motives in the Slovak Traditional Puppet Theatre). In Kasperl, Teufel,<br />
Krokodil. Zborník z Medzinárodného sympózia, Kultur und Museumsverein „Freundedes<br />
Puppenspiels“. Wien, 1995 (German).<br />
Don Šajn ako rozprávka? (Don Juan as a Story Tale). In Zborník z konferencie Rozprávka na<br />
javisku. Bratislava, 1996, pp. 62-81 (Slovak).<br />
Erotické motívy v tradičnom bábkovom divadle (Erotic Motives in the Traditional Puppet<br />
Theatre). In Hamar, J.: Komické a erotické v ľudovej piesni (Dissertation work). Bratislava:<br />
Ústav etnológie SAV, 1996, pp. 118-120 (Slovak).<br />
Drastické ako komické bez rozdielu veku (Brutal as Comical in the All Age). In Podmaková,<br />
D. (ed.): Rozprávka na javisku a v rozhlase. Dobšinského rozprávkový Gemer. Materiály<br />
z konferencií 1996, 1997. Bratislava, 1998, pp. 57-64 (Slovak).<br />
Slovenské tradičné bábkové divadlo v textoch a kontextoch (The Slovak Traditional Puppet<br />
Theatre in Texts and Contexts). In Studia Academica Slovaca 31, Prednášky XXXVIII. Letnej<br />
školy slovenského jazyka a kultúry. Bratislava: Stimul, 2002, pp. 74-82 (Slovak).<br />
Gašparko ešte žije. K tradičnému bábkovému divadlu na Slovensku (Vivid Gašparko.<br />
On the Traditional Puppet Theatre in Slovakia). In Národopisná revue 4/2002, ročník XII,<br />
ÚLK Strážnice, Česká republika, pp. 85-88 (Slovak).<br />
Hamar, Juraj – Rusko, Milan: Character Identity Expression in Vocal Performance. In Sojka<br />
Petr – Kopeček Ivan – Pala Karel (eds.): Text, Speech and Dialogue. 9th International<br />
67
Conference TSD 2006, Brno, Czech Republic, September 2006. Springer-Verlag Berlin<br />
Heidelberg, 2006, pp. 509-516 (English).<br />
Hamar, Juraj – Rusko, Milan: One Speaker, Multiple Characters. Method for Studying<br />
Personality Expression in Voice. In Acoustics 2006 High Tatras, Slovak Acoustical Society,<br />
Bratislava 2006, pp. 320-325 (English).<br />
K personálnej identite postáv a hlasovému prejavu v ľudovom bábkovom divadle (Personal<br />
Identity and Voice Performance in the Traditional Puppet Theatre). In Národopisná revue<br />
1/2007, ročník XVII, Národní ústav lidové kultury, Strážnice, Česká republika, pp. 9-16,<br />
(Slovak).<br />
M. Knížák: Encyklopedie výtvarníků loutkového divadla v Českých zemích a na Slovensku<br />
od vystopovatelné minulosti do roku 1950. (M. Knížák: Encyclopaedia of <strong>Puppetry</strong> Theatre<br />
Designers in Bohemia and Slovakia from the beginning until 1950). Review. In Národopisná<br />
revue 1/2007, ročník XVII, Národní ústav lidové kultury, Strážnice, Česká republika, pp. 65-<br />
67 (Slovak).<br />
Ako prísť Gašparkovi na meno (How do Call Gašparko). Review. In Národopisná revue<br />
1/2007, ročník XVII, Národní ústav lidové kultury, Strážnice, Česká republika, pp. 69-71<br />
(Slovak).<br />
Ľudové bábkové divadlo a bábkár Anton Anderle (Traditional Puppet Theatre and Anton<br />
Anderle). Slovenské centrum pre tradičnú kultúru, Bratislava, 2008, 224 pp. (Slovak).<br />
67. HAMRE, Ida (Ms.)<br />
Address:<br />
Biskop Monradsvej 29<br />
DK-2830 Virum<br />
Denmark<br />
Telephone: +45 45 85 42 99<br />
E-mail: ida.hamre@mail.dk<br />
List of publications:<br />
Making Simple Clothes, the Structure and Development of Clothes from other Cultures.<br />
With Hanne Meedom. Book. Ed. Adam & Charles Black Limited. London, 1980, 115 pp.<br />
Animationsteater som kunstart og som led i xstetisk udvikling og opdragelse (The Theatre<br />
of Animation as an Art and as an Element of Esthetic Development and Education). PhD –<br />
afhandling. Book. Ed. Danmarks Laererhejskole. Copenhagen,1992, 240 pp.<br />
Marionet og Menneske, animationsteater – billedteater (Theatre of Animation and Theatre<br />
of Figuration). Book. Ed. Forlaget DRAMA. Copenhagen, 1997, 175 pp.<br />
Tværæstetisk Læring – undervisning i og med animationsteater (Cross Esthetic Learning,<br />
Teaching and Learning Animation Theatre). Book. Forskningsrapport og oplæg. Ed.<br />
Danmarks Pædagogiske Universitets Forlag. Copenhagen, 2004, 238 pp.<br />
Learning through Animation Theatre. Extract from a <strong>Research</strong> Report. Book. Published by<br />
UNIMA Denmark with support from the Danish Ministry of Culture and the Nordic Cultural<br />
Fund. Danish University of Education, Copenhagen, 2004, 105 pp.<br />
68
Idet fri. Poemes (In the Open Air). Book. Ed: Forlaget Ravnerock. Otterup, 2011, 115 pp.<br />
Articles in books:<br />
Billedteater pa tvxrs af grxnser (Theatre of Images Running across Borders). In Anslag,<br />
Teater- og dramafagets Didaktik og Metode. Haugsted, Mads, Ida Hamre, Marianne<br />
Andersen, (red.) Ed: Udviklingsprogrammerne, Danmarks Laererhojskole, 1998, 26 pp.<br />
Levende billedteater i skolen (Living Theatre for the School). In Det Estetiske i et<br />
dannelsesperspektiv, Sorensen, Birgitte Holm, (red.) Udviklingsprogrammerne, Danmarks<br />
Laererhejskole, 1998, 15 pp.<br />
The Learning Process in the Theatre of Paradox. In The Puppet – What a Miracle! Majaron,<br />
Edi & Livija Kroflin, (editors). Croatian Center of UNIMA and UNIMA Slovenia, 2002, 12 pp.<br />
Le Processus d’appentissage dans le téâtre du paradoxe (The Learning Process in the<br />
Theatre of Paradox). In O miracle!... la marionette! Majaron, Edi & Livija Kroflin, (editors).<br />
Debouny, Edmond (French editor), 12 pp.<br />
Peer Gynt, Nørregaards og Reiches Teater 2000, Før næste korsvej, Peer Gynt-fantasi om<br />
tilblivelse (Peer Gynt, Theatre of Nørregaard and Reiche 2000. Before the Next Crossroad,<br />
Peer Gynt- Fantasy about Existence). In Ibsen og figurteatret Figurteatret og Ibsen.<br />
Helgesen Anne (editor). UNIMA Norge, 2006, 10 pp.<br />
Aesthetic and Social Potentialities in Animation Theatre. In Theatre for children – Artistic<br />
phenomenon, International <strong>Research</strong> College of Theatre Arts, Jurkowski, Henryk and<br />
Miroslav Radonjic’ (editors), Volume 1. Publishers: Open University, Subotica, International<br />
Festival of Children’s Theatres, Subotica, Theatre Museum of Vojvodina, Novi Sad, Serbia,<br />
2010, 14 pp.<br />
Masks, Marionettes and Mixed Forms – in the Theatre For Children and with Children.<br />
In Theatre for children – Artistic phenomenon, International <strong>Research</strong> College of Theatre<br />
Arts, Jurkowski, Henryk and Miroslav Radonjic’ (editors), Vol. 2. Publishers: Open University,<br />
Subotica, International Festival of Children’s Theatres, Subotica, Theatre Museum<br />
of Vojvodina, Novi Sad, Serbia, 2011, 18 pp.<br />
Universal Figures in Animation theatre. In Marionettes, Methafysic, Mecanic and Modernity.<br />
University of Copenhagen, 2012, 22 pp.<br />
Articles in reviews and newspapers:<br />
Håndgerning (Craft). In Uddannelse I Danmark. Fra barn til voksen. K. Helveg Petersen<br />
og Finn Jolander (editors). Branner og Korch, 1971, 22 pp.<br />
Bunraku – figurteatrets prototype (Bunraku – Prototype of Figurative Theatre).<br />
In And i Hanske, Norsk Dukketeaterforening,1990, 3 pp.<br />
Drama (Drama). In Praktisk-musisk undervisning. Evalueringsrapport for Folkeskolens<br />
Udviklingsråd. Danmarks Lærerhøjskole, Copenhagen, 1991, 4 pp.<br />
Animationsteatret og Paul Klees figurer (Theatre of Animation and Figures of Paul Klee).<br />
In CRAS, Tidsskrift for kunst og kultur. Silkeborg Kunstmuseums Forlag (editor). 1992, 5 pp.<br />
Esthéticque et function d'une marionette (Esthetics and Function of the Marionette).<br />
In Tidsskriftet Figure. Schweitz, 1994, 3 pp.<br />
69
Drama I klasseværelset (Drama in the Classroom). In Magisterbladet. Yvonne Schantz,<br />
Yvonne & Ursula Gudmundsen (editors). Copenhagen, 12. nov. 1992, 1 p.<br />
Forslag til beskrivelsesmodeller til tekstilfagets didaktik – et diskussionsoplæg (Proposals for<br />
a Description of the Didactics of Textile-subjects – for Discussion). In Forming I skolen. Oslo,<br />
1992, 2 p.<br />
Rum og figur, om Oscar Schlemmers teorier (Space and Figur – about Theories of Oscar<br />
Schlemmer). In Formning, billedpædagogisk tidskrift. Copenhagen, 1992, 2 p.<br />
Billedet, stoffet og oprøret, interview with Kirsten Dehlholm, Hotel Pro Forma (Paintings,<br />
Textiles and Revolts. An interview with theatre director Kirsten Dehlholm, Hotel Pro Forma),<br />
In Formning, billedpædagogisk tidskrift. Copenhagen, 1992, 3 pp.<br />
Håndarbejde og undervisningsdifferentiering (Craft and Differentiation in Teaching).<br />
In Undervisningsdifferentiering I skolen. Undervisningsministeriet/Folkeskoleafdelingen,<br />
Copenhagen, 1993, 3 pp.<br />
Drama and Action Competence. In Action and Action Competence as Key Concepts<br />
in Critical Pedagogy. Bruun Jensen, Bjarne & Karsten Schnack (editors). Royal Danish<br />
School of Educatinal Studies, Copenhagen, 1994, 14 pp.<br />
Håndarbejde, Æstetiske Læreprocesser (Craft and Esthetic Learning Processes). In Billeder,<br />
stoffer, mad og musik – undervisningsdifferentiering I praktisk-æstetiske fag. Nielsen, Anne<br />
Maj, Benn, Jette, Fink- Jensen, Kirsten, Hamre, Ida (editors). Kroghs Forlag, 1994, 8 pp.<br />
A propos Performance. In Drama & Teater i undervisningen. Danmarks<br />
dramalaererforening, 1995, No. 2, 8 pp.<br />
Legens rum og rxkkevidde (Space and Extent of Playing). In Danmarks dramalaererforening,<br />
1995, No. 3, 3 pp.<br />
Inspirationer fra vxrdighedens jord. Rejseglimt fra Burkina Faso (Inspirations from Land<br />
of Dignity. Moments of a Journey in Burkina Faso). In Handarbejde i skolen, 1996, 5 pp.<br />
Dramapedagogik i Burkina Faso (Pedagogy of Drama in Burkina Faso). In Drama & Teater<br />
i undervisningen. Danmarks dramalaererforening, 1996, No. 6, 5 pp.<br />
Skolen og den emotionelle Ixring (School and Emotional Learning). In Dansk<br />
Magisterforenings Seminansafdeling, Nov. 1996, 2 pp.<br />
Fagsprogets velsignelser (Blessing of a Professional Language). In Handarbejde i skolen,<br />
1997, No. 4, 4 pp.<br />
Animationsteatrets verdner og underverdner (Worlds and Underworlds in Animation Theatre).<br />
In Rampelyset Dansk Amaterteater Samvirke. August 1998, 5 pp.<br />
Marionetternes Mesterlxre (Professional Education of Marionettists). In Borneteateravisen,<br />
1998, No. 107, 3 pp.<br />
Malinesiske Masker, Marionetter og Overgangsformer (Masks, Marionets and Mixed Forms<br />
in Mali). In Mali-Nyt. Blad for venskabsforeningen Danmark-Mali, Oktober 1998, 3 pp.<br />
Kunst og Pxdagogik – en dialektisk storrelse (Art and Pedagogic – Dialectical<br />
Phenomenons). In And i Hanske. Norsk Dukketeaterforening, 199, No. 2, 4 pp.<br />
70
Fortaellinger til at rare ved – om læreprocesser I animationsteatret (Stories to Touch –<br />
Learning Processes in Theatre of Animation). In Collection of papers of research.<br />
Forskningsprogrammet Skolefag, Laering og Dannelse. Danmarks Laererhojskole, 2000, 25<br />
pp.<br />
At Ixre af at Ixre af at Ixre at lave animationsteater… (To Learn by Learning through the<br />
Learning Processes of Animation). In Forskningstidskrift om laereprocesforskning. Danmarks<br />
Laererhojskole, 2000, 14 pp.<br />
Theatre d'animation – theatre des utopies et des metamorphoses (Theatre of Animation –<br />
Theatre of Utopias and Metamorphosis). In Collection of papers for research. Scensko<br />
Stvaralastvo djece i odraslih za djecu, Gradski vrtici Sibenik, Sibenik, Croatien, 2000, 4 pp.<br />
Animationsteatrets Ixring og billedsprog (Learning and Image-language in Theatre<br />
of Animation). In Handarbejde i Skolen, sept. 2000, 5 pp.<br />
UNIMA – marionnetternes og animationsteatrets Internationale forening (UNIMA –<br />
International Organisation of Marionettes and Theatre of Animation). In Drama & Teater i<br />
undervisningen, Dec. 2000, 3 pp.<br />
Humoren i Ixreprocessen – eller Ixreprocessen og den utopiske fantasi (Humour in Learning<br />
Processes – or Learning Process and Utopian Imagination). In Dansk paedagogisk tidsskrift,<br />
Copenhagen, Dec. 2000. 6 pp.<br />
Samarbejde med skoler i Burkina Faso, Vestafrika – om animationsteater i undervisningen<br />
(Co-operation with Schools in Burkina Faso, Westafrica – Concerning Use of Theatre of<br />
Animation as Part of the Teaching Content). In Rampelyset, udgivet af Dansk Amaterteater<br />
Samvirke, 2001, No. 287, 4 pp.<br />
Drama-xstetiske Lxreprocesser i Animationsteatret (Drama-esthetic Learning Processes<br />
in the Theatre of Animation). In Tidskriftet Ånd i Hanske. UNIMA – Norge, 2001, 3 pp.<br />
Læreprocesser i Aniationsteatret (Learning Processes in Theatre of Animation).<br />
In Tidsskriftet Drama & Teater i undervisningen. Dec. 2001, 5 pp.<br />
Stikord til Animationsteatrets Æstetik (Cues for Esthetics of the Theatre of Animation).<br />
In Tidsskriftet Ånd i Hanske. UNIMA-Norge, 2002, 3 pp.<br />
Teater – på tværs og på spil (Theatre – across and in Risk). In Tidsskriftet Ånd i Hanske.<br />
UNIMA-Norge, 2002, No. 2, 3 pp.<br />
Animation af Figurer (Animation of Figures). In Nyhedsbrev fra Filteforeningen GRIMA,<br />
maj 2002, No. 2, 4 pp.<br />
Dukketeater er ikke kun for voksne (Puppet Theatre not Only for Adults). Komments<br />
n Dagbladet Information (Danish newspaper). 25. april 2011, 1/2 p.<br />
Hygge og uhygge I dukke- og animationsteatret (Pleasant and Horrifying in the Theatre<br />
of Puppets and Animation). In Tidskriftet DRAMA &Teater. Danmarks Dramalærerforening,<br />
juni 2011, No. 1, 2 pp.<br />
Affective Education through the Art of Animation Theatre. In Collection of articles from<br />
University of Ljublijana, after presentations from the 11 th Biennial Conference of European<br />
Affective Network (EAEN). Faculty of education, 2011, 5 pp.<br />
71
68. HELGESEN, Anne (Ms.)<br />
Address:<br />
Adlersgate 31,<br />
3116 Toensberg<br />
Norway<br />
Telephone: +4797080265<br />
E-mail: a.m.helgesen@ikos.uio.no, anne@kattas.no<br />
List of publications:<br />
Chat Noir i Kristiania 1912 – 1919. Litterær kabaret og kleinkunst (Chat Noir in Kristiania).<br />
Oslo, Artistic cabaret and kleinkunst, Aschehoug, 2012.<br />
Det startet østenfor sol og vestenfor mane. Det første drama for barn i Norge. (It Started East<br />
of the Sun and West of the Moon. The First Drama for Children in Norway). Oslo, Norsk<br />
Barnebok Institutt, 2011.<br />
Crossing the Border between Public and Private. Holger Drachmann and Bokken Lasson.<br />
Nordic Theatre Studies, Vol. 22, 2010, pp. 58-67.<br />
Norwegian entries. In Encyclopédie Mondial des Arts de la Marionette, 2009.<br />
Ibsen og Figurteatret. Figurteatret og Ibsen (Ibsen and the Puppet Theatre. The Puppet<br />
Theatre and Ibsen). Oslo, UNIMA Norge, 2006.<br />
Form og farge i bevegelse (Shapes and Coulors in Movement). Dockteater-Ecko, UNIMA-<br />
Nytt, Ånd i hanske, 2006, No. 1, pp. 10-11.<br />
La de små barn komme til meg. Agnar Mykle (1915-1994) og hans sang om enfolkelig<br />
teaterform (Let the Small Children Come to Me. Agnar Mykle (1915-1994) and His Song<br />
about a Popular Theatre). Prosopopeia, Universitetet i Bergen, 2005, pp. 23-29.<br />
Troen på det vakre. Regine Normanns eventyr på figurteaterscenen (Trusting the Beauty.<br />
Regine Normanns Fairytales at the Puppet Theatre Stage). Helene Willumsen: Regine<br />
Normann i hundre år. Eureka, No. 4, Høgskolen I Tromsø, 2005, pp. 167-183.<br />
Dukkespillernes lange kamp for faglige rettigheter –et dykk i Birgit Strøms arkiv (The Fight for<br />
the Legal Right of the Puppeteers Based on the Archives of the Puppeteer Birgit Strøm).<br />
Oslo, Bindestreken, No. 3 og 4 Tidsskrift for Norsk Skuespillerforbund, 2004, pp. 8-11 and<br />
16-19.<br />
Animasjonen – figurteatrets velsignelse og forbannelse. Norsk figurteaterhistorie (The<br />
Animation – the Blessing and the Curse of the Puppet Theatre. History of Norwegian Puppet<br />
Theatre). Institutt for musikk og teater, Universitetet i Oslo, Ph.d thesis, 2003.<br />
Europeisk Figurteaterhistorie. Teaterhistorien fra en annen kant (European History of the<br />
Puppet Theatre. The history of the theatre seen from another angel). Oslo, Tell Forlag, 1999.<br />
OverlevelsesKUNST (The ART of Surviving). I jubileumsskriftet Levende dukker 15 år. Oslo,<br />
2002.<br />
72
Rabiat dukke, miniatyrskuespiller, objekt eller Gud? (Crazy Puppet, Miniature Actor, Object<br />
or God?) Norsk Dramatisk Årbok, 2001, pp. 82-89.<br />
Riksteatret og dukketeaterkunsten (Our National Touring Theatre and the Art of <strong>Puppetry</strong>).<br />
Teater underveis. 50 år med Riksteatret, 1998, pp. 68-78.<br />
Figurteater i Norge (Puppet Theatre in Norway). Teaterhistorie bind 2. Tell Forlag, 1997,<br />
pp. 157-158.<br />
Teaterpioneren Agnar Mykle (Agnar Mykle, the Pioneer of Norwegian <strong>Puppetry</strong>). På norske<br />
scener, 1993/1994, pp. 19-22.<br />
Når teatertegnene blir for sterke (When the Metaphors of the Theatre Get too Strong).<br />
Spillerom, 1993, No. 4, pp. 19-23.<br />
Forankring. Et nyetablert regionteaters arbeid for å bli regionens teater og lokalbefolkningens<br />
reaksjon på teatret. En studie av Nordland Teater i perioden 1979-1980. (“The Work<br />
of Establishing a New Regional Theatre and the Response of the Local Population”. A study<br />
of Nordlans Regional Theatre 1979-1980.) Avdeling for teatervitenskap, Universitetet i Oslo,<br />
1982.<br />
<strong>Research</strong>:<br />
History of drama for children in Norway.<br />
69. HINZLER, Heidi (Ms.)<br />
Address:<br />
Witte Rozenstraat 44<br />
2311 XW Leiden<br />
Netherlands<br />
Telephone, Fax: +31(0)71-8883807<br />
E-mail: hinzler@online.nl<br />
List of publications:<br />
Wayang op Bali.<br />
Bima Swarga in Balinese wayang.<br />
70. HLEDÍKOVÁ, Ida M.A. PhD (Ms.)<br />
Address:<br />
Ipelská 1<br />
821 07 Bratislava<br />
Slovakia<br />
Telephone: ++421 918819409<br />
E-mail: i.hledikova@chello.sk or hledikova@vsmu.sk<br />
73
Institution:<br />
The Academy of Performing Arts and Music/Vysoká škola múzických umení<br />
Ventúrska 3<br />
831 01 Bratislava<br />
Slovakia<br />
List of publications:<br />
(Selection)<br />
Ján Romanovský, tvorca a interpret (Jan Romanovsky – Creator, and Interpreter).<br />
In Originál. Nitra, 1996, No. 2, 3, p. 5 (Slovak).<br />
Radosti a strasti bystrického bábkarského festivalu (Joys and Distresses of Bystrica<br />
<strong>Puppetry</strong> Festival). In Divadlo v medzičase. 1996, No. 1, pp. 4-5 (Slovak).<br />
Le Musée de Marionettes du Chateau de Modry Kamen. In Le Theátre Slovaque. NDC<br />
Bratislava, 1996, pp. 53-57 (French).<br />
Sezóna v bábkových divadlách (The Season in Puppet Theatres). In Teatro. NDC Bratislava,<br />
No. 10, p. 11 (Slovak).<br />
Stručný pohľad do histórie pri príležitosti žilinskej päťdesiatky (The Brief View into the History<br />
of Puppet Theatre in Žilina on the Ocassion of 50th Anniversary of the Theatre). In 50.<br />
výročie založenia prvého profesionálneho bábkového divadla na Slovensku. Žilina, 2000,<br />
pp. 2-4 (Slovak).<br />
Bábkarská Bystrica – Udana Konfrontacja Regionalna (Babkarska Bystrica – Successful<br />
Regional Confrontation). In Teatr Lalek. Warsaw, No. 4/6/2000, pp. 22-26 (Polish, English).<br />
50. výročie bábkového divadla v Nitre (The 50th Jubilee of Puppet Theatre in Nitra). In Staré<br />
divadlo Nitra, Deťom len to najlepšie! Nitra, 2001, pp. 5-7 (Slovak).<br />
Splnené sny Ondreja Spišáka (The Dreams That Have Come True). An Interview with Ondrej<br />
Spisak. In Javisko. 2001, No. 6, pp. 2-5 (Slovak).<br />
Slovenská bábkarská scénografia na začiatku milénia – bábky v atomizovanom svete<br />
(Slovak <strong>Puppetry</strong> Scene Design at the Beginning of Millenium – Puppets in Atomized World).<br />
UNIMA Slovakia, 2000, p. 35, with illus. (Slovak, English).<br />
Contemporary Puppet Theatre in Slovakia. In International seminar <strong>Puppetry</strong> East-West,<br />
West-East. New Delhi: Sangeet Natak Akademi, 2005, pp. 35-38.<br />
Ján Stražan a jeho bábkarský rod (Jan Stražan and His <strong>Puppetry</strong> Family). In Slovenské<br />
divadlo. Bratislava: Slovak Academy of Sciences, VEDA, 2006, pp. 417-450.<br />
Sergei Obraztsov, Teatr Čudes (Sergei Obraztsov – Czechoslovak Etuds). Moscow: GACTK,<br />
specvypusk, 2005, pp. 24-25.<br />
Kočovníci, komedianti, bábkari (Strolling Comedians, Puppeteers). Bratislava: Divadelný<br />
ústav, Divadelná fakulta VŠMU, 2006, 193 pp.<br />
Posledná maringotka (The Last Caravan). Scenario of the documentary film on<br />
Middleeuropean <strong>Puppetry</strong> Families. 64 min., Format 16:9, Digital BTC, 35 mm, English<br />
subtitles. Producer: FURIA FILM Ltd. Coproducers: Slovak Television, Czech Television,<br />
2008 – www.furiafilm.com.<br />
74
Encyclopédie mondiale des Arts de la Marionnette (World Encyclopedia of <strong>Puppetry</strong> Arts).<br />
Author of Slovak contributions. Montpellier: Éditions L’Entretemps, 2009.<br />
Tvorba Jána Romanovského v zrkadle ideologických peripetií (Ján Romanovský´s Creation<br />
against the Backdrop of Ideological Turning Points). In Slovenské divadlo (The Slovak<br />
Theatre, Journal of Theatre, Film, Radio and Television Art). Bratislava: Slovak Academy<br />
of Sciences, 2010, Vol. 58, No. 1, pp. 47-57 (Slovak).<br />
Integrácia tradičného bábkarstva v súčasnom divadle a bábkovosť v novom divadle<br />
(The Integration of Traditional <strong>Puppetry</strong> in Contemporary Theatre and the “Puppetness”<br />
in New Theatre). In Slovenské divadlo (The Slovak Theatre, Journal of Theatre, Film, Radio<br />
and Television Art). Vol. 58, No. 2, Bratislava: Slovak Academy of Sciences, pp. 130-138<br />
(Slovak).<br />
Tradícia v bábkovom divadle minulosti a súčasnosti (Traditions in Puppet Theatre of the Past<br />
and Today´s Theatre). Editor. Bratislava: Academy of Performing Arts and Music, 2010, 111<br />
pp. (Slovak).<br />
Predpoklady vzniku marionetového divadla na Slovensku (Background of Origin of Puppet<br />
Theatre in Slovakia). In Tradícia v bábkovom divadle minulosti a súčasnosti. Bratislava:<br />
Academy of Performing Arts and Music, 2010, pp. 24-46.<br />
Absolvent (The Graduate). Critique. In www.loutkar.eu, 24. 4. 2011.<br />
Vándor Bábjatékosok a mai Szlovákia Területén a 18. – 19. Században. Pillantás a Magyar-<br />
Szlovák Kontextusra (Wandering Puppeteers of the 18th and 19th Centuries on the Territory<br />
of Today´s Slovakia – Hungarian-Slovak Context). In Báb-Tár XII., Art Limes 2011, 1.,<br />
Tatabánya, Hungary, pp. 22-27 (Hungarian).<br />
Snívajte s nami – Monografia k 60. výročiu Starého divadla v Nitre (Dream with Us –<br />
Monography on 60th Anniversary of Puppet Theatre in Nitra). Bratislava: SDKS, VŠMU,<br />
2011, 144 pp.<br />
<strong>Research</strong>:<br />
The History of <strong>Puppetry</strong>, Dramaturgy, Contemporary <strong>Puppetry</strong> Arts.<br />
71. Prof. Em. HOWARD, Ryan (Mr.)*<br />
Address:<br />
Morehead State University<br />
Department of Art<br />
64 The Lane<br />
Morehead, Kentucky 40351<br />
USA<br />
Telephone: 606-784-8444<br />
E-mail: rhoward109@adelphia.net<br />
List of publications:<br />
The Renaissance of the Puppet Theatre in Barcelona. The <strong>Puppetry</strong> Journal, January 1977.<br />
Los títeres en los Estados Unidos. National Festival of Puppet Theatre. Santa Fe, Argentina,<br />
1978.<br />
75
El títere en los Estados Unidos. Edición de “El Retablo de las Maravillas”. Santa Fe,<br />
Argentina, 1979.<br />
<strong>Puppetry</strong> in Argentina. The <strong>Puppetry</strong> Journal, September 1980.<br />
Paul and Marjorie McPharlin. National Festival of the Puppeteers of America. California<br />
Polytechnic University, San Luis Obispo, California, August 1981.<br />
Writings on <strong>Puppetry</strong>. The <strong>Puppetry</strong> Journal, 1983-1987. Series of twenty articles on the<br />
bibliography of the puppet theatre.<br />
<strong>Puppetry</strong> and the Commedia dell’arte. The <strong>Puppetry</strong> Yearbook, 1994.<br />
<strong>Puppetry</strong> and Italian Futurism. National Festival of the Puppeteers of America. Bryn Mawr<br />
College, Bryn Mawr, Pennsylvania, July 1995.<br />
Paul McPharlin and the Puppet Theatre. Jefferson, McFarland, NC, spring/summer 2006<br />
(www.mcfarlandpub.com).<br />
72. Huy Hông, Nguyên (Mr.)*<br />
Address:<br />
UNIMA Vietnam<br />
361 Truong<br />
Hanoi<br />
Vietnam<br />
List of publications:<br />
Marionette entry in Vietnam Encyclopedia. Vietnam Encyclopedia Compilation Center, Hanoi,<br />
1995.<br />
Viet Nam Water <strong>Puppetry</strong>. Theatre Publishing House, Hanoi, 1996, 162 pp.<br />
Marionette entry in Vietnam 50 years Theatre. Theatre Publishing House, Hanoi, 1996.<br />
Theatre Tradition of Vietnam l-Ethnic Minorities. Nguyen Village Culture, Thai Hinh, Culture<br />
and Information Department, Hanoi, 1998, 168 pp.<br />
Hurry! Here Are the Water Puppet Shows. Water, Ecology (Water in Asia pacific Countries –<br />
An Ecology Book for Children). Kirn Dong Publishing House, Hanoi, 1998.<br />
Marionette, Vietnamese Traditional Performing Arts. Vietnam Studies (Issues on History,<br />
Economy, Society and Culture). I lie Gioi (World) Publishing House, Center for Social and<br />
Development Studies, Hanoi, 1998.<br />
Traditionelles Vielnamesissches Wassermarionetten. Gioi, Hanoi, 2001.<br />
76
73. PhDr. INŠTITORISOVÁ, Dagmar PhD (Ms.)<br />
Address:<br />
Fedinova 2<br />
851 01 Bratislava<br />
Slovakia<br />
Telephone: 004212/6381 1872, ++905/148796<br />
E-mail: dinstitorisova@centrum.sk<br />
Institution:<br />
The Institute of Literal and Artistic Communication (Ústav literárnej a umeleckej komunikácie)<br />
Faculty of Philosophy of University of Konstantin Philosopher (Filozofická fakulta Univerzity<br />
Konstantína Filozofa)<br />
Štefánikova 67<br />
949 74 Nitra<br />
Slovakia<br />
List of publications:<br />
Spišákovská zmluva s diablom (Spisak‘s Contract with the Devil). In Javisko, 27, 1995,<br />
No. 7/8, p. 12.<br />
Pochybnosti o sile ilúzie? (Any Doubts about the Strength of Illusion?). In Javisko, 27, 1995,<br />
No. 11, p. 5.<br />
Dobrá správa z bábkového divadla (Good News from the Puppet Theatre). In Originál, 2,<br />
1995, No. 8.<br />
Do hlbiny kamenného divadla a späť (The Journey to the Depth of the Established Theatre<br />
and Back). In Originál, 2, 1995, pp. 4-5.<br />
Naplnené sny (Výrazové špecifiká bábkových divadiel na Slovensku v súčasnosti) (Fulfilled<br />
Dreams (Poetics of Contemporary Puppet Theatre in Slovakia)). 1, In Javisko, 28, 1996, No.<br />
2, pp. 10-13.<br />
Naplnené sny (Výrazové špecifiká bábkových divadiel na Slovensku v súčasnosti) (Fulfilled<br />
Dreams (Poetics of Contemporary Puppet Theatre in Slovakia)). 2, In Javisko, p. 28, 1996,<br />
No. 3, pp. 17-20.<br />
Bábkové divadlo na Slovensku (Puppet Theatre in Slovakia). In Programový bulletin –<br />
X. Bábkarská Bystrica 96, Bábkové Divadlo na Rázcestí, Banská Bystrica, 1996.<br />
Bábka v inscenačnom priestore (Divadlo PIKI). Loutkař, 1996, No. 10, pp. 232-233.<br />
Je o čom hovoriť (There Is Something to Talk about). In Javisko, 28, 1996, No. 4, pp. 8-9.<br />
Nasledy o démonovi Tatarkovi (Following Tatarka‘s Demon), In Javisko, 29, 1997, No. 6,<br />
pp. 27-28.<br />
Večer s madam d´Aulnoy (An Evening with Madam d´Aulnoy). In Javisko, 29, 1997, No. 10,<br />
pp. 11-12.<br />
Čo je staré a nové v bábkovom divadle (What´s Old and New in Puppet Theatre). In Slovak<br />
theatre. Bratislava: Národné divadelné centrum, 1997, pp. 41-48.<br />
77
K niektorým problémom interpretácie rozprávky na javisku (Some Problems in the<br />
Interpretation of Dramatised Fairy Tales). In Rozprávka na javisku a v rozhlase. Bratislava:<br />
Kabinet divadla a filmu SAV, 1998, pp. 43-51.<br />
O jednej sezóne v Bábkovom Divadle na Rázcestí (One Season in the Puppet Theatre at the<br />
Crossroads). In Loutkař, 1998, No. 7/8, pp. 178-181.<br />
Noblesní paskudníci (Noble Tricksters). In Loutkař, 1998, No. 11/12, pp. 271-272.<br />
Hlavne, že sme veselí (Great, We Are Happy). In Pravda, 8, 1998, No. 82, p. 15.<br />
O rozprávkovom salóne (In the Fairy Tale Parlour). In Pravda, 8, 1998, No. 274, p. 15.<br />
Znovu u Madam D´Aulnoy (Again at Madam D´Aulnoy‘s). In Javisko, 31, 1999, No. 1,<br />
pp. 4-5.<br />
Bábky pod stromček (Puppets under the Christmas Tree). In Pravda, 9, 1999, No. 295,<br />
p. 7.<br />
Divadlo ako odstraňovanie hraníc (Theatre as the Breaking of Barriers). Programový bulletin.<br />
Bábkarská Bystrica 2000. Banská Bystrica: Bábkové divadlo na Rázcestí, 2000, pp. 16-23.<br />
Poďme si niečo pekné vymyslieť (Vianoce 1999!) (Let‘s Think up Something Nice (Christmas<br />
1999!)). BDnR B. Bystrica. In Javisko, 32, 2000, No. 2, p. 16.<br />
Hovoríme s Ivetou Škripkovou. Divadelné skúsenosti z Francúzska (A Dialogue with Iveta<br />
Skripkova. Theatre Experience from France). In Javisko, 32, 2000, No. 7/8, pp. 31-33.<br />
Symbolická Nezábudka (A Symbolic Forget-me-Not). In Pravda, 10, 11. 5. 2000, No. 107,<br />
p. 10.<br />
Cez dve obdobia: Slovenské divadlo od komunizmu k nezávislosti (Across Two Eras: Slovak<br />
Theatre from Communism to Independence). In New Theatre Quarterly 62, 16, 2000, No. 2,<br />
pp. 163-174.<br />
Projekt Teatrium (Project Teatrium). In Kultúrny život, 2, 16. 5. 2001, No. 20, p. 9.<br />
Divadlo nového vzťahu k divákovi (The Theatre in a New Relationship with the Audience).<br />
In Kultúrny život, 2, 19. 9. 2001, No. 31, p. 9.<br />
Sny a výmysly (alebo o novom vzťahu medi divákom a divadlom) (Dreams and Inventions<br />
(or about a New Relationship between the Viewer and Theatre)). In Bibiana, revue pre deti<br />
a mládež, 8, 2001, No. 3, pp. 59-61.<br />
Meinholdova Neplač, Anna (Meinhold‘s Don‘t Cry, Ann). In Pravda, 9, 25. 9. 2001, No. 220,<br />
p. 18.<br />
Rozprávka do každého kúta (A Fairy Tale in Every Corner). In Javisko, 34, 2002, No. 1, p.<br />
31.<br />
Čo sú rozprávky? (What Are Fairy Tales). In Kultúrny život, 3, 13. 3. 2002, No. 11, p. 8.<br />
Deťom so syndrómom CAN (To Children with the CAN Syndrome). In Kultúrny život, 3, 22. 5.<br />
2002, No. 21/22, p. 11.<br />
78
Miniatúry (Miniatures). In Javisko, 34, 2002, No. 7, p. 23.<br />
O súčasnom jazyku bábkového divadla (On the Language of Contemporary Puppet Theatre).<br />
In “Šamani, mágovia & komedianti”. Bratislava: Divadelný ústav, 2002, p. 25-56.<br />
Tri divadelné miniatúry na tému divadlo a terapia (Three Theatre Miniatures on the Topic of<br />
Theatre and Therapy). In Javisko, 35, 2003, No. 3, pp. 10-11.<br />
Alternatívnosť v súčasnom alternatívnom profesionálnom činohernom a bábkovom divadle<br />
pre deti (alebo interaktivita ako základ nového jazyka) (An Alternative in the Contemporary<br />
Mainstream of Professional and Puppet Theatres for Children (or Interactivity as a Basis of<br />
the New Language)). In Gbúr, Ján – Horák, Karol (ed.): Kontexty alternatívneho divadla I.,<br />
Acta facultatis Philosophicae Universitatis Prešoviensis. Prešov: Filozofická fakulta<br />
Prešovskej Univerzity, 2003, pp. 102-111.<br />
Zamilovaní klauni s maňuškami (Clowns in Love with Puppets). In Pravda, 13, 2. 4. 2003,<br />
No. 77, p. 18.<br />
Rozprávková klasika trochu naruby (Traditional Tales: A New Perspective). In Pravda, 13,<br />
17. 5. 2003, No. 77, p. 18.<br />
Inštitorisová, Dagmar and col.: Interpretácia divadelného diela (prolegomena) (Interpretation<br />
of Drama (A Prolegomenon)), Zborník študentských prác, multimediálne CD. Nitra: Univerzita<br />
Konštantína Filozofa, Filozofická Fakulta, Ústav literárnej a umeleckej komunikácie, 2005.<br />
O novom v divadle pre deti (New Theatre for Children). In Žilková, Marta (ed.): Stav kultúry<br />
pre deti a mládež. Nitra: Univerzita Konštantína Filozofa, Filozofická fakulta, Ústav literárnej<br />
a umeleckej komunikácie, 2005, pp. 128-135.<br />
O divadle pre deti a mládež deväťdesiatych rokov 20. storočia (Theatre for Children and<br />
Young People in the 1990s). In Inštitorisová, Dagmar – Oravec, Peter – Ballay, Miroslav:<br />
Tváre súčasného slovenského divadla. Nitra: Univerzita Konštantína Filozofa, 2006,<br />
pp. 187-222.<br />
Kedy divadlo žije (When Is Theatre Going to Live?). In ŠKRIPKOVÁ, Iveta – ZAŤKOVÁ,<br />
Dominika (ed.): Živé divadlo, 45 rokov profesionálneho bábkového divadla v Banskej Bystrici.<br />
Bratislava: Divadelný ústav; Banská Bystrica: Bábkové divadlo na Rázcestí, 2007, s. 26-42.<br />
Bábka a tajomstvá textu (polemická rozprava na tému bábka, interaktívnosť a hranice<br />
zneužitia divadelných postupov (A Puppet and Mysteries of a Text (a Polemic on <strong>Puppetry</strong>,<br />
Interactivity and Bounds of Mistreatment of Theatre Practices)). In Klíma Miroslav a kol.:<br />
Divadlo a interakce. 1. vyd. Praha: Pražská scéna, 2007, s. 113-119.<br />
Interaktívne nazretie do dávnej Bratislavy... (An Interactive Look on Ancient Bratislava…)<br />
In Monitoring divadiel, 20. 3. 2007, Divadelný ústav Bratislava, Divadlo Ludus Bratislava.<br />
http://www.theatre.sk/sk/02/0703-is.theatre.htm<br />
Esej na tému hranice interpretácie (An Essay on the Limits of Interpretation). Essai sur le<br />
thèm: des limites de l´interprétation. In La porte des langues ouverte vers les homes. Paris:<br />
Éditions Langues et Mondes, 2008, pp. 51-62.<br />
Pamäť divadla – je vždy o nás (Memory of Theatre – It Is Always about Us). In Kolektív: Živé<br />
divadlo – 50 rokov profesionálneho bábkového divadla v Banskej Bystrici. Banská Bystrica:<br />
Bábkové divadlo na Rázcestí, 2010, p. 3.<br />
79
Interpretácia divadelného diela (The Interpretation of a Theatre Work-of-Art). Nitra: Univerzita<br />
Konštantína Filozofa, Filozofická fakulta, Ústav literárnej a umeleckej komunikácie, 2010,<br />
224 pp.<br />
<strong>Research</strong>:<br />
Theory of theatre, Critics, History of Contemporary Puppet Theatre.<br />
74. Dr. IVANOVA-BRASHINSKAIA, Anna A. PhD (Ms.)<br />
Address:<br />
7th Linia, 2/1 – 23<br />
St. Petersburg 199034<br />
Russia<br />
Telephone: (812) 323 – 65 – 45<br />
E-mail: opex-@mail.ru<br />
Institution:<br />
Puppet Theatre Department<br />
Turku Arts Academy<br />
Turku University of Applied Sciences<br />
Linnankatu 54<br />
Turku 20100<br />
Finland<br />
Telephone: 358 – 50 598 52 57<br />
Fax: 358 – 10 553 52 02<br />
E-mail: anna.ivanova@turkuamk.fi<br />
List of publications:<br />
Encyclopédie mondiale des Arts de la Marionnette (World Encyclopedia of <strong>Puppetry</strong> Arts).<br />
Coordinator of the East European entries over 80 pages. Among others: “Puppet Theatre<br />
Criticism”, Revaz Gabriadze, etc. Montpellier: Éditions L’Entretemps, 2009.<br />
People, Animals and Fantoches... Petersburg Barnum Ernst Rost and English Puppeteer<br />
Richard Barnard (”Ljudi, zveri i fantochi”: Peterburgskij Barnum Ernst Rost I anglijskij kukolnik<br />
Richard Barnard). Puppeteers in Petersburg. Saint-Petersburg, 1995, pp. 93-108.<br />
Marionetki Julii Slonimskoj (Julia Slonimskaja's Marionettes). Puppeteers in Petersburg.<br />
Saint-Petersburg, 1995, pp. 107-127.<br />
Kukolnik (Puppeteer). Victor Antonov’s trick-marionettes show. St. Petersburg Theatre<br />
Journal, 1997, No. 14, pp. 49-51.<br />
Chto ostavit detjam na pamjat’ nasha malenjkaya skazochka. O Nine Gernet (What Children<br />
Will Remember About This Short Fairy Tale? On Nina Gernet). With Eric Rausch-Gernet.<br />
Petersburg Theatre Journal, 1998, No. 15, pp. 54-57.<br />
Marionetka v tradicionnom teatre kukol (Marionettes in Traditional Puppet Theatre).<br />
In Marionnete theatre of the Symbolism Era. The Edwin Mellen Press, Lewiston, Queenston,<br />
Lampeter, 2002, pp. 25-31.<br />
Teatralnaja kukla: soderzhatelnostj tradicionnyh tehnologicheskih system (Theatre Puppet:<br />
Semantics of traditional methods of manipulation). In Theatre Transaction, Saint Petersburg,<br />
2003, pp. 32-56.<br />
80
Z podrógy po Rosji (The Russian travelogue). Teatr lalek, # 4. 2003 – # 1. 2004, pp. 40-45<br />
(English – Polish).<br />
Volkhovsky i... (Volkhovsky and...). Theatre of Miracles, 2005, Special Issue, pp. 26-28.<br />
Anomalnaya zona (Anomalous Zone). Russian puppet directing in the 1970- 1980s. Kukart,<br />
2006. In process.<br />
Axe. E Pur Si Muove! <strong>Puppetry</strong> Today, # 5, 2006, pp. 26-28.<br />
Le Théâtre Ten’ de Moscou. Puck. La Marionnette et les Autres Arts, #14. 2006,<br />
pp. 129-138.<br />
Garri Bardin: la marionnette selon Stanislavski, propos recueillis par Anna Ivanova-<br />
Brashinskaya. Puck. Les marionnettes au cinéma, #15, 2008.<br />
Who Needs These Puppets, Puppeteers and Their Teachers Alike? Pinnet.fi.<br />
Kansainvälisyys osana ammattikorkeakoulujen arkea, Turku, 2009, pp. 45-50.<br />
Masterstvo bez Mastera (Mastership without Master). In the professional puppeteer’s school.<br />
St. Petersburg, 2009, pp. 262-271.<br />
75. JARA VILLASEÑOR, Daniel Alejandro (Mr.)*<br />
Address:<br />
Atepoxco No. 104<br />
Col. Tepeyac Insurgentes<br />
México, D.F., C.P.<br />
07020<br />
Mexico<br />
List of publications:<br />
Títeres prehispanicos de Mesoamérica (Pre-hispanic Puppets of Mesoamerica). Essay.<br />
In Tepetzinco, La voz de la Romero Rubio y sus alrededores, No. 2, March-April 1991,<br />
pp. 25-29; 9, México, D.F.<br />
Pre-columbian Puppets of Meso-america. TPF Quarterly, The Official Publication of the Tulsa<br />
Puppet Foundation. Tulsa, OK USA, 29 April 1994, 16 pp.<br />
De la matlalcueyetl a los andes (From Matlalcueyetl to the Andes). Camaxtli, Asociación<br />
Pro Museo Regional de Antropología e Historia de Tlaxcala. A.C., Año XVII, No. 1/3,<br />
Tlaxcala, México, June l995, pp. 4-7.<br />
Diplomado en el manejo del títere aplicado a la educación Módulo: Construcción de Títeres<br />
(Degree in Working with Puppets Applied in the Education Module: Puppet Construction).<br />
Compilation of articles. Universidad Pedagógica Nacional, Tlaxcala, San Pablo Apetatitlán,<br />
Tlaxcala, México, Feb.-March 1996, 130 pp.<br />
Títeres milenarios de América (Millennial Puppets of America). With Claudio Castoillo.<br />
In Memorias del VI Festival Escolar de Títeres. Maracay, Venezuela, June 2001, p. 12.<br />
81
El Teatro de Títeres (The Puppet Theatre). Cuadernos de difusión, No. 1, Edic. Pedro Luis<br />
y sus Curruñecos. Caracas, Venezuela, Feb. 1999, pp. 12-20.<br />
Los títeres en la época prehispánica (Puppets of the Pre-hispanic Age). Máscara. Cuaderno<br />
Iberoamericano de Reflexión sobre Escenología, año 10, nos. 26-30, Jan.-April 1999,<br />
México, D.F, pp. 87-90.<br />
Títeres Milenarios de América (Millenial Puppets of America. Fragment. Memorias del VI<br />
Festival Escolar de Títeres “Claudio Castillo” (Memories of the VI. Puppet School Festival<br />
“Claudio Castillo”). Maracay, Venezuela, June 2001, p. 12.<br />
Títeres (Puppets). Año 1, No. 2, Medellín, Colombia, Nov. 1999-January 2000, pp. 8-10.<br />
El Teatro de Títeres (Puppet Theatre). Cuadernos de difusión, No. 1, Edic. Pedro Luis y sus<br />
Curruñecos. Caracas, Venezuela, Feb. 1999, pp. 12-20.<br />
Cuadernos de la Fundación Telba Carantoña (Pamphlets of Foundation Telba Carantoña),<br />
1998, La Guaira, Venezuela, Edición fotocopiada (Photocopied Edition), Instituto<br />
Latinoamericano del Títere, Guanare, Venezuela, 1997, 12 pp.<br />
Pre-Columbian Puppets of Meso-America. The <strong>Puppetry</strong> Yearbook, Vol. VI. Edited by James<br />
Fisher. The Edwin Mellen Press, Lewiston Queenston Lampeter, Crawfordsville, IN, EUA,<br />
2005.<br />
76. JIANG Yuxiang (Mr.)<br />
Address:<br />
No. 3 Arts Building<br />
No. 29 Wangjiang Road<br />
Chengdu, Sichuan Province<br />
China<br />
E-mail: 360949100@qq.com<br />
List of publications:<br />
Exploring the Origin of Chinese Shadow <strong>Puppetry</strong>. Folk Literary Forum, Vol. 2, 1988 and<br />
in Sichuan University Philosophy and Social Science Selections I, Sichuan University Press,<br />
Chengdu, 1989.<br />
Analyzing the Shadow <strong>Puppetry</strong> in Song Dynasty. Academic Journal of Sichuan University,<br />
Vol. 37, March 1988.<br />
Discussing the Shadow <strong>Puppetry</strong> in Ming Dynasty and Relevant Questions. Social Science<br />
Studies, Vol. 5, 1988.<br />
Folk Function of Sichuan Shadow <strong>Puppetry</strong>. Journal of Literature and History, Vol. 6, 1989.<br />
Sichuan Shadow <strong>Puppetry</strong> in Germany. Modern Shadow <strong>Puppetry</strong> Culture, 15 April 1989.<br />
The Interaction of Chinese Shadow <strong>Puppetry</strong> and Marionette <strong>Puppetry</strong>. Chengdu Relics,<br />
Vol. 1, 1992.<br />
Chinese Shadow <strong>Puppetry</strong>. Sichuan People’s Publishing House, Chengdu, 1992.<br />
82
Doctor Roff and Chinese Shadow <strong>Puppetry</strong>. Journal of Literature and History, Vol. 4, 1992.<br />
Chinese Shadow <strong>Puppetry</strong> around the World. Chinese Culture, Vol. 6, 1993.<br />
Shidian’ One of the Sichuan Shadow <strong>Puppetry</strong> in Qing Dynasty. Sichuan Opera, Vol. 2,<br />
1994.<br />
Chengdu Shadow <strong>Puppetry</strong> – The Most Beautiful Shadow <strong>Puppetry</strong> in China. Top<br />
in Chengdu: Chengdu Press, 1994.<br />
Chinese Shadow <strong>Puppetry</strong> in Germany. Chinese Civilization, Vol. 2, 1995.<br />
Talking about Beidan Opera. Sichuan Literary, 5 May 1995.<br />
Brief Discussion of Characters of Shadow Puppet Modeling. Journal of Literary and History,<br />
Vol. 2, 1997.<br />
Lampenschattentheater aus Sichuan. Cooperated with Deutscher Kunstverlag. Fine Art<br />
Publishing House, Munich, Deutschland, 1997.<br />
Re-Studying Water Marionette <strong>Puppetry</strong>. Folk Literary Forum, Vol. 2, 1998.<br />
Chinese Shadow <strong>Puppetry</strong> and Folklore. Shuxing Press, Taiwan, 1999.<br />
Sichuan Shadow <strong>Puppetry</strong>. Literary and History Knowledge, Vol. 7, 2001.<br />
Cultural Celebrities and Shadow <strong>Puppetry</strong>. Journal of Literary and History, Vol. 5, 2003.<br />
Huada Museum and Shadow <strong>Puppetry</strong>. Sichuan Relics, Vol. 4, 2004.<br />
Mr Gu Jiegang and Shadow <strong>Puppetry</strong> – Cultural Celebrities and Shadow <strong>Puppetry</strong> II. Journal<br />
of Literary and History, Vol. 5, 2005.<br />
Two Stories Talking about Qin Shadow <strong>Puppetry</strong> – Cultural Celebrities and Shadow<br />
<strong>Puppetry</strong> III. Journal of Literary and History, Vol. 3, 2006.<br />
Japanese Shadow <strong>Puppetry</strong>. Chengdu Relics, Vol. 3, 2006.<br />
Discussion of Chinese <strong>Puppetry</strong> I and II. Sichuan Relics, Vol. 2, 2007 and Chengdu Relics,<br />
Vol. 1, 2007.<br />
Mr Ren Naiqiang and Shadow <strong>Puppetry</strong>. Journal of Literary and History, Vol. 6, 2009.<br />
Inhabitation and Safeguarding of Shadow <strong>Puppetry</strong> and <strong>Puppetry</strong>. Sichuan Intangible<br />
Cultural Heritage, Vol. 6, 2010 and Sichuan Opera, Vol. 1, 2011.<br />
77. Prof. Dr. JURKOWSKI, Henryk (Mr.)<br />
Address:<br />
Ul. Krucza 5/11 m. 49<br />
00-548 Warszawa<br />
Poland<br />
83
Telephone: +4822 628 2236<br />
E-mail: hzjurkov@gmail.com<br />
List of publications:<br />
History of the European Puppet Theatre, Vol. 1. The Edwin Mellen Press, Lampeter, USA,<br />
Great Britain, 1996, 428 pp.<br />
Inspiracje kolędowe w przedstawieniach na Boże Narodzenie (Carol Inspirations<br />
in Christmas Performances). In Z kolędą przez wieki. Kolędy w Polsce i w krajach<br />
słowiańskich. Biblos, Kraków-Tarnów, 1996, pp. 285-296.<br />
Z teatru do muzeum (o wystawie Wacława Kondka) (From Theatre to Museum – On an<br />
Exhibition of Waclaw Kondek). Tygiel kultury, Łódź, April 1996, pp. 93-97.<br />
Alianz der Puppen. Puppentheater in den Ländern der Gegner. In Dorothea Kolland, Front<br />
Puppentheater. Puppenspieler im Kriegsgeschehen, Elefanten Press, Berlin 1996,<br />
pp. 153-165.<br />
Puppet Theatre in Two Americas. Article written in function of specialty editor. The World<br />
Encyclopedia of Contemporary Theatre, Vol. 2, Americas, Routledge, London and New York,<br />
1996, pp. 26-30.<br />
Jerzy Zitzman – szkic do monografii (Teatr Lalek Banialuka 1947 – 1997 (Jerzy Zitzman –<br />
Draft of Monography). Seria wydawnicza Biblioteka Bielska-Białej. Pozycja nr. 10. Urząd<br />
Miasta Bielska-Białej, 1997, pp. 35-60.<br />
African Puppets and Masks: Links in a Historical Chain. Article written in function of specialty<br />
editor. The World Encyclopedia of Contemporary Theatre, Vol. 3, Africa, Routledge, London<br />
and New York, 1997, pp. 38-40.<br />
Jan Wilkowski. Szkic do monografii. (Jan Wilkowski, Draft of Monography) “Teatr”, No. 3,<br />
pp. 52-58 and No. 4, pp. 49-53.<br />
History of the European Puppet Theatre, Vol. 2 (new version). The Edwin Mellen Press,<br />
Lampeter, USA, Great Britain, 1998, 528 pp.<br />
Lalki w rytuale (Puppets in Rituals). Polska Sztuka Ludowa, Konteksty, 1998, No. 2,<br />
pp. 35-45.<br />
Puppet Theatre in Asia. Article written in function of specialty editor. The World Encyclopedia<br />
of Contemporary Theatre, Vol. 4, Asia, Routledge, London and New York, 1998.<br />
Magie loutek. Škice z teorie loutkového divadla (The Magic of <strong>Puppetry</strong>. Essays from the<br />
Theory of Puppet Theatre). Studio Ypsilon Prague, Czech Republic, 1997. (Czech)<br />
Leliu teatras ir valdžia. In Lele Ir Kauke. Knyga apie leliu teatrą. Gervele, Vilnius, 1999,<br />
pp. 64-66 (Lithuanian).<br />
Antologia klasycznych tekstów teatru lalek Vol. I. (Anthology of the Classic Texts of the<br />
Puppet Theatre from XVII to XIX Centuries with Introduction and Notes). PWST, Wroclaw,<br />
Poland, 1999.<br />
Metamorphoses. La marionnette au XXe siecle. Institut International de la Marionette,<br />
Charleville-Mezieres, France, 2000.<br />
84
Puppets and Puppet Plays. In Medieval Folklore. An Encyclopedia of Myths, Legends, Tales,<br />
Beliefs and Customs. ABC-CLIO Santa Barbara, California, Denver, Colorado, Oxford,<br />
England, 2000, pp. 803-808.<br />
Among Deities, Priests and Shamans (Puppets within Ritual). In The <strong>Puppetry</strong> Yearbook,<br />
Vol. four, The Edwin Mellen Press, 2000.<br />
Puppets and the Work of Stanisław Wyspianski. In The <strong>Puppetry</strong> Yearbook, Vol. 4,<br />
The Edwin Mellen Press, 2000.<br />
Antologia klasycznych tekstów teatru lalek vol. II. (Modernizm i Postmodernizm) ze wstępem<br />
i w opracowaniu (Anthology of Classical Texts of Puppet Theatre, vol. II. Modernism and<br />
Postmodernism). PWST, Wroclaw, Poland, 2001.<br />
Aktor i jego nieożywiony sobowtór (Actor and His Unanimated Double). Didaskalia, Krakow,<br />
2001, No. 43/44, pp. 65-74.<br />
Skice z teorije o lutkarskom kazalištu (Drafts from Theory of Puppet Theatre). Lutka, Revija<br />
za lutkorsko Kazaliste, Zagreb, 2001, No. 12-13, pp. 59-63. (Croatian)<br />
Zofia i Władysław Jaremowie. Sylwetki twórców. (Zofia and Wladyslaw Jarema. Profiles<br />
of Creators). In Zofia i Władysław Jaremowie. Seria: Lalkarze, Lódź, 2001, No. 28.<br />
Metamorfozy teatru lalek (Metamorphoses of Puppet Theatre). Kwartalnik teatralny, Kraków,<br />
2002, No. 1.<br />
K istorii narodnogo kukolnogo teatra: wertep, batlejka, szopka (On the History of National<br />
Puppet Theatre: vertep, batlejka, szopka). Tradicjonnaja Kultura, Naucznyj almanach,<br />
Moskva 1 (5), 2002, pp. 14-19.<br />
Metamorfozy teatru lalek w XX wieku (Metamorphoses of Puppet Theatre in 20th Century).<br />
Errata, Warszawa, 2002.<br />
Józef Szajna czyli paradoks awangardy (Jozef Szajna or Paradox of Avantgarde).<br />
Didaskalia, Kraków, April 2002, No. 48.<br />
Wrocławski teatr lalek (zarys historii – 6 arkuszy) (Wroclaw Puppet Theatre – Draft of History<br />
– 6 papers). In Lalki i my. Wydawnictwo jubileuszowe z okazji 55-lecia WTL, Wrocław, 2002.<br />
Wesele w szopkowej spirali (Glosa do teorii szopki satyrycznej). (Wedding in Crib Spiral)<br />
Kwartalnik Teatralny, Kraków, 2002/2003, No. 3/1, pp. 191-198.<br />
Sacrum: literaturnyj motiv czi widkryta struktura? (Sacrum: Literal Motif or Structure?) In Kino<br />
Teatr (Kiev), 2003, No. 2, p. 911.<br />
Kulturnyj kontekst komiczeskich figur kukolnogo tieatra (Cultural Context of Comical<br />
Characters of Puppet Theatre). Kukart, 2003, No. 8, pp. 49-51.<br />
Przeciw stereotypom: Craig (Against Stereotypes: Craig). Didaskalia, 2003, No. 54/55/56,<br />
pp. 101-106.<br />
Mateřinka 03. In Loutkař, Praha, 2003, No. 4, pp. 170-171.<br />
Kłopoty z tradycją (Troubles with a Tradition). Review of performance of Mimmo Cuticchio.<br />
Teatr Lalek, 2003, No. 72, pp. 15-17.<br />
85
Poeta w krainie światła (Poet in Country of Light). About T. Wierzbicki. Teatr Lalek, 2003, No.<br />
73-74, pp. 20-24.<br />
Reflektor na Josefa Kroftu (With a Headlamp on Josef Krofta). In Miroslav Klima, Karel<br />
Makonj a kol., Josef Krofta Inscenačni dilo. Pražská scena, Praha, 2003, pp. 19-31.<br />
Służba lalek (Mission of Puppets). In Národní divadla. Tradice a současnost. Teatry<br />
narodowe. Tradycja i współczesność. Uniwersytet Śląski w Cieszynie, Cieszyn, 2003,<br />
pp. 45-53.<br />
Craig i Appia. Epoka przełomu (Craig and Appia. Turn of the Age). Didaskalia, Gazeta<br />
teatralna, 2003, No. 58, pp. 91-95.<br />
Antologia klasycznych tekstów teatru lalek. W kręgu polskich tradycji (wybrał i opracował...)<br />
(Anthology of Classical Texts of Puppet Theatre). PWST w Krakowie, Wydział Lalkarski we<br />
Wrocławiu, Wrocław, 2003, p. 652.<br />
Niespełniona wielkość. Z dziejów recepcji Edwarda Gordona Craiga w Polsce (The Great<br />
Accomplished. From History of Reception of Edward Gordon Craig in Poland). Pamiętnik<br />
Teatralny, Warszawa, 2003, z. 3-4, pp. 46-92.<br />
Problemi doslidżennja rizdwjanoi temi w teatri ljalok (Problems of Nativity Plays in Puppet<br />
Theatre). Wisnik Lwiwskogo Universitetu, Lviv, 2003, pp. 24-28.<br />
Teatr wobec sacrum – zarys problematyki (Theatre against Sacrum – Draft of Issue).<br />
Rocznik Teologii Katolickiej, Białystok, 2004, pp. 77-94.<br />
Prawdziwy teatr lalek Roni Burketta (Literal Puppet Theatre of Rony Burkett). Dialog, 9,<br />
2004, pp. 198-197.<br />
Kariera Króla Ubu (King's Ubu Career). Dialog, 10, 2004, pp. 182-187.<br />
Nadmarioneta w kręgu Nietzschego (Übermarionette in a Circle of Nietzche). Dialog, 12,<br />
2004, pp. 179-185.<br />
E. G. Craig, Demokracja albo „Uzgodniliśmy” (E. G. Craig, Democracy or „We Made<br />
a Bargain“). Interludium. Translation Henryk Jurkowski. Dialog, 12, 2004, pp. 170-178.<br />
Plastyka nie jedno ma imię... (Fine Art Has More Names…)Teatr Lalek, 4, 2004, pp. 2-6.<br />
Protiv stereotipow: Kreg (Against Stereotypes: Craig). Kukart, No. 9, Moskva, 2004,<br />
pp. 29-31.<br />
Protiv stereotipow: Kreg (Against Stereotypes: Craig). Ekran i scena, No. 6., Moskva, 2005,<br />
pp. 14-15.<br />
Czy lalkarze potrzebni są lalkom? (Do Puppets Need Puppeteers?) Teatr Lalek, No. 1/80,<br />
2005, pp. 9-11.<br />
Ku teatrowi prawdy... Jakiej? (Towards Theatre of True....Which?). Teatr Lalek, No. 1/80,<br />
2005, pp. 21-23.<br />
Lalka – fenomen kultury (Puppet – Cultural Phenomenon). In 60 lat teatru Baj “Pomorski”.<br />
Toruń, Teatr „Baj Pomorski”, 2005, pp. 3-10.<br />
86
Teatr i dziecko. Księga Jubileuszowa Śląskiego Teatru Lalki i Aktora Ateneum w Katowicach<br />
z lat 1945-2005 (Theatre and a Child. Jubilee Book of Silesian Theatre of Puppet and Actor<br />
in Katowice 1945 – 2005). Suplement, Katowice, 2005, pp. 2-5.<br />
Loutka na prelomu tisicileti (I.) (Puppet on the Turn of Millenium). Loutkář, Praha, 2005, No.<br />
1, pp. 11-15.<br />
Loutka na prelomu tisicileti (II.) (Puppet on the Turn of Millenium). Loutkář, Praha, 2005, No.<br />
2, pp. 59-62.<br />
Loutka na prelomu tisicileti (III.) (Puppet on the Turn of Millenium). Loutkář, Praha, 2005, No.<br />
3, pp. 108-110.<br />
Loutka na prelomu tisicileti (IV.) (Puppet on the Turn of Millenium). Loutkář, Praha, 2005, No.<br />
4, pp. 156-159.<br />
Anioły i... (Nie lustracja lecz prewencja) (Angels and…No Illustration but Prevention). Yorick,<br />
No. 5 (kwiecień 2005). Pismo internetowe A.I.C.T.<br />
Korának Gyermeke (Syn swojej epoki. O scenografii Sekely Laszlo) (Korának Gyermeke –<br />
Son of His Period). Criticai Lapok, No. 7-8, Budapeszt, 2005, p. 10. (Hungarian)<br />
Szkoda tej czarownicy na stos... (Loss of Pelted Witch). Program festiwalu: 22, Ogólnopolski<br />
Festiwal Teatrów Lalek, Opole, 2005, pp. 3-7.<br />
Cuius regio – eius religio. Yorick, No. 7, 2005.<br />
Craig w Świecie idei (Craig in the World of Ideas). Konteksty, 2005, No. 2, pp. 76-83.<br />
Mimezis – miedzy monizmem i dualizmem. Sztuka aktorska i jej psychologiczne meandry<br />
(Mimesis – between Monism and Dualism. Actor´s Art and Its Psychology). Konteksty, 2005,<br />
No. 2, pp. 84-99.<br />
Sacrae rappresentazioni. Teatr Lalek, 2006, No. 1-2.<br />
Renaissance, Niedergang und Triumph der Puppe. Double 09. Magazin fuer Puppen-,<br />
Figuren-, und Objekttheater. Bochum, 2006, No. 3, p. 19-21. (German)<br />
Moje pokolenie (My Generation). POLUNIMA, Łódź, 2006.<br />
Aktor w roli demiurga. Akademia Teatralna w Warszawie, 2006.<br />
Teorija lutkarstva. Ogledi iż istorije, treorije i estetike lutkarskog teatra. MFPD, Subotica,<br />
2007.<br />
Spectacles de décors. Didaskalia, April-May 2007, No. 78, pp. 51-59.<br />
Przemiany ikonosfery. Wizualny kontekst sztuki teatru. Wydawnictwo Uniwersytetu<br />
Wrocławskiego (Transformation of Iconosphere). Publishing House of Wrocław,<br />
University Wrocław, 2009.<br />
Materiał jako wehikuł treści rytuału (Master as a Vehicle of Ritual’s Contents).<br />
Warszawa, Wydawnictwo Uniwersytetu Warszawskiego, 2011.<br />
87
Lalka igraszką losu. 50 lat festiwalu teatrów lalek w Opolu (Puppet the Play Thing of<br />
Destiny. 50 Years of the Puppet Theatre Festival in Opole). Opole Puppet Theatre,<br />
OTLiA, Opole, 2011.<br />
78. JUŠKĖNAS, Vilmantas (Mr.)<br />
Address:<br />
Burbiškių 5-1<br />
Vilnius<br />
Lithuania<br />
Telephone: +370 6 8486536<br />
E-mail: vilmantasjuskenas@yahoo.com<br />
Institution:<br />
Vilnius Theatre “Lėlė“<br />
Arklių 5<br />
Vilnius, LT 01305<br />
Lithuania<br />
List of publications:<br />
Žaidimas – fantazijos, virstančios tikrove (Game is a Fantasy That Becomes Reality). About<br />
Bialystok Puppet Theatre (Poland) tour in Vilnius. In Literatūra ir menas (Literature and Art),<br />
03. 11. 2006 (Lithuanian).<br />
Dailininko kūryba lėlių spektaklyje (The Designer‘s Creation in a Puppet Theatre). Article<br />
based on historical, theoretical material and issues of contemporary Lithuanian puppet<br />
theatre. In Menotyra (Studies in Art). T. 14, 2007, No. 4, pp. 79-93 (Lithuanian with English<br />
summary).<br />
Apie tolimas legendas ir likimų mūšius (About Far Legends and Fights of Fate). Review<br />
of puppet theatre performance “The Battle Near Staliningrad”, directed by Revaz Gabriadze.<br />
In 7 meno dienos (7 Art Days). 02. 11. 2007 (Lithuanian).<br />
Jaunieji lėlininkai: viltys, problemos ir atradimai (Young Puppeteers: Hopes, Problems<br />
and Discoveries). About young puppeteers and problems of puppetry education in Lithuania.<br />
In 7 meno dienos, 25. 06. 2010 (Lithuanian).<br />
<strong>Research</strong>:<br />
Database of contemporary Lithuanian puppet theatre (in www.unima.lt).<br />
79. KANO, Katsumi (Mr.)<br />
Address:<br />
2-28-1<br />
Nagato-cho<br />
Showa-ku<br />
Nagoya-shi 466-0848<br />
Japan<br />
Telephone & Fax: +81 (0)52 842 0675<br />
88
List of publications:<br />
History of Japanese <strong>Puppetry</strong>: Transition & Mechanics of Puppets. Yagi-shoten, 2007.<br />
80. KATO, Akiko (Ms.)<br />
Address:<br />
1-43-6 Kaminakazato<br />
Kita-ku<br />
Tokyo 114-0016<br />
Japan<br />
Telephone & Fax: +81 (0)3 3915 0230<br />
E-mail: akato@ma.kitanet.ne.jp<br />
List of publications:<br />
Hop-Step-Jump kun (Children’s Story by Czech <strong>Puppetry</strong> ”Míček-Flíček”). Sin-nihon-syupansya,1969/Souhu-sya,1996,<br />
146 pp.<br />
Hoikusitu no nakano Ningyogeki (<strong>Puppetry</strong> in Nursery Room). Dousin-sya, 1977, 159 pp.<br />
Ningyo no Kuni no Gariba-san (Gulliver in the Puppet Land). Tyuoukouron-sya, 1978, 206<br />
pp.<br />
Youji no tameno Ningyogeki (<strong>Puppetry</strong> for Little Children). Dousin-sya, 1979, 159 pp.<br />
Nihon no Ningyogeki 1867-2007 (<strong>Puppetry</strong> in Japan 1867-2007). Housei-University Press,<br />
2007, 267 pp.<br />
81. KHAZNADAR, Cherif (Mr.)<br />
Address:<br />
Maison des Cultures du Monde<br />
101 Boulevard Raspail<br />
75006 Paris<br />
France<br />
E-mail: cherif.k@free.fr<br />
List of publications:<br />
Le théâtre d'ombres (The Shadow Theatre). With Françoise Gründ. Rennes: Maison de la<br />
Culture de Rennes, 1975.<br />
Le théâtre d'ombres, nouvelle édition revue et augmentée (The Shadow Theatre, A<br />
Reviewed and Extended Edition). With Françoise Gründ. Rennes: Maison de la Culture<br />
de Rennes, 1978.<br />
89
82. KOVÁČ, Mišo A. (Mr.)*<br />
Address:<br />
Hviezdoslavova 17<br />
03601 Martin<br />
Slovakia<br />
Telephone: ++421 43 4131585<br />
List of publications:<br />
Vydávanie dramatizácií slovenských ľudových rozprávok (Publishing of Dramatisations of<br />
Slovak Fairy Tales). In Rozprávka na javisku (A fairy tale on the stage). Bratislava, 1996, pp.<br />
20-27.<br />
Bábka v histórii slovenskej divadelnej kultúry (Puppet in History of Slovak Theatre Culture).<br />
In Pohľady a výhľady. Bratislava, 1997, pp. 9-31.<br />
Amatérske bábkové divadlo v diele Štefana Hozu (Amateur Puppet Theatre in Work of<br />
Stefan Hoza). In Stefan Hoza. Bratislava, 1997, pp. 57-65.<br />
Rozprávka v ľudových, cechových a detských hrách (Fairy Tale in Folk, Guild and Children´s<br />
Plays). In Rozprávka na javisku a v rozhlase (Fairy tale on the stage and in radio). Bratislava,<br />
1998, pp. 11-27.<br />
Hračka a hra v literárnom múzeu (Toy and Play in the Literal Museum). In Literárnomúzejný<br />
letopis 29. Literary and Museum Annals 29, Martin, 1999, pp. 19-41.<br />
Divadelné a teatrologické súčasti v diele Jána Poliaka (Theatrological and Museological<br />
Integrals in Work of Jan Poliak). In Literary and Museum Annals 29, Martin, 1999, pp. 350-<br />
364.<br />
83. KROFLIN, Livija M.A. (Ms.)<br />
Address:<br />
Kukuljeviceva 19<br />
HR-10000 Zagreb<br />
Croatia<br />
Telephone: +385-1-4822-527<br />
E-mail: livijakroflin@hotmail.com<br />
Institution:<br />
Academy of Arts in Osijek<br />
Kralja Petra Svačića bb<br />
HR-31000 Osijek<br />
Croatia<br />
Telephone: +385-31-253-333<br />
Fax: +385-31-253-353<br />
E-mail: uaos@uaos.hr<br />
List of publications:<br />
The Puppet – What a Miracle! With Livija Kroflin. Ed. The UNIMA Puppets in Education<br />
Commission, 2002, 90 pp.<br />
90
Zagrebačka zemlja Lutkanija. MCUK, Zagreb, 1992, 164 pp.<br />
Lutke izvan lutkarskih kazališta (Puppets outside Puppet Theatres). „Festivali/The<br />
Festivals“. In Hrvatsko lutkarstvo/Croatian <strong>Puppetry</strong>. Hrvatski centar UNIMA i MCUK,<br />
Zagreb, 1997, pp. 134-165.<br />
O PIF-u od početaka (About the PIF from the Very Beginning). In 30 godina PIF-a/30 Years<br />
of the PIF. MCUK, Zagreb, 1997, pp. 15-22.<br />
Hamlet on Wheels. In Puppet Art at the Turn of Millenium. Addresses given at the 17th<br />
Congress of UNIMA. UNIMA – HUNGARY, Budapest, 1997, pp. 80-84.<br />
U susret modernom lutkarskom teatru (Towards a Modern Puppet Theatre). In Hrvatsko<br />
lutkarstvo, MCUK, Zagreb, 2000, pp. 16-29.<br />
Mojih 20 PIF-ova (My 20 PIFs). MCUK, Zagreb, 2008, 38 pp.<br />
Je li kazalište lutaka za djecu? (Is Puppet Theatre for Children?) In Theatre for Children –<br />
Artistic Phenomenon/Pozorište za decu – umetnički fenomen. Otvoreni univerzitet, Subotica.<br />
84. Prof. KRUGER, Marie (Ms.)<br />
Address:<br />
1 Lovell Avenue<br />
The Boord<br />
Stellenbosch 7600<br />
South Africa<br />
Telephone: 021 8870748<br />
Institution:<br />
Drama Department<br />
University of Stellenbosch<br />
Private Bag x1<br />
Matieland 7602<br />
South Africa<br />
Telephone: 021 8083092<br />
E-mail: msk@sun.ac.za<br />
List of publications:<br />
<strong>Puppetry</strong>: A <strong>Guide</strong> for Beginners. Delos, Cape Town, 1990.<br />
Theatre for Young Audiences in South Africa and Puppet and Mask Theatre in South Africa.<br />
The World Encyclopedia of Contemporary Theatre, Vol. 3, Africa, Routledge, New<br />
York/London, 1997.<br />
Puppets and Masks in Africa as Multifuntional Social Intervention. Drama as Social<br />
Intervention. Captus University Press, 2006.<br />
The Power of Double Vision: Tradition and Social Intervention In African Puppet<br />
Performances. New Theatre Quarterly, Vol. 22, part 4, Nov. 2006.<br />
91
Puppets in Education and Development in Africa: The Puppet’s Dual Nature and Sign<br />
Systems in Action. South African Theatre Journal, Vol. 21, Dec. 2007.<br />
Puppets in Educational Entertainment in South Africa: Comments on a Number of Long-term<br />
Projects. South African Theatre Journal, Vol. 22, Dec. 2008.<br />
Puppets in Theatre for Social Change: An Analysis of the Popularity of Puppets in Africa.<br />
African Performance Review, Vol. 2, Dec. 2008.<br />
Exploring the Relationship between Theatre and Ritual in the Sogo bò of the Bamana from<br />
Mali. New Theatre Quarterly, Vol. 25, Aug. 2009.<br />
Social Dynamics in African <strong>Puppetry</strong>. Contemporary Theatre Review, Vol. 20 (3), Aug. 2010.<br />
Puppets and Adult Entertainment in South Africa: a Tale of a Tentative Start, Evolving<br />
Prejudices, New and Lost Opportunities, and a Fresh Momentum. South African Theatre<br />
Journal, Vol. 25, Dec. 2011.<br />
<strong>Research</strong>:<br />
Traditional and contemporary puppetry in Africa.<br />
85. Dr. KULISH, Anatolij P. PhD (Mr.)<br />
Address:<br />
Ligovsky prospect, 44 – 631<br />
191040, St. Petersburg<br />
Russia<br />
E-mail: Nora-ra@yandex.ru<br />
Institution:<br />
Theatre Arts Academy, Department of Theatre Studies, Russian Drama Chair<br />
191028, St. Peterburg<br />
Russia<br />
List of publications:<br />
The Legend of Kuparenko. In Puppeteers in Petersburg. Leningrad, 1995 (Russian).<br />
Petrushka Comedy as a Final Form of Scomoroch Laugh Culture Functioning. In Retaining<br />
and Reviving Folklore Traditions, Issue 7, Moscow, 1996 (Russian).<br />
Old Man Cornelius, Almost Alive German Puppeteer Johan-Peter Schlegel in Petersburg.<br />
In Petersburg Readings 97. St. Petersburg, 1997 (Russian).<br />
Holland Puppeteer with Italian Marionettes and German Repertoire in the Russian Theatre<br />
Sphere. German Schwiegerling. In Theatre Life: Interconnections in Time and Space.<br />
St. Petersburg, 1998 (Russian).<br />
Asian Baniza et al… (Martin Nürrenbah in XVIII Century Petersburg. In Theatre Petersburg:<br />
Intercultural Model. St. Petersburg, 2002 (Russian).<br />
Puppet Theatre in Russia of the XIX Century Events and Facts. St Petersburg, 2007, 360 рp.<br />
(Russian).<br />
92
<strong>Research</strong>:<br />
Puppet Theatre Theory and History.<br />
86. LANE, George Andrew (Mr.)*<br />
Address:<br />
G. A. Lane Company<br />
941 S. Pittsburg<br />
Tulsa, Oklahoma 74112-3949<br />
USA<br />
E-mail: galaneo@netzero.net<br />
List of publications:<br />
<strong>Puppetry</strong> as the Tool of Sociability – the Emergence of an Art Form. In The <strong>Puppetry</strong><br />
Yearbook, Vol. 3, Edwin Mellen Press, Lewiston and Lampeter, 1997.<br />
Applied Relativity. C2. Relativity and the Puppet Play. An Abstract <strong>Guide</strong> to Animation,<br />
Manipulation and Communication in the Theatre of the Puppet and Ancient Old Wives or the<br />
Story of Two Roses. In The <strong>Puppetry</strong> Yearbook, Vol. 4, Edwin Mellen Press, Lewiston and<br />
Lampeter, 2000.<br />
Elves of the Vine. The <strong>Puppetry</strong> Yearbook, Vol. 5, Edwin Mellen Press, Lewiston and<br />
Lampeter, 2002.<br />
87. Prof. Em. LAPEÑA-BONIFACIO, Amelia (Ms.)<br />
Address:<br />
27 Matimtiman St.<br />
Teachers Village,<br />
Quezon City 1101<br />
Philippines<br />
Institution:<br />
UP Creative Writing Center<br />
College of Arts and Letters<br />
University of the Philippines<br />
Diliman, Quezon City<br />
Philippines.<br />
Telephone: (+63.2) 921.9773<br />
E-mail: mulatpuppets77@yahoo.com<br />
List of publications:<br />
"The Bunraku: The Voice, Muscles and Soul of the Dolls", "Wayang Kulit or Lether Puppets:<br />
Life’s Eternal Patterns as Shadows against the Light", "Notes on the Wayang Kulit Collection<br />
at the Kuala Lumpur National Museum", In Introduction to the Theatre of Asia. Ed. University<br />
of Philippines and Ford Foundation as Southeast Asia <strong>Research</strong> Fellow, Quezon City,<br />
Philippines, 1979, pp. 26-36, 60-74, 75-78 (English).<br />
93
Children’s Theatre in Asia. University of Philippines and Toyota Foundation, Quezon City,<br />
Philippines, 1984, with illus. (English).<br />
<strong>Research</strong>:<br />
Children’s theatre.<br />
88. Prof. Dr. LAZIĆ, Radoslav (Mr.)<br />
Address:<br />
Por. Spasića i Mašere 116/53<br />
11000 Beograd<br />
Serbia<br />
Telephone: 00 381 11 3 556 290<br />
E-mail: rlazic@open.telekom.rs<br />
List of publications:<br />
Traktat o lutkarskoj režiji (Treatise on Puppet Show Direction). Biblioteka Theatro(logia),<br />
Prometej, Novi Sad, 1991; 400 pp.<br />
Svet režije. U traganju za estetikom režije (drama, rituali, pekinška opera, kabuki teatar,<br />
opera, balet, radio, film, televizija, lutkarstvo, cirkus). (The World of Direction, In the Search<br />
for aesthetics of Direction (Drama, Peking Opera, Kabuki Theatre, Opera, Balley)). Biblioteka<br />
multi(media), Ika, Novi Sad, 1992, 467 pp.<br />
Estetika lutkarstva (Aesthetics of <strong>Puppetry</strong>). Antologija. Biblioteka Estetika dramskih<br />
umetnosti, Beograd, 2002, 224 pp.<br />
Umetnost rediteljstva (The Art of Directing). Uvod u teoriju režije, Pozorište, drama, opera,<br />
balet, lutkarstvo, film, radio, televizija, multidisciplinarna režija. Biblioteka Teorija dramskih<br />
umetnosti, Pozorišni muzej Vojvodine, Novi Sad, 2003, 345 pp.<br />
Svetsko lutkarstvo (The World <strong>Puppetry</strong>). Istorija, teorija, istraživanja. Biblioteka Teorija<br />
dramskih umetnosti, Beograd, 2004, 476 pp.<br />
Nušićev teatar za decu (Nušić's Theatre for Children). Antologija. Biblioteka dramskih<br />
umetnosti, Beograd, 2007, 159 pp.<br />
Umetnost lutkarstva (The Art of <strong>Puppetry</strong>). U potrazi za estetikom lutkarstva, ramaturgija,<br />
režija, gluma, animacija, kreacija lutaka... Biblioteka dramskih umetnosti, Beograd, 2007,<br />
180 pp.<br />
Propedeutika lutkarstva (Propedeutics of <strong>Puppetry</strong>). Zbornik o umetničkom vaspitanju<br />
i obrazovanju za lutkarski teatar, film i televiziju. Biblioteka dramskih umetnosti, Beograd,<br />
2007, 160 pp.<br />
Magija lutkarstva (The Magic of <strong>Puppetry</strong>). Dramaturgija i poetika lutkarskog teatra.<br />
Antologija, Bibiloteka dramskih umetnosti, Beograd, 2007, 160 pp.<br />
Traktat o scenografiji i kostimografiji (Treatise on Scenography and Costimography).<br />
Scenografske i kostimografske ars poetike. Biblioteka dramskih umetnosti, Beograd, 2009,<br />
160 pp.<br />
94
Lutkarski Theatrum mundi/Mala teatrologija lutkarstva (Puppet Theatrum Mundi/Little<br />
Theatrology of <strong>Puppetry</strong>). Autorska izdanja i Foto Futura, Beograd, 2010, 191 pp.<br />
Japanski klasični teatar/Bunraku/Ninđo đoruri (Japanese Classical Theatre/ Bunraku/Ningyo<br />
Joruri). Zbornik. Biblioteka Estetika dramskih umetnosti. Izdavači: Autorska izdanja i Foto<br />
Futura, Beograd, 2011, 80 pp.<br />
89. LLORET ESQUERDO, Jaume (Mr.)<br />
Address:<br />
Universidad de Alicante<br />
Facultad de Educación<br />
Apartado de Correos 99<br />
03080 Alicante<br />
Spain<br />
Telephone: 965903400 ext. 2569<br />
E-mail: jaume.lloret@ua.es<br />
List of publications:<br />
Breve historia del títere en Alicante (Short History of Puppets in Alicante). In El títere en<br />
Alicante. Ed.: Ayuntamiento de Alicante/Caja de Ahorros del Mediterráneo, 1997, pp. 5-39.<br />
Repertorio temàtico del teatro de títeres en España (Thematic Repertoire of the Puppet<br />
Theatre in Spain). In Documenta títeres 1. Ed.: Ayuntamiento de Alicante/Caja de Ahorros<br />
del Mediterráneo, 1999, pp. 5-54.<br />
Els titelles i altres espectacles festius de teatre animat (Puppet Shows and Other Festive<br />
Shows of the Animation Theatre). In El teatre en la festa valenciana. Ed.: Generalitat<br />
Valenciana, Consell Valencià de Cultura, 1999, p. 357-376.<br />
Collaborator on l'Encyclopédie mondiale des arts de la marionnette (Worldwide<br />
Encyclopaedia of <strong>Puppetry</strong> Arts). Ed. UNIMA/L'Entretemps éditions, 2009.<br />
90. LUND, Jette (Ms.)<br />
Address:<br />
Godthaabsvaenget 25, 4. tv.<br />
DK 2000 Frederiksberg<br />
Denmark<br />
Telephone: 0045 38 602315<br />
E-mail: info@jettelund.dk<br />
List of publications:<br />
Most of them are or will be available on www.jettelund.dk or www.pramnet.org.<br />
Die fiktive Wirklichkeit und die wirkliche Fiktion – Elemente zur Theorie des Puppentheaters<br />
(The Fictitious Reality and The Real Fiction – Elements to the Theory of The Puppet<br />
Theatre). Master-thesis. University of Copenhagen, 1995 (German and Danish, English<br />
summary).<br />
95
Andersen-Märchen im Spannungsfeld ihrer theatralischen Interpretation (The Fairy Tales<br />
of Hans Christian Andersen and their Theatrical Interpretation, a Field of Tension). In Das<br />
andere Theater, 1995, No. 20 (German).<br />
Man tut es ohne es zu wollen, Über das Puppentheater in Dänemark (You Are Doing It<br />
Without Willing. About the Puppet Theatre in Denmark). In Das andere Theater, No. 27,<br />
temanummer Dänemark, 1997 (German).<br />
Kvalitet i dukketeatret – dukketeatrets kvaliteter (Quality in the Puppet Theatre – the<br />
Qualities of the Puppet Theatre). In Foreningen af danske Dramaturger, 1997, No. 25/26<br />
(Danish).<br />
Greetings From Denmark. UNIMA – Congress Magdeburg, 2000.<br />
Puppet Theatre in Denmark. 2000 (English).<br />
Über Puppenspiel und Computerspiele (About Puppet Plays and Computer Games). 2000<br />
(German).<br />
Journey to Abadyl. Publication: PRAM (Practice based research in art and media),<br />
Copenhagen, 2009.<br />
At the Intersection between Art and <strong>Research</strong>, practice based research in the performing<br />
arts. Anthology, article, ed. Carsten Friberget. al. NSU Press, 2010.<br />
Another Kind of Theatre, Contemporary Performing Arts between the Exhibition and the<br />
Stage – and the Question of Education.<br />
<strong>Research</strong>:<br />
A database to the history of the Danish puppet-theatre.<br />
The Theatre of Things – Notes on aesthetics and dramaturgy, Publication 2012.<br />
91. LUO, Erica ( Luo Ling) (Ms.)<br />
Address:<br />
Tong Hui Men road NO. 25<br />
ChengDu<br />
P.R.China<br />
Telephone: +86 13072838095<br />
Fax: +86 028 86638555<br />
E-mail: 64682814@qq.com<br />
Web: http://64682814.qzone.qq.com<br />
List of publications:<br />
Participation in Tang Dynasty Cliff Image in SiChuan Province. 12/2006.<br />
Cheng Du Shadow Play. In Sheke Zhongheng, 4/ 2008, pp. 129-131.<br />
The Female Role in Chinese Shadow Play. In Chinese Culture Pictorial, 2/2009, pp.112-115.<br />
Ji Nan Shadow Play. In Journal of Sichuan University, 1/ 2010.<br />
96
Shan Xi Shadow Play. In Chinese Social Today, 2/ 2010.<br />
Shai Hai Qi Bao Shadow Play. In Chinese Social Sciences Today, 2/2010.<br />
92. MacGILP, Martin (Mr.)<br />
Address:<br />
10 Cullernie Gardens<br />
Balloch<br />
Inverness IV2 7JP<br />
Scotland<br />
UK<br />
Telephone: (01463) 792149<br />
E-mail: martin.macgilp@btinternet.com<br />
List of publications:<br />
Malcolm Riach's Miniature Theatre of the Arts. In The Puppet Master. British Puppet & Model<br />
Theatre Guild, Vol. 15, No. 10, Autumn 2000, 2 pp.<br />
Mr Punch at Glasgow Fai. In Around the World with Mr Punch (the on-line journal of the<br />
Worldwide Friends of Punch & Judy), Vol. 6, No. 3, July 2002, 2 pp.<br />
Puppets at Glasgow Fair: from the 1770’s until the 1850s. In The Puppet Master. The British<br />
Puppet & Model Theatre Guild, Vol. 16, No. 6, Autumn 2008, 3 pp.<br />
William Ferns’ Royal Punch & Judy. In The Swazzle. The Punch & Judy Fellowship, Autumn<br />
2009, 3 pp.<br />
Biographical material on Bruce MacLoud as part of a feature. In The Swazzle. The Punch<br />
& Judy Fellowship, Summer 2010, 7 pp.<br />
Preparing for publication a book on Punch & Judy in Scotland.<br />
<strong>Research</strong>:<br />
On-going research project on the history of puppets and ventriloquism in Scotland: the time<br />
period being examined is typically 16th to 20th C.<br />
93. MAJARON, Edvard (Edi) (Mr.)<br />
Address:<br />
Zemljemerska 13<br />
1000 Ljubljana<br />
Slovenia<br />
Telephone: 386 1 2323621<br />
E-mail: edi.majaron@siol.net<br />
Institution:<br />
University of Ljubljana<br />
Faculty of Education<br />
97
Kardeljeva pl. 16<br />
1000 Ljubljana<br />
Slovenia<br />
Fax: 386 1 5892233 c/o E. Majaron<br />
List of publications:<br />
Puppet Theatre and the Director. (2001) Revised edition. BrUNIMA Bulletin 107, British<br />
Centre of UNIMA, July 2001, pp. 17-18.<br />
Direction Like Animation. In Traktat o Lutkarskoj Režiji (Tractate on Puppet Direction),<br />
ed. Radoslav Lazić. Prometej, Novi Sad, 1991.<br />
An Actor with the Puppet. In Child & Art – Puppet In Space & Time. Maribor, 1992, pp. 25-26<br />
(Slovenian).<br />
The Puppet: Privileged Scenic Messenger. Glasje No. 2 (1995), Zadar/Croatia, pp. 28-30<br />
(Croatian), revised English version, In: BrUNIMA Bulletin 106, (2001), pp. 8-9.<br />
A Look Back… (Reminiscences on 30 years of my puppet directions) Lutka, No. 55, Novo<br />
mesto, pp. 54-57 (Slovenian/English).<br />
Puppet – Ideal Integration of Didactic Principles. Lutka, No. 56, Novo mesto, 1999, pp. 33-35<br />
(Slovenian, English abstract, English version is not printed yet).<br />
Specific Movements by Animation of Puppets. Proceedings of International Symposium Child<br />
In Motion. University of Ljubljana, 2000, pp. 304-309 (Slovenian, English abstract).<br />
The Puppet in Formation of Young. Proceedings Scenic Creativity of Children.<br />
Šibenik/Croatia, 2000, pp. 27-38 (Slovenian/Croatian).<br />
Training for Professional Puppeteers. Worldwide Art Of <strong>Puppetry</strong>. UNIMA, 2000, pp. 137-138<br />
(English/French).<br />
The Puppet – What a Miracle! With Livija Kroflin. Ed. The UNIMA Puppets in Education<br />
Commission, 2002, 90 pp.<br />
Personal and subject articles on puppet Art in Slovenia. In Enciklopedija Slovenije (more<br />
than 20 articles). Mladinska knjiga, Ljubljana, 1987-2002.<br />
Lutka – pomoćnica naša svagdašnja (Puppet – Our Quotidian Helper). In IVON, Hicela<br />
(red.). Mirisi djetinjstva: zbornik radova, predavanja, radionice, izložba postera, izložba<br />
likovnih radova djece, glazbeno-scenski nastupi djece i odraslih. Dječji vrtić Marjan, Split,<br />
2001, pp. 9-11 (Croatian).<br />
Uključenje lutke u kurikulum osnovne škole (Inclusion of Puppets to Curriculum of the<br />
Primary School). In IVON, Hicela (red.). Prema kvalitetnoj školi: zbornik radova: projekti<br />
iz odgojno-obrazovne prakse: radionice: stručno-znanstveni kolokvij "Reflektivna praksa i<br />
profesionalni razvoj". Hrvatski pedagoško-književni zbor, Ogranak, Split, 2002, pp. 63-66<br />
(Croatian).<br />
Lamentazione sulla drammaturgia contemporanea per marionette. In CIPOLLA, Alfonso<br />
(red.). I fili ritrovati: prospettive del teatro di marionette nella moderna società dello<br />
spettacolo (Linea teatrale). Edizioni SEB 27, cop., Torino, 2004, pp. 87-91.<br />
98
Children's Theatre: What? For Whom? Why? How? (Pozorište za decu: Šta? Kome? Zašto?<br />
Kako?) In Jurkowski, Henryk (red.), Radonjić, Miroslav (red.), Theatre for children – artistic<br />
phenomenon: a collection of papers, Vol. 1, zbornik radova, Knjiga 1 (Aesthetics of theatre<br />
for children series, Vol. 5, knj. 5), Open University, International festival of children's<br />
theatres: Međunarodni festival pozorišta za decu, Subotica; Theatre Museum of Vojvodina,<br />
Pozorišni muzej Vojvodine, Novi Sad, 2010, pp. 51-60.<br />
Puppets in the Child's Development. In Artistic practices and techniques from Europe and<br />
North America favouring social cohesion and peace: document inspired from the discussions<br />
and reflections from the Regional conference on arts education in Europe and North<br />
America. Helsinki, Finland, 9-12 August 2003 (Arts education and creativity), United Nations<br />
Educational, Scientific and Cultural Organization, UNESCO, Paris, 2005, pp. 90-98.<br />
Ali lutka govori? : nekaj izhodišč za razmišljanje (Can the Puppet Speak?) In PODBEVŠEK,<br />
Katarina (red.), GUBENŠEK, Tomaž (red.). Zbornik. Ljubljana Akademija za gledališče,<br />
radio, film in televizijo, 2006, pp. 141-146 (Slovenian).<br />
Puppets Support Narratives. In Early Childhood Narratives: Early Childhood and New<br />
Understandings of the Mind, Programme & Abstracts. Universiteit: European Early Childhood<br />
Education <strong>Research</strong> Association, Amsterdam; Alkamaar; Hogeschool, 2001, 66 pp.<br />
Lutkarska predstava – poticaj dječjoj kreativnosti (A Puppet Show – Stimulus to Children's<br />
Creativity). In Gruić, Iva (red.), Međunarodna konferencija Umjetnost i odgoj, Učiteljska<br />
akademija Sveučilišta (Teacher Education Academy). Zagreb, 2004, pp.12-13.<br />
Art as a Pathway to a Child. In Geršak, Vesna (red.), Korošec, Helena (red.), Majaron, Edi<br />
(red.), Turnšek, Nada (red.), Promoting the social emotional aspects of education: a multifaceted<br />
priority, book of abstracts. Faculty of Education, Department of Preschool<br />
Education, Ljubljana, 2011, 36 pp.<br />
Ustvarjalec lutkovne umetnosti. In Loboda, Matjaž (red.), Jože Pengov, Slovenski gledališki<br />
muzej Ljubljana. Ljubljana: Slovenski gledališki muzej, 2004, pp. 8-21 with ilus. (Slovenian).<br />
A Slovene <strong>Puppetry</strong> Artist. In Loboda, Matjaž (red.), Jože Pengov – the Absolute Puppeteer.<br />
National Theatre Museum, Ljubljana, 2004, pp. 2-6 with illus.<br />
Les marionnettes et l'épanouissement de l'enfant. Cop. 2006. In Majaron, Edi (red.), Kroflin,<br />
Livija (red.). O miracle! – la marionnette! UNIMA, Union Internationale de la Marionnette,<br />
Charleville-Mézières, 2006, pp. 70-78 with illus.<br />
Influenze beckettiane sul teatro di figura dell'Europa dell'est. In Marchiori, Fernando (red.),<br />
Beckett & puppet: studi e scene tra Samuel Beckett e il teatro di figura, (Altre visioni, 31).<br />
Titivillus, Corazzano, 2007, pp. 121-126 with illus.<br />
Music, Dancing and Puppets in Child's Play. In coll. with Borota, Bogdana, Geršak, Vesna,<br />
Korošec, Helena, Faculty of Education, Koper, 2007, 42 pp. with illus.<br />
Gledališki terminološki slovar (Vocabulary of Theatrical Terms). Authors: SUŠEC MICHIELI,<br />
Barbara, HUMAR, Marjeta, PODBEVŠEK, Katarina, LOKAR, Slavka, MAJARON, Edi,<br />
MOLKA, Viktor, MODER, Janko, HERZOG, Miran, KOCJANČIČ, Ana, ŽAGAR, Mojca,<br />
SUŠEC MICHIELI, Barbara (red.), HUMAR, Marjeta (red.), PODBEVŠEK, Katarina (red.).<br />
Založba ZRC, Ljubljana, 2007, 271 pp. (Slovenian, with English and French translations).<br />
Articles for WEPA<br />
Croatie. With Dalibor Foretić. In Jurkowski, Henryk (red.), Foulc, Thierry (red.), Encyclopédie<br />
mondiale des arts de la marionnette, Entretemps, Vic-la-Gardiole, 2009, pp. 194-195 with<br />
ilus.<br />
99
Pengov (Jože). In Jurkowski, Henryk (red.), Foulc, Thierry (red.). Encyclopédie mondiale des<br />
arts de la marionnette, Entretemps, Vic-la-Gardiole, 2009, pp. 536-537.<br />
Slovénie. With Waltl, Robert. In Jurkowski, Henryk (red.), Foulc, Thierry (red.). Encyclopédie<br />
mondiale des arts de la marionnette, Entretemps, Vic-la-Gardiole, 2009, pp. 644-645 with<br />
illus.<br />
94. MgA. Prof. MAKONJ, Karel (Mr.)<br />
Address:<br />
Heřmanova ul. 3<br />
170 00 Praha 7<br />
Czech republic<br />
E-mail: makonj@seznam.cz<br />
Institution:<br />
The Department of Alternative and Puppet Theatre<br />
Theatrical Faculty od The Academy of Fine Arts, Prague<br />
Karlova 26,<br />
116 65 Prague 1<br />
Czech Republic<br />
List of publications:<br />
Člověk redukovaný aneb Alternativní herectví a psychofyzická identita člověka (A Reduced<br />
Man or the Alternative Actor and Psychophysical Identity). DISK, 2/2002, pp. 61-74.<br />
Zázrak neoživení mrtvé hmoty (Několik poznámek k předmětnému divadlu) (A Miracle of the<br />
Non-animation of the Dead Substance (Some Remarks about the Theatre of Objects)).<br />
DISK, 3/2003, pp. 45-57.<br />
Loutkové divadlo jako realizace metafory aneb Herec nebo loutkoherec? (The Puppet<br />
Theatre as a Realisation of the Metaphor: Actor or Actor-Puppeteer?) DISK, 6/2003,<br />
pp. 73-82.<br />
O významu dramaturgie pro Kroftovo divadlo s loutkami (About the Sence of the Dramaturgy<br />
in Krofta´s Theatre with the Puppets). In Miloslav Klíma, Karel Makonj a kol.: Josef Krofta –<br />
inscenační dílo, Pražská scéna, 2003, pp. 45-63.<br />
Kapitoly o režii v divadle loutky a herce (The Chapters about the Direction in the Theatre of<br />
the Puppet and the Actor). Loutkář 1, 6/2003.<br />
Dramata pro loutky – nebo pro blázny? (Na křižovatce loutkářské dramatiky na počátku<br />
minulého století) (Drama for Puppets or Fools? (On the Crossroad of the Puppet-Plays in the<br />
Beginning of the last Century)). DISK, 7/2004, pp. 30-44.<br />
Divadlo mezi objektem a subjektem (The Theatre between the Object and the Subject).<br />
In Miloslav Klíma a kol.: Divadlo a interakce, Pražská scéna, 2006, pp. 27-44.<br />
Craig, creature, critter a nadherec (Craig, Creature, Critter and the Űbermarionette).<br />
Divadelní revue, 2/2007, pp. 97-103.<br />
Od loutky k objektu (From Puppet to Object). Pražská scéna, 2007, 273 pp.<br />
100
<strong>Research</strong>:<br />
The aesthetics of the puppet and alternative theatre. The puppetness and the<br />
puppetlikeness.<br />
95. Prof. MALENOV, Slavcho (Mr.)<br />
Address:<br />
5 “Yanko Zabunov” str. entrance B, app. 49<br />
1408 - Sofia<br />
Bulgaria<br />
Telephone: +359 886146187<br />
E-mail: malens@spnet.net<br />
List of publications:<br />
Profesiya rezhisyor v savremenniya kuklen teatar, sb. Balgarsko kukleno izkustvo, II chast<br />
(Profession Director in Contemporary Puppet Theatre, Collection Bulgarian Puppet Art, Part<br />
II), 1989.<br />
Misli za spetsifikata na kukleniya teatar, sb. „Problemi na dramaturgiyata”, sb. S (Thinks<br />
about the Specifics of the Puppet Theatre, collection “Problems of Dramaturgy”, collection S),<br />
Sofiya, 1990.<br />
Trudat M (The Work M). ET Valentin Trayanov, Sofiya, 2005.<br />
Unikalno izsledvane (A Unique Study). KuklArt, 2008, No. 1.<br />
Za knigata na Shuli Belo. (About the Book of Shuli Belo). KuklArt, 2009, No. 2.<br />
Srednoshtni misli (Midnight Thoughts). KuklArt, 2009, No. 3, pp. 21-22.<br />
Podpori na kuklenoto (Fundamentals of <strong>Puppetry</strong>). Homo Ludens, 2011, No. 15.<br />
Adaptatsii na prikazki za kuklen teatar (Adaptations of Fairy Tales for Puppet Theatre).<br />
IK „Zhanet 45”, Plovdiv, 2011.<br />
96. MALÍKOVÁ, Nina (Ms.)<br />
Address:<br />
U smaltovny 20 blok H<br />
170 00 Praha 7<br />
Czech republic<br />
Telephone: 00420-220-805 611<br />
E-mail: nina.malikova@divadlo.cz, jmalik@iol.cz<br />
Institution:<br />
Loutkář<br />
Celetná 17,<br />
110 00 Praha 1<br />
Czech republic<br />
101
Telephone: 00420-2-248 09 131<br />
E-mail: loutkar@divadlo.cz<br />
List of publications:<br />
Czech Puppets. With Jan Dvořák. Introduction to Czech Puppet Theatre and Marionnettes<br />
with 20 Color Picture, Pražská scéna, 1995, 16 pp. (English).<br />
Svět loutek včera a dnes (World of Puppets Yesterday and Today). Muzeum loutkářských<br />
kultur, Chrudim, 1997, pp. 3-9.<br />
Plzeňské loutkářství (<strong>Puppetry</strong> in Pilsen). Pavel Vašíček – Nina Malíková, Divadlo Alfa,<br />
Plzeň, 2000.<br />
Včerejšek a dnešek českého loutkového divadla (Czech Puppet Theatre of Past and<br />
Present). In kolektiv autorů: “Šamani, komedianti a mágovia”. Bratislava: Divadelní ústav,<br />
2002 (Slovak, English).<br />
Revoluční freska Josefa Krofty (Revolutionary Fresco of Josef Krofta). In Miloslav Klíma,<br />
Karel Makonj a kol: Josef Krofta – inscenační dílo. Praha: Pražská scéna, 2003, pp. 181-187.<br />
Czech Puppet Theatre Yesterday and Today. Altogether with Alice Dubská and Jan Novák.<br />
Praha: Divadelní ústav, 2006.<br />
Dr. Jan Malík – osobnost a tvůrce (Dr. Jan Malik – Personality and Master). Praha: Sdružení<br />
pro vydávání časopisu Loutkář, 2004.<br />
Articles:<br />
A La Recherche D Une Tradition Perdu. Czech Theatre 8/1994, Divadelní ústav, Praha, pp.<br />
78-88 (English, French).<br />
Stars Appearing In the Puppeteers Sky. Czech Theatre 12/1996, Divadelní ústav, Praha, pp.<br />
65-73 (English, French).<br />
Puppets Before Their Time. Czech Theatre 13/1997, Divadelní ústav, Praha, pp. 45-48<br />
(English, French).<br />
Retour A La Tradition. The Heart of Europe, No. 199, Theo Publishing, Pardubice, pp. 29-32<br />
(French, English, German, Russian).<br />
Puppets in Bohemia, Czech Theatre 18/2002. Praha: Divadelní ústav, 2002, pp. 51-54<br />
(English).<br />
Puppets, Shadow and Video. Czech Theatre 19/2003, Praha: Divadelní ústav, 2003,<br />
pp. 55-58 (English),<br />
Restoring Lost Illusion. Interwiev with Josef Krofta, E pur si muove 03, UNIMA 2004.<br />
The Enfant Terrible. E pur si mouve 04, p. 24, UNIMA 2005.<br />
Dějiny loutkového divadla v Evropě I. Charles Magnin (translation). Praha: AMU, 2005.<br />
Dějiny loutkového divadla v Evropě II. Charles Magnin (translation). Praha: AMU, 2010.<br />
Kroftova revoluční freska (Revolutionary Fresco of Krofta). Miloslav Klíma, Karel Makonj a<br />
kol.: Josef Krofta – inscenační dílo. Praha: Pražská scéna, 2003.<br />
102
Průvodce po vlastní minulosti (A <strong>Guide</strong>book to Our History). In Divadelní revue 2009/1.<br />
Czech Puppet Theatre Yesterday and Today. Kol. autorů: koncepce publikace a souhrnné<br />
články. Praha: Divadelní ústav, 2006.<br />
Restoring Lost Illusions. E pur si muove, 2004, No. 3. Charleville-Mézieres: UNIMA,<br />
pp. 23-25 (French, English, Spanish).<br />
The Enfant Terrible. E pur si muove, 2005, No. 4. Charleville- Mézieres: UNIMA, pp. 24-26<br />
(French, English, Spanish).<br />
LOUTKÁŘ: The World´s Oldest Journal of <strong>Puppetry</strong>. Báb Tár, 2007, No. 4. Tatabanya:<br />
Art Limes, pp. 97-101.<br />
Daredevils, Unaffected by Time. Cakes and Puppets. Báb tár, 2007, No. 5. Tatabanya:<br />
Art Limes, pp. 99-101.<br />
The Forman Brothers Theatre. Báb tár, 2009, No. 8. Tatabanya: Art Limes, pp. 63 -71.<br />
LOUTKÁŘ: The World´s Oldest Journal of Puppeteers. Báb tár, 2009, No. 8. Tatabanya:<br />
Art Limes, pp. 125-127.<br />
The Old and New Tradition of Czech Puppets Festivals. Báb Tár, 2010, No. 10. Tatabanya:<br />
Art Limes, pp. 47-55.<br />
Exhibition Oportunity in Puppet Theatre Collection. Báb Tár, 2011, No. 12. Tatabanya: Art<br />
Limes, pp. 135-143.<br />
Tschechisches Puppentheater im Wandel. Coll. Double, 2009, No. 7. Bochum: Deutsches<br />
Forum für Figurentheater und Puppenspielkunst, pp. 4-7 (German, Czech resumé).<br />
Contemporary Czech Puppet Theatre – Mere Reminiscences or Progress? Teatr lalek, 2010,<br />
No. 2. Warszawa: Polski center UNIMA, pp.12-15 (Polish, English).<br />
Author of majority articles in WEPA on <strong>Puppetry</strong> in Czech Republic – Encyclopédie mondial<br />
des Arts de la marionnette, Montpellier, Edition Entretemps, 2009.<br />
<strong>Research</strong>:<br />
Theatre of George and Maurice Sand.<br />
History of French theatre of 19th and 20 th Cent.<br />
Contemporary Czech theatre.<br />
97. Prof. Em. MALKIN, Michael R. (Mr.)*<br />
Address:<br />
Theatre and Dance Department<br />
California Polytechnic State University, San Luis Obispo<br />
1765 Royal Way<br />
San Luis Obispo, CA 93401<br />
USA<br />
Telephone: (805) 544-3398 (home), (805) 756-1465 (office)<br />
E-mail: mmalkin@calpoly.edu<br />
103
No longer actively working in the field of puppetry.<br />
List of publications:<br />
The World of <strong>Puppetry</strong> Henschelverlag und Gesellschaft. One chapter in book. Berlin,<br />
German Democratic Republic, 1989.<br />
Moving towards Theatre. With Pamela Malkin. Book. Front Row Experience, 1988.<br />
Learning through Dramatics. Two chapters in book. Oryx Press, 1982.<br />
Training the Young Actor. Book. A. S. Barnes and Co., 1979 second edition, 1981.<br />
Traditional and Folk Puppets of the World. Book. A. S. Barnes and Co., 1977.<br />
Puppets: Art and Entertainment, National Endowment for the Humanities. Museum<br />
Catalogue. Exxon Corporation, Puppeteers of America, 1980.<br />
Puppets: The Power of Wonder. Museum Catalogue. National Endowment for the Arts,<br />
The Center for <strong>Puppetry</strong> Arts Atlanta, GA, fall 1995.<br />
Articles:<br />
Julie Taymor Designs Fool’s Fire. Theatre Crafts, March 1992.<br />
Cosmekinetics and the Cave Bear. The <strong>Puppetry</strong> Journal, Fall 1986.<br />
Muppet Manipulations. Theatre Crafts, Aug./Sept. 1986.<br />
Behind the Fraggles Rock. The <strong>Puppetry</strong> Journal, Spring 1986.<br />
Interview with Lettie Schubert. The <strong>Puppetry</strong> Journal, Spring 1985.<br />
Interview with Jerry Juhl. The <strong>Puppetry</strong> Journal, March 1984.<br />
Interview with Bruce Schwartz. The <strong>Puppetry</strong> Journal, December 1983.<br />
Centuries of <strong>Puppetry</strong>. The Museum of California, March/April 1983.<br />
Comic Sound Effects for the Puppet Stage. The <strong>Puppetry</strong> Journal, Nov./Dec. 1979.<br />
<strong>Puppetry</strong> the Ultimate Disguise. Book review. Theatre Journal, March 1979.<br />
A Shadow Puppet Primer. With William Drake. Dramatics, May/June 1978.<br />
Blocking, More than Meets the Eye. Dramatics, Jan./Feb. 1978.<br />
1977 Festival Performance Review. The <strong>Puppetry</strong> Journal, September 1977.<br />
A Critical Perspective on <strong>Puppetry</strong> as Theatre Art. The <strong>Puppetry</strong> Journal, March 1976.<br />
WPA Puppets. The Antiques Journal, March 1976.<br />
Hands for More than Applauding. Dramatics, November 1975.<br />
Indonesian Puppets. The Antiques Journal, November 1975.<br />
104
Chinese Hand Puppets. The Antiques Journal, March 1975.<br />
Turkish Shadow Puppets.The Antiques Journal, December 1975.<br />
Puppets and Poetry. Teacher, October 1974.<br />
Collecting Indian Puppets. The Antiques Journal, August 1974.<br />
Using Hand Puppets to Develop Skills in Improvisation. Dramatics, November 1973.<br />
The Little Theatre of Sicilian Puppet. The <strong>Puppetry</strong> Journal, November 1973.<br />
98. MANTE BARRERA, Elvia (Ms.)<br />
Address:<br />
Padre Raymundo Jardón 910<br />
Centro, Monterrey N.L.<br />
México<br />
Cp 64000<br />
Institution:<br />
BAUL TEATRO A.C.<br />
Tel: (52) 8183430604, (52)8183431491<br />
E-mail: elvia@baulteatro.com<br />
Web: www.baulteatro.com<br />
List of publications:<br />
The Puppets in the North of México. Altogether with Cesar Tavera Zamarripa. In Latin<br />
American Theatre Review, Vol. 32, No. 1, fall 1998, Univerity of Kansas, USA.<br />
The Puppets in the North of México. Altogether with Cesar Tavera Zamarripa. In magazine<br />
Máscara year 11, Nos. 31-32, January 2000, pp. 86-90.<br />
The Puppets in the North of México. Altogether with Cesar Tavera Zamarripa. In magazine<br />
Teokikixtli year 2, No. 5, March 1999, pp. 15-20.<br />
The puppets are a tradition? Altogether with Cesar Tavera Zamarripa. In magazine Paso<br />
de Gato year 3, No. 18, July-Sept. 2004, p. 37.<br />
Notes on the Children's Theatre and Puppet in Nuevo Léon 1960-2000 (I). Altogether with<br />
Cesar Tavera Zamarripa. In magazine Teokikixtli year 5, No. 18-19, Dec. 2002, pp. 35-38.<br />
Notes on the Children's Theatre and Puppet in Nuevo Léon 1960-2000 (II). Altogether with<br />
Cesar Tavera Zamarripa. In magazine Teokikixtli year 5, No. 20-21, August 2003, pp. 4-10.<br />
Notes on the children's Theatre and Puppet in Nuevo Léon 1960-2000 (III). Altogether with<br />
Cesar Tavera Zamarripa. In magazine Teokikixtli year 6, No. 27-28, April 2004, pp. 4-12.<br />
Bibliography of Puppet Theatre in Mexico. Altogether with Cesar Tavera Zamarripa. In<br />
magazine Teokikixtli, Second annual time Edition, August 2010, pp. 100-102.<br />
105
50 Years of Puppets in Mexico 1960 – 2010. Altogether with Cesar Tavera Zamarripa.<br />
Compilation In magazine Teokikixtli, second anunual time edition, August 2010.<br />
Mexican Female Puppeteers Meeting. Altogether with Cesar Tavera Zamarripa. Compilation<br />
in magazine Teokikixtli, Second annual time, July 2009.<br />
<strong>Research</strong>:<br />
A look at Mexican female puppeteers.<br />
99. Dr. MARGOLIES, Eleanor (Ms.)<br />
Address:<br />
40 Melbreak House<br />
Dog Kennel Hill Estate<br />
East Dulwich<br />
London SE22 8AL<br />
UK<br />
Telephone: 020 7737 0614<br />
E-mail: emargolies@gmail.com<br />
Web: www.eleanormargolies.co.uk<br />
List of publications:<br />
Complicite: The Street of Animation. In Animated Bodies. Puppet Centre Trust, 2009.<br />
Theatre Materials (ed.) CETT, Central School of Speech and Drama, 2009.<br />
TinkerTing/Pickled Image: Hunger. In Animations Online 28, 2009.<br />
Complicite/Simon McBurney: Shun-kin. In Animations Online 26, 2009.<br />
Compagnie Philippe Genty: La Fin des Terres. In Animations Online 19, 2007.<br />
Thomas Guthrie: Winterreise. Puppet Notebook 5, Spring 2006.<br />
AKHE: Carmen and Job. Puppet Notebook 2, Spring 2005.<br />
Puppet Notebook magazine (ed.) British UNIMA, 2004 – present.<br />
Were those Boots Made Just for Walking? Shoes as Performing Objects in Everyday<br />
Life and in the Theatre. Visual Communication, June 2003, Vol. 2, No. 2, pp. 169-188.<br />
Ventriloquism: Kantor, Templeton, and the Voices of the Dead. In New Theatre Quarterly<br />
(2000), 16, pp. 203-210.<br />
<strong>Research</strong>:<br />
Objects and materials in performance; puppetry and ecology; theatre for children; the senses<br />
and accessible theatre.<br />
106
100. Dr. MARNEWECK, Aja (Ms.)<br />
Address:<br />
The University of Cape Town<br />
The Paper Body Collective<br />
Cape Town<br />
South Africa<br />
Telephone: 0027834396117<br />
Fax: 0027214610910<br />
E-mail: aja@paperbody.co.za<br />
List of publications:<br />
Theatre of Difference. In Theatre Women Milestones. The Open Page, pp. 60-63. Odin<br />
Teatret Denmark, 10. March 2005.<br />
Bok. In Young Artists Project 2005/6: pp. 25-30. Edited by Storm Janse Van Rensburg.<br />
Kwazulu Natal Society of Arts, 2005.<br />
Visual Theatre Moves out the Box; Developing <strong>Puppetry</strong> in South Africa. In the South African<br />
Theatre Journal, 2006, Vol. 20, pp. 290-296.<br />
Staging Stereotype and Performing the Exotic Erotic: An Interrogation of Desire in the Texts<br />
of Parks and Kennedy. In the South African Theatre Journal, 2004, Vol. 18, pp. 49-64.<br />
<strong>Research</strong>:<br />
South african women’s puppetry, gender and puppetry, puppetry and visual performance,<br />
live art.<br />
101. MARSEILLE, Judith drs. (Ms.)<br />
Address:<br />
Nieuwpoortstraat 104-III<br />
1055 RZ Amsterdam<br />
Netherlands<br />
Telephone: +31.(0)20.6827187<br />
E-mail: jdmarseille@hetnet.nl<br />
Institution:<br />
SNCV / Popellum<br />
Niersstraat 44<br />
1078 VL Amsterdam<br />
Netherlands<br />
E-mail: popellum@sncv.nl<br />
Web: www.popellum.nl<br />
List of publications:<br />
Die Cabalts – Eine Familie von Puppenspielern und das Amsterdamer Stadtviertel, in dem<br />
sie lebten (The Cabalts – a Family of Puppeteers and the Amsterdam Neighbourhood They<br />
Lived in). Der Alltag der Puppenspieler, UNIMA, 1999, pp. 129-143.<br />
107
Tussen traditie en trompettheorie. Aspecten van historisch onderzoek naar<br />
volkspoppentheater (Between Tradition and Trumpet Theory. Aspects of Historical Popular<br />
<strong>Puppetry</strong> <strong>Research</strong>). Popellum, No. 1, Spring 2001, pp. 12-14.<br />
Pobreza Pitoresca: Pesquisa sobre o Teatro des Marionetas nos Países Baixos (Picturesque<br />
Poverty: Some Notes on Puppet Theatre in the Netherlands). Teatrode marionetas. Tradição<br />
e modernidade, Casa do sul editora, 2002, pp. 103-120.<br />
Volkspoppenspel bewijst springlevend te zijn (Popular <strong>Puppetry</strong> Proves to Be Alive and<br />
Kicking). Figeuro, March 2004, pp. 5-9.<br />
Some Notes on Dutch <strong>Puppetry</strong> during the German Occupation (1940-1945). Figura 51,<br />
March 2005, pp. 10-11.<br />
Enkele opmerkingen bij ‘Een pop is geen pop is...’door Hanny Alkema (Some Remarks about<br />
‘A Puppet Is No Puppet Is …’ by Hanny Alkema). WP 6, August 2005, p. 7.<br />
Puppenspiel in den Niederlanden. Fünfzig Jahre NVP/UNIMA (<strong>Puppetry</strong> in the Netherlands.<br />
Fifty years NVP/UNIMA). Das andere Theater 15, 2005, pp. 4-5.<br />
Aantekeningen Feike Boschma (Notes Feike Boschma). With Feike Boschma and Wim<br />
Meuwissen. Amsterdam, 2010.<br />
102. MARTIN-LAHMANI, Sylvie (Ms.)<br />
Address:<br />
18 rue Yvonne Le Tac<br />
75 018 Paris<br />
France<br />
Telephone: 06 16 38 49 88<br />
E-mail: sylvie.martin-lahmani@wanadoo.fr<br />
List of publications:<br />
Arts of the puppet:<br />
E pur si muove, La Marionnette aujourd’hui / Articles<br />
Annual and trilingual magazine of l’UNIMA/Ed. L’Entretemps. Editorial director: Margareta<br />
Niculescu.<br />
Editorial. No. 6, mars 2008, pp. 2-3.<br />
Le Pinocchio de Joël Pommerat. No. 6, mars 2008, pp. 18-19.<br />
MU, l’Autre continent du théâtre /Articles<br />
Ed. THEMAA. Editorial director: Evelyne Lecucq.<br />
Petite histoire du jonglage à travers les âges (Short History of Juggling through Ages).<br />
No. 8, p. 19.<br />
Vous êtes jongleur…eh bien dansez maintenant! (You Are a Juggler... So Dance Now!)<br />
No. 8, pp. 18-19.<br />
A l’Est, rien de nouveau? (All Quiet on the Eastern Front?). No. 9, pp. 16-19.<br />
Théâtre Tandarica, Bucarest, Roumanie (Tandarica Theatre, Bucharest, Romania). No. 9,<br />
p. 20.<br />
108
Une histoire d’humour et d’amour fusionnel, Yaèl et Revital, Israël (A Story of Humour and<br />
Intense Love, Yaèl and Revital, Israel). No. 9, pp. 37-38.<br />
Petite forme et grand propos (Small Form and Great Subject). No. 9, p. 40.<br />
Papiers et marionnettes (Papers and Puppets). No. 9, p. 42.<br />
La prison, le sida et les marionnettes, Compte-rendu de l’opération Puppets in prison,<br />
Afrique du sud (The Prison, AIDS and the Puppets, Report on the Opperation “Puppets<br />
in Prison”, South Africa). No. 9, pp. 44-45.<br />
Le fou de dieu, Paolo Cardona, Hervouët et Paolo Cafiero (The Fool of Gods, Paolo<br />
Cardona, Hervouët and Paolo Cafiero). No. 9, p. 48.<br />
Une dernière saveur, Les Théâtres de Cuisine (The Final Flavour, Les Théâtres de Cuisine).<br />
No. 9, p. 51.<br />
Un polichinelle gouleyant, Cirkub'u (A Lively Punchinello, Cirkub'u). No. 9, p. 52.<br />
Délire en sous-sol, Faulty Optic (Delirium in the Basement, Faulty Optic). No. 9, p. 53.<br />
Théâtre Vojtina, Debrecen, Hongrie (Vojtina Puppet Theatre, Debrecen, Hungary). No. 9,<br />
p. 21.<br />
Dix bougies pour Massalia (Ten Candles for Massalia). No. 9, pp. 32-33.<br />
Surprise, musique et vidéo, (Surprise, Music and Video). No. 10, p. 6.<br />
De mémoire de corps dansé (On Memory of Danced Body). No. 10, p. 6.<br />
Le plus petit cirque du monde, Calder (The Smallest Circus in the World, Calder). No. 10,<br />
p. 7.<br />
La Bulgarie en chantier (Bulgaria as Worksite). No. 10, pp. 32-33.<br />
Lulu. No. 10, p. 38.<br />
Dieu créa les hommes et les guerres de religion (God Created Men and Religious Wars).<br />
No. 11, pp. 10-11.<br />
Matière-danse, Josef Nadj (Dance-Matter, Josef Nadj). No. 11, pp. 34-35.<br />
Petites marionnettes et grand poème pour enfant (Small Puppets and Great Poems for<br />
Children). No. 12, p. 5.<br />
Réécriture (Rewriting). No. 12, pp. 10-12.<br />
Cannes. No. 12, pp. 37-41.<br />
Ready made turakien, Turak, théâtre d'objet (Turakian Ready Made, Turak, Object Theatre).<br />
No. 13, pp. 12-13.<br />
De nouvelles voix pour la marionnette, rencontre entre auteurs et marionnettistes (New<br />
Voices for the Puppet, An Encounter between Authors and Puppeteers). No. 13, p. 14.<br />
109
Histoire d'alchimie (History of Alchemy). No. 13, p. 22.<br />
Jeux d'ombres et de lune (Shadows and Moon Plays). No. 14, p. 11.<br />
Livres, Daniel Lemahieu (Books, Daniel Lemahieu). No. 14, p. 38.<br />
E pur si muove! No. 14, p. 12.<br />
Théâtre/Public / Articles<br />
Images de guerre: compagnie Hotel Modern (War Images: Company Hotel Modern).<br />
No. 193, février 2009, pp. 39-42.<br />
Manip, Le Journal de la marionnette / Articles<br />
Ed. THEMAA. Editorial director: Patrick Boutigny<br />
Les frères Quay à Avignon 2008 (Quay Brothers in Avignon). No. 16, octobre-novembredécembre<br />
2008, pp. 11-12.<br />
Hoichi -sans-oreilles, Japon (Hoichi the Earless, Japan). No. 25, janvier-février-mars 2011,<br />
p. 14.<br />
Le Théâtre Sogolon de Yaya Coulibaly, Mali (Yaya Coulibaly’s Sogolon Theatre, Mali).<br />
No. 26, avril-mai-juin 2011, pp. 14-15.<br />
Un Théâtre autrement / Articles<br />
Ed. TMP (Théâtre de la Marionnette aujourd’hui). Editorial director: Isabelle Berthola.<br />
La ferme des marionnettes, décentralisation en région (The Puppet Farm, Regiona<br />
Decentralisation). No. 2, janvier 2000.<br />
Le rêve de votre vie (The Dream of Our Life). Article sur le spectacle mis en scène par<br />
François Lazaro sur un texte de Daniel Lemahieu, pantins de Francis Marshall. No. 5, janvier<br />
2001.<br />
Arts of the street – Contributions to the Works<br />
Territoires: rue, Europe, monde (Territories: Street, Europe, World). Préface de l’ouvrage<br />
In Situ, Voyages d’artistes européens. Ed. L’Entretemps, 2006, pp. 11-15.<br />
Rue de la folie / Articles<br />
Quarterly, Ed. HorsLesMurs. Editorial director: Jean-Luc Baillet.<br />
Le Campement: du site et des mobile, (The Camp: the Spot and the Mobiles). (à propos<br />
du Radeau, François Tanguy) No. 4, février 1999, pp. 6-9.<br />
Les Portes de l’an 2000 (The Doors from the Year 2000). No. 7, avril 2000, pp. 13-16.<br />
Autour de Puck, La Marionnette et les autres arts (On Puck, La Marionnette and Other Arts).<br />
No. 7, avril 2000, pp. 13-16.<br />
Un week-end à la Ferme du Buisson (A Weekend at the Ferme du Buisson). No. 7, juillet<br />
2000, p. 8.<br />
Les Girafes, Le Royal de Luxe (The Giraffes, Le Royal de Luxe). No. 9, novembre 2000,<br />
pp. 4-5.<br />
110
Stradda / Articles<br />
Quarterly, Ed. HorsLesMurs. Editorial director: Stéphane Simonin.<br />
Le souci du monde (The Concern of the World). No. 6, octobre 2007, pp. 45-48.<br />
Mouvement / Articles<br />
Coordination avec Jean-Marc Adolphe d’un N° spécial Arts de la rue, Ed. Mouvement/Lieux<br />
Publics, juin 2006.<br />
Documentary movies<br />
Anima, L’Esprit des marionettes (Anima, the Spirit of the Puppets). Based on the original<br />
idea by Sylvie Martin-Lahmani, directed by Marc Huraux, written in cooperation with Marc<br />
Huraux. Documentary, 1h 45 mn, ARTE/Cinétévé, 2005.<br />
D’après une idée originale de Sylvie Martin-Lahmani, réalisé par Marc Huraux, écrit en<br />
collaboration avec Marc Huraux, Documentaire, 1h45 mn, ARTE/Cinétévé, 2005.<br />
Nicole Mossoux, Hoichi Okamoto, Rezo Gabriadze, Liz & Gavin Glover, Frank Soehnle, Ilka<br />
Schönbein. Six univers artistiques. Six peuples marionnettiques. Six personnages en quête<br />
de marionnettistes?<br />
Le Temple de la marionnette, Festival de Charleville-Mézières (The Temple of the Puppet,<br />
Festival Charleville-Mézières). Ecrit et réalisé par Sylvie Martin-Lahmani et Pascal Lahmani,<br />
Documentaire, 52 mn, FR3, 2010.<br />
La ville de Rimbaud est aussi connue grâce aux pantins, mannequins et autres objets<br />
inanimés, qui occupent joyeusement la cité pendant le Festival Mondial des Théâtres<br />
de Marionnette<br />
103. MASSOUDI, Shiva (Ms.)<br />
Address:<br />
Faculty of Dramatic Art and Music<br />
University Of Tehran,<br />
Enghelab Av.<br />
Tehran<br />
Iran<br />
Mobile: 00989123305834<br />
E-mail: massoudi.sh@gmail.com<br />
List of publications:<br />
Introduction to Fantasy. Iran, 2009.<br />
Kheimeh Shab Bazi: Iranian Traditional Marionette Theatre – 1. Iran, Asian Journal Theatre,<br />
University of Hawai, Fall 2009.<br />
Iranian Puppet Theatre: Ritual, Traditional, Modern. And I Husk, Norway, 2009 – 2.<br />
Puppet, Stage, Historical Memory. Loutkar (Czech), 2008 – 3.<br />
The Place of Audience in Puppet Theatre. Art Journal, Iran, 2005 – 4.<br />
Juxtaposition of Reality and Fantasy in Puppet Theatre. Art Journal, Iran, 2007 – 5.<br />
Religious Roots of Puppet. Theatre Journal, Iran, 2007 – 6.<br />
111
Puppet: Passage of Religion to Industry. Art Journal, Iran, 2008 – 7.<br />
104. Prof. Dr. McCORMICK, John (Mr.)<br />
Address:<br />
Ballydonarea Lodge<br />
Searoad<br />
Kilcoole<br />
Ireland<br />
Telephone: 00353 1 2874748<br />
E-mail: jmccrmck@tinet.ie<br />
List of publications:<br />
Puppets in the Streets and Fairgrounds of Nineteenth-century France. Maske und Kothurn,<br />
Vol. 33, nos 1-2, 1987, Vienna, Cologne, pp. 143-149.<br />
Popular Theatres of Nineteenth-century France, London. Routledge, 1993, 255 pp.<br />
Os Bonecos de S. Aleixo e a tradicão europeia do teatro de presépio. With Bennie Pratasik.<br />
In Adagio. Centro Dramatico de Evora, 1997, No. 18.<br />
L’Enfant et la marionnette au 19 e siècle. Puck, Institut International de la Marionnette,<br />
France, 1997, No. 10.<br />
Popular puppets in Europe 1800-1914. With Bennie Pratasik. Cambridge University Press,<br />
1998.<br />
Three Italian Companies. In <strong>Puppetry</strong> International. Atlanta, UNIMA USA, Spring 2000,<br />
No. 7.<br />
Occasional short articles for Theatre Ireland and reviews for Theatre <strong>Research</strong> International,<br />
Animations and Popellum.<br />
A Travelling Marionette Theatre in 19th-century France – Le Grand Théâtre Pitou. In<br />
The <strong>Puppetry</strong> Yearbook, Vol. V, ed. James Fisher, Lewiston, Edwin Mellen Press, 2002.<br />
A voz da marioneta; O investigador e a marioneta; Le Grand Théâtre Pitou: O dia-a-dia<br />
de uma companhia de marionetas; Tradição e modernidad nas marionetas. In Teatro<br />
de Marionetas – Tradição e modernidad, ed. Christine Zurbach, Evora, Cas so Sul, 2002.<br />
The Victorian Marionette Theatre. Ed.: University of Iowa Press, 2004. Various articles<br />
on puppets and masks for Oxford Encylopaedia of Theatre, ed. Dennis Kennedy.<br />
Scaramouche, Actor, Dancer, Marionette and Glove-puppet. In The <strong>Puppetry</strong> Yearbook,<br />
Vol. VI, ed. James Fisher, Lewiston, Edwin Mellen Press, 2005.<br />
Il Toy Theatre inglese. In Imagerie, teatrini e sortilege – la tradizione italiana ed europea,<br />
ed. Alfonso Cipolla, Torino, SEB 27, 2004.<br />
Genoveffa e il repertorio del teatro con marionette. In Genoveffa di Brabante – dalla<br />
tradizione popolare a Erik Satie, ed. Alfonso Cipolla, Torinbo, SEB 27, 2004.<br />
112
Il teatro di figura di Samuel Beckett. In Beckett & Puppet – studi e scene tra Samuel Beckett<br />
e il teatro di figura, ed. Fernando Marchiori, Pisa, Titivillus, 2007.<br />
Il teatro dei burattini di Nohant e il suo contesto storico. In George Sand Scritti sul Teatro –<br />
I burattini di Nohant, ed. Giovanni Moretti, Torino, SEB 27, 2010.<br />
The Italian Puppet Theatre – a History. With Alfonso Cipolla and Alessandro Napoli,<br />
Jefferson, McFarland, 2010.<br />
Article shortly to appear on the puppeteer Guido Niemen in Popellum (Amsterdam).<br />
<strong>Research</strong>:<br />
Currently writing chapters on puppet history for a volume on puppet theatre to be produced<br />
by Luigi Allegri, University of Parma.<br />
Working on the travels of the Holden marionette company in Italy 1884-1886.<br />
Also author of some articles for UNIMA Encyclopedia of World Puppet Theatre.<br />
105. MELLO, Alissa (Ms.)<br />
Address:<br />
35-16 85 th Street 1H Jackson Heights<br />
NY 11372<br />
USA<br />
Institution:<br />
Royal Holloway, University of London<br />
Telephone: 001 646 286 9452<br />
E-mail: alissa.mello@gmail.com<br />
List of publications:<br />
Under the Influence. Alrutz, Megan, Julia Listengarden, and Vandy Wood, eds. Playing with<br />
Theory in Theatre Practice. New York: Palgrave, 2011.<br />
The World of Puppet Theatre. PAJ, Issue 95, 2010.<br />
Light and Shade. Animations Online, Edition 26<br />
http://www.puppetcentre.org.uk/animationsonline/aotwentysix/lightandshade.html, 2009.<br />
Seeing the Light. Animations Online, Edition 22<br />
http://www.puppetcentre.org.uk/animationsonline/aotwentytwo/ao22_seenthelight.html, 2008.<br />
Notes on <strong>Puppetry</strong> Workshops: Warms up and Play. Puppet Notebook, Issue Eleven, 2008.<br />
<strong>Research</strong>:<br />
Contemporary puppet theatre: performance and practice; theatre, practice as research,<br />
performance studies.<br />
113
106. MILNE, Geoffrey (Mr.)*<br />
Address:<br />
Theatre & Drama<br />
La Trobe University<br />
Bundoora, Victoria 3086,<br />
Australia<br />
Telephone: +61 3 9479 5110<br />
Fax: +61 3 9479 3037<br />
E-mail: G.Milne@latrobe.edu.au<br />
List of publications:<br />
The Space Between: The Art of <strong>Puppetry</strong> and Visual Theatre in Australia. With Peter J<br />
Wilson). Currency Press, 2004, 134 pp.<br />
Cho Cho San: a Triumph of Collaboration. Australasian Drama Studies 12/13, 1988,<br />
pp. 85-101).<br />
Blurring the Boundaries: New Forms Collide with Old in Geoffrey Milne. Theatre Australia<br />
(Un)limited: Australian Theatre since the 1950s. Rodopi, 2004, 444 pp..<br />
107. MOHAMED, Noriah (Mr.)*<br />
E-mail: nong@pkrisc.cc.ukm.my and nong@fass.ubd.edu.bn<br />
Web: www.malaycivilization.com and www.atma.ukm.my<br />
List of publications:<br />
Wayang Kulit Rengit Johor (The Shadow Play of Rengit Johor). Jurnal Warisan (Journal<br />
Heritage), Vol. 1, 1997, pp. 92-114.<br />
Hikayat Hang Tuah. Kuala Lumpur: Yayasan Karyawan, 1997, 585 pp.<br />
Jawa Di Balik Tabir. Bangi (Javanese behind the Curtain). UKM. Bangi, 2001, 280 pp.<br />
Syair Almarhum Baginda Sultan Abu Bakar di Negeri Johor (Poems of the Late Sultan Abu<br />
Bakar). Johor: Yayasan Warisan Johor, 2001, 388 pp.<br />
Syair Ken Tambuhan. Kuala Lumpur: Yayasan Karyawan, 2002, 249 pp.<br />
Sastera Panji (The Panji Literature). Dewan Bahasa dan Pustaka. Kementerian Pendidikan<br />
Malaysia.With Mariyam Salim. Kuala Lumpur, 2005, 235 pp.<br />
Sentuhan Rasa dan Fikir Dalam Puisi Melayu Tradisional (The Touch of Taste and Minds<br />
in the Malay Traditional Poems). Bangi, 188 pages.<br />
Penafsiran Kembali Cerita Mitos Asal-Usul (The Second Analysis of the Myth Origin).<br />
In Garitan Budaya Nusantara dalam Perspektif Kebinekaan. Den Pasar: Larasan, 2004,<br />
pp. 142-164.<br />
Pantun: Dalam Semak ada Duri (Pantun: Thorns in the Bush). Jurnal Perisa, Vol. 9, 2001,<br />
pp. 17-29.<br />
114
Aksara Jawi dan Makna (The Jawi Alpahbates and Meanings). Jurnal Sari, Vol. 19, 2001,<br />
pp. 121-131.<br />
Penggunaan Bahasa Jawa di Johor (The Usage of the Javanese Language in the State<br />
of Johor). Jurnal Warisan Johor, Vol. 6, 2001.<br />
Interfaith Marriages: Malaysian Case. In LWF Studies Dialogue and Beyond. Switzerland<br />
01/2003, pp. 61-70.<br />
Syair Alif Ba Ta: The Poet and His Mission. In Jurnal Sari, Vol. 21, July, 2003, pp. 109-127.<br />
Menjemput Ratu Adil: Evaluasi Krisis terhadap Proses Reformasi Menuju Paradigma Baru<br />
Menuju Sukses Kepimpinan Nasional oleh Haerul Salam & Kholid Santoso (To Welcome<br />
Ratu Adil: Critical Evaluation on the Reformation Process toward the New Paradigm<br />
of the National Leadership by Haerul Salam & Kholid Santoso). Book Review. In Jurnal<br />
Jawhar, Vol. 1, No. 1, February/Mach 2004, pp. 38-47.<br />
Islam dan Kebudayaan Jawa oleh Drs. H.M Darori Amin (Islam in the Javanese Culture<br />
by Drs H. M. Darori Amin). In Jurnal Jawhar Jilid 1 Bilangan 2, June/July 2004, pp. 10-21.<br />
Wahdatal – Adyan: Dialog Pluralisma Agama oleh Faimah Usman (Wahdatal – Adyan:<br />
Religion Pluralism Dialogue by Fatimah Usman). Book Review. In Jurnal Jawhar, Vol. 1,<br />
No. 2, pp. 22-30.<br />
What Went Wrong? Western Impact and Middle Eastern Response by Bernard Lewis. Book<br />
Review. In Jurnal Jawhar, Vol. 1, No. 3, Oct/Nov 2004, pp. 49-56.<br />
Invention of Interactive CD on Sejarah Melayu (The Malay Annals):<br />
Sejarah Melayu. Interactive CD (Malay Version), 2001 – 2002, Expo UKM, 2003.<br />
Sejarah Melayu. Interactive CD (English Version), 2002 – 2003, Expo UKM, 2004.<br />
Sejarah Melayu. Interactive CD (Arabic Version), 2003 – 2005, Expo UKM, 2005 and Higher<br />
Learning Institution (IPTA) 2005.<br />
Syair Ken Tambuhan. Interactive CD, 2005 – 2006.<br />
108. MONOVA, Nina (Ms.)*<br />
Address:<br />
Sadovaya-Samotechnaya, 3<br />
Moscow, 127473<br />
Russia<br />
Telephone: +7 (495) 699-33-00<br />
E-mail: nimono@rambler.ru<br />
List of publications:<br />
International Puppet Festival in Slupsk, Poland (Raduga Kukolnyi Baltii). Article. Entry.<br />
In Teatr Cudes – puppetry journal 2001, No. 2.<br />
I. International Puppet Festival named Sergey Obraztsov in Moscow (Parol prazdnika).<br />
Article. In Teatr Cudes, 2001, No. 3-4.<br />
115
XII. International Puppet Festival of Baltic’s countries in Kaunas. Article. In Teatr Cudes,<br />
2002, No. 3-4.<br />
II. International Puppet Festival named Sergey Obraztsov in Moscow. Article. In Teatr Cudes,<br />
Moscow, 2005, No. 8.<br />
IV. International Puppet Festival named Sergey Obraztsov in Moscow. Article. In Teatr<br />
Cudes, Moscow, 2006, No. 9.<br />
The Place for Meeting. About 105-jubilee by Sergey Obraztsov in Russia. Article. In Teatr<br />
Cudes, Moscow, 2006, No. 9.<br />
109. MORAWSKA-RUBCZAK, Alicja (Ms.)<br />
Address:<br />
85-132 Bydgoszcz<br />
Ugory Street 27f/48<br />
Poland<br />
Institution:<br />
The Zbigniew Raszewski Theatre Institute in Warszawa<br />
00-467 Warszawa<br />
Jazdów Street 1<br />
Poland<br />
Telephone: 0048 661 282 638<br />
E-mail: alicja.rubczak@gmail.com<br />
List of publications:<br />
Dzieło sztuki z perspektywy kulturowej (The Work of Art from the Cultural Perspective). Book.<br />
Ed. S. Antkowiak, A. Rubczak. Toruń, 2008 (Polish, summary in English).<br />
Teatr animacji Janusza Ryl-Krystianowskiego (Janusz Ryl-Krystianowski's Animation<br />
Theatre). Book. Poznań, 2011 (Polish).<br />
Selected articles and essays:<br />
Ale – to dobre jest? (But Is This Any Good?) Teatr Lalek, No. 1/99 (2010), pp. 28-30 (Polish,<br />
English).<br />
Iwona w formie (Yvonne in a Form). Didaskalia, No. 99/2010, pp. 104 (Polish).<br />
Kolce przez szybę nie ranią (Spikes Seen through a Pane of Glass Do Not Wound). Teatr<br />
Lalek, No. 1/96 (2009), pp. 27-29 (Polish, English).<br />
O! Polski teatr lalek? (Oh! A Polish Puppet Theatre?) Teatr Lalek, No. 3/98 (2009), pp. 33-36<br />
(Polish, English).<br />
Otello obnażony (Othello Dénudé). Teatr Lalek, No. 1/96 (2009), pp. 21-22 (Polish, English).<br />
Performans dla niemowląt (Performance Art for Infants). Teatr, No. 10 (2011). (Polish)<br />
Pingwini ekumenizm (A Penguin Ecumenism). Teatr Lalek, No. 2-3/100-101 (2010),<br />
pp. 48-51 (Polish, English).<br />
116
Poza kontekstem (Beyond the Context). Teatr, No. 2 (2010), pp. 66-70 (Polish).<br />
Raczkujący Teatr (A Theatre Learning to Walk). Teatr Lalek, No. 4/95 (2008), pp. 24-26<br />
(Polish, English).<br />
Raczkujący Teatr (2) (A Theatre Learning to Walk (2)). Teatr Lalek, No. 2/97 (2009), pp. 10-<br />
12 (Polish, English).<br />
Spowiedź w papierze (A Paper Confession). Scena, No. 2/58 (2009), pp. 33-34 (Polish).<br />
Teatr, wehikuł magiczny (The Theatre, a Magical Vehicle). Teatr Lalek, No. 4/95 (2008),<br />
pp. 36-39 (Polish, English).<br />
Teatralne Biennale (A Theatre Biennale). Teatr, No. 10 (2009), pp. 63-66 (Polish).<br />
Ważny impuls (An Important Impulse). Teatr Lalek, No. 4/102 (2010), pp. 27-32 (Polish,<br />
English).<br />
W cieniu legendy (To Be in the Legend Shadow). Didaskalia, No. 92/93 (2009), pp. 135-137<br />
(Polish).<br />
Złamany kobiecy pazur (A Broken Women's Nail). Teatr Lalek, No. 1/92 (2008), pp. 22-24<br />
(Polish, English).<br />
Raczkujący teatr. O specyfice praktyki artystycznej teatru dla najnajmłodszych (A Theatre<br />
Learning to Walk. The Theatre for the Very Young Specificity). In “Sztuka dla dziecka jako<br />
forma komunikacji społecznej“ (Art for children as a form of social communication). Vol. 2,<br />
ed. Marta Karasińska. Children's Art Centre, Poznań, 2009, pp. 49-57 (Polish).<br />
Świat Garmanna i nasz / Garmann og vår verden (Our and Garmman's World). In “Dziecko –<br />
teatr – świat. Ponad barierami / Barn – teater – verden. Over skillene“ (Child – theatre –<br />
world. Beyond the borders). Ed. M. Bartnikowski, translation Monika Grossman-Kliber.<br />
Baj Theatre, Warszawa, 2010, pp. 2-8 (Polish, Norwegian).<br />
Tradycyjne wątpliwości (The Traditional Doubts). In “Sztuka dla dziecka – tradycja we<br />
współczesności – eseje“ (Art for children – tradition in modernity – the essays).<br />
Ed. H. Gawrońska, G. Leszczyński. Children's Art Centre, Poznań, 2011, pp. 31-41.<br />
Teatr dla najnajmłodszych jako teatr lalek (The Theatre for the Very Young as a Puppet<br />
Theatre). In “Teatr lalek i dziecko” (Puppet Theatre and a Child). Ed. Elżbieta Rzewuska and<br />
Grażyna Słupczyńska. Maria Curie-Sklodowska University, Lublin, Poland, 2011 (Polish).<br />
Author of the first Polish blog dedicated to children's theatre:<br />
www.alicjarubczak.wordpress.com<br />
<strong>Research</strong>:<br />
The aesthetics of contemporary children's theatre including puppet theatre.<br />
Theatre for the very young (children in age 0-3).<br />
117
110. MORLEY, John M.A. (Mr.)<br />
Address:<br />
The Language Centre<br />
University of Arts London<br />
272 High Holborn, London<br />
WC1V 7EY<br />
UK.<br />
Telephone: (+44) (020) 7514-7261<br />
E-mail: j.morley@arts.ac.uk<br />
List of publications:<br />
(Commenced research in 1982)<br />
Mester Jakel – The Punch Tradition in Denmark. In BrUNIMA Bulletin (British UNIMA),<br />
No. 100 (March 1999), London, pp. 10-15.<br />
Fasulis – Traditional Glove <strong>Puppetry</strong> in Greece. In BrUNIMA Bulletin (British UNIMA),<br />
No. 104 (July 2000), London, pp. 5-10.<br />
Aragoz – The Punch Tradition in Egypt. In BrUNIMA Bulletin (British UNIMA), No. 113<br />
(July 2003), London, pp.10-12.<br />
Jan Klaassen – Punch's Closest Cousin. In Puppet Notebook (British UNIMA), Issue 2<br />
(Spring 2005), London, pp. 12-15.<br />
Karakuz – Het Oude Arabische Schaduwspel uit de Levant (Dutch translation of: Karakuz –<br />
The Old Arab Shadow Plays of the Levant). In Popellum, No. 6 (Year 5, Winter 2005),<br />
Amsterdam, pp. 3-7.<br />
Kasper in Sweden – Part One: The Stockholm Tradition. In Puppet Notebook (British<br />
UNIMA), Issue 13 (Winter 2008), London, pp. 12-15.<br />
Kasper in Sweden – Part Two: The Gothenburg Tradition. In Puppet Notebook (British<br />
UNIMA), Issue 14 (Spring 2009), London, pp. 8-9.<br />
Smerige Lieden en Rustige Types – Traditioneel Handpoppenspel op het Iberisch<br />
Schiereiland: Spanje – Barcelona en de Catalaanstalige Regio's (Dutch translation of:<br />
Traditional Glove <strong>Puppetry</strong> in the Iberian Peninsula: Part One: Spain – Barcelona and the<br />
Catalan-Speaking Regions). In Popellum, No. 9 (Year 10, Summer 2010), Amsterdam,<br />
pp. 10-16.<br />
<strong>Research</strong>:<br />
The history of traditional puppetry in Europe and the Islamic world.<br />
118
111. MUTHUKUMARASWAMY, M. D. (Mr.)*<br />
Address:<br />
Flat No. A-4, Block-1, "Green Park"<br />
Ceebros Apartment Complex<br />
Vijaya Nagar, Velachery<br />
Chennai 600 042<br />
India<br />
Telephone: 091-44-2450553/2448589 (O)<br />
Fax: 091-44-2450553/2448589 (O)<br />
Institution:<br />
National Folklore Support Centre<br />
(Executive Trustee and Director)<br />
508, 5th Floor, 'Kaveri Complex'<br />
No. 96, Mahatma Gandhi Road (Nungambakkam High Road)<br />
Nungambakkam<br />
Chennai 600 034<br />
Tamil Nadu<br />
India<br />
Telephone: 91-044-2822 9192 / 4213 8410<br />
Fax: 91-044-2822 9192 / 4213 8410<br />
E-mail: muthu@indianfolklore.org and muthu@md2.vsnl.net.in<br />
Web: www.indianfolklore.org<br />
List of publications:<br />
Indian Folklife. Vol. I, Issue III. Finding ecological inside the archives of pain: Famine<br />
Folklore, National Folklore Support Centre, Chennai, October 2002, pp. 3-4.<br />
<strong>Research</strong>:<br />
Current research aims towards creating modernist repertoire for traditional South Indian<br />
<strong>Puppetry</strong>.<br />
112. NARŠČIUVIENĖ, Vida (Ms.)*<br />
Address:<br />
R. Jankausko 13-166<br />
Vilnius 2050<br />
Lithuania<br />
Telephone: +370 5 2452129.<br />
E-mail: v.narsciuvienė@lnb.lt<br />
Institution:<br />
National M. Mažvydas Library, Center of Children Literature<br />
Gedimino pr. 51, LT – 01504<br />
Vilnius<br />
Lithuania<br />
Telephone: +370 5 2398561.<br />
Fax: +370 5 2496129.<br />
E-mail: biblio@lnb.lt<br />
119
List of publications:<br />
Lėlių teatras „Berniukas Žirniukas“ (Puppet Theatre „Berniukas Žirniukas). Lietuvos<br />
nacionalinė Martyno Mažvydo biblioteka. Vaikų literatūros centras (sudarė Vida<br />
Narščiuvienė, Onutė Kaladienė, Jolanta Savukynaitė). Vilnius: Lietuvos nacionalinė Martyno<br />
Mažvydo biblioteka, 2005. 26, (2) p. iliustr., portr. Santr. angl. Bibliogr.: pp. 25-26 (50 pavad.)<br />
(Lithuanian with English summary).<br />
Bibliografija (Bibliography about Puppeteers and Puppet Plays). Asmenvardžių rodyklė.<br />
In Lėlė ir kaukė: knyga apie lėlių teatrą / sudarytoja Audronė Girdzijauskaitė. Vilnius:<br />
Gervelė, 1999, pp. 237-74 (723 pavad.). R-klė: pp. 275-(284) (Lithuanian).<br />
Lėlių teatrai Lietuvos bibliotekose (Puppet Theatres in Lithuanian Libraries). Pranešimas<br />
konferencijoje (message in conference). In Lietuvos lėlių teatras: nuo ištakų iki mokyklos:<br />
(straipsnių rinkinys / sudarė Salomėja Burneikaitė). Klaipėda: Klaipėdos universiteto leidykla,<br />
2005, pp. 71-78. Bibliogr. str. gale (Lithuanian).<br />
Pjesės, scenarijai lėlių teatrams: bibliografija (Plays, Screenplays for Puppet Theatres:<br />
Bibliography). In „Pjesių lėlių ir vaikų teatrui bibliografija (1906–2009)“ / (bibliografijos<br />
sudarytoja Vida Narščiuvienė; sudarytoja Irena Maciulevičienė). Vilnius: Lietuvos liaudies<br />
kultūros centras, 2010, pp. 17-27 (Molinuko teatras) (Lithuanian).<br />
Lalki jako pomocnice bibliotekarzy Litwy. Iliustr. Lenk. // Guliwer. – 1994, No. 5, pp. 33-34<br />
(Polish).<br />
Bibliography of Puppet Theatre in Lithuania (Bibiografia o kukoľnom teatre v Litve). In Lėlė<br />
ir kaukė Puppet and Mask. Ed. A. Girdzijauskaitė. Vilnius: Gervelė, 1999, pp. 237-284.<br />
<strong>Research</strong>:<br />
Use of puppet theatre components in libraries, production of simple puppets.<br />
113. NICOLAS, Michèle (Ms.)*<br />
Address:<br />
93-95 Avenue du Général Leclerc<br />
75014 Paris<br />
France<br />
Institution:<br />
Centre d'Etudes turques et ottomans<br />
EHESS, 54 Boulevard Raspail<br />
75006 Paris<br />
France<br />
Telephone: 0149542301<br />
Fax: 0149542672<br />
E-mail: nicolas_michele@yahoo.fr (nicolas_michele@yahoo.fr)<br />
List of publications:<br />
Le Théâtre de Karagöz (Theatre of Karagöz). In Tribune d'Orient, No. 8 et 9, nov-déc 1981,<br />
p. 9.<br />
Karagöz: le Théâtre d'Ombres Turc (Karagöz: Turkish Shadow Theatre). In Les<br />
Marionnettes, Edition Bordas, Paris, 1982, pp. 40-46 with illus.<br />
120
Les rôles féminins dans le théâtre d'ombres turc traditionnel (Karagöz) (Female Roles in<br />
Traditional Turkish Shadow Theatre (Karagöz)). In Der Islam, 1987, band 64/1, pp. 209-216.<br />
Karagöz, le theâtre d 'ombres turc d'hier à aujourd'hui (Karagöz, Turkish Shadow Theatre<br />
Yesterday and Today). In Actes du XIIIème congrès de l'Union européenne d'Arabisants<br />
et d'Islamisants, Université degli studi, Venezia, 1988, pp. 180-200.<br />
Un carabin nommé Karagöz (A Carabin Called Karagöz). In Anka: l'humour turc, Vol. 11-12,<br />
autome-hiver 1991, pp. 20-24.<br />
Karagö., In La Méditerranée réinventée, edition La découverte, Fondation René Seydoux,<br />
Paris, 1992, p. 291.<br />
La Comédie humaine dans le Karagöz (Human Comedy in Karagöz). In L'Humour en Orient,<br />
Revue du monde musulman et de la Méditerranée, edition Edisud, No. 77-78, Aix-en-<br />
Provence, 1996, pp. 75-87.<br />
Ombres et couleurs ottomans (Ottoman Shadows and Colours). In Revue d'Histoire<br />
de la Pharmacie, 90ème année, tome 335, 3ème trimestre 2002, pp. 379-386.<br />
Articles Turkey, Karagöz, Montreurs (Puppeteer). In Encyclopédie mondiale des Arts de la<br />
Marionnette (Worldwide Encyclopedia of <strong>Puppetry</strong> Arts). Édition de L’Entretemps, Paris,<br />
2009.<br />
114. OPHRAT, Hadas (Mr.)<br />
Address:<br />
8 Deedes St.<br />
Jerusalem 93106<br />
Israel<br />
Telephone: +972 (0)2 5633232, +972 (0)544 717100<br />
Studio tel/fax: +972 (0)2 5610536<br />
E-mail: ophrat@gmail.com<br />
Web: www.ophrat.org.il<br />
Institution:<br />
Jerusalem School of Visual Theatre<br />
Jerusalem<br />
Israel<br />
List of publications:<br />
Conversation with a Puppet, On Contemporary <strong>Puppetry</strong>. Sal Tarbut Artzi Publishing,<br />
Tel Aviv 2008 (Hebrew).<br />
Very Much Reality – on the Art of Performance. Hakibutz Hameuchad Publishing House,<br />
Tel Aviv, 2012.<br />
121
115. ORENSTEIN, Claudia (Ms.)<br />
Address:<br />
Theatre Department<br />
Hunter College, Cuny And The Cuny Graduate Center<br />
695 Park Ave.<br />
New York, NY 10021<br />
USA<br />
Telephone: 212-772-4642, 212-865-1685<br />
E-mail: corenste@hunter.cuny.edu<br />
List of publications:<br />
The World of Theatre: Tradition and Innovation. Co-author with Mira Felner. New York: Allyn<br />
and Bacon, 2005.<br />
Festive Revolutions: The Politics of Popular Theatre and the San Francisco Mime Troupe.<br />
Series, In Performance Studies. Jacksonville: University Press of Mississippi, 1999.<br />
Collective Creation and Cross-Cultural Exchange. In Mime Journal, 2002/2003, pp. 225-234.<br />
A Taste of Tibet: The Nuns of Khachoe Ghakyil Ling Nunnery and the Theatre du Soleil.<br />
In Asian Theatre Journal. Vol. 19, No. 1, Spring 2002, pp. 212-230.<br />
Agitational Performance, Now and Then. In Theatre Magazine. Vol. 31, No. 3, 2001,<br />
pp. 139-151.<br />
Dance and Drama: An Overview. In The Encyclopedia Of Women And World Religion.<br />
Serenity Young, ed., Macmillan Press, 1999, pp. 232-234.<br />
Dancing on Shifting Ground: The Balinese Kecak in Cross-Cultural Perspective. In Theatre<br />
Symposium, Vol. VI., August 1998, pp. 116 – 124.<br />
A series of articles on San Diego Repertory Theatre's original Latino opera Burning Dreams:<br />
Rep's World Premier of Burning Dreams, Why an Opera?, It Was Only a Dream, Isla Mujeres<br />
and the Magic of the Yucatan. In The Reporter (San Diego), Winter 1994, 1, pp. 4-5.<br />
Book Review of Lord Of The Dance: The Mani Rimdu Festival in Tibet and Nepal. By Robert<br />
Kohn. In Asian Theatre Journal. Vol. 19, No. 2, Fall 2002, pp. 390-392.<br />
Performance Review of Continuum: Beyond the Killing Fields. By Singapore’s Theatreworks,<br />
directed by Ong Keng Sen at the Yale International Theatre Festival. In Asian Theatre<br />
Journal, Vol. 19, No. 2, Fall 2002, pp. 393-395.<br />
Around the World with Eugene van Erven. Book and Video Review of “Community Theatre:<br />
Global Perspectives”, by Eugene van Erven In Theatre Magazine, Vol. 32, No. 2, 2002,<br />
pp. 77-80.<br />
Performance Review of Mandalay Marionettes at the American Museum of Natural History.<br />
In Theatre Journal, Vol. 53, No. 3., October 2001, pp. 495-496.<br />
Book Review of Nomai Dance Drama: A Surviving Spirit of Mediaval Japan. By Susan<br />
M. Asai. In Theatre Journal, Vol. 53, No. 3, October 2001, pp. 513 – 514.<br />
122
Performance review of Woman General: Mu Gui Ying and Taking Tiger Mountain by<br />
Strategy. By The Qi Shu Fang Peking Opera Company of New York. In Theatre Journal,<br />
Vol. 51, No. 3, October 1999, pp. 322-323.<br />
Book review of Puppets and Popular Culture. By Scott Cutler Shershow and Pinocchio's<br />
Progeny. By Harold B. Segal. In Theatre Journal, Vol. 48, No. 4, Dec. 1996, pp. 522-525.<br />
Book review of Yoruba Ritual: Performers, Play and Agency. By Margaret Drewal. In Theatre<br />
Insight, #11, May 1994.<br />
Translation of Brigitte Revelli’s Body Shadows as a Tool of Initiation into the Actor’s Theatre.<br />
<strong>Puppetry</strong> International Fall and Winter 09, Issue #26.<br />
Thinking Inside the Box: Meditations on the Miniature at the Great Small Works Eighth<br />
International Toy Theatre Festival. Theatre, Vol. 39., No. 3, pp. 144-155.<br />
Coming Full Circle: Performing Objects, New Media, and Interculturalism in New <strong>Puppetry</strong>.<br />
Indian Horizons, special issue on puppetry. Vol. 55, No. 2-3, April-September 2008,<br />
pp. 172-188.<br />
A French Puppeteer in Kerala: An Interview with Brigitte Rivelli. <strong>Puppetry</strong> International,<br />
No. 24, Fall and Winter 2008, pp. 12-15.<br />
The Danish Festival at the New Victory Theatre: <strong>Puppetry</strong> and A New Perspective on Family<br />
Entertainment. Critical Acts. TDR, Vol. 52, No. 3, Fall 2008 (T 199), pp. 187-195.<br />
En temps et hors temps:l’animation selon Janie Geiser (In and Out of Time: The Animated<br />
Art of Janie Geiser). Puck: La Marionnette et les Autres Arts. No. 15: Marionnette, cinéma<br />
et cinéma d’animation. France: Éditions L’Entretemps, No. 15, 2008, pp. 129-134.<br />
Report: XIVème Festival Mondial des Théâtres de Marionnettes, Charleville-Mézières,<br />
France, September 15-24, 2006. Asian Theatre Journal, Vol. 25, No. 1, Spring 2008,<br />
pp. 148-154.<br />
Puppets Invade France: The XIVème Festival Mondial des Théâtres de Marionnettes.<br />
Theatre, Vol. 38, No. 1, 2008, pp. 132-141.<br />
Good Theatre In Bad Times: Mime Troupe Reader. Theatre, 2007; 37, pp. 99-105.<br />
Kazuko Hohki: Objects of Contemplation. Animated Encounter. A Review of <strong>Puppetry</strong> and<br />
Related Arts. Vol. 1, 2007, pp. 52-54.<br />
Agitation – Propaganda. Columbia Encyclopedia of Modern Drama. Eds. Gabrielle H. Cody<br />
and Evert Sprinchorn. New York: Columbia University Press, 2007.<br />
Kazuko Hohki: Objects of Contemplation. Animations Online 17. Summer, 2006.<br />
Revolution Should Be Fun: A Critical Perspective on the San Francisco Mime Troupe.<br />
In Restaging the Sixties: Radical Theatres and Their Legacies. Eds. James Harding and<br />
Cindy Rosenthal. University of Michigan Press, 2006.<br />
<strong>Research</strong>:<br />
New <strong>Puppetry</strong> In The Media Age.<br />
123
116. ORTEGA CERPA, Désirée (Ms.)<br />
Telephone: 607 94 82 77<br />
E-mail: desiortega@hotmail.com<br />
List of publications:<br />
Co-author of Fit de Cádiz, Crónica de un hecho insólito (Ibero-American Theatre Festival in<br />
Cádiz, A Chronicle of an Rare Deed). Tenth anniversary of the Ibero-American Theatre<br />
Festival in Cádiz. Patronato del Festival Iberoamericano de Teatro de Cádiz, 1995. Bajo,<br />
Mª Jesús, co-author; Portillo, Rafael, coordination.<br />
Coordinator of “FIT de Cádiz: La ventana de América” (Ibero-American Theatre Festival<br />
in Cádiz: The window of America). 20 years of the Ibero-American Theatre Festival in Cádiz.<br />
Fundación Municipal de Cultura-Ayuntamiento de Cádiz/Patronato del Festival<br />
Iberoamericano de Teatro de Cádiz, 2005.<br />
Teatro de marionetas: sueñan los replicantes con ovejas mecánicas (Marionette Theatre:<br />
Do Replicants Dream of Electric Sheep). Villegas, Juan (ed.), Propuestas escénicas de fin<br />
de siglo: FIT 98, GESTOS-Universidad de California, Irvine, 1999, pp. 111-123.<br />
La Tía Norica de Cádiz (La Tía Norica of Cádiz). Máscara, No. 11, México, 2000, pp. 13-15.<br />
El largo camino hacia la normalización teatral de los títeres (Long Way zowards<br />
Standardisation of the Puppet Theatre). ADE, No. 84, 2001, pp. 268-270.<br />
Os fíos da vida a Tía Norica de Cádiz (The Threads of Life of Tía Norica de Cádiz). Bululú,<br />
No. 2. Centro de Documentación del IGAEM, verano 02, pp. 9-14.<br />
La recuperación del legado de La Tía Norica de Cádiz: veinte años después (1984-2004)<br />
(Recovering the Legacy of La Tía Norica de Cádiz: Twenty Years Later). Periférica. Revista<br />
para el análisis de la cultura y el territorio, No. 4, Cádiz, diciembre 2003, pp. 175-186.<br />
La vida secreta de las marionetas (Secret Life of Marionettes). Ophelia. Revista de teatro<br />
y otras artes (teatro e infancia), No. 6-7, Madrid, marzo 2004, pp. 22-24.<br />
Los hilos de la vida: el Legado de La Tía Norica de Cádiz (Threads of Life: The Legacy<br />
of La Tía Norica de Cádiz). Ateneo. Revista cultural del Ateneo de Cádiz, No. 5, 2005,<br />
pp. 211-216.<br />
Compendio de la historia de los títeres: un género popular en la España del siglo XX<br />
(Compendium of the History of Puppets: A Genre Polular in 20th-Century Spain). In Revista<br />
de Historia Ubi Sunt, No. 21 (dossier Cultura Popular), 2007, pp. 26-29.<br />
La Tía Norica de Cádiz. In the monography A vueltas con el teatro de títeres ADE, 121,<br />
2008, pp. 169-172.<br />
Chapters of Books/Encyclopedias:<br />
Actualidad de las artes escénicas y la música en Andalucía (The Current Situation of Scenic<br />
Arts and Music in Andalucía). Gran Enciclopedia Andaluza del siglo XX. Conocer Andalucía.<br />
(T. 9: Literatura y Comunicación en Andalucía), Sevilla, Tartessos, 2001, pp. 253-294.<br />
124
Teatro popular: la Tía Norica (Popular Theatre: la Tía Norica). Proyecto Andalucía.<br />
Antropología. (Cap. 10, Tomo IX: “Literatura Oral”) Sevilla, Publicaciones Comunitarias S. A.,<br />
2003, pp. 287-306.<br />
Calidad de los programas (The Quality of Programs) and Comparación con otros festivales<br />
(Comparison with Other Festivals). In Diagnóstico de situación sobre el Festival<br />
Iberoamericano de Teatro de Cádiz, Universidad de Cádiz, 2003, pp. 43-67.<br />
La fiesta de la diversidad (Celebrating the Diversity). In FIT de Cádiz: La ventana de América<br />
(20 años del Festival Iberoamericano de Teatro de Cádiz). Fundación Municipal de Cultura-<br />
Ayuntamiento de Cádiz/Patronato del Festival Iberoamericano de Teatro de Cádiz, 2005,<br />
pp. 11-36.<br />
La Tía Norica and Medio siglo de títeres (1900-1950) (Half a Century of Puppets). In<br />
Ventana al títere ibérico, XXIV Festival Internacional de Marionetas de Tolosa: 2006,<br />
pp. 14-17/54-59 (published in three versions: Spanish-Basque; Spanish-English and<br />
Spanish-French).<br />
La Tía Norica and Medio siglo de títeres (1900-1950) (Half a Century of Puppets). In<br />
Ventana al títere ibérico, Sociedad Estatal para la Acción Cultural Exterior de España<br />
(SEACEX), 2007, pp. 40-47/120-131. Catalog of an itinerant international exhibition<br />
organised by SEACEX, Centro de Inicativas de Tolosa and the Indira Gandhi National<br />
Centre for the Arts. Published in Spanish and English.<br />
Collaborator on la Encyclopédie Mondiale Des Arts de la Marionnette (Worldwide<br />
Encyclopaedia of <strong>Puppetry</strong> Arts). Editor of the national article about Spain (pp. 242-246)<br />
and writer of the articles La Tía Norica (pp. 699 and 700), Manuel de Falla (p. 267) and<br />
Hermenegildo Lanz (p. 422), 2005.<br />
Published by Éditions L´ Entretemps/UNIMA (Internacional Union of the Marionette),<br />
Montpellier, 2009.<br />
117. Den OTTER, Elisabeth (Ms.)*<br />
Address:<br />
2e Egelantiersdwarsstraat 75<br />
1015 SB Amsterdam<br />
Netherlands<br />
Telephone: ++ 31-20-6205590<br />
E-mail: elisado@mac.com<br />
Web: www.homepage.mac.com/edotter<br />
List of publications:<br />
Sogo bò. La fête des masques bamanan. Bamako (printed by Imprim Color), 2002, 131 pp.<br />
(With Mamadou Kéïta; there is a version in Bamanan as well.)<br />
Mascaras e Marionetas: Uma Mascarada no Mali. In C. Zurbach (ed.), Teatro de Marionetas.<br />
Tradiçâo e modernidade. Evora: Casa do Sul, pp. 145-163, 2002.<br />
Rhythm to Be Heard, Rhythm to Be Seen: A Masquerade of the Bamana (Mali). In Rhythm,<br />
a dance in time, E.den Otter (ed.). Amsterdam: KIT Press, 2000, pp. 137-148.<br />
Of Dancing Masks and Men: Visible and Hidden Dancers of the Bamana and Bozo (Mali).<br />
125
In The spirit's dance in Africa, E.Dagan (ed.). Westmount, QC, Canada: Galerie Amrad<br />
African Arts Publications, 1997, p. 140-143.<br />
Verre vrienden van Jan Klaassen. Poppenspel in Afrika en Azië, Amsterdam: KIT Press,<br />
1995, 111 pp.<br />
Various articles in “Popellum”, a Dutch review on puppet theatre worldwide.<br />
CD Bamana and Bozo Songs from Kirango, Mali. Royal Tropical Institute/PAN records<br />
No. 4010 KCD, 1998.<br />
CD-Rom Thabin. Burmese <strong>Puppetry</strong>, Music, Song and Dance, 2000. Produced on own<br />
account.<br />
<strong>Research</strong>:<br />
Masquerades of the Bamanan and the Bozo (Mali).<br />
118. OZÁBALOVÁ, Ivica (Ms.)<br />
Address:<br />
Čsl. Parašutistov 3<br />
831 03 Bratislava<br />
Slovakia<br />
List of publications:<br />
Bábkarská Bystrica (Theatre Festival “Bábkarská Bystrica“). Altogether with Vladimír<br />
Predmerský. Bratislava: NDC, 1996, 126 pp.<br />
Slovenské profesionálne bábkové divadlá, sezóny 1950-1951 až 1970-1971 (Slovak<br />
Professional Puppet Theatres in Seasons 1950-1951 until 1970-1971), premiers<br />
bibliography. Bratislava: NDC, 1997, 179 pp.<br />
Cesta okolo sveta za 50 rokov – Bratislavské bábkové divadlo 1957 – 2007 (Journey around<br />
the World – Bratislava’s Puppet Theatre 1957 – 2007). Editor. BBD, Bratislavský<br />
samosprávny kraj, Bratislava 2007, 160 pp.<br />
119. PAËRL, Hetty (Ms.)<br />
Address:<br />
Lindenstr. 60<br />
1015 KZ Amsterdam<br />
Netherlands<br />
Telephone: ++31 (0) 20 6201925<br />
Fax: ++31 (0) 20 6201925<br />
E-mail: hetty.paerl@hetnet.nl<br />
List of publications:<br />
Schimmenspel – en het spelen met schaduwen Wereldbibliothee, (Shadow-show – and the<br />
Playing with Shadows). Amsterdam, 1979.<br />
126
Schattenspiel – und das Spielen mit Silhouetten Hugendubel (Shadow-show – and the<br />
Playing with Silhouettes). Munchen, 1979. German edition of the same book.<br />
Ombres et Silhouettes ChÍne Hachette (Shadows and Silhouettes). Paris, 1979. French<br />
edition of the same book.<br />
De Theaterpop en iets van zijn geschiedeni (The Theatre Puppet and Something of Its<br />
History). Written in co-operation with Felicia van Deth. Heureka, Weesp, 1981.<br />
Ontwikkelingen in het poppenspel in Nederland – een overzicht van de jaren tussen 1945<br />
en 1981 (Developments in the Puppet-show in The Netherlands – a Survey of the Years<br />
between 1945 and 1981). <strong>Unima</strong> Centrum Nederland, 1981.<br />
Jan Klaassen is in t land Pantijn (Jan Klaassen Is Here). Amsterdam, 1982.<br />
Popppenspel – zelf maken en spelen (Puppet Show – Self Making and Playing).<br />
Wereldbibliotheek, Amsterdam, 1982.<br />
Het Gezicht van Jan Klaassen – hij lacht zich een bult Oostelijk Kunstbedrijf (Good Gracious<br />
– about Jan Klaassen and His Foreign Congeners). Vorchten, 1986.<br />
Das Gesicht von Jan Klaassen – er kriegt vor lauter lachen einen Buckel Puppen und<br />
Masken. Frankfurt/M 1986. German edition of the same book.<br />
Heerekrintjes – over Jan Klaassen en zijn buitenlandse soortgenoten Gaade. Veenendaa,l<br />
1987.<br />
Tegen het decor van de rokende Vesuvius – Pulcinella en de magie van het<br />
volkspoppentheater in Zuid-ItaliÎ Unieper (Against the Scenery of the Smoking Vesuvius –<br />
Pulcinella and the Magic of the Popular Puppet Theatre in South Italy). Abcoude, 1993.<br />
Traditionele poppen in BelgiÎ (Traditional Marionettes in Belgium). Written in co-operation<br />
with Freek Neirynck. Vlaams Figurenteaterarchiel, Gent, 1994.<br />
Marionnettes traditionnelles en Belgique written in co-operation with Freek Neirynck. Vlaams<br />
Figurenteaterarchief (Traditional Marionettes in Belgium). Gent, 1994. French edition of the<br />
same book.<br />
Pulcinella – La Misteriosa Maschera della Cultura Europea (Pulcinella – the mysterious Mask<br />
of the European Culture). Apeiron Editori, Sant Oreste (Roma) 2002.<br />
Pulcinella – het mysterieuze spiegelbeeld van de mens (Pulcinella – the Mysterious Image<br />
of Man). Theatre Instituut Nederland and Apeiron Editori, Amsterdam, 2003. Dutch edition<br />
of the same book.<br />
<strong>Research</strong>:<br />
Traditional puppet theatre.<br />
127
120. PhDr. PANOVOVÁ, Oľga CSc. (Ms.)*<br />
Address:<br />
Sibírska 6<br />
83102 Bratislava<br />
Slovakia<br />
E-mail: ano5@inMail.cz<br />
List of publications:<br />
Milan Sládek: Pantomime Art at Home and Abroad. A monograph about the well-known<br />
Slovak mime, puppeteer, director, author and designer in Cologne/Rhine the director of the<br />
the Theatre Kefka and the Theatre Arena in Bratislava. Bratislava: Tália-press, 1996, 313 pp.<br />
(Slovak).<br />
The Professional Puppet Theatre after 1970. In Mistrík, Miloš et al.: Slovenské divadlo v 20.<br />
storočí. (The Slovak Theatre in 20th Century) Bratislava: Veda, 1999, pp. 427-459 (Slovak).<br />
A Birth and Development of Pantomime. In Mistrík, Miloš et al.: Slovenské divadlo v 20. st.<br />
Bratislava: Veda, 1999, pp. 459-479 (Slovak).<br />
Ctibor Turba in Slovakia. The Transformation of the Circus Clownery in the Film and Theatre.<br />
Divadelní revue, 8, 1997, No. 4, pp. 47-54, Photos pp. 55 – 61 (Slovak, English summary).<br />
Two Decades of the Slovak Professional Puppet Theatre in the Mirror of Bábkarska Bystrica<br />
Puppet Festival (1977-1996). Loutkář, 1998, No. 3-4, pp. 63-68 (Slovak, English summary).<br />
The Folk Mask in the Slovak Professional Puppet Theatre. In Slovenské divadlo, 48, 2000,<br />
No. 1, pp. 69-79 (Slovak, English summary).<br />
Shrovetide Rites as a Drama Phenomenon. Door-to-Door Procession, the Burying<br />
of a Double-Bass. In Slovenské divadlo, 48, 2000, No. 4, pp. 235-259 (Slovak, English<br />
summary).<br />
E. G. Craig and the Interwar Theatre Avant-garde. Mask the most expressive device Art of<br />
the First Theatre reform (Slovak, English summary). In Slovenské divadlo, 49, 2001, No. 4,<br />
pp. 201-218.<br />
Rhythm, the Most Significant Element of Movement in the Theatre of Movement in the<br />
Theatre of the Former Half of the 20th Century. In Slovenské divadlo, 50, 2002, No. 2,<br />
pp. 100-114 (Slovak, English summary).<br />
Avant-garde Visual Theatre. In Slovenské divadlo, 51, 2003, pp. 175-189.<br />
Heritage of Inter-War Avant-Garde in Slovak Theatre II., The Author´s Puppet Theatre.<br />
In Slovenské divadlo, 54, 2006, No. 4, pp. 599-609 (Slovak, English summary).<br />
The Slovak Professional Puppet Theatre as Seen by Its Co-creator. A review to the book<br />
written by V. Predmerský: The Slovak Puppet Theatre 1945–1971. In Slovenské divadlo<br />
1999, 47, No.1, pp. 84-87, (Slovak).<br />
Encyclopedia Beliana – entries about clowns and mimes. Bratislava: Slovak Academy of<br />
Sciences (SAV), from the year 2000.<br />
128
121. PERRICONE, Rosario (Mr.)<br />
Address:<br />
Piazzetta Antonio Pasqualino, 5<br />
90136 Palermo<br />
Italy<br />
Institution:<br />
Associazione per la conservazione delle tradizioni popoplari – Museo internazionale<br />
delle marionette Antonio Pasqualino<br />
Telephone: 0039.91.328060<br />
E-mail: rosario.perricone@gmail.com<br />
List of publications:<br />
Editorship of the volume L’epos appeso a un filo (The Epos Hanging on a String). Le forme<br />
teatrali tradizionali riconsciute dall’UNESCO “Capolavoro del patrimonio orale e immateriale<br />
dell’umanità”. Traditional theatrical forms declared by Unesco “Masterpieces of oral and<br />
intangible heritage of humanity. Exhibition catalogue, Associazione per la conservazione<br />
delle tradizioni popolari, Palermo, 2004, pp. 17-21.<br />
Il mito nella tradizione (Myth and Tradition). In Rosario Perricone (edited by) L’epos appeso<br />
a un filo. Le forme teatrali tradizionali riconsciute dall’UNESCO “Capolavoro del patrimonio<br />
orale e immateriale dell’umanità”. Exhibition catalogue, Associazione per la conservazione<br />
delle tradizioni popolari, Palermo, 2004, pp. 17-21.<br />
Introduction and editorship of the volume Mori e cristiani nelle feste e negli spettacoli popolari<br />
(Moors and Christians in Folk Feasts and Performances). Associazione per la conservazione<br />
delle tradizioni popolari, Palermo, 2005.<br />
XXXI. Festival di Morgana. Rassegna di opera dei pupi e pratiche teatrali tradizionali.<br />
The Puppets of Asia (XXXI Festival of Morgana, Festival of Opera dei pupi and Traditional<br />
Theatrical Practices). Associazione per la conservazione delle tradizioni popolari, Palermo,<br />
2006.<br />
XXXVI. Festival di Morgana. I Fili dell’Opera (XXXVI Festival of Morgana. Strings of Opera).<br />
Associazione per la conservazione delle tradizioni popolari, Palerm,o 2011.<br />
Editorship of the volume Kerala un pacte avec les dieux (Kerala, a Pact with Gods).<br />
Exhibition catalogue, Associazione per la conservazione delle tradizioni popolari, Palermo,<br />
2006.<br />
Forma e linguaggio del teatro dei pupi (Form and Language of the Sicilian Puppet Theatre).<br />
In Allegri L., Bambozzi M., «Teoria e storia del teatro di figura. Burattini Marionette Pupi<br />
Ombre Oggetti», Carocci Editore, Roma, 2012.<br />
Reviews to:<br />
Festival di Morgana. Rassegna di opera dei pupi e di pratiche teatrali tradizionali (Festival<br />
di Morgana. Festival of Opera dei pupi and Traditional Theatrical Practices). XXXI ed,<br />
In Archivio Antropologico Mediterraneo, VIII/IX (2005-2006), pp. 170-171.<br />
The puppet of Asia, Associazione per la conservazione delle tradizioni popolari, Palermo.<br />
Dall’Innamorato al Furioso. Figure dell’ambiguità tra oralità e scrittura (From the Innamorato<br />
to the Furioso). Associazione per la conservazione delle tradizioni popolari, Palermo.<br />
129
Member of the editorial staff of the following scientific reviews:<br />
Archivio delle tradizioni popolari siciliane (Archive of Sicilian Folk Traditions), (ed. Folkstudio,<br />
Palermo)<br />
Archivio Antropologico Mediterraneo, (Mediterranean Anthropological Archive), (ed. Sellerio,<br />
Palermo)<br />
122. PFEIFFER, Jennifer K. (Ms.)<br />
Address:<br />
4 Illawarra Road<br />
Flemington, VIC 3031<br />
Australia<br />
Telephone: 61 (0) 423 243 516<br />
E-mail: jenpfei@optusnet.com.au<br />
List of publications:<br />
Beginnings… Philosophy and Practice, a Tandem Road. Special Issue 35 Australian<br />
Puppeteer, March, 2008, pp. 38-39.<br />
Australasian Drama Studies v 51. (refereed). Globalisation and the UNIMA Asia-Pacific<br />
Commission 2007, pp. 104-118.<br />
Snuff Puppets – Death and Other Oddities. Article. In I Pur Si Muove journal, UNIMA,<br />
Charleville-Mezierres, France, April 2006.<br />
“Puppet Theatre: Identity of Place”. Interview by Dr Geeti Sen with Sri Dadi Pudumjee<br />
and Jennifer Pfeiffer in IIC Quarterly, Spring, Vol. 32, New Delhi, 2006.<br />
Interview of Jennifer Pfeiffer by N. Venugopalan published in Indian Folklife, Vol. 1, Issue 4,<br />
April, 2002. Produced by NFSC (National Folklore Support Centre), Chennai, India.<br />
<strong>Research</strong>:<br />
Puppet and Phenomenology; Kinesic and Somatic processes.<br />
Semiotics – dramaturgy and writing for puppet theatre; cross-cultural theatre globalisation.<br />
Postcolonialism i.e. policy and ethics of cross-cultural practice.<br />
123. Prof. PLASSARD, Didier (Mr.)<br />
Address:<br />
Professeur en Études théâtrales<br />
Département Arts du spectacle<br />
Université Paul Valéry – Montpellier 3<br />
Route de Mende<br />
34000 Montpellier<br />
France<br />
Telephone: (33) 9 5436 41 99<br />
Mobile: (33) 6 66 80 43 50<br />
E-mail: didier.plassard@wanadoo.fr<br />
130
List of publications:<br />
Walter Mehring, Einfach klassisch! Eine Orestie mit glücklichem Ausgang, herausgegeben<br />
und mit einem Nachwort von D. Plassard. Siegen, Universität-GMH Siegen, 1986<br />
(Vergessene Autoren der Moderne, XVI), 28 pp.<br />
L’Acteur en effigie (The Actor in Effigy). Figures de l’homme artificiel dans le théâtre des<br />
avant-gardes historiques (Allemagne, France, Italie). Lausanne / Charleville-Mézières, L’Age<br />
d’Homme / Institut International de la Marionnette, 1992 (Prix Georges-Jamati).<br />
Les Mains de lumière (The Hands of Light). Anthologie des écrits sur l"art de la marionnette,<br />
textes réunis et présentés par Didier Plassard. Charleville-Mézières, Institut International<br />
de la Marionnette, 1996, 369 pp.<br />
Approches de l’art monumental: Kandinsky et la synthèse des arts (Approaching<br />
Monumental Art: Kandinsky and the Synthesis of Arts). In Denis Bablet (éd.), L"Œuvre d"art<br />
totale, Paris, CNRS Editions, 1995, pp. 110-128.<br />
Le théâtre de Kandinsky face à l’interpretation (Kandinsky’s Theatre Facing the<br />
Interpretation). In Le Tournant du siècle / The Turn of the Century, actes du colloque<br />
international organisé par le Departement Romaanse Filologie de l"Université d"Anvers<br />
(mai 1992), Berlin / New-York, De Gruyter, 1995, pp. 507-521.<br />
Pierre Albert-Birot: éléments pour une poétique hyper-théâtrale (Pierre Albert-Birot: Elements<br />
for Hyper-theatrical Poetics). In Madeleine Renouard (éd.), Pierre Albert-Birot, laboratoire de<br />
modernité, actes du colloque de Cerisy (septembre 1995), Paris, Jean-Michel Place, 1997,<br />
pp. 109-116.<br />
Dioptrique des corps dans l"espace électronique: sur quelques mises en scène de Giorgio<br />
Barberio Corsetti (Analastics of Bodies in Electronic Space: On Some Productions of Giorgio<br />
Barberio Corsetti). In Béatrice Picon – Vallin (éd.), Les Écrans sur la scène, Lausanne, L’Age<br />
d’Homme, 1998, pp. 149-170.<br />
Le corps tombé de l’acteur (The Fallen Body of the Actor). In La Marionnette et les âges<br />
de la vie, Actes du VIIIe colloque de l"Association Marionnette et thérapie, Paris, Association<br />
Marionnette et thérapie, 1998, pp. 57-62.<br />
De l’effondrement des récits à l’explosion des figures: les présences paradoxales du mythe<br />
dans l’écriture théâtrale contemporaine (From Collapsing Stories to Exploding Figures,<br />
Paradoxical Presences of the Myth in Contemporary Theatre Writing). In Ariane Eissen,<br />
Jean-Pierre Engélibert (éd.), La Dimension mythique de la littérature contemporaine,<br />
Poitiers, La Licorne, 2000, pp. 41-56.<br />
Promener les objets, déplacer les signes: les images furtives d’ALIS (Walking Objects,<br />
Transfering Signs: The Furtive Images of ALIS). In Béatrice Picon-Vallin (éd.), La Scène<br />
et les images (Les Voies de la création théâtrale, Vol. 21), Paris, CNRS-Éditions, 2001,<br />
pp. 275-296.<br />
De la neige amassée dans une coupe d’argent – Quelques notes sur Novarina et le nô<br />
(Some Amassed Snow in the Silver Cup – Few Notes about Novarina and the Noh). In Alain<br />
Berset (éd.), Valère Novarina, théâtres du verbe, Paris, José Corti, 2001, pp. 171-182.<br />
Eine schöne Kunstfigur: masques et marionnettes chez Oskar Schlemmer. In Oskar<br />
Schlemmer, l’homme et la figure d"art, Pantin, éditions du Centre National de la Danse,<br />
2002.<br />
131
Du théâtre, et de l’abstraction (On Theatre and Abstraction). In Eric Bonnet, Amos<br />
Fergombé, Edmond Nogacki (éd.), Théâtre et arts plastiques, Actes du colloque de<br />
l’Université de Valenciennes et du Haut Cambrésis (1-3 mars 2000), Presses de l’Université<br />
de Valenciennes (12 pp. dact., en préparation).<br />
Articles (selection, 1998 – 2001)<br />
Réjouir l’homme est une tâche douloureuse: le TNP de Jean Vilar et la presse (1951-1963)<br />
(To Entertain a Man is a Painful Task: TNP of Jean Vilar and the Press (1951-1963)).<br />
In Revue d’Histoire du théâtre, Paris, No. 198 (1998 – 2), pp. 101-128.<br />
Effigies pour demain (Effigies for Tomorrow). Entretien recueilli par Nicolas Roméas, Rue<br />
de la folie, No 1, Paris, juin 1998, pp. 40-41.<br />
Kantor, Gabily, Novarina: fragiles territoires de l’humain (Kantor, Gabily, Novarina: Fragile<br />
Human Territories). Puck, No. 11, Charleville-Mézières, Institut International de la<br />
Marionnette, 1998, pp. 10-16. Version en ligne sur le site de François Bon (octobre 2000):<br />
http://www.remue.net.<br />
Un lieu où faire mourir les corps, Mise en crise de la forme dramatique 1880 – 1910<br />
(A Place to Let the Bodies Die, Getting the Dramatic Form into Crisis 1880 – 1910). Études<br />
théâtrales, No. 15-16, Louvain, Centres d’Études Théâtrales, juillet 1999, pp. 149-153.<br />
Valère Novarina, Didier-Georges Gabily: pour un potlatch des representations (Valère<br />
Novarina, Didier-Georges Gabily: for a Potlatch of Representations). Études théâtrales,<br />
No. 19, Louvain la neuve, Centre d"Etudes Théâtrales, décembre 2000, pp. 67-76.<br />
Théâtre et politique: l’écriture de la violence dans En attendant Godot et Fin de partie<br />
(Theatre and Politics: Writing on the Violence in Waiting for Godot and Endgame). Études<br />
théâtrales, No. 20, Louvain la neuve, Centre d’Etudes Théâtrales, mars 2001, pp. 78-85.<br />
Contributions in dictionaries and encyclopedies:<br />
Figure (Théâtre de) (Figure (Theatre of)). In Michel Corvin (éd.), Dictionnaire encyclopédique<br />
du théâtre, Larousse, 3 e édition revue et corrigée, 1998.<br />
Genty (Philippe). In Michel Corvin (éd.), Dictionnaire encyclopédique du théâtre, Larousse,<br />
3 e édition revue et corrigée, 1998.<br />
Marionnettes en Europe occidentale (Puppets in Western Europe). In Michel Corvin (éd.),<br />
Dictionnaire encyclopédique du théâtre, Larousse, 3 e édition revue et corrigée, 1998.<br />
Marionnettes en Europe orientale (Puppets in Eastern Europe). In Michel Corvin (éd.),<br />
Dictionnaire encyclopédique du théâtre, Larousse, 3 e édition revue et corrigée, 1998.<br />
Double énonciation (Double Expression). In Jean-Marie Grassin (éd.), Dictionnaire<br />
international des termes littéraires, version en ligne (http://www-ditl.unilim.fr).<br />
Film de theatre (Theatre Movie). In Jean-Marie Grassin (éd.), Dictionnaire international<br />
des termes littéraires, version en ligne (http://www-ditl.unilim.fr).<br />
Du théâtre, et de l’abstraction (On Theatre and Abstraction). In Eric Bonnet, Amos<br />
Fergombé, Edmond Nogacki (éd.), Théâtre et arts plastiques au XX e siècle, Presses<br />
Universitaires de Valenciennes (communication au colloque du même titre, Université<br />
de Valenciennes et du Haut Cambrésis, Valenciennes, 1 – 3 mars 2000) (12 pp. dact.).<br />
132
Des théâtres de papier – Quelques remarques sur l"écriture théâtrale contemporaine (The<br />
Paper Theatres – Some Remarks on “the Contemporary Theatre Writing”). In Josette Féral<br />
(éd.), La Théâtralité (14 pp. dact.).<br />
Espace, es-tu là? Espace scénique et dramaturgie chez Valère Novarina (Space, Are You<br />
There? Scenic Space and Dramturgy of Valère Novarina). Communication au colloque<br />
“Théâtre: espace sonore, espace visuel” accompagnant le Congrès de la Fédération<br />
Internationale de la Recherche Théâtrale, Université Lumière – Lyon 2, Lyon, 18-23<br />
septembre 2000 (10 pp. dact.).<br />
La scène se joue au présent d’interpellation (The Scene Is Played in the Presence of the<br />
Interpellation). Communication au colloque “La Voix de Valère Novarina”, Université<br />
de Valence / Grenoble III, 28 – 29 novembre 2001 (10 pp. dactyl.).<br />
La caverne des anthropoglyphes (The Cave of the Anthropoglyphs). Europe, n spécial<br />
“Valère Novarina” (8 pp dact.).<br />
Interventions at L’Acteur et le handicap organised by Laboratoire La présence et l"image and<br />
Atelier de Recherche Théâtrale (Université Rennes 2 – Haute Bretagne), Le Campement,<br />
Saint-Jacques de la lande, 22-23 juin 2001, online audio recording (July 2001):<br />
http://www.theatre-contemporain.net/<br />
Art et handicap – Dialogue entre Philippe Rahmy et Didier Plassard (Art and Handicap –<br />
Dialogue of Philippe Rahmy and Didier Plassard). Sur remue.net/revue, novembre –<br />
décembre 2001: http://www.remue.net/revue/<br />
Edward Gordon Craig: relectures d’un héritage (Edward Gordon Craig: Rereadings of<br />
a Heritage). L’Annuaire théâtral, No. 37, D. Plassard (dir.), Université d’Ottawa, mai 2005<br />
(Mention « Honorable » du Prix Jean Cléo-Godin 2006).<br />
Les présences du marionnettiste (Presences of the Puppeteer). Registres, No. 15, D.<br />
Plassard (dir.), Presses de la Sorbonne nouvelle, Paris, juillet 2011.<br />
Selected contributions to collective books<br />
Promener les objets, déplacer les signes: les images furtives d’ALIS (Walking Objects,<br />
Transfering Signs: The Furtive Images of ALIS). In Béatrice PICON-VALLIN (dir.), La Scène<br />
et les images (Les Voies de la création théâtrale, Vol. 21), Paris, CNRS-Éditions, 2001.<br />
“Eine schöne Kunstfigur: masques et marionnettes chez Oskar Schlemmer” (Eine schöne<br />
Kunstfigur: Masks and Puppets of Oskar Schlemmer). In Oskar Schlemmer, l’homme<br />
et la figure d’art, Paris, Centre National de la Danse, 2001.<br />
La fabbrica dell’avvenire: metamorfosi del teatro di figura nelle avvanguardie storiche.<br />
In Patrizia VEROLI, Giuseppina VOLPICELLI (dir.), La Fabbrica dei sogni – La compagnia<br />
romana dei Piccoli di Podrecca (1914-1959), Marionette e materiali scenici della Collezione<br />
Signorelli, Edizioni Bora, Bologne, 2005.<br />
Les Prologues du Drame pour fous de Craig, ou la fabrique continue du texte (Prologues of<br />
Craig’s Drama for Fools or The Continuous Fabrication of the Text). In Lucile BODSON,<br />
Margareta NICULESCU, Patrick PEZIN (dir.), Passeurs et complices / Passsing it on,<br />
Éditions de L’Entretemps, Montpellier, 2009.<br />
Selected articles<br />
L’auteur, le marionnettiste et le veau à deux têtes (The Author, the Puppeteer and the Twoheaded<br />
Calf). Alternatives théâtrales, No. 72, Bruxelles, avril 2002.<br />
133
Une affaire de présence (An Affair of the Presence). Bleecker Street (Abordages), No. 1-2<br />
(Masques & figures), Éditions Dumerchez, Liancourt / Reims, octobre 2004.<br />
L’‘art de montrer et de voiler’, ou le mythe des origines du théâtre selon E. G. Craig (‘Art of<br />
Exposing and Conceiling’, or the Myth of the Theatre Origines According to E. G. Craig).<br />
Puck, No. 14, Charleville-Mézières, Institut International de la Marionnette / Édition<br />
L’Entretemps, septembre 2006<br />
Being John Malkovitch: la marionnette, le piège et la peau (Being John Malkovich:<br />
the Puppet, the Trap and the Skin). D. Plassard et Carole Guidicelli. Puck, No. 15, Institut<br />
International de la Marionnette / Éditions de L’Entretemps, 2008.<br />
Marionnette oblige: éthique et esthétique sur la scène contemporaine (Marionette Obliges:<br />
Ethic and Aesthetics on the Contemporary Stage). Théâtre / Public, No. 193, Gennevilliers,<br />
juin 2009.<br />
Aujourd’hui et demain la marionnette (Marionette Today and Tomorrow). Entretien avec Gaël<br />
Teicher. In Le Pari de la marionnette au théâtre, Éditions de l’Œil, Paris, 2010.<br />
Marionnettes réalistes, marionnettes hyperréalistes: pour une mutation du regard (Realistic<br />
Puppets, Hyperrealistic Puppets: For the Change of the View). Puck, No. 17, Institut<br />
International de la Marionnette / Éditions de L’Entretemps, 2010.<br />
<strong>Research</strong>:<br />
Direction of international research group “Mises en scène d’Allemagne(s) depuis 1968”,<br />
CNRS, EP 1985, in partnership with Laboratoire La présence et l’image (Université Rennes-<br />
2 Haute Bretagne).<br />
Programme “L’incarnation scénique” (Laboratoire La présence et l’image, Université Rennes<br />
2 – Haute Bretagne)<br />
Articles on theatre writing and contemporary directing.<br />
124. POLETTI, Michel (Mr.)<br />
Address:<br />
CP 6321<br />
CH-6901 Lugano<br />
Switzerland<br />
Telephone: 0041 (0)91 858 26 06<br />
E-mail: teatro@palco.ch<br />
Web: www.palco.ch / www.muscateatro.net<br />
Founder and director of the Festival internazionale delle marionette di Lugano<br />
List of publications:<br />
Marionnettes à la porte du sud/Marionette al portale sud (Puppets at the South Gate). Swiss<br />
Yearbook of theatre, No. 70, Swiss Theatre Society, Zurich, 2011.<br />
Introduction aux Marionnettes (Introduction to Puppets). Editions Soleil, Montreal, 1970.<br />
Les Marionnettes (Puppets). Bordas, Paris, 1982 (co-writer).<br />
134
Encyclopédie Mondiale des Arts de la Marionnette (Worldwide Encyclopedia of<br />
<strong>Puppetry</strong> Arts). Ed. L’Entretemps, Montpellier, 2009 (co-writer).<br />
125. PORTA, Pietro (Mr.)<br />
Address:<br />
Via P. Pernigotti<br />
15057 Tortona (AL)<br />
Italy<br />
Institution:<br />
Associazione Peppino Sarina<br />
E-mail: pietro.porta@tin.it<br />
List of publications:<br />
Quaderni dell’Associazione Peppino Sarina, Monografie del Teatro di Animazione (Journals<br />
of the Peppino Sarina Association, Monographs of the Animation Theatre).<br />
Gente di Sarina. Il burattinaio Peppino Sarina e le comunità del Tortonese e dell’Oltrepò<br />
pavese nella prima metà del Novecento (People of Sarina. The Puppeteer Peppino Sarina<br />
and the Communities of Tortonese and Oltrepò Pavese in the First Half of the 20th Century).<br />
Pietro Porta, introduction by Alessandro Napoli, Vigevano, Diakronia, 1997, cm. 22x29, ill.<br />
216 b/n e 25 col., pp. 328+VIII.<br />
Autobiografia di un burattinaio (Autobiography of a Puppeteer). Gualberto Niemen, by Pietro<br />
Porta, Tortona, Quaderni dell’Associazione Peppino Sarina. Monografie del Teatro di<br />
Animazione, 2000, cm. 20x24, ill. 62 b/n, pp. 120+XXIV, s.i.p.<br />
Una vita appesa ai fili (Life Hanging by Threads). Franco Gambarutti, by Pietro Porta,<br />
Bergamo, Junior, Quaderni dell’Associazione Peppino Sarina. Series “Monografie del teatro<br />
di figura”, No. 2, 2005, cm. 20x24, ill. 48 b/n, 168 pp.<br />
Quaderni dell’Associazione Peppino Sarina, I testi del teatro di animazione (Theatrical<br />
Scripts of the Animation Theatre) (book series editor).<br />
La iena di San Giorgio (The Hyena of Saint George). Gualberto Niemen, introduction by<br />
Guido Ceronetti and Cesare Bermani, Porretta Terme (Bo), I Quaderni del Battello Ebbro.<br />
Series “I copioni del Premio Sarina”, No. 1, 1998, cm. 10.5x16.5, ill. 6 b/n, 48 pp.<br />
La battaglia di Palestro. La battaglia di Solferino e San Martino (The Battle of Palestro,<br />
The Battle of Solferino and San Martino). Famiglia Rame, by Pietro Porta and Alfonso<br />
Cipolla, introductory essays by Roberto Leydi and Giovanni Moretti, with an unpublished<br />
drawing by Dario Fo, Porretta Terme (Bo), I Quaderni del Battello Ebbro. Series “I copioni del<br />
Premio Sarina”, No. 2, 1999, cm. 10.5x16.5, ill. 7 b/n, 128 pp.<br />
Napoleone Bonaparte alla battaglia di Marengo (Napoleon Bonaparte in the Battle of<br />
Marengo). Giuseppe Sarina, introductory essays by Pietro Porta, Franco Castelli and Remo<br />
Melloni, with a tempera painting by Piero Leddi, Porretta Terme (Bo), I Quaderni del Battello<br />
Ebbro. Series “I copioni del Premio Sarina”, No. 3, 2000, cm. 10.5x16.5, ill. 1 coll. e 7 b/n,<br />
144 pp.<br />
135
Aida. Famiglia Lupi, introductory essays by Alberto Jona and Alfonso Cipolla, Bergamo,<br />
Junior, Quaderni dell’Associazione Peppino Sarina. Eeries “I copioni del Premio Sarina”,<br />
No. 4, 2002, cm. 10.5x16.5, ill. 7 b/n, 152 pp.<br />
Macbeth all’improvviso (Macbeth Suddenly). Gigio Brunello, Gyula Molnár, edited and<br />
introductory essay by Pier Giorgio Nosari, Bergamo, Junior, Quaderni dell’Associazione<br />
Peppino Sarina. Series “I testi del teatro di animazione / L’innovazione”, No. 5, 2003, cm.<br />
10.5x16.5, ill. 8 disegni + 15 foto b/n, 112 pp.<br />
Giuseppe Musso, ovvero Il Gran Diavolo sulle montagne di Genova (Giuseppe Musso or the<br />
Great Devil in the Mountains of Genoa). Famiglia Gambarutti, introductory essays by Pietro<br />
Porta and Ezio Bilello, Bergamo, Junior, Quaderni dell’Associazione Peppino Sarina. Series<br />
“I testi del teatro di animazione / La tradizione”, No. 6, 2003, cm. 10.5x16.5, ill. 9 foto b/n,<br />
128 pp.<br />
Il viaggio di Astolfo (Astolfo’s Voyage). (Staging by Velia and Tinin Mantegazza for the<br />
“Teatro del Buratto” Theatre.) Raffaele Crovi, cura and introductory essay by Pier Giorgio<br />
Nosari, Bergamo, Junior, Quaderni dell’Associazione Peppino Sarina. Series “I testi del<br />
teatro di animazione / L’innovazione”, No. 7, 2004, cm. 10.5x16.5, ill. 9 foto b/n, 192 pp.<br />
Vita, miracoli, morte e gloria di S. Contardo protettore di Broni (Life, Miracles, Death and<br />
Glory of S. Contardo, Protector of Broni). Giuseppe Sarina, preface by Gianna Vancini,<br />
introduction by Pietro Porta, Bergamo, Junior, Quaderni dell’Associazione Peppino Sarina.<br />
Series “I testi del teatro di figura / La tradizione”, No. 8, 2007, cm. 10.5x16.5, ill. 8 photos b/n,<br />
64 pp.<br />
Quaderni dell’Associazione Peppino Sarina, Le tesi del Premio Dottor Burattino (The Scripts<br />
of Premium Doctor Puppet) (book series editor).<br />
Burattini e marionette tra Cinque e Seicento in Italia (Puppets and Marionettes in Italy<br />
between the 16th and the 17th Century). Massimo Calì, Bergamo, Junior, Quaderni<br />
dell’Associazione Peppino Sarina. Series “Le tesi del Premio Dottor Burattino”, No. 1, 2002,<br />
cm. 12x19,5, ill. 10 b/n, 192 pp.<br />
Il Teatro dei Sensibili di Guido Ceronetti (Theatre of the Sensitive by Guido Ceronetti).<br />
Andrea De Alberti, Bergamo, Junior, Quadernidell’Associazione Peppino Sarina. Series<br />
“Le tesi del Premio Dottor Burattino”, No. 2, 2003, cm. 12x19,5, ill. 7 b/n, 168 pp.<br />
Marionette barocche. Il mirabile artificio (Baroque Marionettes. The Admirable Artifice). Paola<br />
Campanini, Bergamo, Junior, Quaderni dell’Associazione Peppino Sarina. Series “Le tesi del<br />
Premio Dottor Burattino”, No. 3, 2004, cm. 12x19,5, ill. 16 b/n, 248 pp.<br />
I “Promessi Sposi” della Compagnia Carlo Colla e Figli. Il melodramma nella tradizione<br />
marionettistica (“The Betrothed” by the Carlo Colla and Sons Company. Melodrama in the<br />
Marionette Tradition). Anna Dotti, Bergamo, Junior, Quaderni dell’Associazione Peppino<br />
Sarina. Series “Le tesi del Premio Dottor Burattino”, No. 4, 2004, cm. 12x19,5, ill. 19 b/n,<br />
232 pp.<br />
Cassandrino al Teatro Fiano. Il teatro delle marionette a Roma nella prima metà<br />
dell’Ottocento (Cassandrino in the “Teatro Fiano”. The Marionette Theatre in Rome in the<br />
First Half of the 19th Century). Davide Marzattinocci, Bergamo, Junior, Quaderni<br />
dell’Associazione Peppino Sarina. Series “Le tesi del Premio Dottor Burattino”, No. 5, 2006,<br />
cm. 12x19,5, ill. 14 b/n, 256 pp.<br />
136
Tra utopia e rifondazione del teatro (Between Utopia and Refoundation of the Theatre).<br />
Laura Rocco, Peter Schumann. Bergamo, Junior, Quaderni dell’Associazione Peppino<br />
Sarina. Series “Le tesi del Premio Dottor Burattino”, No. 6, 2007, cm. 12x19,5, ill. 20 b/n, 256<br />
pp.<br />
Teatrar narrando: l’Opera dei pupi catanese. Le “serate” di Raffaele Trombetta (1882-1928)<br />
(Teatrar Narrando: The String Puppet Opera of Catania. The “Evenings” of Raffaele<br />
Trombetta (1882-1928)). Donata Amico, Bergamo, Junior, Quaderni dell’Associazione<br />
Peppino Sarina. Series “Le tesi del Premio Dottor Burattino”, No 7, 2008, cm. 12x19,5, ill. 21<br />
b/n, 192 pp.<br />
Theatrum mortis. La marionetta nel teatro di regia (Theatrum Mortis. The Marionette in the<br />
Theatre Direction). Andrea Ferrari, Bergamo, Junior, Quaderni dell’Associazione Peppino<br />
Sarina. Series “Le tesi del Premio Dottor Burattino”, No. 8, 2009, cm. 12x19,5, 400 pp.<br />
Conference proceedings and others<br />
L’epica cavalleresca nel teatro di animazione (The Chivalric Epic in the Animation Theatre)<br />
(conference proceedings, Tortona, November 1998). Interventions by Castelli, Remo Melloni<br />
and Pietro Porta, by Associazione Peppino Sarina, Tortona, 1999, brochure.<br />
Sarina, immagini dal privato. Fotografie e materiali testimoni di un’epoca (Sarina, Private<br />
Pictures. Photos and Materials as a Testimony of an Era). Introduction by Pietro Porta and<br />
Adolfo Mignemi, Fondazione Cassa di Risparmio di Tortona, “Album della Stanza”, No. 5,<br />
Tortona, 2009, cm. 24x24, ill. 255 col. e b/n, 236 pp, s.i.p.<br />
126. PREDMERSKÝ, Vladimír (Mr.)<br />
Address:<br />
Vajanského nábr. 21<br />
81102 Bratislava<br />
Slovakia<br />
E-mail: vladimir.predmersky@gmail.com<br />
List of publications:<br />
Spomienky, úvahy a konfrontácie (Memories, Essays, Confrontations). In KBD v Banskej<br />
Bystrici 1960-1985, Banská Bystrica, 1985.<br />
Bábkarská Bystrica (Theatre Festival „Bábkarská Bystrica“). Altogether with Ivica Ozábalová.<br />
Bratislava: NDC, 1996, 126 pp.<br />
Slovenská ľudová rozprávka na bábkových javiskách (Slovak Folk Fairy Tale on Stages of<br />
Puppet Theatres). In Rozprávka na javisku, 1996.<br />
Slovenské bábkové divadlo 1945-1971 (Slovak Puppet Theatre 1945-1971). Bratislava:<br />
NDC, 1998.<br />
Bábkové divadlá v rokoch 1890-1970 (Puppet Theatres in 1890-1970). In M. Mistrík a kol.:<br />
Slovenské divadlo v 20. storočí. Bratislava: SAV, 1999.<br />
Šamani, mágovia a komedianti (Shamans, Magicians and Comedians). Bratislava:<br />
Divadelný ústav, 2002 (Slovak, English versions).<br />
Ohrozená existencia? (Endangered Existence?) 45 years of Bratislava Puppet Theatre.<br />
137
In Slovenské divadlo, Bratislava, 2003, No. 1-2.<br />
Na cestách za poznaním (On the Routes to Knowledge). In 55 rokov Bábkového divadla<br />
Žilina, 2005.<br />
Vrcholy a pády, víťazstvá, prehry a nádeje Bratislavského bábkového divadla (Tops and<br />
Falls, Goals, Losses and Expectations of Bratislava Puppet Theatre). In Cesta okolo sveta<br />
za 50 rokov, Bratislava, 2007.<br />
Od Gulivera po Filipka (From Gulliver to Little Philip). With Ivan Sogel. Anniversary<br />
publication. Košice: Bábkové divadlo, 2009. 174 pp.<br />
Mladé Staré divadlo (Young Old Theatre). With Ivan Gontko. Nitra: Paleta, Vydavateľstvo<br />
Agentúra PALETA Nitra, 2007, pp. 3-16.<br />
Ťaháme spolu 60 rokov (Together for 60 Years). Catalogue of Puppet Theatre in Žilina. Nitra:<br />
Puppet Theatre, 2011, pp. 1-4.<br />
127. RAMANI, R. V. (Mr.)*<br />
Address:<br />
10/16, 5 th Street,<br />
Bhaktavatsalam Nagar,<br />
Adayar, Chennai 600 020<br />
Tamil Nadu<br />
India<br />
Telephone: 91 44 24420359, 91 9840157606 (mobile)<br />
List of publications:<br />
Nee Energy (Where Are You?). Film/Mini DV. Directed, produced, and photographed by<br />
R.V. Ramani. Edited by R. V. Ramani and Vijai Sankar. 2003. 150 minutes, MiniDV. Tamil,<br />
Marathi, Hindi, Kannada, Malayalam, Telugu. Subtitled in English. This film is a homage to<br />
the shadow puppeteers of South India. Sale: magiclf@vsnl.com.<br />
128. Prof. RAMASWAMY, Mu (Mr.)*<br />
Address:<br />
20, Irulandi Colony,<br />
Virattipathu<br />
Madurai<br />
Tamil Nadu<br />
India<br />
Institution:<br />
Tamil University<br />
Department Of Drama<br />
Thanjavur 613005<br />
India<br />
Telephone: (91) 9443044124<br />
E-mail: drama_swamy@yahoo.co.in<br />
138
List of publications:<br />
Published more than 15 books on theatre, folklore and puppetry.<br />
The Leather Shadow Puppet Show in Tamil Nadu. Book. Madurai Kamaraj University<br />
Publications Division, Madurai 1984, 200 pp. (in Tamil).<br />
This book was awarded as The Best Book in Fine Arts in 1980 – 1984 by Sir Raja Annamalai<br />
Chettiyar Trust. Chennai.<br />
Ramayanam in Leather Shadow <strong>Puppetry</strong>. Book. International institute of Tamil studies,<br />
Chennai, 2000, 360 pp. (in Tamil).<br />
When Draupathai Was Derobbed at Thirunelveli. Book. Rudra Publications, Thanjavur –<br />
2001; 180 pp. (in Tamil).<br />
One article exclusively on puppetry is included in this book. This book was awarded as Best<br />
Book on Folklore in the year 2001 by Aruvi Aaivu, Chennai.<br />
Oh Courageous Mind! Book. Rudra Publications, Thanjavur, 2002, 120 pp. (in Tamil).<br />
One article exclusively on Shadow <strong>Puppetry</strong> is included in this book.<br />
129. REBEHN, Lars (Mr.)<br />
Address:<br />
Bürgerstrasse 51<br />
D-01127 Dresden<br />
Germany<br />
Institution:<br />
Staatliche Kunstsammlungen Dresden<br />
Puppentheatersammlung<br />
Garnisonkirche – Eingang D<br />
Stauffenbergallee 9<br />
D-01099 Dresden<br />
Germany<br />
Telephone: ++49/351/838 75 71<br />
Fax: ++49/351/838 75 71<br />
E-mail: lars.rebehn@skd-dresden.de<br />
Web: www.skd-dresden.de<br />
List of publications:<br />
Kasper, Kermit, Kalle Wirsch. Zur Entwicklung des Puppenspiels im Fernsehen (Aspects<br />
of the Development of <strong>Puppetry</strong> in Television). In Hans Dieter Erlinger (ed.): Handbuch des<br />
Kinderfernsehens. Konstanz: Ölschläger, Universitäts-Verlag Konstanz, 1995, pp. 297-314<br />
(Reihe Praktischer Journalismus; 27) (together with Christoph Schmitt) (German).<br />
Die Entwicklung des traditionellen Marionettenspiels in Europa vom 17. Jahrhundert bis zur<br />
Gegenwart (The Development of Traditional Marionette Theatre in Europe from 17th Century<br />
up to Now). In Michael Freismuth, Gerlinde Persché‚ (ed.): Kasperl, Teufel, Krokodil. Wien:<br />
Kultur- und Museumsverein „Freunde des Puppenspiels“, 1995, pp. 21-27, second, revised<br />
edition: n. d. (1998), pp. 6-24 (German).<br />
139
Und zum Beschluß ein Metamorphosen-Ballett (And at the End a Ballet of Metamorphosis).<br />
In Diagonal. Zeitschrift der Universität-Gesamthochschule Siegen, 1995, No. 2. Siegen:<br />
Universität-Gesamthochschule Siegen, 1995, pp. 241-253. Also in: Das andere Theater,<br />
7 (1997), 28. Berlin: UNIMA-Zentrum Bundesrepublik Deutschland, 1997, pp. 28-33<br />
(German).<br />
Plakate für das Puppentheater. Zur Geschichte eines Werbemediums (Playbills and Posters<br />
for <strong>Puppetry</strong>). In Puppenspiel-Information. Fachzeitschrift für Figurentheater, No. 74, 1996/1.<br />
Berlin: Verband Deutsche Puppentheater, 1996, pp. 42-46 (German).<br />
Das Stadttheater des kleinen Mannes. Hamburger Marionettenspieler im 19. Jahrhundert<br />
(The “Municipal Theatre” of Poor People. Hamburg Marionette Players in the 19th Century).<br />
In Mimos, 48 (1996), No. 1-2. Basel: Schweizerische Gesellschaft für Theaterkultur, 1996,<br />
pp. 25-27 (German).<br />
Die Puppenspielerfamilie Lorgie (The Lorgies, a Family of Puppeteers). Gerolzhofen: Sibylle<br />
Spiegel, 1997, ²2003, 99 pp. (Studien und Quellen zur Geschichte der Vergnügungskultur;<br />
3) (German).<br />
Das traditionelle Wandermarionettentheater (Traditional Travelling Marionette Theatres in<br />
Schleswig-Holstein). In Heinrich Mehl (ed.): Volkskunst in Schleswig-Holstein. Alte und neue<br />
Formen. Heide: Westholsteinische Verlagsanstalt Boyens & Co, 1998, pp. 173-184<br />
(Schleswig-Holsteinisches Landesmuseum, Volkskundliche Sammlungen; 3) (German).<br />
Das große Welttheater. Die Familie Kressig und ihr Theatrum mundi (The Grand Welttheater.<br />
Family Kressig and Her Theatrum Mundi). In Dresdner Kunstblätter, No. 1/2000, pp. 29-33<br />
(German).<br />
Die Puppentheatersammlung des Museums für Sächsische Volkskunst (The Puppet Theatre<br />
Collection of the Saxon Folk Art Museum). Dresden: Staatliche Kunstsammlungen Dresden,<br />
2000, 48 pp. (together with Johannes Just) (German).<br />
Een passend onderkomen. Ambulante poppentheaters in Midden-Europa (A Good<br />
Accommodation. Travelling Puppet Theatres in Middle Europe). In Popellum, No. 3, 1/2002<br />
(2), pp. 8-11 (Dutch).<br />
Otto Griebel und das Puppentheater (Otto Griebel and the Puppet Theatre). In Dresdner<br />
Kunstblätter, No. 1/2003, pp. 26-33 (German).<br />
Das Wohnen und Reisen der Puppenspieler (Housing and Travelling of Puppeteers).<br />
In UNIMA Österreich (ed.): Der Alltag der Puppenspieler. Gesammelte Beiträge des<br />
Symposiums 1999 in Mistelbach im Weinviertel. Mistelbach: UNIMA Österreich, 2003,<br />
pp. 5-26 (German).<br />
Loutkové divadlo v muzeu (Puppet Theatre in Museums). In Loutkár. Časopis o loutkárstvi<br />
nejen pro loutkáre, No. 5/2002, pp. 200-201 (Czech).<br />
Lebenselixier. Theater, Budenzauber, Freilichtspektakel im Alten Reich. Band 1:<br />
Das Rechnungswesen über öffentliche Vergnügungen in Hamburg und Leipzig (mit einem<br />
Anhang zu Braunschweig) (Elixir of Life. Theatre, Shows, Open-air Spectaculum before<br />
1806. The Leisure Industry in Municipal Accounting Books of Hamburg and Leipzig).<br />
Reichenbach/Vogtland: Neuberin – Museum, 2004, 408 pp. (Schriften des Neuberin –<br />
Museums; 13) (together with Bärbel Rudin and Horst Flechsig) (German).<br />
140
Vom Hohnsteiner Kasper zu den Muppets (From the Hohnstein Kasper to the Muppets.<br />
Puppet theatre in television). In Das andere Theater 15 (2005), 61, pp. 4-11 (together with<br />
Christoph Schmitt) (German).<br />
Mit großer Freude greif ich zur Feder. Autobiographische und biographische Zeugnisse<br />
sächsischer Marionettenspieler. Zusammengestellt nach Unterlagen der<br />
Puppentheatersammlung der Staatlichen Kunstsammlungen Dresden (Autobiographical and<br />
biographical documents of Saxon marionette players). Dresden: Thelem, 2006, 254 pp.<br />
(Bausteine aus dem ISGV; 5) (together with Johannes Moser and Sybille Scholz) (German).<br />
Marionettentheater in Sachsen (Marionette Theatre in Saxony). In Kurt Dombrowsky,<br />
Von einem der auszog, Marionettentheater zu spielen oder Der schöne, aber mühevolle<br />
Versuche eine alte Tradition am Leben zu erhalten. Hrsg. von Andreas Martin und Lars<br />
Rebehn, Dresden, 2007 (Bausteine aus dem Institut für Sächsische Geschichte und<br />
Volkskunde 9), pp. 189-201.<br />
Von der Sowjetunion lernen (…) Das Puppenspiel in den ersten Jahren der DDR (“Lessons<br />
from the USSR...” <strong>Puppetry</strong> in the early years of the GDR). In Dresdner Kunstblätter 3/2008,<br />
pp. 193-207.<br />
Volkstheater an Fäden. Vom Massenmedium zum musealen Objekt – sächsisches<br />
Marionettentheater im 20. Jahrhundert (Folk Theatre Hanging on a Thread. From Mass<br />
Medium to Museum Artefact: Saxon Marionette Theatre in the 20th Century).<br />
Herausgegeben von der Sächsischen Landesstelle für Museumswesen und den Staatlichen<br />
Kunstsammlungen Dresden, Puppentheatersammlung. Halle/Saale, 2007 (i. e. 2008),<br />
302 pp. (Reihe Weiß-Grün, Sächsische Geschichte und Volkskultur; 36) (gemeinsam mit<br />
Olaf Bernstengel)<br />
Articles for the WEPA:<br />
Lexikonartikel Arndt, Friedrich; Bille (famille); Dresde Puppentheatersammlung; Dresde<br />
(Théâtre de marionnettes de;, Geisselbrecht (Johann Georg); Ritscher (famille); Schröder<br />
(Carl); Schütz & Dreher.<br />
(Encyclopedia entries) In Union internationale de la marionnette (ed.): Encyclopédie<br />
mondiale des Arts de la Marionnette. Rédacteurs en chef: Henryk Jurkowski, puis Thieri<br />
Foulc. Montpellier: L‘Entretemps editions, 2009 (in französischer Sprache, in deutscher<br />
Sprache im Internet: www.fidena.de).<br />
Katalogtexte<br />
Transparent-Bild: Der Vesuv; Theatrum-mundi-Figuren aus dem Theater Messerer;<br />
Heimtheater der Familie Oehme (Catalogue texts and notes – appeared in Chinese, German<br />
and English): In National Museum of China: Die Kunst der Aufklärung. Bejing: National<br />
Museum of China, 2011, pp. 148-149, pp. 210-211, pp. 312-313 (in deutscher Sprache,<br />
der Ausstellungskatalog erschien auch in chinesischer und englischer Sprache).<br />
130. Dr. REEVE, Martin (Mr.)<br />
Address:<br />
Avalon, Liverton,<br />
Devon, England<br />
TQ12 6HN<br />
Tel: 07947834356<br />
E-mail: martinjreeve@googlemail.com.<br />
141
List of publications:<br />
Hand in Glove. Reflections on Two Unlikely Bedfellows, Nenagh Watson and Mr Punch.<br />
In Animated Advances; Animations in Print, 2008, Vol. 2, pp. 17-19.<br />
Mr Punch and the Swazzle. In <strong>Puppetry</strong> International; Issue 23, Spring-Summer 2008,<br />
pp. 6-9.<br />
Punch and Judy at the Beach and in the Mall. With Dr Alan Reeve. In Visual Culture<br />
in Britain, March 2011, Vol. 12, Issue 1, pp. 17-31.<br />
Doing it in the Street. Radio documentary. (Prod. Sara Davies). BBC Radio, 4. May 2011.<br />
Mr Punch Says That’s the Way to Do It. Radio documentary. (Prod. Sara Davies). BBC<br />
Radio, 4. May 2008.<br />
<strong>Research</strong>:<br />
<strong>Research</strong> interests include popular and traditional puppetry; public space theatre;<br />
performance ethnography.<br />
131. JProf. Dr. REGELSBERGER, Andreas (Mr.)<br />
Address:<br />
Universität Trier<br />
54286 Trier<br />
Germany<br />
Telephone: 0049651201-2252<br />
E-mail: regelsb@uni-trier.de<br />
List of publications:<br />
Zum Einfluss europäischer Mechanik auf edozeitliche Automaten-und Theaterpuppen (On<br />
the Influence of European Mechanics on Edo Period Automatons and Theatre Puppets). In<br />
Hōrin. Vergleichende Studien zur japanischen Kultur, 2010, Bd. 16, pp. 59-68.<br />
Überlieferungstexte im Nō-Theater als Medium des kollektiven Gedächtnisses (Traditional<br />
Texts in Nō Theatre as a Medium for Collective Consciousness). In R. Wittkamp (Hg.):<br />
Erinnerungsgeflechte. Text, Bild, Stimme, Körper – Medien des kulturellen Gedächtnisses<br />
im vormodernen Japan. München: Iudicium, 2009, pp. 76-85.<br />
Schauspielerkörper, Puppenkörper und die Stimme des Rezitators. Zur Imagination<br />
in Kabuki und Jôruri (Actors’ Bodies, Puppet Bodies and the Voice of the Reciter: on<br />
Imagination in Kabuki and Jôruri Forms of Japanese Theatre). In NOAG 183-184 (2008),<br />
pp. 105-116, 2009.<br />
Ningyō jōruri ni okeru fikushon-sei to riarizumu – ningyō wo ronjiru Kleist to Chikamatsu<br />
(“Ningyō jōruri ni okeru fikushon – sei to riarizumu ningyō wo ronjiru”: Kleist to Chikamatsu).<br />
In Shibahara Kōji, Stephen Dodd, Yamazaki Hiroyuki, Takanashi Tomohiro (Hg.): Toshi to<br />
kokyō no fikushon: Chi no tairyū II. Ōsaka: Seibundō, 2007, pp. 107-114.<br />
Astrid Brochlos: Kanbun: Grundlagen der klassischen sino-japanischen Schriftsprache<br />
(Astrid Brochlos: Kanbun: Fundamentals of Classical Sino-japanese Written Language).<br />
Schriftsprache In Oriens Extremus, Bd. 45 (2005-2006), pp. 296-299 (Rezensionsartikel),<br />
2007.<br />
142
Das Jōruri im Spiegel ästhetischer Traktate der Edo-Zeit (Jōruri in the Mirror of Aesthetic<br />
Treatises of the Edi-period). In Hōrin. Vergleichende Studien zur japanischen Kultur, 2007,<br />
Bd. 14, pp. 11-21.<br />
Lemons Verfall in den Wahnsinn: Zum Phänomen der Verrücktheit in Tsuruya Nambokus<br />
Kabuki-Stück „Tōkaidō Yotsuya Kaidan” (Lemons Descent into Madness: on the<br />
Phenomenon of Insanity in Tsuruya Namboku’s Kabuki-play “Tōkaidō Yotsuya Kaidan”).<br />
In Hōrin. Vergleichende Studien zur japanischen Kultur, 2007, Bd. 14, pp. 51-60.<br />
Jōruri ni okeru geidō-ron – geijutsu ni taishite no shian. In Studies in Urban Cultures. 2005,<br />
Vol. 6, pp. 72-75.<br />
Theater an der hauchdünnen Grenze zwischen Wahrheit und Schein. Betrachtungen zur<br />
Ästhetik des Jōruri aus dem Naniwa miyage (1738) (Theatre on the Paper-thin Border<br />
between Truth and Appearance. Observations on the Aesthetic of Jōruri fromthe Naniwa<br />
Miyage). In J. Árokay und K. Vollmer (Hg.): Sünden des Worts. Festschrift für Roland<br />
Schneider zum 65. Geburtstag. Hamburg: Gesellschaft für Natur- und Völkerkunde<br />
Ostasiens, 2004 (MOAG Bd. 141), pp. 79-108, 2004.<br />
Jōruri to Ōsaka. In Ōsaka shiritsu daigaku Hamburg daigaku toshi mondai kenkyū (vormals:<br />
Purojekuto kenkyū) 2005-nen 2-gatsu Ōsaka shiritsu daigaku daigaku- in bungaku kenkyū-ka<br />
purojekuto kenkyū-kai ’Ōsaka-shi to Hamburg-shi wo meguru toshi, shimin, bunka, daigaku’<br />
Dai-ni-kai nichidoku kyōdō shimpojiumu hōkokusho. Ōsaka: Ōsaka shiritsu dai-gaku<br />
daigaku-in bungaku kenkyū-ka purojekuto kenkyū-kai, 2004, pp. 21-24.<br />
‚Shinjūten no Amijima’-kō: ‚Shinjūten no Amijima’ ni mieru Chikamatsu Monzaemon no<br />
tokuchō. In Ibunka to no deai: Nihongo, nihon bunka kenkyū ryūgakusei shūryō hōkokusho,<br />
Vol. 10, Tsukuba: Tsukuba daigaku nihongo, nihon bunka gakurui, 2000, pp. 86- 92.<br />
<strong>Research</strong>:<br />
Fragmente einer Poetologie von Puppe und Stimme: Ästhetisches Schrifttum aus<br />
demUmfeld des Puppentheaters im edozeitlichen Japan (Fragments of a poetology of puppet<br />
an voice: aesthetic writings from the domain of puppet theatre in Edo period Japan –<br />
dissertation title). Dissertation.<br />
132. RIBEIRO, Rute (Ms.)<br />
Address:<br />
Rua do Sol à Graça, 18 r/ch<br />
1170-365 Lisboa<br />
Portugal<br />
E-mail: ruteribeiro@tarumba.org<br />
Web: www.tarumba.org<br />
List of publications:<br />
Henrique Delgado: contributos para a história da marioneta em Portugal (Henrique Delgado:<br />
Contributions to the History of <strong>Puppetry</strong> in Portugal). Lisboa: Museu da Marioneta/EGEAC,<br />
2011.<br />
VIEIRA, Luís & RIBEIRO, Rute – As marionetas fazem parte da nossa vida, da nossa<br />
cidade… (Puppets Are Part of Our Lives, of Our City…) In Festival Internacional de<br />
Marionetas e Formas Animadas: FIMFA Lx Edição Comemorativa dos 10 Anos. Lisboa:<br />
143
A Tarumba – Teatro de Marionetas: EGEAC/Museu da Marioneta, 2010.<br />
VIEIRA, Luís & RIBEIRO, Rute, Portugal; António José da Silva, o Judeu. In Encyclopédie<br />
Mondiale des Arts de la Marionnette. Montpellier: Éditions l´Entretemps: UNIMA, 2009.<br />
Teatro de Marionetas do Porto; Marionetas de Lisboa; A Tarumba – Teatro de Marionetas;<br />
Marionetas de S. Lourenço; Bonecos de Santo Aleixo; Teatro Dom Roberto In Encyclopédie<br />
Mondiale des Arts de la Marionnette. Montpellier: Éditions l´Entretemps: UNIMA, 2009.<br />
Teatros de Papel: A Arte da Precisão (Paper Theatres: The Art of Precision). Lisboa, Museu<br />
da Marioneta, 2008.<br />
O Teatro de Branca Flor ou o Sonho de uma escritora. In Branca-Flor: O Teatro de Lília da<br />
Fonseca: 1962-1982: Catálogo de Exposição. Lisboa: EGEAC/Museu da marioneta, 2007.<br />
Branca Flor Theatre or the dream of a writer. In Branca-Flor: Lília da Fonseca’s theatre:<br />
1962-1982: Exhibition catalogue. Lisboa: EGEAC / Museu da marioneta, 2007.<br />
A Marioneta. Forma de Expressão Artística e Teatral (The Marionette. Form of Artistic<br />
Expression and Theatre). In A Arte do Ofício, No. 1, 2002.<br />
133. RIBI, Hana (Ms.)<br />
Address:<br />
Wildbachstrasse 74<br />
CH:8008 Zürich<br />
Switzerland<br />
Telephone: 0041 44 361 32 52<br />
E-mail: h.c.ribi@bluewin.ch<br />
Web: www.hana-ribi.ch<br />
List of publications:<br />
Fred Schneckenburgers Puppencabaret (Fred Schneckenburger’s Puppet Cabaret).<br />
Ausstellungskatalog, by Hana Ribi. Ed. by Münchner Stadtmuseum und Museum Bellerive<br />
Zürich. Exhibition, Puppentheatermuseum im Münchner Stadtmuseum, 11.10.1991-5.1.1992<br />
(Ed. 1991). München: Münchner Stadtmuseum, 1991, 92 pp.<br />
Fred Schneckenburgers Puppencabaret (Fred Schneckenburger’s Puppet Cabaret).<br />
Ausstellungskatalog. Mit einer Bestandesaufnahme aller Figuren aus der Sammlung des<br />
Museums Bellerive, by Hana Ribi. Ed. by Münchner Stadtmuseum und Museum Bellerive<br />
Zürich. Exhibition, Museum Bellerive Zürich, 5.2.-21.4.1992 (Ed. 1992, enlarged). Zürich:<br />
Museum Bellerive, 1992. 122 pp.<br />
Maske und Marionette (The Mask and the Marionette). Edward Gordon Craig-Sammlung im<br />
Museum für Gestaltung Zürich, by Hana Ribi. In Sondierungen zum Theater, ed. by Andreas<br />
Kotte (Theatrum Helveticum, 1). (Schweizer Theaterjahrbuch, 56) Basel: Editions<br />
Theaterkultur Verlag, 1995, pp. 299-338.<br />
Fred Schneckenburgers Puppencabaret (Fred Schneckenburger’s Puppet Cabaret).<br />
Ausstellungskatalog (deutsch mit tschechisch- englischer Zusammenfassung und mit kurzen<br />
Biographien der wichtigsten Mitarbeiter von Schneckenburger) by Hana Ribi. Exhibition,<br />
Nationalmuseum Prag, 15.3.-25.4.1999 (Ed. 1999, enlarged). English summary. Praha:<br />
Národní muzeum, 1999. 107 pp.<br />
144
Edward Gordon Craig: Maske, „Übermarionette“ und Marionette“ (Edward Gordon Craig:<br />
the Mask, the Ueber-Marionette and the Marionette). Die EGC-Sammlung im Museum für<br />
Gestaltung in Zürich und Craigs Beitrag an das Schweizerische Marionettentheater, by Hana<br />
Ribi. Thesis, Univ. Bern, 1999. Zürich: Published by the author, 1999. Ringbuch, 144 pp.<br />
Edward Gordon Craig – Figur und Abstraktion (Edward Gordon Craig – Figure and<br />
Abstraction). Craigs Theatervisionen und das Schweizerische Marionettentheater: Die EGC<br />
Sammlung im Museum für Gestaltung in Zürich, by Hana Ribi. Ed. by Schweizerische<br />
Gesellschaft für Theaterkultur (Schweizer Theaterjahrbuch, 61). Basel: Editions<br />
Theaterkultur Verlag, 2000, 223 pp.<br />
Metamorphosen – Hana Ribi – Theatre in Progress (Metamorphoses – Hana Ribi – Theatre<br />
in Progress). Ausstellungskatalog / Gespräche mit Hana Ribi von Roland Jung; Contrib.:<br />
Peter K. Wehrli, Remo Galli, Peter K. Frey, Werner Aebli. Exhibition, Museum der<br />
Puppenspielkulturen Chrudim (Cz), 9.6.-5.9.2004; Exhibition, Puppentheatermuseum im<br />
Münchner Stadtmuseum (D), 8.6.-31.7.2005 (verlängert bis 28.8.2005). Basel: Danaiden<br />
Verlag, 2004, 83 pp.<br />
Alternativní divadlo ve Švýcarsku – výzva otevřeného prostoru (Off Theatre in Switzerland).<br />
Lecture, mezinárodní seminář, Praha, Divadelní fakulta AMU, 2.-4.11.2007, by Hana Ribi.<br />
In Divadlo a interakce II., by Miloslav Klíma … (et al.); in contrib. with Katedra alternativního<br />
a loutkového divadla Divadelní fakulty AMU v Praze. Praha: Nakladatelství Pražská scéna,<br />
2007, pp. 121-127.<br />
Edward Gordon Craig – Figura a abstrakce: Craigovy divadelní vize a Schweizerisches<br />
Marionettentheater (Edward Gordon Craig – Figure and Abstraction: Craig´s Theatre Visions<br />
and Swiss Puppet Theatre). Collection EGC, Museum für Gestaltung Zürich, by Hana Ribi;<br />
transl. by Hana Linhartová. Original title: Edward Gordon Craig – Figur und Abstraktion,<br />
Basel, 2000. Prague: AMU, 2008, 149 pp.<br />
134. RICHTER, Johannes (Mr.)<br />
Address:<br />
Weitlingstr. 7<br />
39104 Magdeburg<br />
Germany<br />
Telephone: 0391-5438008<br />
E-mail: puppentheaterarchiv.md@freenet.de<br />
List of publications:<br />
Wer war ‚Meister Hämmerlein? – Versuch einer Klarstellung (Who Was Master Hämmerlein?<br />
– A Try to Get a Straight). Das Andere Theater, 1995, No. 19, pp. 24-25 (German).<br />
Die Puppenspieler Gustav Edeling senior und junior (Puppeteers – Gustav Edeling Senior<br />
and Junior). Das Andere Theater, 1995, No. 21, pp. 27-30 (German).<br />
Mit allerhöchster Bewilligung – Zur Geschichte und Entwicklung des Puppentheaters in der<br />
Stadt Magdeburg und ihrer näheren Umgebung (With Very Most Permission – to the History<br />
and Development of the Puppet Theatre in the Town Magdeburg and Its Neighbourhood). Dr.<br />
Ziethen Verlag Oschersleben 1999, 152 pp., 118 Abb., 4 Anlagen, Namens- u, Ortsregister<br />
(German).<br />
145
Vergleich von Spielgebieten sowie Spiel- und Reisebedingungen mitteldeutscher<br />
Puppenspieler (Comparison of Play-regions and Play- and Travel Conditions of Puppeteers<br />
in Middle Germany). In Über den Alltag der reisenden Puppenspieler, Symposiumsbericht<br />
von 1999, Mistelbach 2001 (German).<br />
UNIMA, was ist das eigentlich? – Mogelpackung oder Puppentheater im Abseits? UNIMA<br />
Mitteilungsblatt Zentrum Österreich (UNIMA – What Is This? – Deception Package or Puppet<br />
Theatre in Offside?). Folge 1/2001, pp. 11-12 (German).<br />
Ein Museum rüstet sich … Im Auftrag des Ältestenrates der sächsischen Marionetten (A<br />
Museum Gets Ready…). Puppen Menschen & Objekte; 2003/1, No. 88, pp. 38-40 (German).<br />
Gezackte Bilder – Puppentheatermotive auf Briefmarken (Perforated Pictures – Motive<br />
for Puppet Theatres on Stamps). Puppen Menschen & Objekte; 2003/2, No. 89, pp. 4-5<br />
(German).<br />
Puppentheatermotive auf Sammelbildern – Liebenswerte Werbung fürs Puppen-Theater<br />
(Motive for Puppet Theatres on Pictures Collections – a Nice Publicity for Puppet Theatre).<br />
Puppen Menschen & Objekte; 2007/1, No. 96, pp. 44-45 (German).<br />
Der 200. Geburtstag eines kreativen Genies Franz Graf von Pocci – Kasperl-Graf und<br />
Kinderfreund (The 200th Birthday of Creative Genius Franz Graf from Pocci – Kasperl-Earl<br />
and Friend of Children). Das andere Theater, 66/67/2007, pp. 49-51 (German).<br />
An Invitation to Immorality. Puppet notebook, British UNIMA, Jg. 13, Winter 2008/9, pp. 16-<br />
18 (translation by Andrew Hammel).<br />
Schichtl – eine Puppenspielerdynastie – war auch in Nord- und Mitteldeutschland präsent<br />
(Schichtl – a Dynasty of Puppeteers – Was Also Present in North and Middle Germany). Das<br />
andere Theater 68/2008, pp. 22-25 (German).<br />
Die Handpuppenspieler der Familie Büttner (The Hand Puppeteers of the Büttner Family).<br />
Booklet, 8 pp., DVD „Kennen Sie Büttner?“ UNIMA-Film 2008 (German).<br />
Faust auf der Puppenbühne (Faust On Puppet Stage). Nach einem Manuskriptes von Günter<br />
Schnorr (Lüdenscheid 1978), 11 pp., Spiralbindung, www.puppenundmasken.de (German).<br />
250 Jahre Schichtl-Theater – Rückblick auf Zeitungsmeldungen des 19. Jahrhunderts.<br />
Ergänzung zu vorliegenden Angaben der Schausteller-Dynastie Schichtl (250 Years of<br />
Schichtl-Theatre – a Review on News in Newspapers from 19. Century). 15 pp.,<br />
Spiralbindung, www.puppenundmasken.de (German).<br />
250 Jahre Schichtl-Theater – „Die Bobenheimer Linie“ in Zeitungsmeldungen des 20.<br />
Jahrhunderts (250 Years of Schichtl-Theatre – The Bodenheimer-line). 31 pp.,<br />
Spiralbindung, www.puppenundmasken.de (German).<br />
Patente zum Puppentheater? (Patent for the Puppet Theatre?) Das andere Theater 72/2009,<br />
pp. 51-53 (German).<br />
Figurentheater und andere Schaustellungen zu Anfang des 19. Jahrhunderts in Magdeburg<br />
und deren rechtliche Hintergründe (Figure Theatre and Other Shows at the Beginnung of the<br />
19. Century in Magdeburg). Edition winterwork, 142 pp., einige Abb. (German).<br />
146
Königin Luise oder die Rose von Magdeburg. Marionettentext (1898) von Ferdinand Regel<br />
(Queen Luise or the Rose from Magdeburg. Text (1898) by Ferdinand Regel). Edition<br />
winterwork, 66 pp., einige Farbabb. (German).<br />
Puppentheater – (m)ein Hobby. 20 Jahre Puppentheaterarchiv Johannes Richter,<br />
Magdeburg (Puppet Theatre – (My) Hobby. 20 Years of Puppet Theatre Archives of<br />
Johannes Richter). Edition winterwork, 63 pp., mit Farbabb. (German).<br />
135. RUIZENDAAL, Robin Erik (Mr.)<br />
Address:<br />
Lin Liu-Hsin Puppet Theatre Museum, Taipei<br />
79 Xining North Road, Datong Area, Taipei 103<br />
Taiwan<br />
Telephone: 886-2-25568909<br />
Fax: 886-2-25568912<br />
E-mail: (private) ruizendaal@yahoo.com and (work) admin@taipeipuppet.com<br />
Web: http://taipeipuppet.com<br />
Facebook: Lin Liu-Hsin Puppet Theatre Museum<br />
List of publications:<br />
Performance as a Ritual; The Performance Practice of the Marionette Theatre in Southern<br />
Taiwan. Aijmer & Boholm (Eds.), Images and Enactments; Possible Worlds in Dramatic<br />
Performances, Gothenburg, IASSA, 1994, pp. 135-178.<br />
Quanzhou Marionette Theatre: A Fieldwork Report (1986-1995). China Information X/I, 1995,<br />
pp. 1-18.<br />
Quanzhou Marionette Theatre: A Window on Local Society. Yishu jiaoyu, 1995, pp. 3-17,<br />
1995 (Chinese).<br />
Marionette Theatre in Quanzhou: Tradition and Transformation. Papers from the<br />
International Symposium on East Asian Folklore and Performing Arts, Tokyo, Waseda<br />
University, 1996, pp. 229-236.<br />
Vietnam 8. Theatre (i) Opera; (ii) Water Puppets<br />
Laos VI. Theatre (1) Mask and Costumes; (2) Puppets<br />
Cambodia VI. Theatre Puppets<br />
Grove Dictionary of Art, Macmillan, London, New York, 1996.<br />
East Meets East: Relations between Asian Puppet Theatre. Art and Nature, 55 (special issue<br />
on Asian Puppet Theatre), Tokyo, 1997, pp. 4-12 (Japanese).<br />
Ritual Text and Performance in the Marionette Theatre of Southern Fujian and Taiwan.<br />
De Meyer & Engelfriet (Eds.) Linked Faiths; Essays on Chinese Religions & Traditional<br />
Culture in Honour of Kristofer Schipper. Leiden, Brill, 1999, pp. 336-360.<br />
Mass Media and Asian Puppet Theatre in the 20th Century. International Puppet Theatre<br />
Conference Proceedings, Taipei, Council for Cultural Planning and Development, 1999,<br />
pp. 296-304 (Chinese and English).<br />
Indian Masks. Zhou Jinhong Ed. Mianju yishu, Miaoli, Council for Cultural Planning and<br />
Development, 2001, pp. 95-106, 2006 (Chinese).<br />
147
Puppet Theatre and the Puppet Theatre Museum. In Fujian Arts 2, 2004, pp. 41-45 (Chinese).<br />
Quanzhou Marionette Theatre. Leiden, Boston, Brill, 2006, 470 pp.<br />
Asian Theatre Puppets. London: Thames and Hudson, 2009, 331 pp.<br />
<strong>Research</strong>:<br />
Relationship between Asian puppet theatre and religion.<br />
136. RUMBAU, Toni (Mr.)<br />
Address:<br />
La Rambla, 75, 1º<br />
08002 Barcelona<br />
Spain<br />
Telephone +34 659 454 879<br />
E-mail: tonirumbau@gmail.com<br />
Web: www.tonirumbau.org<br />
Institution:<br />
La Fanfarra<br />
Collaborator with TOPIC (Tolosa) and with Museu da Marioneta de Lisboa<br />
List of publications:<br />
Malic, la Aventura de los Títeres (Malic, the Adventure of Puppets). Arola Editors, 2007.<br />
Rutas de Polichinela. Títeres y Ciudades de Europa (Routes of Polichinela. Puppets and<br />
Cities of Europe).<br />
Blog Rutas: http://rutasdepolichinela.blogspot.com/<br />
Many articles in “Malic”, “Fantoche”, “La Hoja del Titiritero”, Titerenet…<br />
(see articles in: http://www.tonirumbau.org/articulos.htm)<br />
137. SAKALESHPUR, Antappa Krishnaiah (Mr.)*<br />
Address:<br />
Regional Resources Centre for Folk Performing Arts<br />
M.G.M. College Campus<br />
UDUPI 576 102<br />
Karnataka<br />
India<br />
Telephone: 0820-4293635, 0820-2521159 (O), 09342749097(Cell phone)<br />
Fax: 0820-2523559(office)<br />
E-mail: mmusica@sancharnet.in and musica_2006@touchtelindia.net<br />
(musica_2006@touchtelindia.net)<br />
Web: www.udupipages.com/people/krishnaiah.html<br />
148
List of publications:<br />
Karnataka Puppetr. Published by regional Resources centre for Folk Performing Arts,<br />
M.G.M. College Campus, Udupi, Karnataka, 1988, pp. 18-115.<br />
The Marionette Workshop: Udayapur, 1992. (Guest Editor: S. A. Krishnaiah) Sangeet Natak<br />
Akademi, 100 pp., 2004 (Vol. XXXVIII, Number 1, 2004).<br />
<strong>Research</strong>:<br />
Multimedia Documentation Regarding South Indian <strong>Puppetry</strong>.<br />
138. SALAZAR TAQUECHEL, Rubén Darío (Mr.)<br />
Address:<br />
Calle 129 No 18012-A e/ 180 y 182<br />
Peñas Altas<br />
Matanzas<br />
Cuba<br />
Telephone: 53 45 280996<br />
Institution:<br />
Galería El Retablo<br />
Calle 8313 e/ Medio y Ayuntamiento<br />
Matanzas<br />
Cuba.<br />
Telephone: 53 45 28 31 78 y 26 19 99<br />
E-mail: titeres@atenas.cult.cu<br />
List of publications:<br />
Tin Tin Pirulero (Tin Tin Pirulero). Anthology of children’s theatre playwrights from Matanzas,<br />
Ediciones Matanzas, Ediciones Matanzas, 2002.<br />
Los músicos volantes y otros amigos (The Flying Musicians and Other Friends). Anthology<br />
of young Cuban children’s theatre playwights, Ediciones Matanzas, 2008.<br />
Un retablo en el monte (A Puppet Show on a Hill). Six theatre plays for children by Dora<br />
Alonso, Ediciones Matanzas, 2010.<br />
Mito, verdad y retablo (The Myth, the Truth and the Puppet Show). Puppet Theatre of the<br />
brothers Camejo and Carril) Ediciones Unión, 2012.<br />
Retablo abierto (Open Puppet Show). Chronicles, Criticism, Interviews And Visions of<br />
a Puppeteer. Ediciones Matanzas, 2012.<br />
Reviews and Articles:<br />
El retablo de los hermanos Camejo (Puppet Shows of the Camejo Brothers). In La gaceta de<br />
Cuba, 2002, No. 1.<br />
Los títeres de Rimbaud (The Puppets of Rimbaud). In Tablas, 1997, No. 3-4.<br />
Festivales de otoño e invierno en España” (Autumn and Winter Festivals in Spain). In<br />
Tablas, 1999, No. 3-4.<br />
149
Retablo cubano para los títeres de Lorca (Cuban Puppet Shows for the Puppets of Lorca).<br />
In Tablas, 1998, No. 2.<br />
Los caminos del títere son largos (Long Are the Routes of Puppets). In Tablas, 2000, No. 2.<br />
Retrato teatral con platos y lirios (Theatrical Portray with Plates and Irises). In Tablas, 2000,<br />
No. 4.<br />
Un teatro para todas las estaciones (A Theatre for Every Seasons). In Senderos, 2000,<br />
No. 1.<br />
Un arte libre a finales del siglo XX (A Free Art at the End of the 20th Century). In Tablas,<br />
2001, No. 4.<br />
El aliento mayor (A Great Impetus). In Tablas, 2004, No. 3.<br />
La ruta titiritera del festival (The Puppeteer’s Route to the Festival). In Tablas, 2005, No. 4.<br />
Un mago en La Habana (A Magician in Havana). In Tablas, 2005, No. 2.<br />
Titiriteros cubanos en la República ¿renovación o sueño? (Cuban Puppeteers In the<br />
Republic, Renovation Or a Dream?) In Tablas, 2006, No. 2.<br />
Evocaciones desde la semilla (Evocations Starting from a Seed). In Tablas, 2006, No. 1.<br />
La selva luminosa de Freddy Artiles (The Bright Forest of Freddy Artiles).In Tablas, 2010,<br />
No. 1.<br />
UNIMA en Cuba, una historia contada en síntesis (UNIMA in Cuba, A Story Narrated<br />
In Synthesis). In Tablas, 2010, No. 2.<br />
139. SAVINOVA, Anastasia (Ms.)<br />
Address:<br />
National Academy for Theatre and Film Arts - NATFA<br />
108-A “Rakovski” str.<br />
1000 Sofia<br />
Bulgaria<br />
Telephone: +359 886742399<br />
E-mail: anastazia@abv.bg<br />
List of publications:<br />
Osnovi na stsenicheskata plastika na aktyora v kuklenia teatar (Fundamentals of the Stage<br />
Plastic of the Actor in the Puppet Theatre). Sofia, 1982.<br />
Maskata v choveshkata tsivilizatsiya i teatara (The Mask in the Human Civilization and<br />
the Theatre). Sofia, 2000.<br />
Za plasticheskata kultura na aktiora v kuklenia teatar (About the Plastic Culture of the Actor<br />
in the Puppet Theatre). Fosfuros, Sofia 2010.<br />
150
140. SCHUSTER, Michael (Mr.)*<br />
Address:<br />
East-West Center<br />
Honolulu, Hawaii<br />
USA<br />
Telephone: (808) 944-7543<br />
E-mail: schustem@eastwestcenter.org<br />
List of publications:<br />
(Published work since 1995)<br />
Visual Puppets and Hidden Puppeteers: Indian Gombeyata <strong>Puppetry</strong>. Asian Theatre Journal,<br />
Vol. 18, 2001.<br />
Histories of Gombeyata: South Indian Ritual Puppet Theatre. <strong>Puppetry</strong> Annual 1996.<br />
Gombeyata: AVisual Thaeter Tradition. <strong>Puppetry</strong> Annual 1996.<br />
<strong>Research</strong>:<br />
Burmese <strong>Puppetry</strong>.<br />
Sri Lankan Marionettes.<br />
141. Prof. SEDANA, I Nyoman (Mr.)<br />
Address:<br />
Indonesian Arts Institute (ISI) Denpasar<br />
Department of Pedalangan <strong>Puppetry</strong><br />
Jl. Nusa Indah Depasar 8<br />
Bali 80235<br />
Indonesia<br />
Telephone: (011-62-0361) 244589<br />
Fax: (011-62-0361) 224044<br />
E-mail: sedanaphd@yahoo.com<br />
List of publications:<br />
Glimpses of Chinese Influence on Balinese Arts and Performance. Asian Culture 32, June<br />
2008, pp. 16-32.<br />
Mastering the Theatrical Voice in Indonesian Wayang Kulit. <strong>Puppetry</strong> International # 23,<br />
2008, pp. 30-32.<br />
Multiculturalism in Balinese Arts. Mudra Jurnal Seni Budaya Special Edition, 2007, pp. 26-42.<br />
A Comparative Study of the Wayang Kulit and the Tolpavakoothu Shadow Puppet Theatre.<br />
In Sacred Landscapes in Asia, 2007, pp. 373-389.<br />
Performance in Bali. Book. Co-author with Leon Rubin, published by Routledge, 2007.<br />
A Comparative Study of the (Indian) Tolpavakoothu and the (Balinese) Wayang Kulit Shadow<br />
Puppet Theatre. Mudra Special Edition, 2006, pp. 34-51.<br />
151
Wayang Kulit Shadow Puppet Theatre in the Balinese Culture. The <strong>Puppetry</strong> Yearbook.<br />
Volume Six. James Fisher (Ed.) New York: The Edwin Mellen Press, 2005, pp. 87-102.<br />
Wayang Arja: Survival and Change. <strong>Puppetry</strong> International, # 15, 2004, pp. 16-17.<br />
Beni Putul and Ravanchaya. <strong>Puppetry</strong>, Quarterly for <strong>Puppetry</strong>, Theatre and Folk Arts.<br />
Culicut, Kerala, India, 2005, pp. 3-5.<br />
Topeng Sidha Karya: A Balinese Mask Dance. Asian Theatre Journal, Vol. 22, No. 2, Fall<br />
2005, pp. 171-198.<br />
Balinese Mask Dance from the Perspective of a Master Artist: I Ketut Kodi on Topeng.<br />
Co-author with Kathy Foley. Asian Theatre Journal, Vol. 22, No. 2, Fall 2005, pp. 199-213.<br />
Theatre in a Time of Terrorism: Renewing Natural Harmony after the Bali Bombing via<br />
Wayang Kontemporer. Asian Theatre Journal, Vol. 22, No. 1, Spring 2005, pp. 73-86.<br />
Collaborative Music in the Performance of the Balinese Shadow Theatre. Asian Music,<br />
Vol. 36, No. 1, Winter/Spring 2005, pp. 44-59.<br />
Gender as Theatre: In and Out Theatrical Space. Mudra Special Edition, 2004, pp. 89-101.<br />
Wayang Arja: Survival and Change. <strong>Puppetry</strong> International, # 15, 2004, pp. 16-17 plus<br />
http://www.unima.usa.org.<br />
The Education of a Balinese Dalang. Ed. Kathy Foley. Asian Theatre Journal 10.1 (1993),<br />
pp. 81-100.<br />
On the Margins of Time and Space: Performance and Performance Sites of Hindu Temples.<br />
Co-author with Farley Richmond. The <strong>Puppetry</strong> Yearbook, Vol. 5, 2002, pp. 1-32.<br />
Interaksi Artistik Antara Dalang dengan Musisinya. Seni Tradisi Menantang Perubahan.<br />
Pandang Panjang, STSI Press, 2004, pp. 111-128.<br />
Interpretasi Peranan Bhagawan Vyasa dalam Epos Mahabharata (Interpretation of Vyasa’s<br />
Roles in the Indian Epic of Mahabharata). Mudra Jurnal Seni Budaya, 13. 3 (2003),<br />
pp. 16-24.<br />
Dewa Ruci dalam Teater Tedung Agung (Dewa Ruci in the Theatre of ‘Great Umbrella).<br />
Wayang Jurnal Ilmial Seni Pewayangan. 2. 1 (2003), pp. 1-7.<br />
Teater Tedung Agung Manifestasi Unsur Tradisi ke dalam Fiksi Modern. Wreta Cita, No. 11th<br />
X Juli 2003.<br />
Tradisi Kreatif dalam Wayang Kulit Bali (Creative Tradition in the Performance of Balinese<br />
Shadow Theatre). Mudra Jurnal Seni Budaya, 11. 1 (2003), pp. 8-31.<br />
Meningkatkan Nilai-Nilai Komunikatif Pertunjukan Wayang. Makalah disajikan dalam<br />
Seminar Semi-Que 5 tgl, 27 September 2003.<br />
Memberdayakan Seni Pertunjukan Rakyat Lewat Pemanfaatan Teknologi Elektronik. Buletin<br />
Informasi, No. I, Maret 2003, pp. 16-17. Denpasar: Badan Telematika dan Informasi Daerah.<br />
Sakral dan Profan dalam Wayang Kulit (Sacred and Profane in Puppet Theatre). Wayang<br />
Jurnal Wacana Ilmial Pewayangan, 1. 1 2002, pp. 1-11.<br />
152
Konsep Sakral dalam Seni Pertujukan Bali (Sacred Concept in Balinese Theatre). Makalah<br />
disajikan dalam Seminar dan LokakaryaSeni Sakral oleh Listibya Bali, 20-21 Desember<br />
2002.<br />
Sakral dan Profan dalam Wayang Kulit. Wayang Jurnal Wacana Ilmial, Vol. 1, No. I,<br />
Desember 2002, pp.1-11.<br />
Cupak ke Sorga: Sebuah Model Penggarapan Lakon Wayang Kulit (Cupak Goes to Heaven:<br />
A Model of Constructing a Play). Mudra Jurnal Seni Budaya, 3. III 1995, pp. 103-119.<br />
<strong>Research</strong>:<br />
Studying the Performance of Indian <strong>Puppetry</strong>.<br />
Asian Puppetries: Historical and Cultural Linka.<br />
142. SENDA, Yasuko (Ms.)<br />
Address:<br />
Minerva Nagoya<br />
3-24-2 Imaike, Chikusa-ku<br />
Nagoya 464-0850<br />
Japan<br />
Telephone: +81 52-731-4112<br />
Fax: +81 52-741-9502<br />
E-mail: senday@ams.odn.ne.jp<br />
List of publications:<br />
Karakuri Ningyo no Houko. Report of treasury of Karakuri Ningyo – visiting festivals in Aichi.<br />
Nagoya, Japan, 1991.<br />
Karakuri Ningyoshi Tamaya Shobei. Biography of puppet makers family Shobei Tamaya.<br />
Nagoya, 1998n.<br />
Karakuri Ningyo no Sekai. Explanation for the world of Karakuri Ningyo in Japan with<br />
pictures and diagrams. Tokyo: Hosei University Publishing Department, 2005.<br />
Karakuri Ningyo-Japanese Automata. Translated into English by Tom Slemmons. Japan:<br />
Senda Yasuko Publishing, 2012.<br />
143. SERMON, Julie (Ms.)<br />
Address:<br />
110 rue du Faubourg du Temple<br />
75011 Paris<br />
France<br />
153
Institution:<br />
Université Lyon 2 – Campus Porte des Alpes<br />
Faculté des Lettres, Sciences du Langage et Arts.<br />
Département Arts du spectacle.<br />
5, avenue Pierre Mendès-France.<br />
69 676. Bron Cedex.<br />
France<br />
Telephone: 06 12 71 76 81<br />
E-mail: julie.sermon@gmail.com<br />
List of publications:<br />
Le personnage théâtral contemporain: décomposition, recomposition (The Contemporary<br />
Dramatis Personae: Decomposition, Recomposition). Co-written with Jean-Pierre Ryngaert.<br />
Montreuil: Théâtrales, 2006.<br />
La marionnette? Traditions, croisements, décloisonnements (The Puppet? Traditions,<br />
Crosses, Decompartmentalization). Ed. Julie Sermon. Revue Théâtre / Public n°193.<br />
Gennevilliers, juin 2009.<br />
Selected articles and essays:<br />
Dramaturgies marionnettiques (Puppet Dramaturgies). In Annuaire théâtral n°48: Centre de<br />
recherche interuniversitaire sur la littérature et la culture québécoises (CRILCQ) et Société<br />
québécoise d’études théâtrales (SQET). Ottawa (Québec), février 2012, pp. 107-123.<br />
Dramaturgies gigognes, paysages sous vidéosurveillance (Specular Drama, Landspaces<br />
under Video Surveillance). In revue Registres/15, "Présences du marionnettiste" (Presences<br />
of the pupeeter), ed. Didier Plassard. Paris: Presses de la Sorbonne Nouvelle, automne<br />
2011, pp. 118-122.<br />
Rencontre dramaturgie et marionnette (Meeting Drama and Puppet). In revue Agôn (on line),<br />
Ecole Normale Supérieure de Lyon, URL: http://agon.ens-lyon.fr/index.php ?id=1836,<br />
septembre 2011.<br />
Entretien avec Alain Recoing (Interview with Alain Recoing). In revue PUCK. La marionnette<br />
et les autres art, n°17, éditions Institut International de la Marionnette; éditions L’Entretemps,<br />
2010, pp. 117-122.<br />
Jeunes compagnies, figures traditionnelles. Le retour des bouffons? (Young Theatre<br />
Companies, Traditionnal Figures. The Return of the Clowns?) Co-written with Hélène<br />
Beauchamp. In Théâtre / Public, n°193, juin 2009, pp. 7-12.<br />
Marionnettes, robots et homme-machine: la représentation marionnettique du travailleur,<br />
entre critique et utopie, entre anthropologie et sociologie (Puppets, Robots and Humanmachine:<br />
Puppet Representation of Workers, between Critism and Utopia, between<br />
Anthropology and Sociology). Co-written with Bérénice Hamidi-Kim. In Théâtre / Public,<br />
n°193, juin 2009, pp. 31-38.<br />
Figure (approche théorique) (Figure (Theoretically)). In Dictionnaire encyclopédique du<br />
théâtre à travers le monde (Encyclopedic Dictionary of the theatre around the world), ed.<br />
Michel Corvin, Paris: Bordas, 2008, pp. 558-559.<br />
<strong>Research</strong>:<br />
Contemporary texts and performances, including puppetry. Theory of “dramatis personae”<br />
and “figure”. Performing art and new media. Intermediality.<br />
154
144. SHEPELEVA, Arina A. (Ms.)<br />
Address:<br />
Ligovsky prospect, 44 – 631<br />
191040 St. Petersburg<br />
Russia<br />
E-mail: Nora-ra@yandex.ru<br />
Institution:<br />
Theatre Arts Academy<br />
Department of Theatre Studies, Russian Drama Chair<br />
191028, St. Peterburg<br />
Russia<br />
List of publications:<br />
Robertson’s Metamorphoses. In Метаморфозы Робертсона. Puppeteers in Petersburg.<br />
Leningrad, 1995 (Russian).<br />
Georg Kleinschnek’s Theatre of Transformations. In Theatre Petersburg: Intercultural Model.<br />
St. Petersburg, 2002 (Russian).<br />
Quest after Hoffman. With Anna Nekrylova. In Petersburg Theatre Journal, 2001, No. 23<br />
(Russian).<br />
Be Like a Boy with Me, A Bad Good Boy in the Great Puppet Theatre, St. Petersburg.<br />
In Petersburg Theatre Journal, 2002, No. 28 (Russian).<br />
At First I Didn’t Want to Tell You… Shardam Circus by Harms Staged by Ruslan Kudashov<br />
and Mark Bornstein. In Petersburg Theatre Journal, 2003, No. 32 (Russian).<br />
Failed Romeo and Juliet in Kurgan Puppet Theatre. In Petersburg Theatre Journal, 2003,<br />
No. 31 (Russian).<br />
Puppet Theatres (1999 – 2000 St. Petersburg Puppet Theatres Review). In St. Petersburg<br />
Theatre Years. St. Petersburg, 2003 (Russian).<br />
Puppet Theatres (2000 – 2002 St. Petersburg Puppet Theatres Review). In St. Petersburg<br />
Theatre Years. St. Petersburg, 2004 (Russian).<br />
Puppet Theatres (2004 – 2005, 2005 – 2006 St. Petersburg Puppet Theatres Review).<br />
In St. Petersburg Theatre Years. St. Petersburg, 2007 (Russian).<br />
Puppet Format. The results of the season in the puppet theatre of St. Petersburg 2003/2004.<br />
In Petersburg Theatre Journal, 2004, No. 37 (Russian).<br />
The Benefits of Idle Fools. Puppet Festivals 2003-2004. In Petersburg Theatre Journal,<br />
2004, No. 37 (Russian).<br />
Our Pushkin. On the play, "Feast or Famine" Ruslan Kudashov in the theatre "Potudan".<br />
In Petersburg Theatre Journal,2004, No. 38 (Russian).<br />
You Always Have to Move in the Direction of Fear. Interview with Ruslan Kudashov.<br />
In Petersburg Theatre Journal, 2004, No. 38 (Russian).<br />
155
In Anticipation of Rezo. On the play "The Autumn of my spring," Revaz Gabriadze.<br />
In Petersburg Theatre Journal, 2005, No. 39 (Russian).<br />
Pictures at an Exhibition. Puppet Festivals of Spring 2005. In Petersburg Theatre Journal,<br />
2005, No. 41 (Russian).<br />
About the performance of Ruslan Kudashov "Holstomer" in the Brest Puppet Theatre.<br />
In Petersburg Theatre Journal, 2005, No. 42 (Russian).<br />
About puppeteer Vladimir Zakharov. In Petersburg Theatre Journal,2006, No. 3 (45)<br />
(Russian).<br />
Tricks of Philip. About the performance of F. Genty, "Tricks of Sigmund." In Petersburg<br />
Theatre Journal, 2006, No. 3 (45) (Russian).<br />
At the Same Latitude. About the International Festival of Puppet Theatres "Orenburg<br />
Arbuznik – 2006". In Petersburg Theatre Journal, 2006, No. 4 (46) (Russian).<br />
Хочешь, дружок, я расскажу тебе сказку, или Необычайные страдания одного<br />
критика (I Can Tell You a Fairy Tale, Or Sufferings of One Critic). In Petersburg Theatre<br />
Journal, 2007, No. 50 (Russian).<br />
Oh, Donna Anna. The image of Don Juan in puppet theatre. In Театральная жизнь (Theatre<br />
Life), 2008, No. 3.<br />
This Theatre. I World Festival of Puppet Theatre School. In Petersburg Theatre Journal,<br />
2010, No. 62 (Russian).<br />
"Visiting" Harlequin" Is Not Only a Doll." II International Festival of Puppet Theatres "Visiting<br />
Harlequin." Omsk heritage. 2011, No. 8 (Russian).<br />
<strong>Research</strong>:<br />
Marionette Theatre in XIXth Century Russia.<br />
145. SILVA, Francisca Miranda (Ms.)<br />
Address:<br />
Centro de Investigación Teatral Rodolfo Usigli<br />
Calzada de Tlalpan y Rio Churubusco Nº 79<br />
Colonia Country Club, Delegacion Coyoacán<br />
Cp 04220, México DF<br />
Tel: 52-5541550000 ext. 1018 and 1088<br />
E-mail: otronombre@gmail.com<br />
List of publications:<br />
Co-author of special of Theatre in México, 1990-1991.<br />
Co-author of special of Theatre in México, 1992-1993.<br />
Co-author of special of Theatre in México, 1994-1995.<br />
Yearbook of Theatre in México, 1999-2000, ed. Instituto Nacional de Bellas Artes.<br />
156
Golden Age of the Guignol Theatre of Bellas Artes (1932-1965). CD-Rom.<br />
Empresa Nacional Mexicana de Automatas Hermanos Rosete Aranda (1835-1942). CD-<br />
Rom.<br />
Teatro Carpa Rosete Aranda, empresa Carlos V. Espinal e Hijos (1900-1961). CD-Rom.<br />
Once upon… a History of Puppets. Documentary produced by Chanel 22 of México.<br />
146. Prof. SINIGERSKA, Doychina PhD (Ms.)<br />
Address:<br />
Jk. “lyulin” bl. 422, entrance G, app. 74<br />
1000 Sofia<br />
Bulgaria<br />
Telephone: +359 886 742413<br />
E-mail: didisinigerska@abv.bg<br />
List of publications:<br />
Features on Actors Professional Technique in the Puppet Theatre. 1972.<br />
Bulgarian Puppet Theatre Essays. 1988.<br />
Features on Actors Professional Technique in Amateur Puppet Theatre. 1989.<br />
Art of Puppet Theatre. Collections. 1993.<br />
School Puppet Theatre History, 50 years NATFA "Kr.Sarafov”. Sofia, 1998.<br />
Puppet Art Projection on Bulgarian Culture in the First Half of XX Century. PhD dissertation<br />
work, Sofia, 1999.<br />
Actor and Puppet – Endless Variations. Ral Kolobaur, Sofia, 2002.<br />
Problems and the Perspective Puppet Theatre Art Has in Bulgaria. Collection, Sofia, 2003.<br />
A New Type of Practice with New Concepts; Actor in the Puppet Theatre: Practice –<br />
Teaching – Theoretical Context. Bialystok, 2004, p. 14-21.<br />
Bulgarian Puppet Theatre History Essays. II edition, Varna, 2005.<br />
Puppet Art Projection on Bulgarian Culture in the First Half of XX Century. Varna, 2006.<br />
Fairy Tales in Modern Puppet Theatre. "Teatr chudes”, magazine, Moscow, 2011.<br />
157
147. SMITH, Johanna (Ms.)*<br />
Address:<br />
Department of Theatre Arts,<br />
California State University San Bernardino,<br />
5500 University Parkway,<br />
San Bernardino<br />
CA 92407<br />
USA<br />
Telephone: (909) 537-5881<br />
Fax: (909) 537-7016<br />
E-mail: johanna@csusb.edu<br />
List of publications:<br />
Visions and Voice: Integrating Visual Literacy Skills in the Language Arts Curriculum.<br />
With Dr. Susan Daniels, Dr. Alayne Sullivan, and Dr. John Ruttner. Turning Trees: Selected<br />
Readings of the International Visual Literacy Association, Fall 2003, pp. 61-70.<br />
Creative <strong>Puppetry</strong> at HB Woodlawn Alternative High School. Creative Drama, Vol. 4, No. 1,<br />
Spring 2001, pp. 4-7.<br />
Playing with Science. Stage of the Art, Vol. 7, Summer 1995, pp. 10-14.<br />
148. SOLIS REYNOSO, Luis Martín (Mr.)<br />
Address:<br />
Cerrada 5 de Mayo Nº 3, Col. Tepepan, Del. Xochimilco<br />
CP 16020<br />
Mexico DF<br />
E-mail: lmsolisr@yahoo.com.mx<br />
List of publications:<br />
People Who Speak Alone (Monologues). Edited for University of Sciences and arts of<br />
Chiapas y Magazine Paso de Gato, 2010.<br />
Interdsiciplina escenica II. Edited by Centro Nacional de las Artes y CONACULTA. México<br />
DF, 2007.<br />
Puppet Theatre. Editorial El Milagro. México DF, 2004.<br />
Theatre and School (texts on the Chiapas situation). Edited by SEP of Chiapas, 2002.<br />
The Actor and the Puppet (1999) and The Puppets in Spain and America (2000). Anthology<br />
magazine Máscara, edited by Escenología. México DF.<br />
Texts in theatrical magazines: Ollantay (Estados Unidos), Paso de Gato, Máscara and<br />
Teotikixtli (México), Titereando (España). Figura (Suiza), Centro Molinos (Venezuela).<br />
158
149. SÖRENSON, Margareta (Ms.)<br />
Address:<br />
Strykersvägen 6<br />
112 64 Stockholm<br />
Sweden<br />
E-mail: soerenson@swipnet.se<br />
List of publications:<br />
In Search of Aesthetics for the Puppet Theatre. Together with Michael Meschke. New Delhi,<br />
1992, 170 pp.<br />
...Are But Tugs on Strings, The Marionette Theatre over 40 Years. Stockholm, 1998 (ed.),<br />
231 pp.<br />
För de allra små (For the Youngest Ones). On literature, theatre, film, art and music for the<br />
youngest ones. Edited by Margareta Sörenson. Stockholm, 2001, 168 pp. (Swedish).<br />
En Stor Liten Teater – A Great Little Theatre. 30 ar med Dockteatern Tittut – 30 Years with<br />
Tittut Puppet Theatre. Stockholm: Carlsson Bokförlag, 2008, 159 pp.<br />
Mats Ek. Photo Lesley Leslie-Spinks, text Margareta Sörenson. Stockholm 2011, 350 pp.<br />
(Swedish/English).<br />
Articles on Sweden and Swedish Puppeteers in WEPA.<br />
<strong>Research</strong>:<br />
Theatre and puppet history, dance history, children’s culture.<br />
150. STAUB, Nancy Lohman (Ms.)<br />
Address:<br />
76400 Robinson Rd.<br />
Folsom, LA 70437-3647<br />
USA<br />
Telephone: 985 796 1096<br />
E-mail: nancystaub@aol.com<br />
List of publications:<br />
Puppets in Partnership with Symphony Orchestras. <strong>Puppetry</strong> Journal, 29.4, 1978, pp. 3-10.<br />
Puppets: Art & Entertainment. Washington, DC: Puppeteers of America, 1979 (project<br />
director).<br />
Breaking Boundaries. In Breaking Boundaries: American <strong>Puppetry</strong> in the 1980's. Atlanta:<br />
Center for <strong>Puppetry</strong> Arts, 1990, pp. 2-9.<br />
African-American <strong>Puppetry</strong>. In African and African-American <strong>Puppetry</strong>. Atlanta: Center for<br />
<strong>Puppetry</strong> Arts, 1994, pp. 4-13.<br />
159
Ancient Greek Theatre, Noh, Bunraku and Craig. <strong>Puppetry</strong> Yearbook II. 1996, pp. 21-29.<br />
Music in Movement: Collaboration of Julie Taymor and Elliot Goldenthal. <strong>Puppetry</strong> Yearbook<br />
II., 1996, pp. 165-175.<br />
Besides Bunraku. <strong>Puppetry</strong> Yearbook III., 1997, pp. 21-43.<br />
False Assumptions. A Propos. Spring 1997, pp. 14-17.<br />
Le Theatre hybride de Julie Taymor. Puck 11, 1998, pp. 104-106.<br />
Seventh Indonesia Wayang Festival. The <strong>Puppetry</strong> Journal. 51.2 , Winter 1999, pp. 12-13.<br />
The Hybrid Theatre of Julie Taymor. The <strong>Puppetry</strong> Journal. 50.3, Spring 1999, pp. 9-10.<br />
The Masks and Puppets of Julie Taymor: Spiritual Fictions. <strong>Puppetry</strong> Yearbook IV., 2000.<br />
Indonesian Influence on American <strong>Puppetry</strong>. The <strong>Puppetry</strong> Journal. 52.2, Winter 2000,<br />
pp. 6-8.<br />
Craig’s Vision Realized: Julie Taymor’s The Lion King. <strong>Puppetry</strong>Yearbook V., 2002,<br />
pp. 139-149.<br />
The Center for <strong>Puppetry</strong> Arts Museum Collection. American <strong>Puppetry</strong>. Phyllis T. Dircks,<br />
ed. London: McFarland & Co., Inc., 2004, pp. 73-87.<br />
Ningyō Jōruri Bunraku, A Masterpiece of the Oral and Intangible Heritage of Humanity.<br />
<strong>Puppetry</strong> International, 15, Spring and Summer 2004, pp. 22-24.<br />
<strong>Puppetry</strong> of India and Americans. <strong>Puppetry</strong> Yearbook VI., 2005, pp. 209-231.<br />
International Significance of Ningyō Jōruri Bunraku Nignyo. <strong>Puppetry</strong> Yearbook VI., 2005,<br />
pp. 231-239.<br />
Puppets at Spoleto USA. The <strong>Puppetry</strong> Journal, 57.3, Spring 2006, pp. 15-16.<br />
Karagőz and Karagiozis in America. The <strong>Puppetry</strong> Journal, 58.3, Spring 2007, pp. 22-25.<br />
Amerindienne et Inuit. Jurkowski, Henryk puis Thieri Foulc, ed. Encyclopédie mondiale des<br />
arts de la marionette. Montpellier: Editions L’Entretemps et UNIMA, 2009, pp. 46-49.<br />
Native American <strong>Puppetry</strong>. <strong>Puppetry</strong> International, 28, Fall and Winter 2010, pp. 42-45.<br />
<strong>Research</strong>:<br />
Quirky <strong>Puppetry</strong>. <strong>Puppetry</strong> in Humor.<br />
151. SUÁREZ DURÁN, Esther (Ms.)<br />
Address:<br />
Calle Línea # 505, entre D y E<br />
Vedado<br />
CP 10 400 La Habana<br />
Cuba<br />
160
Institution:<br />
Centro Nacional de Investigaciones de las Artes Escénicas<br />
Telephone: (537) 863 26 54<br />
E-mail: esther3@cubarte.cult.cu<br />
List of publications:<br />
Un colectivo tras el telón (A Collective behind the Curtain). Editorial Ciencias Sociales,<br />
La Habana, 1988.<br />
Como un batir de alas. Ensayos sobre el teatro cubano (Like a Flap of Wings. Essays on the<br />
Cuban Theatre). Editorial Letras Cubanas, La Habana, 2006.<br />
Articles:<br />
El público, ese otro creador (The Audience as Another Creator). In Tablas 2, 1982,<br />
La Habana, Cuba, pp. 24-28; and In Universidad de La Habana 220,1983, pp.187-195.<br />
Crítica y público joven (Criticism and Young Audience). In Tablas 2, 1985, pp. 23-26.<br />
Una aventura del conocimiento y la imaginación (An Adventure of Knowledge and<br />
Imagination). Anuario de la Enseñanza Artística 85 – 86, Editorial Pueblo y Educación, 1988,<br />
La Habana, pp. 154-157.<br />
Un equilibrista sobre la balsa de Huck (An Equilibrist on Huck’s Raft). In tabloid Caimán<br />
Barbudo, special edition, June 1989, La Habana, Cuba, p.12-14; and In En julio como en<br />
enero # 8,1989, Editorial Gente Nueva y Comité Cubano del IBBY.<br />
El teatro: un mundo para el hombre (Theatre: A World for People). In Tablas 1993, special<br />
edition dedicated to ‘XI Congreso de la ASSITEJ’, pp. 149-159.<br />
Tradición y contemporaneidad en el teatro de títeres (Tradition and Contemporaneity in the<br />
Puppet Theatre). In Tablas 3-4,1994, pp. 45-46.<br />
Continuar pensando los 90 (90s Thinking). In Tablas 3,1996, pp. 33-35.<br />
Tradición y contemporaneidad; las inteligencias artificiales y la picardía de Pelusín del Monte<br />
(Tradition and Contemporaneity; Artificial Inteligence and Craftiness of Pelusín del Monte).<br />
In La Mojiganga 4, Matanzas, Cuba, 1996, pp. 6-13.<br />
Las múltiples fulguraciones del caleidoscopio (The Multiple Glitter of a Kaleidoscope).<br />
In Tablas 1,1998, pp. 61-65.<br />
La puesta en escena en el teatro de niños en los albores del nuevo milenio (Mise-en-scène<br />
in Children’s Theatre at the Dawn of the New Millennium). In Tablas 2, 1998, pp. 61-63.<br />
El horizonte espejeante (The Shimmering Horizon). In Teokikixpli, Año I, Edic. Baúl Teatro,<br />
diciembre 1998, Monterrey, México, pp. 2-7.<br />
Páginas de fe (Pages of Faith). Prologue to El títere, ¿ en la luz o en la sombra? (The<br />
Puppet; In the Shadow Or in the Light?) Armando Morales, Ediciones UNION, 2002.<br />
El Teatro Nacional de Guiñol: cuatro décadas de historia; un espacio de reflexión (The<br />
National Puppet Theatre: Four Decades of History, A Space for Reflection). In La Gaceta<br />
de Cuba, No. 4, La Habana, 2003.<br />
161
Abrir a toda costa (Opening at All Costs). In Jugar y cultivar, No. 1, Año 1, Grupo de<br />
desarrollo sociocultural del Ministerio de Cultura, La Habana, Julio 2004.<br />
Del teatro vernáculo a la escena contemporánea (From the Local Theatre to the<br />
Contemporary Scene). In Teatro / CELCIT No. 35-36, 2009. Edición online.<br />
152. Dr. SZÉKELY, György (Mr.)<br />
Address:<br />
Sion lépesö 11<br />
1124 Budapest<br />
Hungary<br />
List of publications:<br />
Bábuk, árnyak (Puppets, Shadows). History of the World <strong>Puppetry</strong>. Népművelési Intézet,<br />
Budapest, 1972.<br />
Doktor Faustus és Kasperl (Doctor Faustus and Kasperl). In Mozaikok (Mosaics), OSzMi,<br />
Budapest, 2009.<br />
Encyclopédie mondiale des Arts de la Marionnette (World Encyclopaedia of <strong>Puppetry</strong> Arts),<br />
author of Hungarian contributions, L´Entretemps, Montpellier, France, 2009.<br />
153. ŠABASEVIČIENĖ, Daiva PhD (Ms.)<br />
Address:<br />
Teatro 7–6, LT 03107<br />
Vilnius<br />
Lithuania<br />
Telephone: +3706 69976148<br />
E-mail: daivateatras@gmail.com<br />
Institution:<br />
Lithuanian National Drama Theatre<br />
Gedimino pr. 4, LT 01103<br />
Vilnius<br />
Lithuania<br />
Telephone: + 37052629983<br />
E-mail: daiva@teatras.lt<br />
List of publications:<br />
Stebuklai iš taurios širdies (Wonders of the Noble Heart). About famous Lithuanian<br />
puppeteer Vitalijus Mazūras. In Teatras, 1998, No. 2, pp. 40-45 (Lithuanian).<br />
Magiškasis Vitalijaus Mazūro teatras (The Magical Theatre of Vitalijus Mazūras). The edition<br />
about 40th aniversarry of Vitalijus Mazūras work in puppetry. Vilnius, 2005, 44 pp.<br />
(Lithuanian).<br />
162
Lėlių festivalio fejerverkas – Duda Paiva (Duda Paiva – Firework of Puppet Theatre Festival).<br />
About 19th International Puppet Theatre Festival in Kaunas. In Menų faktūra<br />
(www.menufaktura.lt), 2011.05.30 (Lithuanian).<br />
Nuo avelės iki silikono (From Lamb to Silicone). About 19th International Puppet Theatre<br />
Festival in Kaunas. In Menų faktūra (www.menufaktura.lt), 2011.05.29 (Lithuanian).<br />
The author has pubilished articles and books about various drama theatre artists.<br />
<strong>Research</strong>:<br />
Сontemporary Lithuanian theatre.<br />
154. ŠIRVINSKIENĖ-BITINAITĖ, Raimonda PhD (Ms.)<br />
Address:<br />
Kazliškių 11-33,<br />
Vilnius<br />
LT 09204<br />
Lithuania<br />
Telephone: +370 689 78 463<br />
E-mail: raimonda.bite@gmail.com<br />
Institution:<br />
Lithuanian Academy of Music and Theatre<br />
Gedimino 42<br />
Vilnius<br />
Lithuania<br />
List of publications:<br />
Dailininkas lėlių teatre (kritinės pastabos) (Designer in Puppet Theatre (Critical Notes)).<br />
In Literatūra ir menas (Literature and Art). 1979.12.22, p. 12 (Lithuanian).<br />
Respublikinė scenografijos paroda (Republican Scenography Exhibition). In Kultūros barai,<br />
1981, No. 7, p. 77 (Lithuanian).<br />
Lėlių teatrų šventė (Fiesta of Puppet Theatres). About 6th Puppet Theatres Festival of Baltic<br />
States. In Pergalė, 1983, No. 2, pp. 186-188 (Lithuanian).<br />
Erdvės gyvybė (Life of Space). About V. Mazūras works. In Literatūra ir menas, 1984.07.21,<br />
p. 12 (Lithuanian).<br />
Vitalijus Mazūras in Dailė, No. 26, p. 88 (Lithuanian).<br />
Tikrovė ir vaizdiniai XX a. pab. Lietuvos scenografijoje. Tautinio romantizmo atgarsiai (Reality<br />
and Images of Scenography in the End of XX c. Reprecussions of National Romanticism).<br />
About Vitalijus Mazūras works. In Romantizmai po romantizmo, Vilnius: Gervelė, 2000,<br />
pp. 221-230, p. 260 (Lithuanian).<br />
Dailininkas ir modernumo provokacijos Lietuvos tarpukario teatre (The Artist and the<br />
Chalenge of Modernity in Interwar Lithuanian Theatre). About marionettes of Stasys<br />
Ušinskas. In Formų difūzijos XX a. dailėje ir architektūroje (S. Ušinsko marionetės) Acta<br />
academiae artium Vilnensis. 43. Vilniaus dailės akademijos mokslo darbai, 2006, pp. 147-<br />
164, 305 pp. (Lithuanian).<br />
163
Scenografijos pradžiamokslis Kauno meno mokykloje (pirmosios Lietuvos scenografijos<br />
studijos) (Primer of Set Design in Kaunas Art School (First Study of Lithuanian<br />
Scenography)). In Modernios Lietuvos dailės ištakos: Kauno meno mokykla Acta academiae<br />
artium Vilnensis. 49. Vilniaus dailės akademijos leidykla, 2008, pp.113-131, p. 183<br />
(Lithuanian).<br />
Įvaizdinta bendrystė (kūrybinės partnerystės problemos įvairių žanrų teatro scenografijoje)<br />
(Image of Community (The Problems of Creative Partnership in Scenography of Various<br />
Genres)). In Kūrinys kontekste. Acta academiae artium Vilnensis 35, Vilniaus dailės<br />
akademijos leidykla, 2009, pp. 71-82, 141 pp. (Lithuanian).<br />
Scenografės Lietuvos XX a. II pusės teatre (moterų scenografijos ypatumai) (Set Designers<br />
in Lithuanian Theatre of the Second Half of the Twentieth Century). About peculiarity of<br />
women scenography works. In Mano teritorija, Acta academiae artium Vilnensis, Vilniaus<br />
dailės akademijos leidykla, 2011 (Lithuanian).<br />
Naujas lėlių teatro mitas. Apie lėlių teatro dailininkę Juliją Skuratovą (The New Myth of<br />
Puppet Theatre. About Scenographer Julija Skuratova). In Krantai, 2011, No. 1, pp. 22-29<br />
(Lithuanian).<br />
<strong>Research</strong>:<br />
Includes the various genres of theatre set design research, theory and its history,<br />
personalities. The focus is on modern theatrical realities, authorship, and the creative<br />
aspects of the partnership.<br />
155. Prof. TAYLOR, Jane (Ms.)<br />
Address:<br />
31 Valley Road<br />
Simonstown 7975<br />
South Africa<br />
Telephone and Fax: +27217862176<br />
E-mail: taylor.taylorjane.jane@gmail.com<br />
Institution:<br />
University of Chicago<br />
USA<br />
University of the Western Cape<br />
South Africa<br />
List of publications:<br />
(only listing publications directly on puppetry)<br />
Ubu and the Truth Commission. Book. University of Cape Town, 1997. The playtext of a<br />
puppet play written with Handspring Puppet Company and William Kentridge; writer’s notes,<br />
director’s notes, performer’s notes and puppeteers’ notes give detailed discussion of the<br />
play.<br />
Handspring Puppet Company. Book. Johannesburg: David Krut, 2009. An overview of the<br />
career, practice and philosophy of Handspring Puppet Company.<br />
Selected articles and essays<br />
164
The As-If reality of Puppet Theatre. In The Puppet Show. Philadelphia: Institute<br />
of Contemporary Art, 2008.<br />
<strong>Research</strong>:<br />
Handspring Puppet Company (practice and philosophy); the theatre arts of William<br />
Kentridge; the Subject/Object continuum; performing consciousness; the post-biological<br />
body; the history of staging the self; Voice, Conscience and Consciousness; the Confession;<br />
performing the animal, staging the infant; performance and sincerity.<br />
156. TECHNAU, Silke (Ms.)<br />
Address:<br />
Kobalt Figurentheater<br />
Kleine Petersgrube 14<br />
23552 Lübeck<br />
Germany<br />
Telephone: 0049 451 7075882 oder 0049 451 70060<br />
Mobil: 017620776256<br />
Fax: 0049 45170060<br />
E-mail: buero@kobalt-luebeck.de<br />
Web: www.kobalt-luebeck.de<br />
List of publications:<br />
Nachrichten vom Berufspuppenspiel in Schlesien (1900-1944) (Reports of Professional<br />
<strong>Puppetry</strong> in Silesia). In Quellen und Forschungen zur schlesischen Theatergeschichte 1,<br />
Hrsg. Bärbel Rudin, Forschungsstelle Ostmitteleuropa Dortmund 1983, pp. 268-325.<br />
Kasper und die Nazis 1 – Puppenspiel in staatlicher Zwangsjacke (Kasper and the Nazis –<br />
<strong>Puppetry</strong> and the Straitjacket of the State). Matthias Brand, Silke Technau. In Jahrbuch 5 für<br />
antifaschistische Literatur und Kunst, Hrsg. Uwe Naumann Röderberg-Verlag Frankfurt/Main<br />
1982, pp. 82-91.<br />
Zu Besuch in der Kasperbude. Streifzüge über den Jahrmarkt ins Figurentheater (At Home<br />
with Kasper – Puppet Theatre at Traditional Market Fairs). Puppen&Masken Frankfurt/Main<br />
1992.<br />
Publikspiel. Eine Annäherung an Figur und Handwerk, Spiel und exemplarisches Wissen auf<br />
theateranthropologischer Grundlage (Audience-play. Towards an Awareness of the Puppet<br />
and Craft and Performance from a Theatrical-anthorpomorhical Perspective). In „Die Gattung<br />
leidet tausend Varietäten …“. Beiträge zur Geschichte der lustigen Figur im Puppenspiel,<br />
Hrsg. Olaf Bernstengel, Gerd Taube, Gina Weinkauff, Puppen&Masken Frankfurt/Main 1994,<br />
pp. 151-162.<br />
To Wihnachten sinn wi wedder dohus, Puppentheater im Kriegsgefangenenlager<br />
Aliceville/Alabama („At Home for Christmas“ – Puppet Theatre in Prisoner of War Camp<br />
Aliceville Alabama, USA). In FrontPuppenTheater. Puppenspieler im Kriegsgeschehen, Hrsg.<br />
Dorothea Kolland, Puppentheater-Museum Berlin, Elefanten-Press Berlin 1997, pp. 142-151.<br />
Musique et dramaturgie dans le théâtre de marionnettes (Music and Dramaturgy in<br />
Marionette Theatre). Silke Technau, Stephan Schlafke. In Adagio 38/39. Revista de Centro<br />
Dramático de Evora, Hrsg. Christine Zurbach, José Alberto Ferreira, Mário Barradas,<br />
Cendrev Evora 2004, pp. 55-61.<br />
165
Dramaturgie und Konstruktion – Zur Entwicklung des Marionettentheaters im 20. Jahrhundert<br />
(Dramaturgy and Construction – the Development of Marionette Theatre in the 20th<br />
Century). Silke Technau, Stephan Schlafke. In Bericht zum Symposium „Neue Ergebnisse<br />
auf dem Gebiet der europäischen Puppentheatergeschichte“ im Museum für<br />
PuppentheaterKultur, Bad Kreuznach 2008.<br />
Zur Ausstellungseröffnung „Michael Meschke“ im Puppentheater-Museum –<br />
Rede für Stephan Schlafke”, UNIMA Deutschland, Berlin, 2006. (On the Occasion of the<br />
Exhibition Opening “Michael Meschke” in the Puppet Theatre Museum – speech for Stephan<br />
Schlafke). In En Teater – en Tid, Un Théâtre – Une Epoque, A Theatre – An Era, Ein Theater<br />
– Eine Zeit, Hrsg. Stiftelsen Marionettmuseet, Carlson-Bokförlag Falun, 2009.<br />
Mitarbeit an Fachzeitschriften:<br />
Diverse Artikel in der Fachzeitschrift (various articles in the journal): Puppen, Menschen<br />
& Objekte (vorm. puppenspiel-information), Hrsg. vom Verband Deutsche Puppentheater<br />
e.V. u.a.:<br />
Traum und Realisation – Rigoletto am Kobalt Theater (Dream and Realisation – Rigoletto<br />
by Kobalt Theatre). 1997/1.<br />
Kobalt – Zwei Frauen, ein Theater (Kobalt – Two Women, One Theatre). 2000/1.<br />
Ölgemälde als Theaterraum: Gänschen klein ging allein … Eine Kinderinszenierung nach<br />
Bildern der Malerin Paula Modersohn-Becker (Oil Paintings as Theatre Space: Little<br />
Goose Waddled off Alone… a Production for Children after the Images of the Painter Paula<br />
Modersohn-Becker). 2002/2.<br />
Im Weißen Rössl – eine sehr persönliche Sicht auf einen Produktionsprozess (At the<br />
White Horse Inn – a Very Personal Perspective on a Production Process). 2011/1.<br />
Redaktionsmitglied seit 2003 in der Fachzeitschrift:<br />
Das andere Theater, Hrsg. UNIMA Deutschland e.V. (DaT).<br />
Man darf die Menschen nicht mit Fakten erschlagen; das Ganze muss eine Seele haben<br />
(J. Riewa). Zur Herangehensweise an Puppenspielerbiografien der 30er Jahre (You Can’t<br />
Pound the People with Facts; the Whole Must Have a Soul (J. Riewa) On the approach to<br />
puppeteer biographies in the 1930s), DaT, 2002/47.<br />
Jun’ichirô Tanizakis Roman Insel der Puppen (Jun’ichirô Tanizaki’s novel Some Prefer<br />
Nettles). DaT, 2009/73.<br />
Puppenspieler und Banditen (Katherine Patterson) – ein Bunrakuroman (Puppeteers and<br />
Bandits – a Bunraku novel by Katherine Patterson). DaT, 2009/73.<br />
Betreuung und Leitartikel (co-ordination and lead articles). In den DaT-Themenheften:<br />
Figurenbildner (Puppet-makers). DaT, 2004/58.<br />
Figurentheater und Architektur (Puppet Theatre and Architecture). DaT, 2005/59.<br />
Fernsehpuppenspiel (Television <strong>Puppetry</strong>). DaT, 2005/61.<br />
Schattentheater (Shadow <strong>Puppetry</strong>). DaT, 2006/62.<br />
Marionetten im Wandel der Zeit (Marionettes and the March of Time). DaT, 2007/66+67.<br />
166
Papiertheater (Paper Theatre). DaT, 2008/69.<br />
Articles for the WEPA:<br />
Büttner, Walter; Puppeteers; Maaßen. Jürgen; Allemagne – L’Allemagne fédérale<br />
et Berlin-Ouest jusqu’en 1989. In Union internationale de la marionnette (ed.): Encyclopédie<br />
mondiale des Arts de la Marionnette. Rédacteurs en chef: Henryk Jurkowski, puis Thieri<br />
Foulc. Montpellier: L‘Entretemps editions, 2009 (in französischer Sprache, in deutscher<br />
Sprache im Internet: www.fidena.de).<br />
<strong>Research</strong>:<br />
Wechselwirkungen zwischen Dramaturgie und Figurenkonstruktion (Cross-fertisilisation<br />
between dramaturgy and puppet construction).<br />
Die europäische Lustige Figur (the European comic figure).<br />
Geschichte des europäischen Marionettenspiels vom 19. bis Heute (the history of European<br />
marionette performance from the 19th Century to the present day).<br />
Theaterpraxis-begleitendes Schreiben und Forschen (als Figurenspielerin und<br />
Theaterwissenschaftlerin) (Case-studies and research as puppeteer and theatre<br />
Studiesresearcher)<br />
157. TILLIS, Steve (Mr.)<br />
Address:<br />
4218 Graham Street<br />
Pleasanton<br />
California<br />
USA 94566<br />
E-mail: sgtillis@aol.com<br />
List of publications:<br />
Rethinking Folk Drama. Contributions in Drama and Theatre Studies 83, Westport CT:<br />
Greenwood Press, 1999.<br />
Toward an Aesthetics of the Puppet: <strong>Puppetry</strong> as a Theatrical Art. Contributions in Drama<br />
and Theatre Studies 47”, New York: Greenwood Press, 1992.<br />
The Art of <strong>Puppetry</strong> in the Age of Media Production. Puppets, Masks, and Performing<br />
Objects. Ed. John Bell. Cambridge MA: MIT Press, 2001, pp. 172-185 (Original publication<br />
in The Drama Review 43.3, Fall 1999, pp. 182-95).<br />
The Actor Occluded: Puppet Theatre and Acting Theory. Theatre Topics 6.2, September<br />
1996, pp. 109-119.<br />
The Appeal of the Puppet: God or Toy? The Language of the Puppet. Ed. Laurence<br />
R. Komintz. Vancouver, WA: Pacific <strong>Puppetry</strong> Center Press, 1990, pp. 11-16.<br />
<strong>Research</strong>:<br />
The Challenge of World Drama History.<br />
167
158. TOPCHIEVA POZZATO, Miroslava (Ms.)*<br />
Address:<br />
Via Europa 2<br />
36066 Sandrigo<br />
Vicenza<br />
Italy<br />
Telephone: 00359 2 68 84 35<br />
E-mail: mtopchieva@yahoo.com<br />
List of publications:<br />
Shinel – Again Is the Top in the International Festival. In Kultura – newspaper, 4.7.1995.<br />
An Woth – Screenplayer on Broadway. In Theatre, 1995, No. 1-2.<br />
Architect Ivan Zonev – Puppet Screenplayer. In Theatre, 1995, No. 7-8.<br />
Profesor Atanas Ilkov – the Producer. In Theatre, 1996, No. 3-4.<br />
A Confession ahead the Screen. In Theatre, 1997, No. 8-9.<br />
The New Direction of the Golden Dolphin. In Theatre, 1999, No. 9-10.<br />
Maia Bezanska – the “Duck”, Begimot Or New Lolita. In Theatre, 2000, No. 1-2.<br />
About the performance The Legend of Aida. State Puppet Theatre, Gabrovo (BG),<br />
Literaturen Vestnik, 12/6/2002, No. 23.<br />
About the performance The legend of Aida. State Puppet Theatre, Gabrovo (BG), Spisanie<br />
Teatar, May and June 2002, No. 5-6.<br />
Commedia dell'arte made in BG, at Venice's Biennale. Radio Vaticana – web text version<br />
5/8/2006 www.oecumene.radiovaticana.org/BRA/Articolo.asp?c=89958<br />
159. TRIMINGHAM, Melissa Dr. (Ms.)<br />
Address:<br />
University of Kent UK<br />
School of Arts<br />
Jarman Building<br />
University of kent<br />
Canterbury<br />
CT2 1UG<br />
UK<br />
Telephone: 01227 823560<br />
E-mail: M.F.Trimingham@kent.ac.uk<br />
List of publications:<br />
A Methodology for Practice as <strong>Research</strong>. Studies in Theatre and Performance, 22.1, 2002.<br />
168
Sehr geehrter Herr Schlemmer (A Letter to Oskar Schlemmer). Occasioned by a<br />
Performance of the Bauhaustanze at the Dessau Bauhaus 1928, Performance <strong>Research</strong> 9.1,<br />
2004, pp. 81-98.<br />
Oskar Schlemmer's <strong>Research</strong> Practice at the Dessau Bauhaus. Theatre <strong>Research</strong><br />
International, 29.2, 2004, pp. 128-142.<br />
Objects in Transition: the Puppet and the Autistic Child. Journal of Applied Arts and Health,<br />
1.3, 2010, pp. 251-265.<br />
The Theatre of the Bauhaus: the Modern and Postmodern Stage of Oskar Schlemmer.<br />
Routledge, 2010.<br />
160. TSCHUDIN, Jean-Jacques (Mr.)*<br />
Address:<br />
49, rue Gabriel Péri<br />
F – 91300 Massy<br />
France<br />
Telephone: 01.69.30.16.79<br />
E-mail: tschudin@paris7.jussieu.fr<br />
List of publications:<br />
(Published Work Since 1995)<br />
Le kabuki devant la modernité (Kabuki on the Edge of Modernity). L'Age d'Homme,<br />
Lausanne, 1995, 350 pp.<br />
Early Meiji Kabuki and the Western Theatre; a rendez-vous manqué. In Kabuki, Changes<br />
and Prospects, Tokyo, National Institute of Cultural property, 1998, pp. 183-192.<br />
Danjûrô's Katsurekigeki Realistic Theater and the Meiji Theater Reform Movement. In Japan<br />
Forum, London, Routledge, 1999, pp. 83-94.<br />
Le théâtre en territoire interdit ou la mise en scène de la guerre sino-japonaise (Theatre on<br />
Forbidden Territory or Directing the Sino-Japanese War). In La Nation en marche, Editions<br />
Picquier, Arles, 1999, pp. 181-198.<br />
The French Discovery of traditional Japanese theatre. In Japanese Theatre & the<br />
International Stage, Brill, Leiden, 2001, pp. 43-58.<br />
Jô o kataru – raconter les sentiments (Jô o kataru – Retelling the Sentiments). Texte du<br />
programme de la Maison de la Culture du Japon à Paris, octobre 2003.<br />
Opera Asakusa: le drame lyrique à la conquête d'un public populaire (Opera Asakusa: Lyrical<br />
Drama on the Conquest of the General Public). In La Modernité à l'horizon, Editions Picquier,<br />
Arles, 2004, pp. 169-189.<br />
Le Kabuki enflamme la cité (Kabuki Kindles in the City). Telerama hors série: Estampes<br />
Japonaises, Paris, 2004, pp. 42-46.<br />
169
La guerre russo-japonaise sur les scènes et les écrans japonais (Russo-Japanese War on<br />
Japanese Scenes and Screens). In La guerre russo-japonaise: faits et imaginaires, Ed.<br />
Kaikash, Paris, 2005, pp. 461-475.<br />
161. TSITOU, Fay (Ms.)<br />
Address:<br />
Athens University Museum<br />
Tholou 5,<br />
105 56 Athens<br />
Greece<br />
Puppet Theatre Company the Divers<br />
Orminiou 6<br />
115 28 Athens, Greece<br />
Telephone: +30 2117100374, +30 6973746809<br />
E-mail: ftsitou@gmx.net<br />
Web: http://museumpuppetry.wordpress.com/<br />
List of publications:<br />
Breaking out of the Box. An investigation on museum puppetry in British museums,<br />
Animations on line, ed. 27, Summer 2009, Puppet Center Trust, London (http://<br />
www.puppetcentre.org.uk/animationsonline/aotwentyseven/feat_breakingout.html).<br />
Robert Poulter’s New Model Theatre in Museums. <strong>Puppetry</strong> International, Issue 29, Spring<br />
& Summer 2011, <strong>Unima</strong> USA.<br />
<strong>Research</strong>:<br />
PhD Candidate (Royal Holloway, University of London): <strong>Puppetry</strong> in museum communication<br />
and interpretation (see also http:// museumpuppetry.wordpress.com).<br />
162. UENO-HERR, Michiko (Ms.)*<br />
Address:<br />
1026 Kalo Place Apt. 608<br />
Honolulu<br />
Hawaii 96826<br />
USA<br />
Telephone: 808 955 7298<br />
Fax: 808 955 7298<br />
E-mail: uenoherr@verizon.net<br />
List of publications:<br />
An Introduction to the Art of Bunraku. The Language of the Puppet. The Pacific <strong>Puppetry</strong><br />
Center Press, 1990.<br />
The Artists behind the Scenes. Bunraku Puppet Theatre of Japan, 1992.<br />
Les Apprentis Bunraku: une vie pour apprendre. Puck, No. 7, 1994.<br />
170
Masters, Disciples, and the Art of the Bunraku Puppeteer’s Performance. Ph.D. diss.<br />
University of Hawaii, 1995, 374 pp. (Publication available from UMI Dissertation Express<br />
(Order Number #9615558), published year 1996.<br />
La Marionnette Traditionnelle au Japon: une vue d"ensemble (Traditional <strong>Puppetry</strong> in Japan:<br />
an overview). Marionnettes en Territoire Japonais, 1997.<br />
A Lifetime of Training. <strong>Puppetry</strong> International, Fall 1999.<br />
163. UNO, Koshiro (Mr.)<br />
Address:<br />
c/o Foundation Modern Puppet Center,<br />
3-10-31, Ida, Nakahara-ku, Kawasaki-shi, KANAGAWA 211-0035<br />
Japan<br />
Telephone: +81 (0)44 777 2228<br />
Fax: +81 (0)44 777 3570<br />
List of publications:<br />
Symposium-Chikamatsu Monzaemon and Modern <strong>Puppetry</strong>. Collective writing. Foundation<br />
Modern Puppet Center, 1978.<br />
Traditional <strong>Puppetry</strong> in Today. Bansei-shobo, 1981<br />
Report: Chondara, Traditional <strong>Puppetry</strong> in Okinawa. Foundation Modern Puppet Center,<br />
1983.<br />
Karakuri Puppets in Japan. Foundation Modern Puppet Center, 1988.<br />
Invitation to the World of Chikamatsu Monzaemon. Collective writing. Gakugei-shorin, 1989.<br />
The History of the Stage of Ningyo-Joruri. Collective writing. Yagi-shoten, 1991.<br />
Puppets: Haunted by Falsehood and Truth. Gin’nosuzu-sha, 1999.<br />
Handbook: Japanese Traditional <strong>Puppetry</strong>. Gin’nosuzu-sha, 2003.<br />
164. Dr. UVAROVA, Irina P. (Ms.)<br />
Address:<br />
Ul. Novo-Pestchanaya 3, apt. 52<br />
125057 Moscow<br />
Russia<br />
Telephone: (7 499) 190 15 30<br />
E-mail: boite1@mail.ru<br />
List of publications:<br />
Smeiutsya v cazhdoy kukle charodey (Magician Laughs in Every Puppet). Book. Moscow:<br />
RGGU (Russian State Humanitarian Institute), 220 pp. (Russian).<br />
171
Vertep-Misteriya Rozhdestva (The Nativity Play – Mystery of Christmas). Book. Moscow:<br />
Progress-tradition, 2012, 100 pp. (Russian).<br />
Lilikanskiy proekt (Lilican Project). In Voprosy teatra (Theatre questions), Moscow, Institut<br />
iskusstvoznaniya (Art History Institute), No. 1-2, 2009, pp. 81-98 (Russian).<br />
Balagan beechen (Show is Timeless). In Voprosy teatra, Moscow, Institut iskusstvoznaniya,<br />
No. 1-2, 2009, pp 265-285 (Russian).<br />
Zolotoy kluchik i Serebrianniy vek (Golden Key and Silver Century). In Voprosi teatra,<br />
Moscow, Institut iskusstvoznania, No. 1-2, 2009 (Russian).<br />
Svertki i spirali (Parcels and spirals). Materials of “Live puppet” conference, Moscow, RGGU,<br />
2009 (Russian).<br />
<strong>Research</strong>:<br />
Chief editor and author of numerous articles in 11 issues of “KukArt” magazine edited during<br />
1990 – 2000 and 8 digests according to the results of “Laboratory of puppet theatre directors<br />
and artists” leaded by Dr. Uvarova.<br />
165. Van der MIEDEN, Otto (Mr.)<br />
Address:<br />
Kerkweg 38<br />
8193 KL<br />
Vorchten<br />
Netherlands<br />
Telephone: +31(0)578 - 63 13 29/56 02 39<br />
Fax: +31(0)578 - 56 06 21<br />
E-mail: info@poppenspelmuseum.nl<br />
Web: www.poppenspelmuseum.nl<br />
www.geheugenvannederland.nl/poppenspel2<br />
www.poppenspelmuseum.nl/onderwijs<br />
www.poppenspel.info<br />
www.poppenspelmuseumbibliotheek.nl<br />
List of publications:<br />
Kakemono: Tsukioka Sessai (175-?-1839). Essay about a Japanese scroll painting with<br />
a Bunraku figure.<br />
Die Handpuppe, die Stockpuppe ... usw: Puppentheater-Techniken. Essay about puppetry<br />
techniques.<br />
Traditionele volkspoppentheatertechnieken en –figuren (Traditional Folk Puppet Theatre).<br />
(Video and YouTube) Essay.<br />
Klein poppentheater-abc (26 namen, begrippen, figuren en technieken) (Small ABC of<br />
<strong>Puppetry</strong>). Essay.<br />
Erfgoed en poppentheater (geschiedenis in Nederland na 1945) (Puppen- und bildendes<br />
Theater in den Niederlanden). Essay about the history of Dutch puppetry after 1945.<br />
Poppenspe(e)ltechnieken en –figuren. (Prints and Texts on Folk Puppet Theatre). Essay.<br />
172
Placemat met Mr Punch, zijn vrouw Judy, Toby de hond en publiek (Placemat with Mr.<br />
Punch, His Wife Judy, Their Dog Toby and Passersby). Essay.<br />
Poppenspe(e)lpastiche: spel van illusie en werkelijkheid. Expositieteksten en<br />
-afbeeldingen (Exposition pastiche du théâtre de marionettes). Ausstellung<br />
Puppenspielpastiche: ein Spiel von Illusion und Wirklichkeit. Under the name <strong>Puppetry</strong><br />
Pastiche, texts in Dutch and German about an exhibiting of a series of cardboard table-top<br />
theatres with scenes which are a pastiche – i.e. an imitation of the style of an artist or<br />
a period – of illustrations and photographs from the museum's collection. Essay.<br />
Author: Hetty Paërl and Otto van der Mieden.<br />
Rien Baartmans (1937-1993): de avonturen van een poppenspeler. Essay about the<br />
adventures of a Dutch puppeteer.<br />
Poppenspe(e)lkwartet: Heb jij voor mij de baby van Katrijn. (<strong>Puppetry</strong> Happy Families Game:<br />
Have you Got Judy’s Baby?) Book and game. Author: Hetty Paërl and Otto van der Mieden.<br />
Pulcinella: een Napolitaanse schelm (Pulcinella in Illustrations and Puppets: a Neapolitan<br />
Scoundrel). Images et marionnettes de Pulcinella/Pulcinella in Drucken und Puppen.<br />
Book. Author: Hetty Paërl and Otto van der Mieden.<br />
Anton Anderle (1944-2008). Een Slowaakse stangpoppentheaterdynastie. A rod-marionette<br />
and Anton Anderle. (A Slovak rod puppet dynasty). Essay.<br />
Poppentheater-abc: een encyclopedie over het (volks)poppenspel (A Dutch-language ABC<br />
of <strong>Puppetry</strong> with Nearly Five Hundred Entries). This section contains an explanation of the<br />
terms, expressions, concepts, puppetry techniques, characteristic puppet theatre figures and<br />
important people. Author: Hetty Paërl and Otto van der Mieden.<br />
Teun Hocks, spelen met foto's: geënsceneerde fotografie van Teun Hocks (Teun Hocks,<br />
Male Figure). Teun Hocks, le bonhomme. Teun Hocks, das Männchen. L'art de jouer avec<br />
les photos: photos mises en scène de Teun Hocks'. Teun Hocks (1947) is the creator of<br />
photographic situations, a tinkerer, scenery designer, photographer, director, painter, and the<br />
leading man in his own creations. Essay.<br />
Fluwelen eindje: De spiegel van het leven: monografieënreeks over het volkspoppenspel<br />
(Various Prints and Texts on Folk <strong>Puppetry</strong>). Monographs. Author: Hetty Paërl and Otto van<br />
der Mieden.<br />
Pulcinella, een Napolitaanse clown (Pulcinella, a Neapolitan Clown). A mask to make<br />
yourself and a Dutch language book about this figure from the Italian commedia dell'arte.<br />
Book. Author: Otto van der Mieden and Hetty Paërl.<br />
Het gezicht van Jan Klaassen. Hij lacht zich een bult (Jan Klaassen’s Face. His Hump Is<br />
Shaking with Laughter). Das Gesicht von Jan Klaassen. Er kriegt vor Lauter lachen einen<br />
Buckel. Book. Author: Hetty Paërl and Otto van der Mieden.<br />
Sites<br />
http://www.poppenspelmuseumbibliotheek.nl/Poppentheater-abc.html<br />
Poppentheater-abc. A Dutch-language ABC of <strong>Puppetry</strong> with nearly five hundred entries.<br />
This section contains an explanation of the terms, expressions, concepts, puppetry<br />
techniques, characteristic puppet theatre figures and important people.<br />
Author: Otto van der Mieden and Hetty Paërl.<br />
173
http://www.poppenspelmuseumbibliotheek.nl/Techniek.html<br />
Poppenspe(e)ltechnieken en -figuren. <strong>Puppetry</strong> techniques and characters, a Dutchlanguage<br />
educational series that highlights folk and mainstream puppet theatre.<br />
See also: http://www.poppenspelmuseumbibliotheek.nl/pdf/pamflet118d.pdf.<br />
Author: Elsje Zwart and Otto van der Mieden.<br />
http://www.poppenspelmuseumbibliotheek.nl/Pastiche.html<br />
Poppenspe(e)lpastiche (Puppenspielpastiche). Under the name <strong>Puppetry</strong> Pastiche, we are<br />
exhibiting a series of cardboard table-top theatres with scenes which are a pastiche – i.e.<br />
an imitation of the style of an artist or a period – of illustrations and photographs from the<br />
museum's collection. Essay. Author: Hetty Paërl and Otto van der Mieden.<br />
http://www.poppenspelmuseumbibliotheek.nl/Pamflet.aspx<br />
Through our so-called <strong>Puppetry</strong> Museum Pamphlets ('Poppenspe(e)lmuseumpamfletten') we<br />
announce matters of interest relating to folk and mainstream puppet theatre. Moreover, these<br />
pamphlets sometimes also inform visitors about theme exhibitions and activities in the<br />
<strong>Puppetry</strong> Museum. Some of the Dutch pamphlets are also published in French, German and<br />
English and are available in pdf format. Essay. Author: Otto van der Mieden and Hetty Paërl.<br />
http://www.poppenspelmuseumbibliotheek.nl/Doepak.aspx<br />
Doepak (Dupák) is the Dutch-language <strong>Puppetry</strong> Museum Newsletter<br />
('Poppenspe(e)lmuseumkruimelkrant'), an educational multicoloured leaflet full of interesting<br />
facts, things to do, and illustrations of puppet theatre. The <strong>Puppetry</strong> Museum Scribblings<br />
('Kruimelkrantkrabbels') are an added extra, which often invite you to explore the Try it<br />
yourself? activity. Some of the Dutch 'Kruimelkrantkrabbels' are also published in French,<br />
German and English and are available in pdf format. Essay.<br />
Film<br />
http://vimeo.com/27862356 (running time: 65 minutes).<br />
Audiovisual presentation: Poppenspe(e)lkwartet (<strong>Puppetry</strong> Happy Families game).<br />
In 1990, Hetty Paërl created Heb jij voor mij de baby van Katrijn? (Have you got Judy’s<br />
baby?) in cooperation with Otto van der Mieden. In 1994, we produced an audiovisual<br />
information system based on this Poppenspe(e)lkwartet (<strong>Puppetry</strong> Happy Families game).<br />
An adapted recording is shown under the Dutch title 'Traditionele<br />
volkspoppentheatertechnieken, -figuren en -attributen' (Traditional folk puppet theatre<br />
techniques, characters and objects). Animations, music, sound effects, illustrations, and<br />
Dutch commentary are presented to the viewer in a highly innovative way.<br />
166. VARAYALIL, Ajithkumar (Mr.)<br />
Address:<br />
Natyadarsana Puppet Theatre<br />
17/153, Thriveni<br />
Bank Road, Calicut<br />
Kerala 673 001<br />
India<br />
Telephone: +91 9496890938<br />
E-mail: natyadarsana@gmail.com<br />
List of publications:<br />
Published numerous articles about puppetry in various magazines and newspapers.<br />
174
Pavanatakam Charithravum Prayogavum (Puppet Theatre History and Practice). State<br />
Institute of Languages, Kerala, India, June 2006 (Malayalam language).<br />
Pavakaliyude Prayogam Vidyabhyasathil (Usage of <strong>Puppetry</strong> in Education). Natyadarsana<br />
Centre for <strong>Puppetry</strong> and Performance <strong>Research</strong>, Calicut, India, March 2008 (Malayalam<br />
Language).<br />
<strong>Research</strong>:<br />
Performing with puppets and objects: Scope and Limits.<br />
Nokkuvidya – The Traditional String <strong>Puppetry</strong> of Kerala and Influences of Other Folk<br />
Performing Arts.<br />
Transforming Traditional <strong>Puppetry</strong> in to Modern with reference of South Indian Leather<br />
<strong>Puppetry</strong> (<strong>Research</strong> Project – Junior research Fellow, Cultural department, Govt. of India).<br />
Written and Directed Video film:<br />
A Journey With <strong>Puppetry</strong>. A documentary film about the puppet theatre of Kerala.<br />
167. VÄRK, Eike (Ms.) *<br />
Address:<br />
Gonsiori 28-30<br />
10128 Tallinn<br />
Estonia<br />
Telephone: +372 56 696687<br />
E-mail: eikevark@hot.ee<br />
List of publications:<br />
History of Professional <strong>Puppetry</strong> in Estonia. Tallinn University, 1999.<br />
168. VENU, G. (Mr.)*<br />
Address:<br />
Natana Kairali<br />
(<strong>Research</strong> and Performing Centre for Traditional Arts)<br />
Ammannur Chakyar Madhom<br />
Irinjalakuda P.O.<br />
680121, Trichur, Kerala<br />
India<br />
Telephone: +91 488 825559<br />
Fax: +91 488 828173<br />
E-mail: venuji@satyam.net.in<br />
List of publications:<br />
Revival of Traditional Puppet Theatre of Kerala. First Edition 1985, ILFK, California.<br />
<strong>Puppetry</strong> and Lesser Known Dance Traditions of Kerala. First Edition 1990, Natanakairali,<br />
Kerala.<br />
Tolpava Koothu – Shadow Puppet of Kerala. First Edition 1990, Sangeet Natak Akademi,<br />
New-Delhi.<br />
175
169. VERDONIK, Maja PhD (Ms.)<br />
Address:<br />
Medovićeva 12<br />
HR – 51000 Rijeka<br />
Croatia<br />
Telephone: 00385 91 7658554 (cell.)<br />
E-mail: mverdonik@yahoo.com<br />
Web: http://mverdonik.weebly.com<br />
Institution:<br />
Faculty of Teacher Education, University of Rijeka, Croatia<br />
List of publications:<br />
From the History of <strong>Puppetry</strong> in Rijeka. In Philological Days in Rijeka, Collection of scientific<br />
Papers, Faculty of Philosophy, Rijeka, Croatia, 2008.<br />
Tales from Long Ago by Ivana Brlić-Mažuranić on the Stage of City Puppet Theatre Rijeka.<br />
In Fluminensia, Magazine for philological researches, 21/1/1-234, Rijeka, Croatia, 2009.<br />
The Memoires of City Puppet Theatre Rijeka (1960 – 2010). City Puppet Theatre Rijeka,<br />
Croatia, 2010.<br />
170. VIEIRA, Luís (Mr.)<br />
Address:<br />
CAMa – Centro de Artes da Marioneta<br />
Convento das Bernardas - Rua da Esperança, 152<br />
1200 - 660 Lisboa<br />
Portugal<br />
E-mail: luisvieira@tarumba.org<br />
Web: www.tarumba.org<br />
List of publications:<br />
As marionetas fazem parte da nossa vida, da nossa cidade… (Puppets Are Part of Our<br />
Lives, of Our City…) Vieira, Luís & Ribeiro, Rute, in Festival Internacional de Marionetas e<br />
Formas Animadas: FIMFA Lx Edição Comemorativa dos 10 Anos. Lisboa: A Tarumba –<br />
Teatro de Marionetas: EGEAC/Museu da Marioneta, 2010.<br />
Portugal; António José da Silva, o Judeu. Vieira, Luís & Ribeiro, Rute. In Encyclopédie<br />
Mondiale des Arts de la Marionnette. Montpellier: Éditions l´Entretemps: UNIMA, 2009.<br />
Marioneta, títere, fantoche, roberto, bonifrate, bonecro... (Marionette, títere, puppet, roberto,<br />
bonifrate, bonecro...) In Museu da Marioneta de Lisboa: Catálogo de Exposição. Lisboa:<br />
EGEAC, 2005.<br />
Teatros de Papel (Paper Theatres). In Percursos do CAI 10. Lisboa: Fundação Calouste<br />
Gulbenkian, 1994.<br />
176
171. Dr. VIGATO, Teodora (Ms.)<br />
Address:<br />
Sveučilište u Zadru<br />
Odjel za izobrazbu učitelja i odgojitelja<br />
Tuđmanova 24 i<br />
Zadar<br />
Croatia<br />
Telephone: 023 235096<br />
E-mail: teodora.vigato@zadar.net<br />
List of publications:<br />
Lutkarska predstava – Od ideje do izvedbe (Puppet Show – from Idea to Performance).<br />
Školski vjesnik, časopis za pedagoška iškolska pitanja, Vol. 48, No. 1, 1999, pp. 63-68.<br />
Dvije poetike zadarskog kazališta lutaka (Two Poetics of the Zadar Puppet Theatre). Zbornik<br />
radova Visoke učiteljske škole u Zadru, god. 1, No. 1, Zadar, 2001, pp. 5-19.<br />
Mogućnosti primjene lutkarskih tehnika u nastavi (Application of Puppet in Teaching Proces).<br />
Školski vjesnik, časopis za pedagoška i školska pitanja, Vol. 49, No. 2, 2000, pp. 225-233.<br />
Srednjovjekovna drama Muke svete Margarite u izvedbi zadarskog kazališta lutaka (The<br />
Medieval Drama the Passion of St. Marguerite Performed by the Zadar Puppet Theatre).<br />
Zbornik radova sa znanstveno-stručnog skupa Živa baština, Visoka učiteljska škola u Zadru,<br />
Zadar, 2002, pp. 11-21.<br />
O repertoaru Kazališta lutaka u Zadru (On the Repertory of the Zadar Puppet Theatre).<br />
Zbornik radova Visoke učiteljske škole u Zadru, God. 2, No. 2, Zadar, 2002, pp. 15-35.<br />
Teodora Vigato i Vedrana Valčić, Suvremena tehnologija kao pomoć u proučavanju povijesti<br />
lutkarstva (Modern Technology as an Aid in Teaching the History of <strong>Puppetry</strong>).<br />
Informatologija, Hrvatsko komunikološko društvo, Zagreb, 2003, pp. 138-142.<br />
Treća poetika Kazališta lutaka u Zadru (The Third Poetics of the Zadar Puppet Theatre).<br />
Zbornik radova Visoke učiteljske škole u Zadru, God. 3, No. 3, 2003, pp. 59-73.<br />
Rad za stolom u metodici lutkarstva (Desk Work in the <strong>Puppetry</strong> Methodics). Vol. 5, No. 9.<br />
2/2004, pp. 316-322.<br />
Lutkarski izraz u teatrabilnim oblicima folklora (<strong>Puppetry</strong> Expressions in the Theatrical Forms<br />
of Folklore). Narodna umjetnost. Hrvatski časopis za etnologiju i folkloristiku, 44/2, 2007, pp.<br />
147-165.<br />
Hrvatski autori na zadarskoj lutkarskoj sceni (The Presence of Croatian Authors in the<br />
Repertory of the Zadar Puppet Theatre). Magistra Iadertina, god. 2, No. 2, 2007,<br />
pp. 121-131.<br />
Teodora Vigato i Vedrana Valčić, Lutkarski film: umjetnost tehnologije (Puppet Movies: The<br />
Art of Technology). In Kultura lutkarstva, urednik Radoslav Lazić, Beograd, 2007,<br />
pp. 127-134.<br />
Medijska kultura i obrazovanje učitelja – Znakovi u kazalištu lutaka (Media Culture and the<br />
Education of Teachers – Signs in the Puppet Theatre). In Propedeutika lutkarstva, urednik<br />
Radoslav Lazić, Beograd, 2007, pp. 57-63.<br />
177
Principi lutkarske dramaturgije u Kazalištu lutaka Zadar (The Principles of Puppet<br />
Dramaturgy). Croatica et Slavica Iadertina, Vol. 4, 2008, pp. 479-495.<br />
Poljsko-hrvatske lutkarske veze (Polish-Croatian <strong>Puppetry</strong> Relations). Hum, god. 4, No. 4,<br />
2008, pp. 228-251.<br />
O svjetlu ili skica za portret dizajnera svjetla Ive Nižića (On Stage Light Or Portrayal of Light<br />
Designer Ivo Nižić). Magistra Iadertina, Vol. 4, No. 4, 2009.<br />
Europsko i folklorno u komedijama Tituša Brezovačkog (European and Folk Elements in<br />
Tituš Brezovački's Comedies). Zbornik radova: IX. Međunarodni kroatiskički znanstveni skup,<br />
Pečuh 2010.<br />
Scenografija Kazališta lutaka Zadar (Scenography of Zadar Puppet Theatre). Magistra<br />
Iadertina, Vol. 5, No. 5, 2010.<br />
Svi zadarski ginjoli (All the Guignols of Zadar). Sveučilište u Zadru i Kazalište lutaka Zadar,<br />
Zadar, 2011.<br />
172. Dr. VLADOVA, Elena (Ms.)<br />
Address:<br />
53 Neofit Rilsky str.<br />
Sofia 1000<br />
Bulgaria<br />
Telephone: +359 2 981 1892<br />
E-mail: act@bgcict.acad.bg<br />
Institution:<br />
Bulgarian Academy of Science, Institute for Science of Art<br />
Section for History and Theory of Theatre<br />
21 Krakra str., Sofia 1000<br />
Bulgaria<br />
Telephone: ++359 2 9442414, ++359 2 9441969<br />
Fax: ++359 2 9433092<br />
E-mail: act@bgcict.acad.bg<br />
List of publications:<br />
Balgarskata kuklena piesa ot Modernostta do 90-te godini na 20 vek (Tekstove za kuklen<br />
teatar v Bulgaria do 90-te godini na XX vek). (The Bulgarian Puppet Play since Modernity<br />
till the 90s of the 20th Century. (Texts for Puppet Theatre in Bulgaria until the 90s of XX<br />
Century). Simolini Publishers, Sofia, 2009.<br />
Pomnim li uchitelite si? Za Binka Miteva (Do We Remember Our Teachers? About Binka<br />
Miteva). Teatar, No. 7-9, 2004.<br />
Psihologicheska distantsiya i sblizhavane s kukleniya personazh – osnovna tehnika na<br />
aktyora v kukleniya teatar (Psychological Distance and Convergence of the Puppet<br />
Characters – the Basic Techniques of the Actor in the Puppet Theatre). Homo Ludens,<br />
No. 10, 2004, pp. 229-236.<br />
178
Tehnika na aktyorskoto maystorstvo za kuklen teatar (Romantizam. Modernizam i vremeto<br />
Sled-tova za aktyora v kuklenia teatar do 90-te godini na 20-ti vek) (Technique of Acting for<br />
Puppet Theatre (Romantism, Modernism and the Time After – about the Actor in the Puppet<br />
Theatre till the 90s of 20th Century)). Sofia, 2004.<br />
Raina Katzarova i Bulgarskia folkloren kuklen teatar (Raina Katzarova and Bulgarian Folklore<br />
Puppet Theatre). Bulgarsko muzikoznanie magazine. Sofia, Vol. 4/2001, pp. 49-53 with illus.<br />
(Bulgarian, summary in English).<br />
Nakade sochi horizontat? (Where Does the Horizon Point to?) Problem! na izkustvoto<br />
magazine, Sofia, Vol. 2, 2001 pp. 46-48 (Bulgarian, summary in English).<br />
5 Disenadores Bulgaros. Titikijai, 2000, 18 Nazioarteko txotxongilo jaialdia, 18 Festival<br />
International de Marionetas, Tolosa 25/11/00 – 3/12/00, pp. 3-15, Spain (Spanish).<br />
Diseinatzaile Bulgarian. Titikijai, 2000, 18 Nazioarteko txotxongilo jaialdia, 18 Festival<br />
International de Marionetas, Tolosa 25/11/00 – 3/12/00, Cat, pp. 3-15, Spain (Bask).<br />
Kukli I folklor (Puppets and Folklore). IK "Ivan Vazov", Sofia, 2000, 128 pp. with illus.<br />
(Bulgarian).<br />
Istoria na misalta za kuklen teatar v Bulgaria (1892 – 1972) (History of Thought of Puppet<br />
Theatre in Bulgaria 1892 – 1972). Institut za izkustvoznanie, Bulgarska akademia na naukite,<br />
Sofia, 2000, 135 pp. with illus. (Bulgarian) (Doctoral thesis for Doctor of Science).<br />
Maestroto – arh. Ivan Tzonev (Maestro Arch. Ivan Tzonev). Teatar, Vol. It2/1992, pp. 4-5<br />
(Bulgarian).<br />
Hainrih fon Klaist, George Sand, Gordon Craig i supermarionetkata (Heinrich von Kleist,<br />
George Sand, Gordon Craig and the Ubermarionette). Teatar, Sofia, Vol. 10, tlltl2/1998,<br />
pp. 4-6 (Bulgarian).<br />
Supermarionetkata na Eduard Gordon Craig I teatralnia opit na Shirley MacLaine ot Novata<br />
Epoha (Ubermarionette of Edward Gordon Craig and the Theatrical Experiment of Shirley<br />
MacLaine from New Age). Problem! na izkustvoto magazine, Sofia, Vol. 2/1998, pp. 41-43<br />
(Bulgarian, summary in German).<br />
Teatralno-kriticheskata misal v Balgariya i kukleniya teatar (Theatre Critical Thought in<br />
Bulgaria and Puppet Theatre). Sofia,1997<br />
Blagoslovia na kuklite (Blessing of the Puppets). Saiuz na aristite v Bulgaria, Sofia, 1997,<br />
176 pp. with illus. (Bulgarian).<br />
Teatralno-kriticheskata misa. 1 v Bulgaria I kuklenia teatar (Theatrical critique Reflection<br />
in Bulgarian Puppet Theatre). Gea, 2000, Sofia, 1997, 71 pp. with illus. (Bulgarian).<br />
Sabitieto theater Albena (The Event – Theatre "Albena"). Theatre magazine, Sofia,<br />
Vol. 10tlltl2/1997, p. 23 (Bulgarian).<br />
Bog Ebisu ot laponia blagoslovi Bulgaria za shtastie (God Ebisu from Japan Blessed<br />
Bulgaria with Happiness). Teatar, Sofia, Vol. It2/1995, p. 32 (Bulgarian).<br />
Veseloto nachalo (1924 – 1944) (The Merry Beginning 1924 – 1944). Teatar, Sofia,<br />
Vol. 5t6/1994, p. 18 (Bulgarian).<br />
179
Mara Penkova – lelkata (Mara Penkova – Auntie). Teatar, Sofia, Vol. 5t6/1994, pp. 18-19,<br />
with illus. (Bulgarian).<br />
Liuben Saev i kuklenoto izkustvo (1904 – 1994g) (Liuben Saev and Puppet Art (1904 –<br />
1994)). Teatar, Sofia, Vol. 516/1994, pp. 9-20 (Bulgarian).<br />
Ritual-igra-teatralna igra (Ritual – Play – Theatre Game). Problemi na izkustvoto, No. 4,<br />
1993.<br />
Izkustvoto – Narodno predpriyatie ili Razvitieto na kukleniya teatar v Balgariya sled<br />
Osvobozhdenieto 1892 (The Art – Folk Legend Or Development of Puppet Theatre in<br />
Bulgaria after the Liberation 1892). Teatar, No. 5 and 6, 1991.<br />
Tvorchestvoto na aktyora v kukleniya teatar (Creativity of the Actor in the Puppet Theatre).<br />
Thesis. Sofia, 1975.<br />
<strong>Research</strong>:<br />
The Actor Art for Puppet Theatre in Bulgaria. Institute for Art Science, Bulgarian Academy<br />
of Science.<br />
173. WANG, Ragnhild (Ms.)<br />
Address:<br />
Suhmsgt 12a,<br />
0362 Oslo<br />
Norway<br />
E-mail: teaterm@online.no<br />
Institution:<br />
The Theatre Museaum Of Oslo<br />
Christiania Torv<br />
1 0151 Oslo<br />
Norway<br />
Telephone: 47/ 22 42 65 09<br />
Fax: 22 42 45 62<br />
E-mail: teaterm@online.no<br />
List of publications:<br />
Quality Assessment and the Puppet Theatre (How to Evaluate Performances for Children).<br />
University of Oslo, Spillerom, No. 46, 1993.<br />
The Magic Hand. Figure theatre and puppet play through the ages, edit: Pax publisher,<br />
Oslo, 2000.<br />
180
174. Dr. WASZKIEL, Halina (Ms.)<br />
Address:<br />
15-689 Bialystok<br />
Pietkiewicza Street 4 D/19<br />
Poland<br />
Telephone: +48 85 878 98 68, +48 508 322 289 (mobil)<br />
E-mail: hwaszkiel@windowslive.com<br />
Institution:<br />
Aleksander Zelwerowicz State Theatre Academy in Warsaw,<br />
Faculty of <strong>Puppetry</strong> Art in Bialystok<br />
Sienkiewicza Street 14<br />
15-092 Bialystok<br />
Poland<br />
Tel: +48 85 743 51 87<br />
Fax: +48 85 743 53 53<br />
E-mail: international@atb.edu.pl<br />
Web: www.atb.edu.pl<br />
List of publications:<br />
Siła animacji. Międzynarodowy Festiwal Sztuki Lalkarskiej, Bielsko-Biała 2008 (The Force of<br />
Animation. International Festival of <strong>Puppetry</strong> Art, Bielsko-Biala, Poland, 2008). Teatr Lalek,<br />
No. 2-3 (93-94), 2008, pp. 18-27 with illus., UNIMA – Poland, Łódź (Polish and English).<br />
Tygrys i Świnka. Genderowe i queerowe tropy w konstruowaniu obrazu rodziny we<br />
współczesnym teatrze lalek (A Tiger and a Piggy. The Picture of a Family in Contemporary<br />
Puppet Theatre – from the Gender and Queer Point of View). Dialog, No. 10, 2008, pp. 192-<br />
199 with illus., Warsaw, Poland (Polish).<br />
Teatr lalek, teatr animacji (Puppet Theatre, Theatre of Animation). Didaskalia, No. 88, 2008,<br />
pp. 31-35, Wrocław, Poland (Polish).<br />
Czy zwyczajność powinna być czymś podejrzanym? (rec. z „Historii całkiem zwyczajnej”<br />
Mariji Łado w Olsztyńskim Teatrze Lalek) (Should the Commonplace Be Suspicious? (The<br />
review on „Just an Ordinary Story” by Mariya Lado, Olsztyn Puppet Theatre, Poland)). Teatr<br />
Lalek, No. 1 (96), 2009, pp. 23-26 with illus., UNIMA – Poland, Łódź (Polish and English).<br />
Dramaty nie tylko dla ludzi (The Plays Not Only for Men). In „Dramat made (in) Poland.<br />
Współczesny dramat polski we współczesnej polskiej rzeczywistości” (Dramat Made (in)<br />
Poland. Contemporary Polish Drama in the Contemporary Polish Reality), ed. Wojciech<br />
Baluch. Księgarnia Akademicka, 2009, pp. 225-233, Kraków, Poland (Polish).<br />
Trzy perspektywy (o VI Międzynarodowym Festiwalu Solistów Lalkarzy, Łódź 2009) (Three<br />
Points of View. On the 6th International Festival of Solo Puppeteers, Łódź 2009, Poland),<br />
Teatr Lalek, No. 2 (97), 2009, pp. 15-20 with illus., UNIMA – Poland, Łódź (Polish and<br />
English).<br />
Skorupa. Lalki w “Turandot” Pawła Passiniego (A Broken Piece. Puppets in „Turandot” by<br />
Pawel Passini), Teatr, No. 2, 2010, pp. 63-65 with illus., Warsaw, Poland (Polish).<br />
Porozmawiaj z lalką. XXIV Międzynarodowy Festiwal Sztuki Lalkarskiej, Bielsko-Biała 2010<br />
(Talk with the Puppet. International Festival of <strong>Puppetry</strong> Art, Bielsko-Biala 2010). Teatr Lalek,<br />
No. 2-3 (100-101), 2010, pp. 14-23 with illus., UNIMA – Poland, Łódź (Polish and English).<br />
181
Ropuchowata kobiecość, czyli “Przekleństwo” Dudy Paivy (Toad Femininity. „Malediction”<br />
by Duda Paiva). Teatr, No. 10, 2010, pp. 70-72 with illus., Warsaw, Poland (Polish).<br />
Egy külföldi szemével a XV. Pécsi Nemzetkozi Felnöttbábfesztiválról (As Seen by a<br />
Foreigner. International Adult Puppet Festival, Pécs 2010). Art Limes, 2010.1, Báb-Tár X.,<br />
Tatabánya, Hungary, pp. 81-85 (Hungarian).<br />
Mewa w teatrze lalek („The Seagull” in Puppet Theatre). In „Czechow współcześnie”<br />
(Czechow in our Times), ed. Ryszard Strzelecki and Gerard Guźlak. Wydawnictwo<br />
Uniwersytetu Kazimierza Wielkiego, Bydgoszcz, Poland, 2010, pp. 241-247 (Polish;<br />
summary in Russian).<br />
Krabat, teatr lalek według Vogla („Krabat”. Puppet Theatre by Vogel). Teatr, No. 2, 2011,<br />
pp. 73-75 with illus., Warsaw, Poland (Polish).<br />
O tym, jak Miś wyrasta na Tygrysa w polskim teatrze lalek (How a Teddy Bear Grows up to<br />
Be a Tiger in the Polish Puppet Theatre). In “Inna Scena. Koniec męskości? Konstrukcje<br />
męskiej tożsamości w polskim dramacie i teatrze w perspektywie gender i queer” (Different<br />
Scena. The End of Masculinity? Structures of Male Identity in Polish Drama and Theatre,<br />
from the Perspective of Gender and Queer). Instytut Teatralny, Warsaw, Poland, 2011, pp.<br />
225-232 (Polish).<br />
Manekinacja (In the World of Mannequins). On “The Treaty on Mannequins” in Wierszalin<br />
Theatre). Dialog, No. 7-8, 2011, pp. 108-117 with illus., Warsaw, Poland (Polish).<br />
Lekarstwo na zło. Sztuki Marty Guśniowskiej (Remedy for Evil. Marta Gusniowska’s Plays).<br />
Teatr, No. 11, 2011, pp. 44-48 with illus., Warsaw, Poland (Polish).<br />
Dramaturgia lalkowa – kilka refleksji (Puppet Dramaturgy – Some Reflections). In „Teatr lalek<br />
i dziecko” (Puppet Theatre and a Child), ed. Elżbieta Rzewuska and Grażyna Słupczyńska.<br />
Maria Curie-Sklodowska University, Lublin, Poland, 2011, pp. 15-20 (Polish).<br />
Zawsze ciekawie. XXV Ogólnopolski Festiwal Teatrów Lalek, Opole, 2011 (It’s Always<br />
Exciting. National Puppet Theatre Festival, Opole, 2011). Teatr Lalek, No. 4 (106), 2011,<br />
pp. 14-21,with illus., UNIMA – Poland, Łódź (Polish and English).<br />
And some publications on the Polish theatre in XIX Century, especially the book Stanisław<br />
Bogusławski (the monography of the actor and playwright, Stanislaw Boguslawski, 1804-<br />
1870), Akademia Teatralna im. Aleksandra Zelwerowicza, Warsaw, 2010, 618 pp. (Polish;<br />
English summary).<br />
<strong>Research</strong>:<br />
Puppet dramaturgy and contemporary puppet theatre in Poland.<br />
175. Dr. WASZKIEL, Marek (Mr.)<br />
Address:<br />
15-689 Bialystok<br />
Pietkiewicza Street 4 D/19<br />
Poland<br />
Telephone: +48 85 878 98 68, +48 603 684 339 (mobil)<br />
E-mail: marekwaszkiel@hotmail.com<br />
182
Institution:<br />
Bialostocki Teatr Lalek / Bialystok Puppet Theatre<br />
Kalinowskiego Street 1<br />
15-875 Bialystok<br />
Poland<br />
Fax: +48 85 742 86 31<br />
Web: www.btl.bialystok.pl<br />
List of publications:<br />
Kinetozograficzny teatr Kuparenki (Kinetozographical Kuparenko’s Theatre). Pamietnik<br />
Teatralny, No. 1-2, 1996, pp. 88-117 with illus., Warsaw, Poland (Polish).<br />
Polskije mechaniczeskije szopki (Polish Mechanical Szopka). Kukart, No. 6, 1997, pp. 72-74,<br />
Moscow, Russia (Russian).<br />
Szopka oder Die kleine Sabotage. Das polnische Puppentheater im Zweiten Weltkrieg.<br />
In Frontpuppentheater. Puppenspieler Im Kriegsgeschehen. Herausgegeben von Dorothea<br />
Kolland und Puppentheater-Museum Berlin, Elefanten Press Berlin, Berlin 1997, pp. 205-213<br />
(German).<br />
100 Przedstawien Teatru Lalek. Antologia recenzji 1945 – 1996 (100 Performances of Polish<br />
Puppet Theatre. Anthology of the Critics, 1945 – 1996). Red. M. Waszkiel i L. Kozień, Łódź,<br />
1998, 320 pp. (Polish).<br />
The Worldwide Art Of <strong>Puppetry</strong> (L’art Mondial De La Marionnette). UNIMA 2000. Ed. by<br />
M. Waszkiel, P. Francis, A. Lecucq. UNIMA, 2000, 168 pp. with illus. (French and English).<br />
Kroftuv Don Quijote (Don Kichote by Krofta). In M. Klima, K. Makonj a kol., Josef Krofta:<br />
Inscenační dílo. Prazska scena, Praha 2003, pp. 177-180 (Czech).<br />
Der fahrende Mechaniker – Kuparenko. In Der Alltag Der Puppenspieler. Gesammelte<br />
Beitrage des Symposiums 1999 in Mistelbach im Weinviertel, 2003, pp. 181-200 (German).<br />
Teatr nasz, czyli jaki? (Our Theatre, or What Sort of a Theatre?) Teatr Lalek, No. 1, 2005,<br />
pp. 2-8. UNIMA – Poland, Łódź (Polish).<br />
Teatr lalek (Puppet Theatre). In: RAPORT O STANIE POLSKIEGO TEATRU DLA DZIECI<br />
I MŁODZIEŻY W LATACH 1989-2003 (Report on Polish Theatre for Children and Young<br />
People 1989-2003). Red. Zbigniew Rudziński, Juliusz Tyszka. Centrum Sztuki Dziecka,<br />
Poznań, 2005, pp. 23-37 (Polish).<br />
Kukła – lalka –animowana forma. Polski teatr lalek po 1945 (Kukla – Puppet – Animated<br />
Form. Polish Puppet Theatre after 1945). DIDASKALIA, Krakow (Poland), No. 90, April 2009,<br />
pp. 128-131; No. 91, June 2009, pp. 106-109; No. 92/93, August-October 2009, pp. 131-135;<br />
No. 95, February 2010, pp. 120-126 (Polish).<br />
Profissão: bonequeiro / Zawód: lalkarz, Móin-Móin.Revista de Estudos sobre Teatro de<br />
Formas Animadas, Universidade do Estado de Santa Catarina e Sociedade Cultura Artistica<br />
de Jaraguá do Sul (Brazil), 2009, No. 6, pp. 89-98 (Portuguese), pp. 99-104 (Polish).<br />
A Lengyel bábszínház (A 15. századtol a 20. század végéig). ART Limes, 2011.1 (Báb-Tár<br />
XII), Hungary, pp. 5-21 (Hungarian).<br />
183
Białostocki Teatr Lalek: jeden teatr – wiele oblicz / Białostocki Teatr Lalek: un teatro – varios<br />
rostros / Białostocki Teatr Lalek: one theatre – many faces / Białostocki Teatr Lalek: odin<br />
teatr – mnogo vidoizmenenij. Polish Presidency 2011. Texts and ed. by Marek Waszkiel, set<br />
design by Andrzej Dworakowski, BTL, Białystok 2011, 86 pp. (Polish, Spanish, English,<br />
Russian).<br />
<strong>Research</strong>:<br />
Contemporary puppetry art. Traditional puppetry.<br />
176. WATSON, Nenagh (Ms.)<br />
Address:<br />
Central School of Speech & Drama<br />
Embassy Theatre<br />
Eaton Avenue<br />
London<br />
NW3 3HY<br />
England<br />
Institution:<br />
Central School of Speech & Drama (CSSD)<br />
<strong>Research</strong> Department<br />
Telephone: 020 77 22 8183<br />
E-mail: Nenagh.Watson@cssd.ac.uk<br />
List of publications:<br />
From Loofah to Swazzle: The Influence of Japanese Puppet Theatre on a British<br />
Puppeteer. Puppet Notebook, Issue 15, Summer 2009.<br />
<strong>Research</strong>:<br />
The life and death of objects and puppets: immanence, intervention, presence and absence.<br />
177. WEI, Liqun (Mr.)<br />
Address:<br />
No. 113 Yuhua East Road<br />
School of Fine Arts and Design<br />
Hebei Normal University<br />
Shijiazhuang, Hebei Province<br />
China<br />
E-mail: weiliqun2000@yahoo.com.cn<br />
List of publications:<br />
Puppeteers in Luanzhou. Hansheng Folk Art, Vol. 31, 1991.<br />
Shadow <strong>Puppetry</strong> Arts in the Time of War. 9th National Folk Art Conference, October 1993.<br />
Current Situation and Future Trend of Shadow <strong>Puppetry</strong> in New Time. 10 th National Folk Art<br />
Conference, October 1993.<br />
184
Shadow Puppets in Luanzhou. Academic Journal of Hebei Normal University, Vol. 4, 1994.<br />
Donkey Shadow Puppet Art and Folk. Big Stage, Vol. 5, 1994.<br />
The Arts of Donkey Skin Shadow <strong>Puppetry</strong> and Folk. Big Stage, Vol. 5, 1994.<br />
Studying the Origin of Chinese Shadow <strong>Puppetry</strong>. Academic Journal of Hebei Normal<br />
University, Vol. 1, 1995.<br />
Folk Belief in Luanzhou Shadow <strong>Puppetry</strong>. 12th National Folk Art Conference, October 1995.<br />
The Operation and Present of Shadow <strong>Puppetry</strong>. 13th National Folk Art Conference, August<br />
1996.<br />
Brief Studying of Modeling Arts of Shadow Puppets. 14th National Folk Art Conference,<br />
October 1997.<br />
Brief Studying of Chinese Shadow Puppets’ Modeling. Academic Journal of Hebei Normal<br />
University, Vol. 3, 1998.<br />
Hebei Shadow <strong>Puppetry</strong>. Local Voice, Vol. 3, 1999.<br />
Arts of Tangshan Shadow <strong>Puppetry</strong>. Shijiazhuang: Hebei Arts Publishing House, December<br />
2000.<br />
New Type of Shadow <strong>Puppetry</strong> Culture. 16th National Folk Art Conference, September 2001.<br />
Modeling Arts of Shadow Puppets in North China. Chinese Folk Arts and Cultures Papers,<br />
October 2003.<br />
Thinking of Rescue Recording for Folk Shadow <strong>Puppetry</strong>. 18th National Folk Art Conference,<br />
October 2003.<br />
Journey of Shadow <strong>Puppetry</strong>. Beijing: National Tourism Publishing House, January 2005.<br />
Shadow <strong>Puppetry</strong> Museum of Cui Yongping. 20th National Folk Art Conference, June 2005.<br />
The Inhabitation of Shadow <strong>Puppetry</strong>. Economic Daily, 27 June 2005.<br />
Preface: Art of Tangshan Shadow <strong>Puppetry</strong>. Art of Tangshan Shadow <strong>Puppetry</strong>, Beijing:<br />
China<br />
Federation of Literary and Art Circles Publishing Corporation. August 2005.<br />
Genres and Distributions of Chinese Shadow <strong>Puppetry</strong>. China Culture, 30 August 2005.<br />
Shadow <strong>Puppetry</strong> Theatres in Jidong Anti-Japanese Team. United Daily, 22 October 2005.<br />
Folk Shadow <strong>Puppetry</strong>. Beijing: China Light Industry Press, January 2006.<br />
Sanji Shadow <strong>Puppetry</strong>. Hebei Pictorial, April 2007.<br />
Art History of Chinese Shadow <strong>Puppetry</strong>. Beijing: Cultural Relics Publishing House, May<br />
2007.<br />
185
Glamour of Xiangtan Paper Shadow <strong>Puppetry</strong>. Xiangtan Literature & Xiangtan Paper<br />
Shadow <strong>Puppetry</strong>, Vol. 4, 2007.<br />
Shadow <strong>Puppetry</strong> in Tea Houses. Hubei Travelling, Vol. 8 (I), 2007.<br />
Folk Shadow <strong>Puppetry</strong>. Beijing: Foreign Language Press, January 2008 (English, Spanish<br />
and Italian Version).<br />
Jidong Shadow <strong>Puppetry</strong>. Beijing: Science Press, June 2008.<br />
Field Work and Safeguarding of Chinese Shadow <strong>Puppetry</strong>. Strait Cultural Heritage, Vo. 3,<br />
2009.<br />
Hunan Shadow <strong>Puppetry</strong>. (ed.) Changsha: Hunan Publishing House, August 2009.<br />
Shadow <strong>Puppetry</strong> Jiangan King. Beijing: Central Compilation & Translation Press,<br />
September 2009.<br />
VCD of Folk Shadow <strong>Puppetry</strong>. (Total 220 Discs) Beijing: China International Audio-Video<br />
Publishing House, 2004.<br />
Exploring Origin of Chinese Shadow <strong>Puppetry</strong>. Arts Studying, Vol. 3.<br />
Design of Folk Shadow <strong>Puppetry</strong>. Academic Journal of Shandong Technology and Fine Arts.<br />
178. WILLIAMS, Margaret PhD (Ms.)<br />
Address:<br />
74 Mount Road,<br />
Bowral NSW 2576<br />
Australia<br />
Telephone: +61 2 4861 1269<br />
Fax: +61 2 4861 7569<br />
E-mail: livedodo@hinet.net.au, livingdodo@gmail.com<br />
List of publications:<br />
Australia on the Popular Stage 1829 – 1929. Sydney: Oxford University Press, 1983.<br />
Dorothy Hewett – The Feminine as Subversion. (Sydney: Currency Press, 1992.<br />
The entries on Australian theatre for The Cambridge <strong>Guide</strong> to (World) Theatre.<br />
Aspects of Puppet Theatre/ the Language of the Puppet. In Australasian Drama Studies,<br />
No. 19, October 1991, pp. 67-76.<br />
Including the Audience: The Idea of ‘the Puppet’ and the Real Spectator. In Australasian<br />
Drama Studies, No. 51, October 2007, pp. 119-132.<br />
<strong>Research</strong>:<br />
The common but largely undefined terms of puppetry discourse and their various and<br />
sometimes conflicting meanings and usage.<br />
186
179. WUNSCH, Stephan (Mr.)<br />
Address:<br />
Rosenfisch figurenspiel<br />
Peter-Liesen-Str. 7<br />
D – 52249 Eschweiler<br />
Telephone: 0049 (0)1577 665 1231<br />
E-mail: info@rosenfisch.de<br />
Web: www.rosenfisch.de<br />
List of publications:<br />
Literatur und Puppenspiel – eine fruchtbare Beziehung (On the Relationship between<br />
Literature and <strong>Puppetry</strong>, mit Vera Viehöver). Ed. by UNIMA Germany. In Das andere<br />
Theater. H. 73, 2009.<br />
Krüss kontra Kleist (Krüss vs. Kleist). In Das andere Theater. H. 73, 2009.<br />
Amateure? Dilettanten? Idealisten? (Amateurs? Dilettantes? Idealists?) – non-<br />
professionals in puppetry, In Das andere Theater. H. 72.<br />
Der Pakt mit dem Zuschauer (The Pact with the Audience – Stage Design for Puppet<br />
Plays). In Das andere Theater. H. 69, 2008.<br />
Figurenbildner (On Puppetmakers). In Das andere Theater. H. 58, 2005.<br />
P.K. Steinmann als Publizist (The Publicist P. K. Steinmann). In Das andere Theater.<br />
H. 58, 2005.<br />
Die erträgliche Leichtigkeit des Marionettenseins. Das confusionsfreie Leben von<br />
Franz Poccis Kasperl Larifari (The Bearable Lightness of Being a Marionette). In<br />
Lauder ainfache Sädds. Festschrift zum 60. Geburtstag von Hauke Stroszeck. Ed. by<br />
Heinrich Walter, Frank Pohle und Stephan Wunsch. Aachen, 2000.<br />
Redaktionsmitglied seit 2003 in der Fachzeitschrift:<br />
Das andere Theater, Hrsg. UNIMA Deutschland e.V. (DaT)<br />
180. YANG, Jiwon (Ms.)<br />
Address:<br />
13 McCarthy Court.<br />
Banbury Street<br />
London, SW11 3ES<br />
UK<br />
6-130 Changjun Dong<br />
Mapo Gu, Seoul<br />
121-880<br />
South Korea<br />
Telehone: (44)207 223 1286<br />
Mobile :(44)797 130 2866<br />
E-mail: jiwon_yang@hotmail.com, j.w.yang@rhul.ac.uk<br />
187
List of publications:<br />
Objects In Transition: The Trajectory of Kazuko Hohki’s Performances. Puppet Notebook.<br />
Eleanor Margolies., ed. Issue 11, Spring 2008. London: British UNIMA.<br />
Bodies in Creation: Emptiness, Body, Postdramatic Objects. <strong>Puppetry</strong> and Postdramatic<br />
Performance. University of Conneticut. Storrs. 2011.<br />
<strong>Research</strong>:<br />
Creative process engaging objects, material and puppets within the frame of postdramatic<br />
performances.<br />
181. YE, Mingsheng (Mr.)<br />
Address:<br />
No. 183 Yangqiao East Road<br />
Fuzhou, Fujian Province<br />
China<br />
E-mail: fy1959@126.com<br />
List of publications:<br />
Discussing the Feng Menglong and ‘ShuangXiong Ji’, Arts of Operas Volume 3, 1987.<br />
A Genre to Arts of Operas: Discussion ‘Dayehe’ and Its Development. Opera Studying,<br />
Vol. 25, 1987.<br />
Analyzing the Status of Region in the Development of Nan Opera. In Nan Opera Paper.<br />
Beijing: China Drama Press, December 1988.<br />
Exploring the Relationship between Mulian Opera and Nuo Culture. Opera Studies, Vol. 37,<br />
1991.<br />
Exploring the Relationship of Shanghang Gaoqiang <strong>Puppetry</strong> and the Hakka Religion. In<br />
Papers of International Hakka Studies Forum.Hongkong: Hongkong University Press, 1994.<br />
Discussion of Putian Opera. In Series of Discussion of Chinese Local Operas. Xinzhu:<br />
National Tsing Hua University, 1995.<br />
Brief Introduction of Fujian Shanghang Marionette <strong>Puppetry</strong> ‘Wife’. Folk Operas, Vol. 94<br />
& 95, 1995.<br />
Minxi Shanghang <strong>Puppetry</strong> ‘Wife’. Series of Folk Operas, Vol. 10, 1995.<br />
Fujian Shanghang Marionette <strong>Puppetry</strong> ‘Wife’. Cooperated with Yuan Hongliang., Series<br />
of Folk Operas, Vol. 6, 1996.<br />
Fujian Shouning Siping Marionette <strong>Puppetry</strong> ‘Wet Nurse’. Cooperated with Wu Naiyu.<br />
Series of Folk Operas, Vol. 9, 1997.<br />
Fujian Shouning Siping Marionette <strong>Puppetry</strong> ‘Huaguang’. Cooperated with Wu Naiyu.<br />
Series of Folk Operas, Vol. 6, 2000.<br />
Exploring the Arts of Ancient Water Marionette <strong>Puppetry</strong>. Arts of Opera, Vol. 1, 2000.<br />
188
Exploring the Relationship between Ancient Taige and Fujian Nan Opera. In Papers of<br />
International Nan Opera Studies Forum. Beijing: Zhonghua Book Company, September<br />
2001.<br />
Minnan Yi’an Tiezhi Marionette <strong>Puppetry</strong>. In History of Operas. Beijing: China Drama Press,<br />
September 2002.<br />
Filling the Blank of History of Marionette <strong>Puppetry</strong> Studying. China Drama, Vol. 10, 2004.<br />
Literature of Marionette <strong>Puppetry</strong>. Literary Newspaper, 28 November 2004.<br />
Exploring the Origin of Taiwan Marionette <strong>Puppetry</strong>. Taiwan Studies, Vol. 6, 2004.<br />
Exploring the Relationship between Fujian Marionette <strong>Puppetry</strong> and Local Opera. Opera<br />
Studies, Vol. 66, 2004.<br />
Studying the Relationship of Fujian Siping Opera and Siping Qiang. In Theories of Fujian<br />
Arts Collections. Beijing: China Dram Press, 2005.<br />
The Dangerous Situation of Siping Opera and Its Safeguarding. In Chinese Intangible<br />
Cultural Heritage, Vol. 10. Najing: Zhongshan University Press, 2006.<br />
History of Fujian Marionette. Beijing: China Drama Press, 2004.<br />
The Distribution and Cultural Relics of Siping Qiang in Fujian. In Papers of Chinese Siping<br />
Qiang Studies. Beijing: China Drama Press, 2006.<br />
Studying of Putian Opera Culture. Xiamen: Xiamen University Press, 2007.<br />
Studying of Religion and Opera. Taiwan: National Press, 2008.<br />
182. ZAMARRIPA, César Tavera (Mr.)<br />
Address:<br />
Padre Raymundo Jardón 910<br />
Centro, Monterrey N.L.<br />
México<br />
Cp 64000<br />
Institution:<br />
BAUL TEATRO A.C.<br />
Telephone: (52) 8183430604, (52)8183431491<br />
E-mail: baul@baulteatro.com<br />
Web: www.baulteatro.com<br />
List of publications:<br />
The Puppets in the North of México. Altogether with Mante Barrera Elvia. In Latin American<br />
Theatre Review. Univerity of Kansas, USA, Vol. 32, No. 1, Fall 1998.<br />
The Puppets in the North of México. Altogether with Mante Barrera Elvia. In Máscara, year<br />
11, Nos. 31-32, January 2000, pp. 86-90.<br />
189
The Puppets in the North of México. Altogether with Mante Barrera Elvia. In Teokikixtli, year<br />
2, No. 5, March 1999, pp. 15-20.<br />
The Puppets Are a Tradition? Altogether with Mante Barrera Elvia. In Paso de Gato, year 3,<br />
No. 18, Jul-Sept 2004, p. 37.<br />
Notes on the Children's Theatre and Puppet in Nuevo Léon 1960-2000 (I). Altogether with<br />
Mante Barrera Elvia. In Teokikixtli, year 5, No. 18-19, Dec. 2002, pp. 35-38.<br />
Notes on the Children's Theatre and Puppet in Nuevo Léon 1960-2000 (II). Altogether with<br />
Mante Barrera Elvia. In Teokikixtli, year 5, No. 20-21, August 2003, pp. 4-10.<br />
Notes on the Children's Theatre and Puppet in Nuevo Léon 1960-2000 (III). Altogether with<br />
Mante Barrera Elvia. In Teokikixtli, year 6, No. 27-28, April 2004, pp. 4-12.<br />
Bibliography of Puppet Theatre in Mexico. Altogether with Mante Barrera Elvia. In Teokikixtli.<br />
Second annual time Edition, August 2010 pp. 100-102.<br />
50 Years of Puppets in Mexico 1960 – 2010. Altogether with Mante Barrera Elvia.<br />
Compilation in magazine Teokikixtli, second anunual time edition, August 2010.<br />
Mexican Female Puppeteers meeting. Compilation in Teokikixtli. Second annual time edition,<br />
July 2009.<br />
Puppets in Mexico and the New Generations. In <strong>Puppetry</strong> International, Fall / Winter 2010.<br />
30 Years of UNIMA in Mexico. In Teokikixtli. Second annual time edition, August 2011, pp.<br />
15-25.<br />
183. ZURBACH, Christine (Ms.)<br />
Address:<br />
Rua de Santa Maria, 18, 1º Dtº<br />
7000-592 Évora<br />
Portugal<br />
E-mail: christinezurbach@gmail.com<br />
Web: (http://www.chaia.uevora.pt/pdf/CV_ChristineZurbach.pdf )<br />
Institution:<br />
Departamento de Artes Cénicas<br />
Universidade de Évora<br />
Antiga Fábrica Leões<br />
Estrada dos Leões<br />
7000-208 Évora<br />
Portugal<br />
List of publications:<br />
Tradução e Prática teatral em Portugal (1975-1988) (Translation and Theatre Practice<br />
in Portugal 1975-1988). Um estudo de caso. Lisboa, Colibri, 2002 (Portuguese).<br />
Teatro de Marionetas: tradição e modernidade (org.) (Puppet Theatre: Tradition and<br />
Modernity). Évora, Casa do Sul, 2002 (Portuguese).<br />
190
Autos, Passos e Bailinhos: os textos dos Bonecos de Santo Aleixo (Autos, Passos and<br />
Bailinhos: the Bonecos de Santo Aleixo Repertoire). Évora, Casa do Sul, 2007 (Portuguese).<br />
A Tradução teatral: o texto e a cena (Theatre and Translation: Text and Stage).<br />
Caleidoscópio, 2007 (Portuguese).<br />
Mi trabajo como dramaturgista. In La Profesión del dramaturgista (My Work as a<br />
Dramaturge. In Dramaturge as a professional). Madrid, 2011, pp. 187-199 (Spanish).<br />
The Theatre Translator as a Cultural Agent. A case study. In Cultural Agents and<br />
Translation, John Milton (ed.). John Benjamins Publishing Company, Amsterdam &<br />
Philadelphia, 2009, pp. 279-300 (English).<br />
CENDREV, 1975-2005; Thirty Years of Theatrical Decentralization. In Western European<br />
Stages, Marvin Carlson (ed.). Special Issue, « Theatre in Portugal », No. 18:1, Winter 2006,<br />
pp. 23-30 (English).<br />
Presença(s) do teatro de marionetas em Portugal hoje (Presence(s) of Puppet Theatre<br />
Today in Portugal). In Moín-moín, revista de Estudos sobre Teatro de Formas Animadas.<br />
Jaraguá do Sul: SCAR/UDESC, No. 2, 2006, pp. 111-124 (Portuguese).<br />
A Dramaturgia do teatro de marionetas hoje: modos de fazer e modos de ver (Dramaturgy<br />
of Contemporary Puppet Theatre). In Moín-moín, revista de Estudos sobre Teatro de Formas<br />
Animadas. Jaraguá do Sul: SCAR/UDESC, No. 8, 2011, pp. 92-106 (Portuguese).<br />
João Paulo Seara Cardoso. Archéologie et invention. Propos sur António José da Silva<br />
(João Paulo Seara Cardoso. Archaeology and Invention. Topics about Antonio José da<br />
Silva). In Puck, No. 16, 2009, pp. 151-156 (French).<br />
Da fragilidade dos objectos e dos seres segundo João Paulo Seara Cardoso (About Objects<br />
and Human Beings Fragility.) In Sinais de cena, revista da APCT, No. 16, 2011, pp. 104-106<br />
(Portuguese).<br />
<strong>Research</strong>:<br />
Theatre studies (dramaturgy; translation); history of puppet theatre investigation on puppetry.<br />
191
INDEX<br />
1. Chris Abbott<br />
2. Steve Abrams<br />
3. Marthe Adam<br />
4. Galina Aliseitschik<br />
5. Luigi Allegri<br />
6. Ana Maria Amaral<br />
7. Katriina Andrianov<br />
8. Hamidreza Ardalan<br />
9. Mary Jo Arnoldi<br />
10. Cariad Astles<br />
11. Nadezhda Atanasova<br />
12. Eliane Attinger<br />
13. Adolfo Ayuso<br />
14. Poupak Azimpour Tabrizi<br />
15. Maryse Badiou<br />
16. Albert Bagno<br />
17. Géza Balogh<br />
18. Yves Baudin<br />
19. John Bell<br />
20. Valmor Nini Beltrane<br />
21. Olaf Bernstengel<br />
22. R. Bhanumathi<br />
23. Jaroslav Blecha<br />
24. John. M. Blundall<br />
25. Amihan Bonifacio-Ramolete<br />
26. Richard David Bradshaw<br />
27. Salomėja Burneikaitė<br />
28. Peter Buurman<br />
29. Stephen Carter<br />
30. Fan Pen Chen<br />
31. Alfonso Cipolla<br />
32. Bradford Clark<br />
33. Steve Cockayne<br />
34. Matthew Isaac Cohen<br />
35. Francisco J. Cornejo<br />
36. Felisberto Sabino da Costa<br />
37. Marianna de Leoni<br />
38. Felicia van Deth-Beck<br />
39. Guido di Palma<br />
40. Lothar Drack<br />
41. Rimantas Driežis<br />
42. Alice Dubská<br />
43. Petrus du Preez<br />
44. Glyn Edwards<br />
45. Brunella Eruli<br />
46. Alexandre Gindri Favero<br />
47. Yosyp Yuhimovich Fedas<br />
48. Bianca Felipe Rivero<br />
49. Geoff Felix<br />
50. Raphaèle Fleury<br />
51. Kathy Foley<br />
52. Paul Fournel<br />
53. Penny Francis<br />
192
54. Susanita Freire<br />
55. Lubomir Garbev<br />
56. Marie Garré Nicoara<br />
57. Behrouz Gharibpour<br />
58. Sampa Ghosh<br />
59. Yamila Gibert Núñez<br />
60. Paola Gilardi<br />
61. Audronė Girdzijauskaitė<br />
62. Boris Goldovskij<br />
63. Alexey Goncharenko<br />
64. Françoise Gründ<br />
65. Aurelija Gurinavičienė Čeredaitė<br />
66. Juraj Hamar<br />
67. Ida Hamre<br />
68. Anne Helgesen<br />
69. Heidi Hinzler<br />
70. Ida Hledíková<br />
71. Ryan Howard<br />
72. Nguyên Huy Hông<br />
73. Dagmar Inštitorisová<br />
74. Anna A. Ivanova-Brashinskaia<br />
75. Daniel Alejandro Jara Villaseñor<br />
76. Yuxiang Jiang<br />
77. Henryk Jurkowski<br />
78. Vilmantas Juškėnas<br />
79. Katsumi Kano<br />
80. Akiko Kato<br />
81. Cherif Khaznadar<br />
82. Mišo A. Kováč<br />
83. Livija Kroflin<br />
84. Marie Kruger<br />
85. Anatolij P. Kulish<br />
86. George Andrew Lane<br />
87. Amelia Lapeña-Bonifacio<br />
88. Radoslav Lazić<br />
89. Jaume Lloret Esquerdo<br />
90. Jette Lund<br />
91. Erika (Luo Ling) Luo<br />
92. Martin MacGilp<br />
93. Edvard Majaron<br />
94. Karel Makonj<br />
95. Slavcho Malenov<br />
96. Nina Malíková<br />
97. Michael R. Malkin<br />
98. Elvia Mante Barrera<br />
99. Eleanor Margolies<br />
100. Aja Marneweck<br />
101. Judith Marseille<br />
102. Sylvie Martin-Lahmani<br />
103. Shiva Massoudi<br />
104. John McCormick<br />
105. Alissa Melo<br />
106. Geoffrey Milne<br />
107. Noriah Mohamed<br />
108. Nina Monova<br />
193
109. Alicja Morawska-Rubczak<br />
110. John Morley<br />
111. M. D. Muthukumaraswamy<br />
112. Vida Narščiuvienė<br />
113. Michèle Nicolas<br />
114. Hadas Ophrat<br />
115. Claudia Orenstein<br />
116. Désirée Ortega Cerpa<br />
117. Elisabeth den Otter<br />
118. Ivica Ozábalová<br />
119. Hetty Paërl<br />
120. Oľga Panovová<br />
121. Rosario Perricone<br />
122. Jennifer K. Pfeiffer<br />
123. Didier Plassard<br />
124. Michel Poletti<br />
125. Pietro Porta<br />
126. Vladimír Predmerský<br />
127. R. V. Ramani<br />
128. Mu Ramaswamy<br />
129. Lars Rebehn<br />
130. Martin Reeve<br />
131. Andreas Regelsberger<br />
132. Rute Ribeiro<br />
133. Hana Ribi<br />
134. Johannes Richter<br />
135. Robin Erik Ruizendaal<br />
136. Toni Rumbau<br />
137. Antappa Krishnaiah Sakaleshpur<br />
138. Rubén Darío Salazar Taquechel<br />
139. Anastasia Savinova<br />
140. Michael Schuster<br />
141. I Nyoman Sedana<br />
142. Yasuko Senda<br />
143. Julie Sermon<br />
144. Arina A. Shepeleva<br />
145. Francisca Miranda Silva<br />
146. Doychina Sinigerska<br />
147. Johanna Smith<br />
148. Luis Martín Solís Reynoso<br />
149. Margareta Sörenson<br />
150. Nancy Lohman Staub<br />
151. Esther Suárez Durán<br />
152. György Székely<br />
153. Daiva Šabasevičienė<br />
154. Raimonda Širvinskienė Bitinaitė<br />
155. Jane Taylor<br />
156. Silke Technau<br />
157. Steve Tillis<br />
158. Miroslava Topchieva Pozzato<br />
159. Melissa Trimingham<br />
160. Jean-Jacques Tschudin<br />
161. Fay Tsitou<br />
162. Michiko Ueno-Herr<br />
163. Koshiro Uno<br />
194
164. Irina P. Uvarova<br />
165. Otto van der Mieden<br />
166. Ajithkumar Varayalil<br />
167. Eike Värk<br />
168. G. Venu<br />
169. Maja Verdonik<br />
170. Luís Vieira<br />
171. Teodora Vigato<br />
172. Elena Vladova<br />
173. Ragnhild Wang<br />
174. Halina Waszkiel<br />
175. Marek Waszkiel<br />
176. Nenagh Watson<br />
177. Liqun Wei<br />
178. Margaret Williams<br />
179. Stephan Wunsch<br />
180. Jiwon Yang<br />
181. Mingsheng Ye<br />
182. César Tavera Zamarripa<br />
183. Christine Zurbach<br />
195