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Scholars enhance UWC life - United World College of South East Asia

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Dunia, April 2010<br />

34<br />

Our Country’s Good<br />

I<br />

have always had a keen, personal<br />

interest in Australian history and the<br />

story <strong>of</strong> the first play ever produced<br />

there in a penal colony by convicts and<br />

marines seemed like fascinating material,<br />

first plundered by Thomas Keneally and<br />

then by Timberlake Wertenbaker. The<br />

play (about the production <strong>of</strong> The Recruiting<br />

Officer by George Farquar) brings us<br />

dangerously closer to a fiery past and<br />

forces us to scrutinise details <strong>of</strong> history<br />

that we would probably have preferred<br />

to gloss over; the characters are accessible,<br />

visceral and ultimately real. They all<br />

have problems, dreams, ghosts from the<br />

past and they are all brought together in<br />

a context that creates inexorable tension<br />

and conflict. No one is innocent.<br />

Had you been at the production you<br />

would have noticed by the set and<br />

costume design that we were no longer<br />

in Australia in 1788! For this production<br />

we joined the SS Sirius going boldly on<br />

her voyage into unchartered and hostile<br />

territory. This was great material for<br />

a Middle School cast <strong>of</strong> energetic and<br />

intelligent students who grappled with the<br />

intense material with astonishing maturity<br />

and found something <strong>of</strong> themselves in<br />

these frighteningly real, abraded human<br />

stories. The characters seem caught up<br />

in something much bigger and uglier than<br />

themselves. Everyone lives in fear. Everyone<br />

is uncertain <strong>of</strong> their future.<br />

There is a light in the dark <strong>of</strong> the constellations<br />

- Our Country’s Good is also<br />

about the power <strong>of</strong> art to liberate, a<br />

well-substantiated reality in contemporary<br />

educational practices and as a process<br />

for addressing issues <strong>of</strong> social injustice<br />

more broadly in the community.<br />

“This could affect all the convicts and<br />

even ourselves, we could forget our<br />

worries about the supplies, the hangings<br />

and the floggings, and think <strong>of</strong><br />

ourselves at the theatre…we could…<br />

transcend the brutality – remember<br />

our better nature and remember –<br />

home.”<br />

Ralph Clarke<br />

Sincerest thanks to cast and crew. There<br />

were so many outstanding moments and<br />

performances! These would not have<br />

been possible without a competent crew<br />

who gave the magnificent set, provided<br />

by our outstanding set designer, a <strong>life</strong> <strong>of</strong><br />

its own. These would not have been<br />

possible without an efficient stage<br />

and skilled technical crew who gave<br />

the magnificent set, provided by our<br />

outstanding set designers and set<br />

builders, a <strong>life</strong> <strong>of</strong> its own. The excellent<br />

costumes complimented the<br />

futuristic setting and further <strong>enhance</strong>d<br />

the believability <strong>of</strong> the cast in their<br />

various roles.” Stealing gratuitously<br />

from the last words <strong>of</strong> the inimitable<br />

Captain James Tiberius Kirk I can say<br />

most sincerely that, “It was fun.”<br />

Photos by Henry Chang and Ishaan Srivastava

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