Scholars enhance UWC life - United World College of South East Asia
Scholars enhance UWC life - United World College of South East Asia
Scholars enhance UWC life - United World College of South East Asia
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Dunia, April 2010<br />
6<br />
ENCORE!<br />
The Main Hall resounded to the sounds<br />
<strong>of</strong> our intermediate music ensembles<br />
on Saturday, 20 March. The capacity<br />
audience was treated to a wide range <strong>of</strong><br />
entertaining music presented with energy<br />
and enthusiasm by our younger musicians.<br />
The featured ensembles largely<br />
comprised <strong>of</strong> students from the Middle<br />
School together with some Upper and<br />
Junior School musicians.<br />
The concert was hosted by Grade<br />
12 students, Aliena Haig and Indiana<br />
Sutanto, who seamlessly introduced the<br />
musical numbers. ‘Encore!’ began with<br />
two Javanese Court melodies performed<br />
on the <strong>College</strong>’s Javanese gamelan by<br />
the Middle School Gamelan Ensemble.<br />
Adorned in traditional costumes the musicians<br />
looked and sounded spectacular<br />
as they presented ‘Cilolo’ and ‘Majemuk’<br />
under the direction <strong>of</strong> Helen Rhodes, our<br />
resident gamelan guru.<br />
The Guitar Ensemble presented The<br />
Cranberries famous song ‘Zombie’ in a<br />
special arrangement made by the ensemble’s<br />
director, Stefan Merchant. The<br />
guitarists gave a slick performance and<br />
had the audience tapping their feet along<br />
to their lively playing.<br />
After this the Intermediate Jazz Ensemble<br />
wowed the crowd with their renditions <strong>of</strong><br />
four upbeat tunes; ‘Blues for Mr. Bump’,<br />
the Count Basie classic ‘Jumpin’ at the<br />
Woodside’, ‘Bop!’ and ‘Frimmin’ at the<br />
Jim Jam’. Improvised solos were given<br />
by; Keshav Pant (tenor saxophone), Rajeev<br />
Sanjeev (trombone), Naoto Mulligan<br />
(alto saxophone), Josh Kim (alto saxophone),<br />
Dipro Bhowmik (guitar), Andew<br />
Liu (trumpet) and Patrick Coombe (alto<br />
saxophone). Each received warm applause<br />
for their invention and stylish playing.<br />
The whole ensemble and their director,<br />
Miles Tranter, should be commended<br />
for achieving an exceptionally high level<br />
<strong>of</strong> ensemble playing. The future <strong>of</strong> Jazz<br />
in the <strong>College</strong> looks assured!<br />
After a break, the concert continued in<br />
more serious mood with three pieces<br />
from the Camerata, the intermediate<br />
string orchestra made up <strong>of</strong> Junior and<br />
Middle School students. Under the<br />
direction <strong>of</strong> Ros Lillywhite, the Camerata<br />
which numbers over 60 players, performed<br />
an arrangement <strong>of</strong> Mussorgky’s<br />
stately ‘Great Gate <strong>of</strong> Kiev’ from ‘Pictures<br />
at an Exhibition’, a movement from Telemann’s<br />
‘Concerto in D Major’ and ended<br />
in swashbuckling style with ‘The Pirates<br />
<strong>of</strong> the Caribbean - The Curse <strong>of</strong> the Black<br />
Pearl.’<br />
Concert Strings, directed by Roos<br />
Seeger, followed with a medley <strong>of</strong> famous<br />
melodies by Tchiakovsky. This performance<br />
provided further evidence <strong>of</strong> the<br />
ensemble’s development with a precise<br />
and exuberant rendering <strong>of</strong> excerpts from<br />
‘The Nutcracker’, ‘Marche Slave’, ‘Romeo<br />
and Juliet’ and, <strong>of</strong> course, the ‘1812<br />
Overture’. All that was missing were<br />
the fireworks! (Although the bass drum<br />
provided some fairly realistic cannon fire<br />
sounds.)<br />
Another ensemble that impressed at ‘Encore!’<br />
was the Middle School Percussion<br />
Ensemble. Showing great concentration<br />
and determination our young percussionists<br />
gave a thrilling performance <strong>of</strong> Kachaturian’s<br />
‘Sabre Dance’. Amidst flailing<br />
mallets and whirling sticks Carl Jenkins<br />
and his team emerged unscathed to draw<br />
rapturous applause for their evident skill<br />
and musicianship.<br />
The Band ended the evening with two<br />
dramatic pieces, ‘Rondo for Band’ and<br />
‘Ghost Riders’, under the direction <strong>of</strong> Carl<br />
Jenkins and Miles Tranter respectively.<br />
Gaurav Thayil on trumpet featured in<br />
‘Ghost Riders,’ taking the solo line in the<br />
more reflective moments in this piece.<br />
Adrian Hill<br />
A little “Chamber Music”<br />
<strong>UWC</strong>SEA students once again inspired<br />
us with their prodigious talent. This<br />
second chamber concert <strong>of</strong> the year<br />
was a celebration <strong>of</strong> their outstanding<br />
musical achievements. The opening item,<br />
Dvorak’s piano quartet ‘Opus 23,’ was<br />
polished and displayed excellent ensemble<br />
playing by Ward Seeger, Tamara<br />
Cave Jones, Haley Jung and Aileen<br />
Gozali. Kaho Hasegawa’s performance<br />
<strong>of</strong> the first movement <strong>of</strong> Poulenc’s ‘Flute<br />
Sonata’ was beautiful and displayed real<br />
musicianship. Aileen’s superb technique<br />
was apparent in her performance <strong>of</strong><br />
Bartok’s ‘Suite Opus 14’ and Jonathan<br />
Chapman added a wonderful diversity<br />
to this concert with his superb marimba<br />
playing as he performed an arrangement<br />
<strong>of</strong> ‘The Doll’s Burial’ by Tchaikovsky.<br />
In this concert, it was wonderful to see<br />
Daniel Nishi and Aileen Gozali supporting<br />
their peers whilst developing their<br />
skills as accompanists. A real passion<br />
for playing exuded from the Grade 12s in<br />
their last contribution to Chamber Music<br />
at <strong>UWC</strong>SEA. Minsu Byun and John Park<br />
will be sorely missed from this event; they<br />
have both been regular participants and<br />
we wish them well as they head <strong>of</strong>f to<br />
new musical pastures.<br />
Helen Rhodes