GARAGE STUDIOSHORT, FAST AND DIGITALEXPLORING VIRGIN TERRITORY, THE GARAGE STUDIO OF THE WORKING CAMPUS HAS BEEN DESIGNED FOR FAST PRODUCTION OF GARAGE FLICKS –DIGITAL SHORT FILMS THAT WILL BE INSTANTANEOUSLY AND EXCLUSIVELY PRESENTED IN THE ONLINE GARAGE STUDIO.The film’s future lab: the “Garage Studio” in HAU 3The Garage Studio is the latest and youngest concept tocome from the Working <strong>Campus</strong>, taking it into unchartedcinematic territory. Fast and furious digital production at itscore, it involves the making of selected projects by an internationalteam of <strong>Talent</strong>s in the Garage Studio, housed atHAU 3. Close to 350 young filmmakers from 62 countries appliedto participate in the Garage Studio. In early January, aninternational jury chose four striking ideas to be developed.The Garage Studio introduces an exciting new feature – TheOnline Garage Studio. The internet is increasingly open tonew film media and presents unprecedented challenges tothe film industry. Tackling this challenge head on, the OnlineGarage Studio enables directors to choose their teammembers from the pool of <strong>Talent</strong> actors, cinematographers,editors, set designers and sound designers who applied towork in the Garage, allowing them to communicate and developthe projects together in this new online pre-productionplatform.The core film teams arrived in Berlin four days prior to thestart of the <strong>Campus</strong> to acquaint themselves with the cast,crew and the facilities of the Garage Studio. From February 11– 14, on each <strong>Campus</strong> day, one of these international teamswill produce a “Garage Flick” – a five minute digital film – tobe instantly and exclusively presented on the internet withthe support of the <strong>Campus</strong>’ partners. JVC is supporting the<strong>Campus</strong> with cameras and the Film & Television Academy(HFF) “Konrad Wolf“ with team members and technics.<strong>Talent</strong>s will find everything they need to shoot, edit and distributetheir Garage Flicks; all in one place, all in one day.They will shoot in the first half of the day, use the afternoonfor editing and finally, every night, there will be a new filmto watch, which will be uploaded daily on the <strong>Campus</strong> website:www.berlinale-talentcampus.de. Here you can see thewhole process, from start to finish. The Garage teams will beguided through the entire filmmaking process by renownedfilmmakers Hong Sang-soo (Korea), Zia Jhangke (China),Grahame Weinbren (USA) and Jay Anania (USA).Unconventional and full of creative energy, drawing upon allthe possibilities that this method of film production offers,the Garage Studio combines practical teamwork on concretefilm projects with a critical exploration of new formats, narrativestructures, distribution and production possibilities.The Garage Flicks will be shot, edited and uploaded:On February 11: RESIGNEDDirected by Tamara Maloney (USA)A story of seasons, difficult places,old parks and new cities,told in faded reflectionsof four lives half lived.On February 12: ONE DAY OF THESE DAYSDirected by Sadaf Amahdi (Iran)A man is seated in the kitchen eating breakfast. The door opens, the man goes upthe stairs and there he is standing on the roof, looking at the skyscraper toweringbefore him.On February 13: CLICK, CLACK, CLACK, CLACKDirected by Amira Lopez (Mexico)A Japanese exchange student living in Harlem receives an unexpected guest…On February 14: THE DISCREET CHARMS OF THE REFUGEEDirected by Colm Quinn (Ireland)Patrick, a Chadian in his twenties living in Dublin, auditions for the role of Francis,a refugee forced to flee his homeland.THURSDAY 15, 14:00 HAU 1PRESENTATION OF THE GARAGE FLICKS18BERLINALE TALENT CAMPUS #5
VOLKSWAGEN SCORE COMPETITIONTOP SCORESTO PROMOTE INTERNATIONAL YOUNG COMPOSERS, THE BERLINALE TALENT CAMPUS AND VOLKSWAGEN INSTALLED THE VOLKSWAGEN SCORECOMPETITION AS PART OF THE WORKING CAMPUS: THREE PRIVILEGED TALENT COMPOSERS WILL WORK THROUGHOUT THE CAMPUS WEEK TOFINISH THEIR SCORES BEFORE THURSDAY WHEN THE JURY WILL DECIDE ON THE WINNER.To participate in the Volkswagen Score Competition, <strong>Talent</strong>composers had to download three different short filmsfrom the <strong>Campus</strong> website: an extract of an animation filmby Jan Koester (OUR MAN IN NIRWANA), the Volkswagendocumentary ONE DAY IN WOLFSBURG by Julian Benedikt,and finally a 3-minute-sequence from FINDING NEVERLAND,Marc Foster’s film that earned Jan A.P. Kaczmarek an AcademyAward in 2004 for the Best Score.The applicants were asked to compose new scores for allthree films and send in draft versions. Prior to the <strong>Campus</strong>,the jury, consisting of this year’s mentor Jan A.P. Kaczmarek,renowned German mixing engineer Martin Steyer and composerMartin Todsharow (MINOTAUR, ELEMENTARY PARTI-CLES), chose three finalists.The finalists Titas Petrikis from Lithuania, Ilja Coric from Germanyand Costas Fotopoulos from England will work outtheir draft scores during the <strong>Campus</strong>. For that, musicians ofthe German Film Orchestra Babelsberg are at their disposal,Germany’s one and only score-specialised full orchester, aswell as the huge Harrison console at the Film & TelevisionAcademy (HFF) “Konrad Wolf“ in Potsdam, one of threeworldwide existing exemplars. The final post-productionwill be advised by the Berlin-based production companyWave-Line.On Wednesday 14, the jury will meet again for a presentationof the three final versions and will decide on the winnerof this year’s Volkswagen Score Competition. The chosenone will be invited by Dolby on a trip to Los Angeles wherehe will visit the best sound studios in town.The Harrison console in the HFF “Konrad Wolf“The results and experiences by the three finalists will be presentedand discussed with their mentor Jan A.P. Kaczmarekand with filmmaker Guy Maddin, whose latest film, BRANDUPON THE BRAIN!, will be presented as a <strong>Berlinale</strong> Special ina live-spectacle at the Deutsche Oper Berlin on February 15,also made possible with the support of Volkswagen.“JUST KNOWING THAT THERE WAS AN EIGHTY PIECE ORCHESTRAWAITING IN BERLIN TO PLAY MY SCORES FELT LIKE A GRAND PRIZEIN ITSELF.“Alasdair Reid, 2006 winner of the Volkswagen Score CompetitionWEDNESDAY 14, 11:00 EXTERNAL VENUESEXCURSION TO THE VOLKSWAGEN SCORE COMPETITION(FOR COMPOSERS AND SOUND DESIGNERS ONLY)THURSDAY 15, 11:00 HAU 1STEERING EMOTIONSBERLINALE TALENT CAMPUS #519