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PRODUCTION DAY TUESDAY 13 THTUESDAY 13, 14:00 HAU 1THE RADICAL WAY TO SUCCESS:JOHN WATERSJohn Waters, interviewed by Wieland Speck. In co-operation withBerlinale Panorama.A filmmaker who became well known in the early 1970s forhis intentionally transgressive comedies, he pushed hard atthe boundaries of conventional propriety and movie censorshipwith his early films, PINK FLAMINGO, FEMALE TROUBLEand DESPERATE LIVING, which he labelled the “Trash Trilogy“.In recent times, his films have become less controversialand more mainstream although works such as HAIRSPRAY,CRY-BABY and SERIAL MOM still retain his trademark inventiveness.Waters‘ most recent film, A DIRTY SHAME, is a moveback toward his earlier, more controversial work. WielandSpeck, head of the Berlinale Panorama section, will strolldown the radical memory path together with the Americanfilmmaker discussing his controversial life and films as wellas THE FILTHY WORLD, a documentary on Waters which featuresin the Berlinale Panorama section this year.TUESDAY 13, 14:00 HAU 2EAST OR WEST – HOME IS BESTMarkus Halberschmidt, Stefan Kitanov, Riina Sildos, Ognjen Sviličič,moderated by Nikolaj Nikitin. In cooperation with Robert Bosch Stiftungand the Berlinale Forum.What filmmakers from Eastern European countries share,despite regional differences, is the experience of confrontingthe aftermath following dramatic changes that tookplace within their societies. The collapse of the former socialistregimes resulted in a major restructuring of filmschools, studios, festivals and film-related organisations. Althoughsome established institutions had to shut theirdoors, new ones opened up, amongst them big studios designedfor example, for shooting major US American productions.While it is rather easy to pinpoint the changes inworking conditions, distribution etc., the more tricky questionslie in answering how the past influences the presentwith regard to content. What compels the younger generationof filmmakers – 20 years down the line – to reflect onJohn Waters in THE FILTHY WORLD, a film from the Berlinale Panorama sectionthe times of changes, which many experienced only aschildren?The largest potential seems rooted in a historical paradox:changes create and trigger stories. Western producers seemincreasingly to find in the East what they lack in the West.How do they deal with the “burden” of the past in the lure ofa fresh start? Is there a New Wave of Eastern European storytellingand finally, what are the expectations of non-EasternEuropean audiences and do they clash with those of thelocal audience?ARMIN by Ognen Sviličič features in this year’s Berlinale Forum50BERLINALE TALENT CAMPUS #5
PRODUCTION DAY TUESDAY 13 THTUESDAY 13, 17:00 HAU 1IN THE LIMELIGHT:SARAH POLLEYSarah Polley. In co-operation with Berlinale Panorama.One of the first cinematic experiences for Canadian actress,singer and film director Sarah Polley was working with TerryGilliam in THE ADVENTIRES OF BARON MUNCHAUSEN. Later,she starred in such films as THE SWEET HEREAFTER, for whichshe also contributed several songs as lead vocalist, GUINEV-ERE and GO, MY LIFE WITHOUT ME. She was nominated forBest Actress by the European Film Academy for her role asHanna in the 2005 THE SECRET LIFE OF WORDS. Her directorialdebut, the feature film AWAY FROM HER, is based on theAlice Munro short story “The Bear Came Over the Mountain”.Sarah Polley will talk about the twists and turns in her filmiccareer, her entry into the directorial arena and last but notleast, her first feature AWAY FROM HER.TUESDAY 13, 17:00 HAU 2HAPPY TOGETHER?WHAT YOU NEED FOR A SUCCESSFULINTERNATIONAL CO-PRODUCTIONEsther Bannenberg, Roshanak Behesht Nedjad, Ernst Szebedits, moderatedby Ido Abram. In co-operation with the Berlinale Co-Production Market.What makes a project suitable for an international co-production?What gives it international appeal and marketability?What strategies are right for which projects? What arethe possibilities of co-producing with other countries? Whatare the obstacles, what are the advantages?Three experienced industry professionals with backgroundsin independent production, distribution and sales offer theiradvice. Selected projects from the Talent Project Marketwill be analysed in public in order to illustrate internationalstrategies and discuss their potential. You are welcome toask experts about your own projects as well.AWAY FROM HER, Sarah Polley’s directorial debut features in the Berlinale PanoramaTUESDAY 11, 17:00 HAU 3, BLACK STAGEPRESENTATION OF THE CASTING WEBSITEE-TALENTABeatrice Kruger.Rome-based FBI Casting and the UK casting directory, TheSpotlight, recently founded the web portal e-Talenta. Onthis platform, European actors as well as European castingagents and directors can present themselves and easily contacteach other with the aid of several interactive elements.The reliability of this internet project is guaranteed by aprominent Europe-wide board of casting experts. FounderBeatrice Kruger will present www.e-talenta.eu to all Talentsinterested in acting.TUESDAY 13, 19:00 HAU 2FILMING IN THE EYE OF THE STORMThomas Gebauer, Bianca Jagger, Monique Phoba, Eyas Salman,Rakesh Sharma.Moderated by Ralf Fücks. In co-operation with the Heinrich BöllFoundation and Euromed Audiovisual II Programme.This panel highlights and debates the situation of filmmakersin troubled and politically unstable areas, representedby examples from the Congo, Palestine and India. How dofilmmakers survive artistically and economically without becomingpart of the conflict?The panel will discuss the role of non governmental organisations(NGOs) and how their relationship to film communitiesworldwide function.BERLINALE TALENT CAMPUS #551
Page 3 and 4: TALENTS 2007Carwyn Jones / Sushma J
Page 5 and 6: EDITORIALWELCOME HOMEFive years of
Page 8 and 9: GLOSSARYTHE TALENT’S GLOSSARYTHE
Page 10 and 11: HOME AFFAIRSSTORIES FROM HOME“HOM
Page 12 and 13: HOME AFFAIRSTHE “HOME AFFAIRS“
Page 14 and 15: PORTRAITEMERGING FROM UNDERGROUNDA
Page 16: WORKING CAMPUSWORKING CAMPUSTALENTS
Page 19 and 20: VOLKSWAGEN SCORE COMPETITIONTOP SCO
Page 21 and 22: BERLIN TODAY AWARDGLIMPSES OF BERLI
Page 23 and 24: PORTRAITFILM AS GUERILLA WORKWHETHE
Page 25 and 26: MAKING OFTALENTS ON THE BIG SCREENT
Page 27 and 28: FOUNDATIONSWIN A CO-PRODUCTIONTHE R
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Page 31 and 32: SUSTAINABILITY / EUROMED AUDIOVISUA
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Page 35 and 36: TIMETABLEPROGRAMME OF THEBERLINALE
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Page 61 and 62: INDEX OF EVENTSINDEX OF EVENTSA LIS
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Page 65 and 66: INDEX OF EXPERTSKILZER, ANNETTE (p.
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Page 69 and 70: NOTE OF THANKSAndrea Köhler. DEUTS
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