HOGAN & HARTSON RAUE LLPLETYOUR MOVIESWINGAre you a producer, composer or director?Then don't miss our workshopat the BERLINALE TALENT CAMPUS 2007:Monday, February 12, 2007, 11:00 a.m. - 12:30 p.m., HAU 3YOUR RIGHT TO MUSICEverything you ever wanted to know about Music LicensingMilena Fessmann (Cinesong)Mareile Büscher (Hogan & Hartson Raue LLP)If you would like more information about howour film & entertainment law team can assist you, please contact :Prof. Dr. Peter Raue praue@hhlaw.comDr. Christoph Wagner cwagner@hhlaw.comChristiane Stützle cstuetzle@hhlaw.comDr. Mareile Büscher, LL.M. mbuescher@hhlaw.comBerlin OfficePotsdamer Platz 110785 BerlinGermanyphone: (+49-30) 726 115 - 0fax: (+49-30) 726 115 - 100Munich OfficeSchackstrasse 180539 MünchenGermanyphone: (+49-89) 205 08 88 - 0fax: (+49-89) 205 08 88 - 10BALTIMORE BEIJING BERLIN BOULDER BRUSSELSCARACAS COLORADO SPRINGS DENVER GENEVAHONG KONG LONDON LOS ANGELES MIAMI MOSCOWMUNICH NEW YORK NORTHERN VIRGINIA PARIS SHANGHAITOKYO WARSAW WASHINGTON DCWWW.HHLAW.COM
PRE-PRODUCTION DAY MONDAY 12 THPRE-PRODUCTION DAYMONDAY 12, 9:30 HAU 2EARLY BIRD BREAKFASTPresented by Euromed Audiovisual II Programme.The early bird catches the worm: Today’s Early Bird Breakfastis hosted by the Euromed Audiovisual II Programme andoffers you a relaxed and tasty start to a promising new <strong>Campus</strong>day. Meet representatives of today’s host organisationas well as fellow <strong>Talent</strong>s and special guests for a comfortablechat while you enjoy hot coffee and breakfast.easy success abroad. This panel explores the challenges ofproducing local content for international markets. By discussingexamples, the goal is to encourage young filmmakersto search for “I-did-it-my-way“- solutions.MONDAY 12, 11:00 HAU 3, BLACK STAGEYOUR RIGHT TO MUSICMareile Büscher, Milena Fessmann. Workshop. In co-operation with HoganHartson Raue and Cinesong.Mareile Büscher, lawyer at Hogan & Hartson Raue focusingon press, media and copyright law, and Milena Fessmann,music supervisor and founder of Cinesong, will present thelegal aspects of using music in films. Both from a judicial andfrom a practical point of view, their session will provide anoverview on how to deal with the clearing of copyrights andon the formulation of a proper request for licensing musicin a movie.NONE BUT THAT! by Khaled el HagarMONDAY 12, 11:00 HAU 1BY POPULAR DEMANDPeace Anyiam-Fiberesima, Khaled el Hagar, Onir and Jia Zhangke. Moderatedby Jacques Bidou and Vincenzo Bugno. Discussion. In co-operationwith the World Cinema Fund, Euromed Audiovisual II Programme.If Hollywood is not in your backyard, as a filmmaker you mayalready have experienced a clash between the local audience’sdemands and requirements to go “international“ withyour projects. Even if based in countries with “big markets“,as the panelists from Nigeria, Egypt, India and China do, thefilms are not necessarily transferable to different culturalcontexts. Country-specific star systems, particular ways oftelling stories, even a possibly different humour avoid anPhoto: Ahmed RahalMONDAY 12, 14:00 HAU 1FILM CO-OPS –MAKING FILMS WITH FRIENDSBarbara Albert, Ulrich Gregor, Amir Muhammad, Eliane Raheb and PatrickSobelman, moderated by Marc Siegel. Discussion.On the long, winding road from the first idea for a film to itspremiere, all filmmakers know: you need to have a homebasewhich enables you to work, especially, when you areoperating independently, outside of film schools, studios orother established structures. Every filmmaker needs accessto equipment, funds, expertise, and not to forget: artistic debateand exchange throughout the making of a new film. Inrecent times, film co-ops have regained attention throughsuccessful projects produced in co-operative structures.Members of fairly new and established film co-ops from variousregions of the world will share their experiences withthe audience: What are the practical advantages/disadvantagesregarding production, fundraising and distribution?How much experience is required to start a new film co-op?Is it a model that would work equally well in all regions ofthe world? Is founding a film co-op a way to cope with thechallenges of an increasingly globalized film market?BERLINALE TALENT CAMPUS #545
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