Haim Steinbach - 85 Quay Street - Brooklyn - New York 11222

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2010 Bambaataa, aliceday, Brussels; curated by Der Kommissare François Curlet Courant d'art au rayon de la quincaillerie paresseuse, L'observatoire du BVH, Paris Christmas Show, Galerie Laurent Godin, Paris Double Up Double Up, Quint Contemporary Art, San Diego Sculpture, Waddington Galleries, LondonSelections from the MCA Collection, Museum of Contempoary Art Chicago; co-organized by Julie Rodrigues Widhom, Pamela Alper, and Diana Nawi SPACE, MAXXI – Museo nazionale delle arti del XXI secoio, Rome; curated by Bartolomeo Pietromarchi and Gabi Scardi (cat.) 2011 Coup Double, Frac Aquitaine, Bordeux; organized by Claire Jacquet If You Lived Here, You’d Be Home By Now, CCS Bard Hessel Museum of Art, Annandale-onHudson, New York Ileana Sonnabend: Un Ritratto Italiano, Peggy Guggenheim Collection, Venice; curated by Antonio Homem & Philip Rylands (cat.) L’Invention de l’œuvre. Rodin et les ambassadeurs, Musée Rodin à Paris; (cat.) Mike Kelley, David Lachapelle, Sherrie Levine, Andreas Slominski, Haim Stienbach, Jablonka Galerie, Berlin Noli me tangere, The Collection Vanmoerkerke, Belgium; curated by Jan Hoet Postmodernism: Style and Subversion, Victoria and Albert Museum, London Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles, organized by Ali Subotnick and Corrina Peipon Shelf Ramp Wedge Bridge/1, Fitzroy Gallery, New York,; curated by Jeffrey Uslip Things are Queer – Highlights from the UniCredit Collection, Marta Herford, Herford (cat.) The Shape We’re In, Zabludowicz Collection, London Volume!, Mesue d’Art Contempoani de Barcelona, Barcelona you, your sun and shadow, Anderson Gallery, Virginia Commonwealth University, Virginia; curated by Michael Jones McKean SELECTED ARTICLES AND REVIEWS 1979 Larson, Kay; “Briefly Noted,” The Village Voice, December 24 Zimmer, William; “Installation Feed,” Soho Weekly News, December 13 1981 Bonetti, Charles; “Design for a Yogurt Bar at BBC,” The Berkshire Eagle (Pittsfield, MA), March 7 Steinbach, Haim (project), Observations: Art and Culture, No. 4, Fall 1982 Levin, Kim; “Haim Steinbach,” The Village Voice, April 27 Klein, Michael;“Haim Steinbach,” Arts Magazine, September, p. 7 Smith, Roberta;“Some Things Old, Some Things New,” The Village Voice, April 27 Sozanski, Edward; “Visual Feast Satisfies Avant Garde Appetite,” The Providence Sun Journal, January 24 1984 Wallach, Alan; “CAPS Sculptors,” Arts, December 1985 Indiana, Gary; “Charm of Tradition,” The Village Voice, October 22 Levin, Kim; “Season’s Greetings,” The Village Voice, December 3l Levin, Kim; “Voice Choices,” The Village Voice, Kim Levin, October 22 Miller, John; “Producer as Consumer,” East Village Eye, November. 1986 Artner, Alan G.; “3 Sculptors Achieve Unsettling Transformations of Everyday Objects,” The Chicago Tribune, May ll Bob, Paul; “Postmodern Pop,” Esquire, September, p. 252 Cameron, Dan; “Pretty as a Product,” Arts, May, pp. 22-25 Collings, Matthew, “Mythologies: Art and the Market, ” Artscribe, April/May, p. 22-26 Collins, Tricia and Milazzo, Richard; “Tropical Codes,” Kunstforum International, Spring, Bd. 83 Cone, Michele; “Ready-Mades on the Couch,” Artscribe, June/July Heartney, Eleanor; “Neo-Geo Storms New York,” New Art Examiner Indiana, Gary; “Formal Wares,” The Village Voice, March 25 Indiana, Gary; “Castle to Castle,” The Village Voice, August l9 Jones, Alan, “Paravision: An Interview with Tricia Collins and Richard Milazzo,,” Galleries Magazine, August/September Jones, Ronald; “Damaged Goods,” Flash Art, Summer. Knight, Christopher; “The 80’s Become the Era of Memorex Art,” LA Times Examiner, June l5 Knight, Christopher; “The L.A. Invasion of ‘It’,” Los Angeles Herald Examiner, August l0 Levin, Kim; “Shop Art,” The Village Voice, July 22 McKenna, Kristine; (review), Los Angeles Times, June l3 Muchnic, Suzanne; “Commodity-Culture Art Rides Again,” Los Angeles Times, July 26 Raynor, Vivien; “Art: Objects are Subject of Damaged Goods,” The New York Times, July l8 Smith, Roberta, “Art: ‘Advent of Modernism’ at Brooklyn Museum,” The New York Times, December 26 Smith, Roberta; “Where to See the Newest of the New American Art,” The New York Times, May l Smith, Roberta; “Haim Steinbach at Cable,” Art in America, February, p.128
Sozanski, Edward; “Infotainment: The Anti-Art of the Television Age,” Philadelphia Inquirer, Jan. l9 Steinbach, Haim; “I give you the sweetest taboo,” photomontage project, Arts, March, pp. 24-25 Nagy, Peter (moderator), “From Criticism to Complicity,” ('Flash Art Panel'), Flash Art, Summer, p. 46-49 _____________, “Deus ex McLuhan,” (review of “The Brokerage of Desire"), L.A. Weekly, August l5-21 _____________, “Die Kunst,” Skyline, October 1987 Beaumont, Mary Rose; “One Hand Clapping,” Arts Review (London), vol. XXXIX, No. l6/l7, August Braff, Phyllis; “Language Becomes the Medium of the Message,” The New York Times, March l. Cameron, Dan; “Art and its Double,” Flash Art (special supplement), May, pp. 57-72 Cameron, Dan; “Image and Quotation,” Artics (Barcelona), #16 Celant, Germano; “Haim Steinbach’s Wild, Wild, West,” Artforum, December, pp. 75-79 Collings, Matthew; “Posthumous Meaning,” Artscribe, Sept/Oct. Collins and Milazzo; “Radical Consumption and the New Poverty,” New Observations, No. 51 Collins, Patricia; Milazzo, Richard; “Benny ‘Kid’ Paret,” New Observations, March. Cooke, Lynne; “Object Lessons,” Artscribe, Sept/Oct, p. 55-60 Glueck, Grace; “Tastemakers,” The New York Times Magazine Aug. 30 Graham-Dixon, Andrew; “Neo-Geo,” Vogue (London), Sept. Greenfield-Sanders, Timothy, “Sculptors,” Artfinder, Spring, p. 113 Haim Steinbach, “Untitled” (text and photograph, l987), File Magazine, #28, pp. 4-65 Hart, Claudia; “Reconstruct: John Gibson,” Artscribe, Sept.-Oct. Heartney, Eleanor; “Simulationism,” ARTnews, January Izzo, Arcangelo; “Scenografie per i turisti della vita,” il Gioranale di Napoli, December Jones, Ronald; “Haim Steinbach at Sonnabend,” Artscribe, Sept/Oct. Larson, Kay; “Material Boys,” New York Magazine, May ll Liebman, Lisa; “M.B.A. Abstractionism,” Flash Art, March, pp. 86-89 Linker, Kate; “Sherrie Levine/Haim Steinbach at Jay Gorney Modern Art,” Artforum, March, p. 123-124 Lipson, Karen; “A Few Words on Art,” Newsday, February 20 Manor, Dalia; "New York Now, The New Movement,” The Jerusalem Voice, February Miller, John; “Avant-Garde in the Eighties: Los Angeles County Museum of Art,” Artscribe, Summer Miller, John; “In the Beginning There Was Formica,” Artscribe, March/April Miller, John; “Haim Steinbach at Rhona Hoffman,” Artscribe, Sept/Oct. Morgan, Stuart; “School of Athens,” Artscribe, March/April Nickas, Robert; Power, Kevin; “Art and Its Double,” Flash Art (special supplement), March Nickas, Robert; “Shopping with Haim Steinbach,” Flash Art, April, pp. 70-72 Olander, William; “Made in U.S.A.” Beaux Arts Magazine, May. Ronnen, Meir; “What You See is What You Get,” The Jerusalem Post, January 30. Salvioni, Daniella; “Haim Steinbach at Sonnabend,” Flash Art, October, p. 105 Shaul, Moshe Ben; “New York, New York,” Maariv, February 23. Smith, Dinita; “Art Fever,” New York Magazine, April 20. Smith, Roberta; “Where to See the Newest of the New American Art,” The New York Times, May l Steinbach, Haim; “Joy of Tapping Our Feet”, Parkett, #14 Tremarco, Angelo; “Haim Steinbach nella gelleria Rumma: oggetti banali in bella mostra, Dopo il moderno resta il consumo,” Il Mattino, Naples, # 96, December Zimmer, William; “Summer Splendors Outside the City,” The New York Times, August l4. _____________, “In/Out, New York Now,” Jerusalem Voice, February 23. _____________, “Art Stop - Manhattan Doble” Elle (Spain). _____________, “Comedy of Mannerism,” New York Magazine, August 24. _____________, “El Arte neoyorquino es un art de la apropriacion seguin Dan Cameron,” El Pais, Madrid, February 6 _____________, “The Saatchi Factor,” ARTnews, January l987. 1988 Avni, Beni, “Haim is No Longer Ours: Tel Aviv-New York, New York-New York”, Monitin, Israel, January, #ll2, pp. 36-39 Baldewyns, Claire; L’Evenement (Paris), Dec. l3. Beuth, Reinhard; “Gartenschlauch, Scherzartikel und Staubsauger,” Die Welt, # 52, March Blase, Christoph; “Schlaf und Stress der Vernunf,” Wolkenkratzer Art Journal, p. 54- 55, #3, May-June Bochner, Mel; “Ileana Sonnabend,” Galleries Magazine, June/July. Bode, Peter M.; “Kunst mit vier Staubsaugern,” Abendzeitung, 5./6., March. Bruderlin, Marcus; “Konsum-Seelen-Strip,” Kleine Zeitung, March 1988 Christov-Bakargiev, Carolyn; “Spotlight: Haim Steinbach -Staging the Illusion of Fake,” Flash Art, March/April, p.104. Comi, Enrico R.; “Ileana Sonnabend, Great Lady of Art,” Spazio Humano, #2/1988, pp. 6-7, 22. Cotter, Holland; “Haim Steinbach: Shelf Life,” Art in America, May, p. 156-163 Czoppan, Gabi; “Gallerie, New York Im Auge,” Munchner Stadtzeitung, June. Czoppan, Gabi; “Fussballelf und Eishockeypuck, Das Skulpturenprojekt Durr,” Munchner Stadtzeitung, p. 152, May 1988.
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Haim Steinbach - 85 Quay Street - Brooklyn - New York 11222

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