Haim Steinbach - 85 Quay Street - Brooklyn - New York 11222

Fundacao de Serralves, A Portugese Museum, text Bernardo Pinto de Almeida, Fernando Pernes, Joao Pinharanda.
(cat.)
Guggenheim Museum A to Z , text Germano Celant, Cornelia Lauf, et. al; The Solomon R. Guggenheim Foundation,
New York, p. 252, art repro. p. 253
Kitsch-Art, Gregory Fuller; DuMont Buchverlag, Koln, pp 23, 25, 26, 27, 83, 92, 161, 164, 168, 187, color plate #15,
b&w plate #45, 46, 47.
La Collection: tableau inaugural, text Marcel Brisebois, Manon Blanchette, et al.; Musee d’Art Contemporain de
Montreal (cat.)
Les Artistes Associes de la Neo-Geo, David Perreau, in C’est Pas la Fin du Monde, Centre d’histoire de l’art
Lexicon der Kunst, Ferdinand Schmatz and Heimo Zobernig; Edition Patricia Schwartz, Stuttgart
Materialien zur Documenta IX: Ein Reader für Unterricht und Studium, Werner Stehr and Johannes Kirschenmann;
Editons Cantz, Stuttgart
no rocks allowed, Haim Steinbach; Witte de With Center for Contemporary Art, Rotterdam (cat.)
Pop Art: An International Perspective, Marco Livingstone, ed.; Rizzoli, New York, pp. 20, 2l, 264.(cat.)
Psycho, text Christian Leigh, Octavio Zaya, Donald Kuspit; Kunsthalle, New York, 1992, (cat.)
Refusing to Surface: Art and the Transfiguration of the Ordinary, text Nicholas de Ville, Dick Hebdige and Lewis
Johnson John Hansard Gallery, The University, Southampton, Great Britain (cat.)
Theoretically Yours, text Patricia Collins, Richard Millazzo; Autonomous Region of the Aosta Valley Department
for Education (cat.)
Translation, text Kim Levin, Milada Slizinska; Centre for Contemporary Art, Ujadowski Castle, Warsaw; pp. 39-42,
art repro. pp. 42-44 (cat.)
TROPISMES, text Dan Cameron; Collecio d’Art Contemporani Fundacio “la Caixa," (cat.)
Witte de With: The Lectures 1992, Chris Dercon, Jeff Wall, et. al.,Witte de With, Rotterdam, p. 66 (cat.)
Yvon Lambert collectionne, text Dominique Bozo, Joelle Pijaudier; Musee d’Art Communaute Urbaine de Lille,
Villeneuve d’Ascq, Musee des Beaux-Arts de Tourcoing. (cat.)
1993 Binocular: Focusing, Materials, Histories, Ewen McDonald and Julia Engberg, eds.; Möet & Chandon Contemporary
Edition, Sydney; featuring “Time Signatures; or Haim Steinbach’s Still Life,” Trevor Smith, pp. 138-153
(illustrated)
capcMusée, Paul Ardenne; Editions du Regard, Paris, pp.132-138
C’est pas la fin du monde: un point de vue sur l’art des annees 80, Centre d’histoire de l’art contemporain, Rennes
Collection pour une region, “Lieux de Fictions”: Richard Baquié, Jedermann N.A., Jeff Koons, Rombouts & Droste, Haim
Steinbach, text Gloria Picazo; CAPC Musee d’Art Contemporain de Bordeaux pp. 49-55 (cat.)
Documentario 2 (cat.-Territorio Italiano)
Fall From Fashion, The Aldrich Museum of Contemporary Art, text Richard Martin, pp. 7-8, art repro. p. 61 (cat.)
The Foreign / The Guest, text Martin Sturm, Elisabeth Madlener; Offenes Kulturhaus, Turia & Kant, Vienna (cat.)
Gent te Gast: de Keuze van Jan Hoet uit de collectie van het Museum van Hedendaagse Kunst in Gent (cat.)
I Am The Enunciator, text Christian Leigh (cat.)
International Index of Multiples: from Duchamp to the Present, Spiral/Wacoal Art Center, Tokyo, and Verlag der
Buchhandlung Walther Konig, Koln
La Biennale di Venezia: XLV Esposizione Internazionale d’Arte, Marsilio Editori, Venice p. 944
L’art du XXe Siecle, Jean-Philippe Breuille; Larousse, Paris, p.794, art repro. p. 794
L’Ivresse du Reel: L-Objet dans l’art du XXè` siècle, text Guy Tosatto, Elizabeth Lebovici, Pierre Restany, et. al; Carré
a’Art, Nimes, p. 20, 190; art repro. pp. 153-154 (cat.)
Modernism in Dispute, Art since the Forties, Paul Wood, Francis Frascina, Johnathan Harris, Charles Harrison; Yale
University Press, New Haven, pp. 241, 243, art repro. p. 243
Mike Kelley: Catholic Tastes, text Elisabeth Sussman et. al.; Whitney Museum of American Art, New York, p. 27
Osmosis: Ettore Spalleti & Haim Steinbach, text Germano Celant, Thomas Krens, Nancy Spector; Guggenheim
Museum, New York (cat.)
Signs of Psyche in Modern and Post-Modern Art, text Donald Kuspit; Cambridge University Press, Cambridge, pp.
149, 150, 278, art repro. p. 150
Space Invaders: Issues of Presentation, Context and Meaning in Contemporary Art, Nicholas de Ville and Stephen
Foster, eds.; John Hansard Gallery, University of Southampton, England
Jerome Schlomoff: Portraits text Francois Bon and Jean-Louis Froment; CAPC Musee d’Art Contemporain de Bordeaux,
portrait in exhibition, p. 70 (cat.)
Viaggio verso Citera, text Achille Bonito Oliva, Francesca Pasini, Fernanda Pivano, et al.; XLV Biennale di Venizia,
Zerynthia Associazione per l’Arte Contemporanea, Edizioni Marpesia, Venice, p. 11, art repro. p. 20-21 (cat.)
Wall Works, text Jörg Schellman; Edition Schellmann, Cologne-New York, art repro. p. 101
1994 Acquisitions, 1985-1993, text Wim Beeren, Rini Dippel, Dorine Mignot, et. al.; Stedelijk Museum, Amsterdam, art
repro. p.78 (cat.)
Arce de Noé/Noah’s Ark, text Alexandre Melo, Marga Paz, Fernando Pernes, et. al.; Funaçao de Serralves, Porto, pp
144-147 (text: joy of tapping our feet.), art repro. pp. 74-75 (cat.)
Comentario Sobre Europa 1994, text Lorand Hegyi, Erhard Busek, Arpard Göncz, et. al; Sala Parpalló, Diputacion de
Valencia, art repro. pp. 112-115 (cat.)