Haim Steinbach - 85 Quay Street - Brooklyn - New York 11222
Haim Steinbach - 85 Quay Street - Brooklyn - New York 11222
Haim Steinbach - 85 Quay Street - Brooklyn - New York 11222
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Hybrid Neutral, text Tricia Collins and Richard Milazzo, Gary Indiana; Independent Curators Inc., <strong>New</strong> <strong>York</strong> (cat.)<br />
Imagine, Gruppo GFT, Turin (cat.)<br />
Innovations in Sculpture l9<strong>85</strong>-88, text Martha B. Scott; Aldrich Museum of Contemporary Art. (essay)<br />
Kunst der Gegenwart; text Klaus Honnef; Taschen, Cologne.<br />
Mimimalism, text Kenneth Baker; Abbeville Press, N.Y.<br />
Modern Dreams, The Rise and Fall of Pop, Edward Leffingwell and Karen Marta, ed.; Institute for Contemporary Art<br />
and The Clocktower Gallery, <strong>New</strong> <strong>York</strong> (cat.)<br />
<strong>New</strong> <strong>York</strong> in View, text Zdenek Felix, Noemi Smolik; Kunstverein Munchen (cat.)<br />
Post-to-Neo, The Art world of the 1980’s, Calvin Tomkins; Penguin Books, <strong>New</strong> <strong>York</strong>,<br />
ReDefining the Object, Wright State University, Dayton (cat.)<br />
Schlaf der Vernunft, text Marcus Bruderlin, Veit Loers, Lucius Burckhardt; Museum Fridericianum Kassel,<br />
Germany (cat.)<br />
The Sonnabend Collection, text Michel Bourel et al.; capc Musee d’Art Contemporain de Bordeaux (cat.)<br />
Three Decades, The Oliver Hoffman Collection, text Bruce Guenther, Camille Oliver- Hoffman, I. Michael Danoff,<br />
Phyllis Tuchman, Lynn Warren; Museum of Contemporary Art, Chicago (cat.)<br />
Unexpressionism, Germano Celant; Rizzoli, <strong>New</strong> <strong>York</strong>.<br />
Works, Concepts, Processes, Situations, Information, text Robert Nickas, et al.; Galerie Hans Mayer, Dusseldorf, l988-<br />
89<br />
l989 Avant l989 (exhibition curated by <strong>Haim</strong> <strong>Steinbach</strong>); Villa Gillet -Frac Rhone-Alpes (cat.)<br />
Abstraction in Question, text Bruce Ferguson, Joan Simon, and Roberta Smith; John and Mable Ringling Museum of<br />
Art, Sarasota, Florida (cat.)<br />
La Collezione Sonnabend, Dalla Pop Art in poi; text Michel Bourel et al.; Electa, Milan. (cat.)<br />
Conspicuous Display; text Sid Sachs; Stedman Art Gallery, Rutgers University (cat.)<br />
D&S Ausstellung, text Jurgen Schweinebraden, et al.; Kunstverein, Hamburg (cat.)<br />
A Forest of Signs, Art in the Crisis of Representation, text Ann Goldstein, Mary Jane Jacob, et al.; Museum of<br />
Contemporary Art, Los Angeles, pp. 58-59,153 art repro. 58, 118- 119 (cat.)<br />
Hamburg Projekt l989, November-December l989 (cat.)<br />
Horn of Plenty; text Dan Cameron, Gosse Oosterhof, Stedelijk Museum, Amsterdam (cat.)<br />
Hyperframes, text Tricia Collins and Richard Milazzo; Editions Antoine Cadeau.<br />
Microsculpture, text Ronald Onorato; University of Rhode Island (cat.)<br />
Nature Naturata, text Cornelia Lauf et al.; Josh Baer Gallery, <strong>New</strong> <strong>York</strong> (cat.)<br />
Oeuf Alpha, capcMusee d’art contemporain, Bordeaux (cat.)<br />
Periodi di Marmo, text Germano Celant; Electa, Milan (cat.)<br />
Repetition, Hirschl & Adler Modern, <strong>New</strong> <strong>York</strong> (cat.)<br />
Resonances du Readymade, Thierry de Duve; Editions Jacqueline Chambon.<br />
The Silent Baroque, text Christian Leigh et al.; Edition Thaddeus Ropac, Salzburg (cat.).<br />
Superart, Achille Bonito Oliva; Giancarlo Politi Editore, Milan, art repro., p. 31<br />
Survey of the Collection, Stedelijk Museum, Amsterdam.<br />
What is Contemporary Art?, text Dan Cameron; Rooseum, Malmo, Sweden.(cat.)<br />
Wittgenstein / The Play of the Unsayable, text Joseph Kosuth; Wiener Secession, Vienna. (cat.)<br />
1990 Affinities and Intuitions, The Gerald S. Elliot Collection of Contemporary Art, text Neal Benezra, Charles F.<br />
Stuckey, Mark Rosenthal et al.; Thames and Hudson, <strong>New</strong> <strong>York</strong>; The Art Institute of Chicago (cat.)<br />
An Anthology of Statements Celebrating the Twentieth Anniversary of White Columns <strong>New</strong> <strong>York</strong>, Tricia Collins and<br />
Richard Milazzo, ed.; White Columns, <strong>New</strong> <strong>York</strong>, p. 6l.<br />
Art Against AIDS, text Elizabeth Taylor, et. al.; American Foundation for AIDS Research, <strong>New</strong> <strong>York</strong>, art repro. p.<br />
92 (cat.)<br />
Art et Publicite, text Anna Baldassari, Francois Burkhardt; Beaux Arts Magazine, Publications Nuit et Jour, Paris<br />
(publisher). (cat./brochure)<br />
Art & Pub, text Anna Baldassari, Francois Burkhardt, Jean-Hubert Martin et al.; Editions du Centre Pompidou,<br />
Paris (publisher) (cat.)<br />
Art in the Eighties, Edward Lucie-Smith; Phaidon Press, Oxford, pp. 76, 73<br />
Blau: Kaleidoskop einer Farbe, Heidelberger Kunstverein (cat.)<br />
The Decade Show, text Gary Sangster, Lowery Sims, Laura Trippi, et al; The <strong>New</strong> Museum of Contemporary Art,<br />
The Studio Museum in Harlem, Museum of Contemporary Hispanic Art (cat.)<br />
Edition Schellmann l969-l989, Edition Schellman, Munich-<strong>New</strong> <strong>York</strong>, l989 (cat.)<br />
Flash Art: XXI Years (Two Decades of History), edited by Giancarlo Politi and Helena Kontova; MIT Press,<br />
Cambridge, Mass., pp. 149-151, art repro. p. 151<br />
The Future of the Object! A Selection of American Art; Minimalism and After, text Kenneth Baker; Ronny Van de<br />
Velde, Antwerp (cat.)<br />
The Last Decade / American Artists of the 80’s, text Tricia Collins, Richard Milazzo, and Robert Pincus-Witten; Tony<br />
Shafrazi Gallery, <strong>New</strong> <strong>York</strong> (cat.)<br />
Life-size / A Sense of the Real in Recent Art, Suzanne Landau, ed.; Israel Museum., Jerusalem,(cat.)<br />
Lotte, or the Transformation of the Object (a special issue of Durch, #8/9); text Clementine Deliss et al (cat.)<br />
Multiples, text Dan Cameron; Hirschl & Adler Modern, <strong>New</strong> <strong>York</strong> (cat.)