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Haim Steinbach - 85 Quay Street - Brooklyn - New York 11222

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Gaver, Eleanor; “The Big Sleep,” Art and Antiques, Sept. l989, pp. 65-68.<br />

Gilbert-Rolfe, Jeremy; “The Price of Goodness,” Artscribe, November/December, l989.<br />

Graw, Isabelle; “Wittgenstein, the Game of the Unsayable,” Flash Art, November/December.<br />

Jeannot, Francois; “<strong>Haim</strong> <strong>Steinbach</strong> - Galerie Yvon Lambert,” <strong>New</strong> Art International, May.<br />

Kuspit, Donald; “Breakfast of Duchampians,” Contemporanea, May l989, pp. 68-73.<br />

Leigh, Christian; “Art on the Verge of a Nervous Breakdown"; Contemporanea, vol. II, No. 1, Jan./Feb.<br />

Leigh, Christian, and Zaya, Octavio, “The silent Baroque” Balcon, No. 5/6,pp. 46-62.<br />

Manor, Dalia; “<strong>Haim</strong> <strong>Steinbach</strong>: Still Life"; Kav (Israel), January.<br />

Marter, Joan; “The World Financial Center: ‘The <strong>New</strong> Urban Landscape,’” Arts Magazine, March.<br />

McKenna, Kristine; “In the Footsteps of Warhol,” L.A. Times Calendar, May 7.<br />

Moreau, Catherine; “<strong>Haim</strong> <strong>Steinbach</strong>"; Beaux Arts, p. 92.<br />

Pasini, Francesca, “`Inespressionisti’ ma non lo dimonstrano,” Il Secolo XIX, Giovedi Sep. 14, pg.7<br />

Pelenc, Arielle; “ <strong>Haim</strong> <strong>Steinbach</strong>, CAPC Musee d’art contemporain,” Art Press, no. l33, February, p. 62.<br />

Perrault, John; “Through a Glass Darkly"; Artforum, March.<br />

Plagens, Peter; “Under Western Eyes,” Art in America, January.<br />

Rubin, Jane; “<strong>Haim</strong> <strong>Steinbach</strong> and Dennis Adams, Alan Belcher, Jennifer Bolande,” Art Issues, No. 6, September,<br />

p. 23.<br />

Schwartzmann, Allan; “Corporate Trophies,” Art in America, February.<br />

Siegel, Jeanne; “Suits, Suitcases and Other Look-Alikes,” Arts Magazine, April, pp. 70-75<br />

Smith, Roberta; “ Natura/Naturata (An Argument for Still Life),” The <strong>New</strong> <strong>York</strong> Times, March l0.<br />

Soutif, Daniel; “<strong>Steinbach</strong>: la cle Duchamp,” Liberation (Paris), February 8.<br />

Soutif, Daniel; “Found and Lost, On the Object in Art,” Artforum, October, l989.<br />

<strong>Steinbach</strong>, <strong>Haim</strong>; “get out of the dark” (project), Flash Art, Russian Edition, No. l, l989, pp.70-7l.<br />

<strong>Steinbach</strong>, <strong>Haim</strong>; “fresh once upon a time,” De Rijksdakademie (Amsterdam), September, p. ll.<br />

Taylor, Paul; “<strong>Haim</strong> <strong>Steinbach</strong>: An Easygoing Aesthetic That Appeals to the Flaneur in Many of Us,” Flash Art,<br />

May/June, No. l46, pp. l33-l34.<br />

Ziegler, Ulf Erdmann; “Nach Ganz Fest Kommt Ganz Lose”, Taz, Nov. 15, p. 13.<br />

_____________,“Bordeaux invite <strong>Steinbach</strong>. . .,” Evasions (Paris), Winter, l988-l989.<br />

_____________, “objet de consommation dans l’art, C.A.P.C., <strong>Haim</strong> <strong>Steinbach</strong>,” Bordeaux Mensuel , January<br />

_____________, Gai Pied (Paris), January l0.<br />

_____________, “Les etageres de <strong>Steinbach</strong>,” Glamour (Paris), February.<br />

_____________, “Exhibition Update: Hybrid Neutral,” I.C.I. <strong>New</strong>sletter, Spring/Summer, Vol. 4, #2.<br />

_____________, “<strong>Haim</strong> <strong>Steinbach</strong>: Works,” Spazio Umano / Human Space, No. 2, pp. 76-79.<br />

_____________, Spazio Umano / Human Space, No. 4<br />

(interview), Bijutsu Techo (Japan), Vol. 4l, No. 609, May, pp. l3 - 3l.<br />

1990 Cameron, Dan, “<strong>Haim</strong> <strong>Steinbach</strong>,”Art Today (videotape), Arts Video <strong>New</strong> Service, N.Y., vol. II, No. 5, May<br />

Collins, Tricia, and Milazzo, Richard; “McDonald’s in Moscow and the Shadow of Batman’s Cape,” Tema Celeste,<br />

April-June, No. 25, pp. 35-37.<br />

Curtis, Cathy; “There’s Art in Arrangement of Everyday Objects,” L.A. Times Calendar, April l5<br />

Curtis, Cathy; “Three Sculptors Discuss the Art of OBJECTives,” Los Angeles Times (Orange County Edition), Apr.<br />

l0<br />

Gutterman, Scott; Art International, Autumn p. 58-59<br />

Johnson, Ken, “<strong>Haim</strong> <strong>Steinbach</strong>’, Art in America, Oct. pp. 202-203,<br />

Levin, Kim; “<strong>Haim</strong> <strong>Steinbach</strong>: signes de progres/objets contradictoires,” Artstudio, Winter.<br />

Levin, Kim; “Choices,” Village Voice, May l5.<br />

Marriner, Robin; “Signs of the Times: Sculpture as Non-Specific Objects: The work of Koons and <strong>Steinbach</strong>,” Art<br />

Monthly, July-August<br />

Muller, Hans-Jurgen; “We Can Put You on the Waiting List,” Kunstforum, Nov.-Dec.<br />

Prest, Veronique; “Carnet de Bale,” Beaux Arts, p. l74, June<br />

Rimanelli, David;“Desires: Artists Buys his Work at Stores”, Interview Magazine, April, vol. XX, no. 4, p. 62<br />

Senaldi, Marco; “The Joker’s Apology and Disclaimer,” Flash Art, March-April, p. 129<br />

<strong>Steinbach</strong>, <strong>Haim</strong>; “once,” slogan project, Artforum, March<br />

<strong>Steinbach</strong>, <strong>Haim</strong>; (project and interview), Pataphysics (Melbourne, Australia), G/H<br />

Taylor, Paul, “SOHO’s Avant-Guardian,” Connoisseur, vol.221, no.956, September, pp.16-22<br />

_____________, “Che cosa vuole diventare il Guggenheim,” Il Giornale Dell’Arte, No. 79, June, l990, p. 42.<br />

_____________, “Aufstand gegen den guten Geschmack,” Art, September l990, p. 37.<br />

1991 Albig, Jorg-Uwe, “Kleiner Beitrag zu einem Traum,” Stern, l7/9l (Hamburg), Apr.l8, pp. 232-233.<br />

Arbasino, Alberto; “Metropolis il tempio dei mercanti,” Il Venerdi di Repubblica No. l77 (Rome), June 28,<br />

p. l06<br />

Brown, Azby; “Reproduced Authentic,” Artforum, Feb., p. 141<br />

Camard, Florette; “Jean Pierre Raynaud and <strong>Haim</strong> <strong>Steinbach</strong>,” Galleries Magazine, No.42, April-May, pp.94-103.<br />

Collings, Mathew, Art reviews, City Limits (London), Sep. 19<br />

Craddock, Sacha, “Bear Essentials,” The Guardian, Sep. 19<br />

Dannatt, Adrian; “Vertigo,” Flash Art, January.

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