Geometric - Playtype

PLAYTYPEGeometricPlaytype | Vesterbrogade 80 B | 1620 Copenhagen V | Denmarkhttp://www.playtype.com2Design: Jonas Hecksher | Published: 2010 All Fonts are in this format: OpentypeGeometric FamilyGeometric LightGeometric BookGeometric RegularGeometric DemiBoldGeometric Bold

PLAYTYPEGeometricPlaytype | Vesterbrogade 80 B | 1620 Copenhagen V | Denmarkhttp://www.playtype.comDesign: Jonas Hecksher | Published: 20103All Fonts are in this format: OpentypeUPPERCASELOVERCASESTANDARD PUNCTUATIONMATH SYMBOLSCURRENCY & SYMBOLSPROPORTIONAL LINING (DEFAULT FIGURES)SUPERSCRIPTPREBUILT FRACTIONSACCENTED UPPERCASEACCENTED LOVERCASEACCENTSLIGATURESABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz{[(_)]}*,.:;¿¡?­&@/|¦\•®©«»‹›“”‘’‚„”’…-–—†‡¬+≠≤≥±÷−×∞~≈°$¢ƒ£¥€§√#∫π%‰∑◊∏∂∆µΩªº0123456789¹²³½¼¾ÆŒØÁÀÂÄÃÅÇĐÐÉÈÊËÍÎÌÏIŁÑÓÒÔÖÕØŠÚÙÛÜŸÝŽÞæœøáàâäãåçðéèêëíîìïıłñóòôöõøšßúùûüÿýžþ`´¨ˆ˜˘˙ˉ˚¸˝˛ˇfi fl

PLAYTYPEGeometric BookPlaytype | Vesterbrogade 80 B | 1620 Copenhagen V | Denmarkhttp://www.playtype.comDesign: Jonas Hecksher | Published: 20105All Fonts are in this format: Opentype24/25 The warmleather embraceof the cab creaksominously to therhythm of thestreet. I rest myhead on the coolglass.18/19 The harsh curves ofthe neon city exploding onmy closed eyelids as thecombination of Xanax andjet-lag slowly deadens mylimbs. “Rest” I mouth. Thenoblivion.16/17 I ask her her name,straining to hear above theslow drone coming from thePA. She grabs my arm andinscribes »Melissa« on it inneat, tightly-spaced cursive,punctuating the i with a smallheart.14/15 The tattoo guns passesaround the table- A kid etchesout ‘MOMS’ in blue biro ink laughinghysterically as the machinepurrs across his forearm. I can seeMelissa through the open doorto the bathroom, perched on thetoilet, a pair of boys briefs aroundher ankles, absentmindedly smokinga cigarette and blowing smokerings; O followed by Q.12/13 More days in daze. More scripts,more novels. More pages and clammybusiness cards passed of in moisthandshakes. More Melissa. More pointlessshopping sprees and more peopleto please. More dusty blond boys andspeedos. I flick my aviators down andread the street signs.10/12 I keep oncracking jokes, right?Because I’m funny.I want to be funny.Only each time thepunch-line falls flat. Mydelivery is off. I keepglancing between themenu and the fois grasprinted out in roundedserifs and the waiterlaughing politely, anxiously.I settle on theduck since it strikesme as funny somehow.She picks her teethand nods.8/10 The ‘clack’ of the cabdoor snaps me back and Inervously glance up at thedepartures sign. Numeralsslither rapidly as I scan theboard. SK402 to Copenhagen.Exhausted i pushthrough security – belt,shoes, watch, laptop andslump down at the nearestbar. I slip out my creditcard, leaving it on the barand pick at the polaroidwith Melissa´s number onthe back. 8 digits, XXX andMelissa with a heart dotingthe i.14/17 abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz1234567890 This is dummy text. it isintended to be read buthave no apparent meaning.as a simulation of actualcopy, using ordinarywords with normal letterfrequencies, it cannotdeceive eye or brain.6/8 But can words ever be said to have no meaning? Andif the words have no meaning cannot the medium of it’sdelivery be said to be equally meaningless. This is theexistentialist paradox of the typographer; can type ever beseparate from meaning? Words separate from medium?9/11 Smart as a whip: the typographer,but never smarter than his script. »thephilosophy of type«Playtype is an online type foundry and conceptstore, created as a place to play, a home forexperimentation and a showcase of our craft.

PLAYTYPEGeometric RegularPlaytype | Vesterbrogade 80 B | 1620 Copenhagen V | Denmarkhttp://www.playtype.comDesign: Jonas Hecksher | Published: 20106All Fonts are in this format: Opentype24/25 The warmleather embraceof the cab creaksominously to therhythm of thestreet. I rest myhead on the coolglass.18/19 The harsh curves ofthe neon city exploding onmy closed eyelids as thecombination of Xanax andjet-lag slowly deadens mylimbs. “Rest” I mouth. Thenoblivion.16/17 I ask her her name,straining to hear above theslow drone coming from thePA. She grabs my arm andinscribes »Melissa« on it inneat, tightly-spaced cursive,punctuating the i with a smallheart.14/15 The tattoo guns passesaround the table- A kid etchesout ‘MOMS’ in blue biro ink laughinghysterically as the machinepurrs across his forearm. I can seeMelissa through the open doorto the bathroom, perched on thetoilet, a pair of boys briefs aroundher ankles, absentmindedly smokinga cigarette and blowing smokerings; O followed by Q.12/13 More days in daze. More scripts,more novels. More pages and clammybusiness cards passed of in moisthandshakes. More Melissa. More pointlessshopping sprees and more peopleto please. More dusty blond boys andspeedos. I flick my aviators down andread the street signs.10/12 I keep oncracking jokes, right?Because I’m funny.I want to be funny.Only each time thepunch-line falls flat. Mydelivery is off. I keepglancing between themenu and the fois grasprinted out in roundedserifs and the waiterlaughing politely, anxiously.I settle on theduck since it strikesme as funny somehow.She picks her teethand nods.8/10 The ‘clack’ of the cabdoor snaps me back and Inervously glance up at thedepartures sign. Numeralsslither rapidly as I scan theboard. SK402 to Copenhagen.Exhausted i pushthrough security – belt,shoes, watch, laptop andslump down at the nearestbar. I slip out my creditcard, leaving it on the barand pick at the polaroidwith Melissa´s number onthe back. 8 digits, XXX andMelissa with a heart dotingthe i.14/17 abcdefghijklmnopqrstuvwxyz abcdefghijklmnopqrstuvwxyz1234567890 This is dummy text. it isintended to be read buthave no apparent meaning.as a simulation of actualcopy, using ordinarywords with normal letterfrequencies, it cannotdeceive eye or brain.6/8 But can words ever be said to have no meaning? Andif the words have no meaning cannot the medium of it’sdelivery be said to be equally meaningless. This is theexistentialist paradox of the typographer; can type ever beseparate from meaning? Words separate from medium?9/11 Smart as a whip: the typographer,but never smarter than his script. »thephilosophy of type«Playtype is an online type foundry and conceptstore, created as a place to play, a home forexperimentation and a showcase of our craft.

PLAYTYPEGeometric DemiBoldPlaytype | Vesterbrogade 80 B | 1620 Copenhagen V | Denmarkhttp://www.playtype.comDesign: Jonas Hecksher | Published: 20107All Fonts are in this format: Opentype24/25 The warmleather embraceof the cab creaksominously to therhythm of thestreet. I rest myhead on the coolglass.18/19 The harsh curvesof the neon city explodingon my closed eyelids asthe combination of Xanaxand jet-lag slowly deadensmy limbs. “Rest” I mouth.Then oblivion.16/17 I ask her her name,straining to hear above theslow drone coming from thePA. She grabs my arm andinscribes »Melissa« on it inneat, tightly-spaced cursive,punctuating the i with a smallheart.14/15 The tattoo guns passesaround the table- A kid etchesout ‘MOMS’ in blue biro ink laughinghysterically as the machinepurrs across his forearm. I can seeMelissa through the open doorto the bathroom, perched on thetoilet, a pair of boys briefs aroundher ankles, absentmindedlysmoking a cigarette and blowingsmoke rings; O followed by Q.12/13 More days in daze. More scripts,more novels. More pages and clammybusiness cards passed of in moisthandshakes. More Melissa. More pointlessshopping sprees and more peopleto please. More dusty blond boys andspeedos. I flick my aviators down andread the street signs.10/12 I keep oncracking jokes, right?Because I’m funny. Iwant to be funny. Onlyeach time the punchlinefalls flat. My deliveryis off. I keep glancingbetween the menuand the fois grasprinted out in roundedserifs and the waiterlaughing politely, anxiously.I settle on theduck since it strikesme as funny somehow.She picks her teethand nods.8/10 The ‘clack’ of the cabdoor snaps me back and Inervously glance up at thedepartures sign. Numeralsslither rapidly as I scan theboard. SK402 to Copenhagen.Exhausted i pushthrough security – belt,shoes, watch, laptop andslump down at the nearestbar. I slip out my creditcard, leaving it on the barand pick at the polaroidwith Melissa´s number onthe back. 8 digits, XXX andMelissa with a heart dotingthe i.14/17 abcdefghijklmnopqrstuvwxyzabcde fghijklmnopqrstuvwxyz 1234567890 This is dummy text. it isintended to be read buthave no apparent meaning.as a simulation of actualcopy, using ordinarywords with normal letterfrequencies, it cannotdeceive eye or brain.6/8 But can words ever be said to have no meaning? Andif the words have no meaning cannot the medium of it’sdelivery be said to be equally meaningless. This is theexistentialist paradox of the typographer; can type ever beseparate from meaning? Words separate from medium?9/11 Smart as a whip: the typographer,but never smarter than his script. »thephilosophy of type«Playtype is an online type foundry and conceptstore, created as a place to play, a home forexperimentation and a showcase of our craft.

PLAYTYPEGeometricPlaytype | Vesterbrogade 80 B | 1620 Copenhagen V | Denmarkhttp://www.playtype.com9Big playDesign: Jonas Hecksher | Published: 2010All Fonts are in this format: OpentypeBig play

PLAYTYPEGeometricPlaytype | Vesterbrogade 80 B | 1620 Copenhagen V | Denmarkhttp://www.playtype.com10Big playDesign: Jonas Hecksher | Published: 2010All Fonts are in this format: OpentypeBig play

PLAYTYPEGeometricPlaytype | Vesterbrogade 80 B | 1620 Copenhagen V | Denmarkhttp://www.playtype.comBigDesign: Jonas Hecksher | Published: 201011All Fonts are in this format: Opentypeplay