Open - College Art Association
Open - College Art Association
Open - College Art Association
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Jailhouse Rocks: Pierre-Franfois Palloys Movable Monuments<br />
Richard Taws, McGill University<br />
The Short Life of Neoclassical Chairs<br />
Ethan Lasser, Yale University<br />
The Business of <strong>Art</strong><br />
RENDEZVOUS TRIANON, 3RD FLOOR, HILTON NEW YORK<br />
Chair: Jennifer Milam. University of Sydney<br />
The <strong>Art</strong>ist's Agenda: Navigating Our Own Entrepreneurial Success<br />
Debra Grall, Northern Illinois University<br />
No Strings Attached: Why 00 Corporations Give to the <strong>Art</strong>s?<br />
Joanna Spitzner, Syracuse University<br />
The <strong>Art</strong> of Corporate Restoration<br />
Denise M. Budd, Rutgers. State University of New Jersey<br />
The Business Behind tile Buzz: New York's Mosllnlluential<br />
Contemporary <strong>Art</strong> Galleries<br />
Sebastien Delat, Institut National d'Histoire de r <strong>Art</strong>, Universite de Rennes;<br />
Val·de·Marne Museum of Contemporary <strong>Art</strong><br />
Discussant Jennifer Milam, University of Sydney<br />
A,t and Edllcation at the Eud of tile of en'.e,,"<br />
SUDON PARLOR NORTH, 2ND FLOOR, HILTON NEW YORK<br />
Chair: Saul L Ostrow, Cleveland Institute of <strong>Art</strong><br />
American Idol and the Rise of Mediocrity<br />
Peet Cocke, Cuesta <strong>College</strong><br />
Critique as Critical Reflection<br />
Mariah Doren, University of Michigan<br />
The Enhancement of Critical Thinking through Critique<br />
Neil Matthiessen, Arkansas State University<br />
Who Is the Programmer?<br />
Jere Williams, St, Paul's School<br />
Discussant: Elaine King, Carnegie MeHon School of <strong>Art</strong><br />
STUDIO ART OPEN SESSION<br />
in<br />
TRIANON BAllROOM, 3RD FLOOR, HILTON NEW YORK<br />
Chair: Elena Sisto, School of Visual <strong>Art</strong>s<br />
Pier Consagra<br />
Diana Cooper<br />
David Humphrey<br />
James Siena<br />
ARTspace<br />
Visual Power: An Exhibition of Native American<br />
<strong>Art</strong>ists/Scilolars, A the US 01 State <strong>Art</strong><br />
and Gultu,e Pnar!!'",,)s<br />
MURRAY Hill SUITE, 2ND FLOOR, HILTON NEW YORK<br />
Chairs: Duane Slick, Rhode Island School of Design; Phoebe Farris, Purdue<br />
University<br />
Fostering Diversity of American Cultural Diplomacy Abroad<br />
Evangeline J. Montgomery, Office of Citizen Exchanges, Bureau of<br />
Educational and Cultural Affairs, Washington, DC<br />
Gail Tremblay, Evergreen State University<br />
International Relations via Our Shared Solstice Sun over This World<br />
and the 50-Fool Outdoor Circular Denver Sculpture Wheel<br />
Edgar Heap of Birds, University of Oklahoma<br />
Devotional <strong>Art</strong> for tile Feminine Divine<br />
Nadema Agard, Red Earth Studio Consulting/productions<br />
Gustave Oore: a Onco"ramed <strong>Art</strong>ist<br />
REGENT PARLOR, 2ND flOOR, HILTON NEW YORK<br />
Chairs: lisa Small. Dahesh Museum of <strong>Art</strong>; Eric Zafran, Wadsworth<br />
Atheneum<br />
Ooro in America: Recent Discoveries<br />
Eric Zafran, Wadsworth Atheneum<br />
"Plus Dante iIIustro par Ooro, c'est Dare iIIustro par Dante": The<br />
Innovations and Influence of Dares Illustrations for Danle's Divine<br />
Comedy<br />
Aida Audeh, Hamline University<br />
"Our misfortune is immensel and our anguish terrible": Gustave Dare<br />
and The Black Eagl. of Prussia<br />
lisa Small. Dahesh Museum of <strong>Art</strong><br />
Oore and Gerome: Classical Sculptors?<br />
Leanne M. Zalewski. Graduate Center, City University of New York<br />
Van Gogh Remembering (with) Doro<br />
Judy Sund, Queens <strong>College</strong> and Graduate Center, City University of New York<br />
Gustave Dare and Ille Graphic Novel<br />
Patricia Mainardi, Graduate Center, City University of New York<br />
Program Sessions CAA NYC 2007 35
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