Open - College Art Association
Open - College Art Association
Open - College Art Association
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Nicolas Schoeffer's Visual Music: The Regulation of All the Senses<br />
Herve Vanel, Brown University<br />
Performing Pictures/Picturing Performance: Some Efforts to<br />
Distinguish Visual Music from Music Videos<br />
Matthias Weiss, Freie Universitat, Berlin<br />
11 You Could See It, Then You'd Understand: Visual Musician Mark<br />
Romanek and Colriplay's Speed of Sound<br />
Henry Keazor, UniversitiH Frankfurt Institut fOr Kunstgeschichte<br />
SOCIETY OF ARCHITECTURAL HISTORIANS<br />
The Politics 01 Modernisl11; Architectu," ami Power ill tho<br />
Postwar Decades<br />
SUnON PARLOR SOUTH, 2NO flOOR, HILTON NEW YORK<br />
Chairs: Alona Nitzan-Shiftan, Israel Institute of Technology; Juliana Maxim,<br />
University of San Diego<br />
Tensions in Postwar Italian Architecture: Receptions and Rejections<br />
of American Modemism during the Cold War<br />
Paolo Scrivano, University of Toronto<br />
Monumentality by the Linear Foot: The Temporary Headquarters for<br />
tile UN and NATO in Paris, 1951-59<br />
lucia Allais, Massachusetts Institute of Technology<br />
Sea, Sun, and Modemism: Leisure as a Political Strategy in Socialist<br />
Romania<br />
Carmen Popescu<br />
A Constitutional Modemism: Law, Planning, and Architecture in<br />
Postwar Cuba<br />
Timothy Hyde, Harvard University<br />
Alvar Aalto, the Discourse of Universal Humanist Architecture, and<br />
Finland's Geopolitical Dilemma after the Second World War<br />
Eeva-liisa Pelkonen, Yale University<br />
The <strong>Art</strong> Markot as Medium 01 Cultu,al Trallsfers<br />
MAOISON SUITE, 2ND FLOOR, HilTON NEW YORK<br />
Chairs: Michael North, University of Greifswald; Christian Huemer<br />
On the Cusp of Global Prominence: The New Vanguard of Illdian<br />
Contemporary <strong>Art</strong><br />
Arshiya Mansoor lokhandwala<br />
The Merchant Made Maecenas: Joseph Duveen and the Translation of<br />
the <strong>Art</strong> Dealer Into Museum Pllilanthropist<br />
Christopher R. Marshall<br />
Examining the Economics of <strong>Art</strong>: The Rise of Leo Castelli Gal/ery and<br />
Its Global Effect<br />
Midori Yamamura<br />
How Folk <strong>Art</strong>ists Become Great Masters: Museum Exhibitioll and/as<br />
Global Marketing<br />
Mary K. Coffey, Dartmouth <strong>College</strong><br />
Discussant: Hans Van Miegroet<br />
The Middle Patll? Between and Cullural in<br />
Chinese<br />
GRAMERCY B, 2ND FLOOR, HILTON NEW YORK<br />
Chairs: Kathleen M. Ryor, Carleton <strong>College</strong>; Jennifer G. Purtle, University of<br />
Toronto<br />
Yu Controlling tile Flood: Ecology, Emperorsllip, and 11th-Century<br />
ClJillese Painting<br />
Heping liu. Wellesley <strong>College</strong><br />
Murals witiJOut Manuscripts: Style, Substance, and Social Constructs<br />
in tile DUlllwang Caves<br />
Winston Kyan, Macalester <strong>College</strong><br />
Yan Liben and the Authoritative Documentary Style in Chinese<br />
Painting History<br />
Julia K. Murray, University of Wisconsin, Madison<br />
A Tale of Two Scholars: Rhetorical Exigencies and Strategies ill<br />
Callill and Fong<br />
Jason C. Kuo, University of Maryland<br />
Discussant: Anne Burkus-Chasson, University of Illinois, Urbana-Champaign<br />
QUEER CAUCUS FOR ART<br />
RENDEZVOUS TRIANON, 3RO FLOOR, HilTON NEW YORK<br />
Chairs: Tina Takemoto, California <strong>College</strong> of the <strong>Art</strong>s; Elizabeth Stephens,<br />
University of California, Santa Cruz<br />
linda Montano, independent artist. Saugerties, New York<br />
Tania Katan, independent plaY\wight. Phoenix<br />
Angela Ellsworth, Arizona State University<br />
Tina Takemoto, California <strong>College</strong> of the <strong>Art</strong>s<br />
Elizabeth Stephens, University of California, Santa Cruz<br />
Annie Sprinkle. independent artist. San Francisco<br />
<strong>Art</strong> alH!<br />
PETIT TRIANON, 3RD FLOOR, HILTON NEW YORK<br />
Chair: Joe A. Thomas, Clarion University of Pennsylvania<br />
<strong>Art</strong> vs. Pomograplly? On the Discursive Limits of Sexual<br />
Representation<br />
Annamari VanskiL University of Helsinki<br />
Program Sossions CAA NYC 2007 57
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