Open - College Art Association
Open - College Art Association
Open - College Art Association
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Discontinuous States: <strong>Art</strong> on the Border<br />
Krista Genevieve lynes, San Francisco <strong>Art</strong> Institute<br />
From Nomadism to Cosmopolitanism<br />
James Meyer, Emory University<br />
Ellgagillg vea"aOI1IV: Ul1d'''grad,wle <strong>Art</strong> ami Active<br />
RENDEZVOUS TRIANON, 3RD fLOOR, HILTON NEW YORK<br />
Chairs: Kimberly l. Dennis, Rollins <strong>College</strong>; Kristin Huffman lamoni, Duke<br />
University<br />
Building an Understanding of Architectural History<br />
Craig Eliason, University of St. Thomas<br />
Student Curators: A New Approach to Active Learning through<br />
Museum and Library Partnerships<br />
lana A. Burgess, Florida State University<br />
Engaging Masquerades: Ritual Performance in the Classroom<br />
Carol Magee, University of North Carolina, Chapel Hill<br />
Service Learning Projects: Connecting Student Research with tile<br />
Needs 01 Community Partners<br />
William Stargard, Pine Manor <strong>College</strong><br />
The Visual Essay Project: Thinking Visually, Conceptually, and Synthetically<br />
Janice Simon, lamar Dodd School of <strong>Art</strong>, University of Georgia<br />
Crealive Fuillres: Is the MBA Us?<br />
BEEKMAN PARLOR, 2ND fLOOR, HILTON NEW YORK<br />
Chairs: Stephanie Ellis, San Francisco <strong>Art</strong> Institute; Stacy Garfinkel, San<br />
Francisco <strong>Art</strong> Institute<br />
Why tile PhD Studio?<br />
Naren Barfield, Glasgow School of <strong>Art</strong>; laura Gonzalez, Glasgow School of <strong>Art</strong><br />
Ante Magazine: What Are the Stakes?<br />
Nicholas Herman, independent artist New York; Dmitri Siegel. Sundance Channel<br />
1957 Brain Rush<br />
Stephanie Ellis, San Francisco <strong>Art</strong> Institute; Stacy Garfinkel, San Francisco<br />
<strong>Art</strong> Institute<br />
The COrl,t of III<br />
SUTTON PARLOR SOUTH, 2ND fLOOR, HILTON NEW YORK<br />
Chairs: Jesus Escobar, Fairfield University; Amanda Wunder, University of<br />
New Hampshire<br />
Vetazquez's First Portrait of Philip IV and the Sources of Courtly Success<br />
Tanya J. Tiffany, University of Wisconsin, Milwaukee<br />
Uncovering the Role 01 Queen Isabella of Bourbon in Spanish Baroque <strong>Art</strong><br />
Iraida Rodriguez-Negron, Institute of Fine <strong>Art</strong>s, New York University<br />
The Count Duke 01 Olivares, Politics, and the Cult 01 St. Dominic<br />
Soriano at the Court of Philip IV<br />
Marta Bustillo, National Coilege of <strong>Art</strong> and Design, Dublin<br />
The Portrait of Juan Rana, King of Comedy, at the Court of Philip IV<br />
laura R. Bass, Tulane University<br />
Discussants: Jonathan Brown, Institute of Fine <strong>Art</strong>s, New York University;<br />
John Elliott, Oxford University<br />
Beat Terrains in 2007<br />
PETIT TRIANON, 3RD FLOOR, HilTON NEW YORK<br />
Chair: Helen C. Frederick, George Mason University<br />
TI1e Weight of an Expressive Silence<br />
Rie Hachiyanagi, Mount Holyoke <strong>College</strong><br />
The Mummy's Curse<br />
Sandy Kinnee<br />
Paper Dolls: Women Sculptors and t/IB Body in Pulp<br />
Virginia Maksymowicz, Franklin and Marshall <strong>College</strong><br />
Empire on Course<br />
Eve Ingalls<br />
Paper Keeps the Pace<br />
Rachel Foullon, Public-Holiday Projects<br />
Program Sessions CM NYC 2007 43
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