ARTS COUNCIL OF THE AFRICAN STUDIES ASSOCIATION Business M"ellill!] MADISON SUITE, 2ND FLOOR, HILTON NEW YORK HISTORIANS OF BRITISH ART Business NASSAU SUITE, 2NO FLOOR, HILTON NEW YORK NATIONAL ART EDUCATION ASSOCIATION Business SUTTON PARLOR CENTER, 2ND FLOOR, HILTON NEW YORK WOMEN'S CAUCUS FOR ART Business SUTTON PARLOR SOUTH, 2ND FLOOR, HILTON NEW YORK Program Sessions CAA NYC 2007 59
R R 17 9:30 AM-12:00 PM ill Private Passions as Public BRYANT SUITE, 2ND FLOOR, HILTON NEW YORK Chair: K. Porter Aichele, University of North Carolina, Greensboro In Storage: George Gustav Heye, His Col/ection, and the National Museum of the American Indian Jeffrey Abt, Wayne State University Reexamining a National Gift: The Philanthropy of Samuel H. Kress and the Passage of Italian <strong>Art</strong> into Middle America Roger J. Crum. University of Dayton Brahmin Fantasies: Japanese Collections in Boston Christopher Reed, lake Forest <strong>College</strong> Samuel Bancroft's Pre-Raphaelite Col/eeliolJ at the Delaware <strong>Art</strong> Museum: A Case Study . .. In Progress Margaretta S. Frederick, Delaware <strong>Art</strong> Museum American and Modern: Edward W Root and the Munson-Williams Proctor <strong>Art</strong>s Institute Mary E. Murray, Munson-Williams-Proctor <strong>Art</strong>s Institute The (eViler! of Hands-Oil St"dio lea"n,,,": Praxis MADISON SUITE, 2ND flOOR, HILTON NEW YORK and Chairs: Rebecca AIm, Minneapolis <strong>College</strong> of <strong>Art</strong> and Design; Carol Padberg, Hartford <strong>Art</strong> School. University of Hartford Doing the Same Thing Differently; The Impact of Technology in Teaching Painting, Drawing, and Design Rebecca Aim, Minneapolis <strong>College</strong> of <strong>Art</strong> and Design; Carol Padberg, Hartford <strong>Art</strong> School, University of Hartford The Accessibility of Labor: Rethinking the Pedagogy of the Digital Curriculum Stephan Hillerbrand, University of Houston Mobile Mapping for Everyday Spaces Kevin Hamilton, University of Illinois, Urbana-Champaign; M. Simon Levin A Pedagogy for Computational Studio Practice Janis Jefferies, Goldsmiths <strong>College</strong>, University of London Discussant: Craig Smith, Goldsmiths <strong>College</strong>, University of London 60 CAA NYC 2007 Conference Program Prolessional COllcerns 01 Studio I\rt 1\ Second look TRIANON BALLROOM, 3RD FLOOR, HILTON NEW YORK Chair: Michael Aurbach, Vanderbilt University Joe Deal, Rhode Island School of Design Ruth Weisberg, University of Southern California Emma Amos, Rutgers, Stale University of New Jersey Carmon Colangelo, Sam Fox School of Design and Visual <strong>Art</strong>s, Washington University, St. louis ART HISTORY OPEN SESSION Tile of 1300-1700, Part II OFFSITE, METROPOLITAN MUSEUM OF ART GRACE RAINEY ROGERS AUDITORIUM 1000 5TH AVENUE AT 82ND STREET, MANHATTAN Chair: Carmen C. Bambach, Metropolitan Museum of <strong>Art</strong> Leonardo da Vinci's Giant Crossbow Matthew landrus, Rhode Island School of Design Bramante's Disegno Grandissimo: Raising UA 287 Henry Dietrich Fernandez, Rhode Island School of Design Antwerp Mannerist Drawings and the Goal of Connoisseurship Yao-Fen You, Fogg <strong>Art</strong> Museum, Harvard University; William Robinson, Fogg <strong>Art</strong> Museum, Harvard University Drawing in the <strong>Art</strong> of the Young Guido Reni Rachel Kordonowy McGarry, Institute of Fine <strong>Art</strong>s, New York University An Important Collector in Madrid: Francisco de Solis Lisa Banner, Hispanic Society of America The Making of John Talman's Col/ection Cinzia Sicca BursilJ-Hal/, Universi!a di Pisa STUDIO ART OPEN SESSION and Functions of Narrative WEST BALLROOM, 3RD FLOOR, HILTON NEW YORK Chairs: Robert Berlind, Purchase Col/ege, State University of New York; Jenny Dubnau, independent altist, New York Robert Colesecott Eric Fischl Mernet Larsen Judith Linhares Beverly Mciver
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