CPYB Facultyfrom 1996-2006 under Francia Russell, Kent Stowell and PeterBoal. While with PNB, Ade performed leading roles in GeorgeBalanchine’s The Four Temperaments and A Midsummer Night’sDream; Ronald Hynd’s The Merry Widow; and Kent Stowell’sThe Tragedy of Romeo and Juliet. He has also been featured inBalanchine’s La Valse, Prodigal Son, Symphony in C, Symphonyin Three Movements, and Who Cares?; and Peter Martins’ FearfulSymmetries. He originated featured roles in Val Caniparoli’sTorque and Nicolo Fonte’s Almost Tango and Within/Without.Prior to joining <strong>Central</strong> <strong>Pennsylvania</strong> <strong>Youth</strong> <strong>Ballet</strong> as schoolprincipal, Ade served as principal of the Pacific Northwest <strong>Ballet</strong>School’s Francia Russell Center, PNB’s Eastside School, underArtistic Director Peter Boal from 2006 through 2012. Ade alsoserves as permanent guest faculty at <strong>Ballet</strong> Academy East inNew York City under Darla Hoover and Julia Dubno. He hastaught throughout Europe and North America, including the IlievFoundation in Bulgaria. Ade has also taught at Tri-Cities Academyof <strong>Ballet</strong>, Utah Regional <strong>Ballet</strong>, and the University of NorthCarolina School of the Arts. He also has been on faculty at severalnational and regional festivals for Regional Dance America (RDA).Ade’s relationship with RDA has also extended into adjudicatingin 2010; as well as serving as host to the Craft of ChoreographyConference (CCC) and Summer Intensive from 2007-2009 andhas been on the faculty of the CCC from 2004 through 2009. Hehas served as host of PNB’s Eyes on Dance and Discover Danceoutreach performances and has been Project Coordinator for PNB’sNEXT STEP (formerly Choreographers’ Showcase) since 2005.Founding Artistic DirectorMarcia Dale WearyFacultyCPYB’s exceptional faculty is chaired by Marcia Dale Weary,Founding Artistic Director. More than 21,000 students havepassed through the esteemed institution. CPYB’s yearroundprograms are augmented by outstanding teachingprofessionals from the larger dance world. CPYB’s averageteacher to student ratio is 1:20 during the academic year.Faculty members may be helped by student assistants in Level 1A,especially in September and January. Experienced and responsiblestudent teachers, with the Artistic Director’s approval, also mayteach class throughout the year.Marcia Dale Weary (see bio page 5)Darla Hoover (see bio page 5)Alan Hineline (see bio page 5)Nicholas Ade (see bio page 5)Theresa Crawford has over 40years of experience teaching classicalballet to children. She was trained asa teacher by her aunt, Marcia DaleWeary, Founding Artistic Director ofthe <strong>Central</strong> <strong>Pennsylvania</strong> <strong>Youth</strong> <strong>Ballet</strong>.While still a student, Ms. Crawford wasencouraged to begin studying heraunt’s original and highly successfulteaching methods. She founded andmanaged her own schools as well as anon-profit children’s ballet company inMichigan. She was the Principal of Orlando <strong>Ballet</strong>’s largest feederschool in Orlando, Florida. Most recently she was on the facultyof the Georgia <strong>Ballet</strong> where she began an intensive programfor talented young students and was also instrumental in thefoundation of Dance-Ability, a program for children with specialneeds. Ms. Crawford’s background includes 12 years on thepermanent faculty of CPYB and teaching at the organization’snationally renowned summer course continuously since1979. Several of Ms. Crawford’s students have or are currentlyperforming with well-knowncompanies in Europe, Canada andthe United States. She is a certifiedPilates instructor and studied underAnthony Rabara in Princeton, NewJersey. Ms. Crawford has beenteaching mat and reformer classessince 1997. She privately coaches alllevels of ballet students, and has beena guest instructor in Florida, Georgia,Michigan, Missouri, <strong>Pennsylvania</strong>,Virginia and West Virginia.Tanya Doporcyk began her formal training at CPYB underthe direction of Marcia Dale Weary. She went on to teach at theSchool of Music and Dance in Hanover, PA. Shortly after, Tanyafounded The Walnut Bottom School of Dance which she hasowned and operated for 19 years before returning to CPYB toteach young children and adults for Marcia.2013-2014 Academic Handbook & Student Policies | Updated 9.30.136home
CPYB FacultyKaren Eriksson-Lee received herBachelor of Science degree in dancefrom Shenandoah University in1987. Shortly after she founded TheNorthern Virginia Academy of <strong>Ballet</strong>in Front Royal, VA, which she directedfor the past 22 years. She has beenwith <strong>Central</strong> <strong>Pennsylvania</strong> <strong>Youth</strong><strong>Ballet</strong> for 25 years, first as a studentand now as a teacher.Ann Fields is an alumna of <strong>Central</strong><strong>Pennsylvania</strong> <strong>Youth</strong> <strong>Ballet</strong>. She has aBachelor of Fine Arts in ballet fromthe University of Utah and has dancedwith Lake Erie <strong>Ballet</strong> in conjunctionwith Mercyhurst College and with theUtah <strong>Ballet</strong>. Ms. Fields has attendedthe Governor’s School for the Arts onfull scholarship, <strong>Ballet</strong> Iowa’s summerprogram on full scholarship, and theSchool of the Washington <strong>Ballet</strong>. Shehas certifications in New York City<strong>Ballet</strong> Workout and Pilates Mat. Ms. Fields is an adjunct professorat Messiah College where she teaches ballet.Sara Gelbaugh, originally fromBuffalo, New York, is an alumnaof the <strong>Central</strong> <strong>Pennsylvania</strong> <strong>Youth</strong><strong>Ballet</strong>. She first studied the CecchettiMethod of <strong>Ballet</strong>, and is I.S.T.D.certified for levels 1 through 4 andElementary work. She has performedwith the Buffalo <strong>Ballet</strong> Theater, the1000 Islands Festival <strong>Ballet</strong> Companyand the Lake Erie <strong>Ballet</strong>. She has alsoparticipated as a dancer in the CarlisleProject Choreography Workshops. Sheis certified by New York City <strong>Ballet</strong> to teach the New York City<strong>Ballet</strong> Workout. In addition to teaching for CPYB, Ms. Gelbaughwas formerly on the faculty of the Cincinnati <strong>Ballet</strong> and TanzePerforming Arts Center while living in Ohio.Alecia Good-Boresow, former directorof the Kansas City <strong>Youth</strong> <strong>Ballet</strong>, returnedto her roots in Carlisle to join the facultyof <strong>Central</strong> <strong>Pennsylvania</strong> <strong>Youth</strong> <strong>Ballet</strong>in 2011. Ms. Good-Boresow began herdancing career with Marcia Dale Wearyat the age of five and went on to studyat the School of American <strong>Ballet</strong>, Joffrey,and the <strong>Pennsylvania</strong> <strong>Ballet</strong> beforejoining the Kansas City <strong>Ballet</strong> in 1983under the directorship of Todd Bolender.Ms. Good-Boresow danced with theKansas City <strong>Ballet</strong> for 13 years as a principal dancer performingnumerous lead roles in the Nutcracker, Coppélia, and SleepingBeauty. In addition, Ms. Good-Boresow danced principal rolesin George Balanchine’s Firebird, Concerto Barocco, Apollo, andWestern Symphony. Ms. Good-Boresow has been featured in severalHallmark Ballerina calendars as well as in Who’s Who in America’sTeachers. Ms. Good-Boresow has taught in the CPYB 5-WeekSummer <strong>Ballet</strong> Program for the past 19 years, the Kansas City <strong>Ballet</strong>,Miller-Marley School of Dance, Shari Shell-True Dance Academy inLincoln, Nebraska, and Dance St. Louis summer programs.Melinda Howe has served on thefaculty of the <strong>Central</strong> <strong>Pennsylvania</strong><strong>Youth</strong> <strong>Ballet</strong> for more than 25 years,where she began her own trainingunder the direction of Marcia DaleWeary. She received her Bachelorof Fine Arts degree from The NorthCarolina School of the Arts and thenreturned to Carlisle to work with Ms.Weary. Her growth as a teacher ledher to choreograph and her balletsVivaldi, Esprit and Blue Moon Waltzhave been shown at the Northeast Regional Festivals for Dance.In 2000 Andante won her the prestigious Monticello Award forChoreography. At CPYB, along with her teaching, she assists withthe 5-Week Summer <strong>Ballet</strong> Program and the Teachers Workshop.She is proud of the many students she has helped train over theyears, and you can see the current future professionals in herballets in the June Series.Re Rabassi-Davis has a Bachelorof Arts degree in <strong>Ballet</strong> Education,trained as an apprentice teacherwith the Royal Winnipeg <strong>Ballet</strong> andcompleted the teacher’s trainingcourse with Jacques d’Amboise’sNational Dance Institute. Formerlythe founder and director of theGettysburg School of <strong>Ballet</strong>, she alsoserved on the faculty of Mt. St. Mary’sCollege and the Harrisburg ArtsMagnet School. During this time, shecreated and implemented the Creative Movement and Pre-<strong>Ballet</strong>curriculum used at CPYB from 1985 to 1995 and developed thefoundation for the current CPYB Arts in Education and Outreachprograms. She also created the dance curriculum for theCapital Area School of the Arts and the Milton Hershey School.Additionally, Ms. Rabassi-Davis holds a M.Ed. from ShippensburgUniversity in Counseling and an M.S. in Business Ethics andLeadership from Duquesne University. She currently teachesDrama and Dance at Milton Hershey School while serving aspermanent faculty for both the academic and summer programsat CPYB since 1984. Ms. Rabassi-Davis is also the artisticcoordinator for CPYB’s DiscoverDance program.Bruce Thornton received his dancetraining in his native Seattle, WA atthe Cornish Institute and then with<strong>Central</strong> <strong>Pennsylvania</strong> <strong>Youth</strong> <strong>Ballet</strong>. Hewas most recently a soloist with theMiami City <strong>Ballet</strong> and danced a rangeof roles with the company; including:the “Blue” gentleman from JeromeRobbins’ Dances at a Gathering,the principal “walking” pas de deuxfrom Emeralds, the Elegie principalfrom Serenade, the principal male in Concerto Barrocco andElegie, the role of Death in La Valse as well as the “turning”2013-2014 Academic Handbook & Student Policies | Updated 9.30.137home