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334simha aromi, polo valeho. danarTiSimha Arom, Polo Vallejo. APPENDIXmagaliTi 5. burdonuli banis mTeli toniT maRla asvlas win uswrebsdadablebuli tercia zeda xmaSi (Ab A bekaris nacvlad). Sedegad vertikalSiviRebT oqtavas an kvintasExample 5. . When the drone voice ascends a whole tone, the movement is alwayspreceded by a lowered third (Ab instead of A natural) in the upper voice. The resultis an octave or a 5 thmagaliTi 6. `alilo~ (imereTi). religiuri, G kiloSiExample 6. Alilo (Imereti), religious piece in the G Mode From Georgian Polyphonies,Tbilisi, 2005 / ISBN 99940-776-0-0 Editors: N. Zumbadze, N. Kalandaze, T. Zhvania,D. Shugliashvili, p.185
simha aromi, polo valeho. danarTiSimha Arom, Polo Vallejo. APPENDIX335magaliTi 7. `alilos~ sinTezuri versia (C tipis kadansi)Example 7. Score of the synthetic version of Alilo (C type cadence)magaliTi 8. G kiloSi `Tavisuflad~ Seqmnili nimuSi (B tipis kadansi)Example 8. Score of the “freely” created piece in the G Mode (B type cadence)magaliTi 9. A kiloSi `Tavisuflad~ Seqmnili nimuSi (B tipis kadansi)Example 9. Score of the “freely” created piece in the A Mode (B type cadence)magaliTi 10. E kiloSi `Tavisuflad~ Seqmnili nimuSi (A tipis kadansi).Example 10. Score of the “freely” created piece in the E Mode (A type cadence).
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Simha Arom & Polo Vallejo - International Research Center For ...

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