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How to plan, draft, write and finish a doctoral thesis or dissertation

How to plan, draft, write and finish a doctoral thesis or dissertation

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112 ◆ AUTHORING A PHD<br />

Read any book-f<strong>or</strong>m reprint of a journalist’s collected writings<br />

<strong>and</strong> you will notice that these sh<strong>or</strong>t paragraph lengths do not<br />

w<strong>or</strong>k at all with larger pages. Instead the journalist’s text comes<br />

across as far <strong>to</strong>o chopped-up, with up <strong>to</strong> six <strong>or</strong> seven paragraphs<br />

on each book page, <strong>and</strong> twelve <strong>or</strong> so on each double-page<br />

spread. Professional academic w<strong>or</strong>k is always configured f<strong>or</strong><br />

printing as books <strong>or</strong> journal articles. Here the printed page typically<br />

holds around 500 w<strong>or</strong>ds. The ideal length f<strong>or</strong> paragraphs<br />

is one that divides each page several times, but not <strong>to</strong>o frenetically.<br />

A good aim point is hence around 150 w<strong>or</strong>ds (half an A4<br />

page printed double-spaced). But paragraph lengths of between<br />

100 <strong>and</strong> 200 w<strong>or</strong>ds (a third <strong>to</strong> two-thirds of an A4 page) are<br />

perfectly acceptable.<br />

A good way <strong>to</strong> keep track of paragraph lengths is <strong>to</strong> make<br />

sure that you can see each paragraph in its entirety on the<br />

screen of your PC (using 1.5 <strong>or</strong> double spacing <strong>to</strong> make your<br />

text easily readable). Where a paragraph goes appreciably<br />

longer than a single screenful, consider whether it should be<br />

split up. Where a paragraph occupies only a small part of your<br />

screen, ask yourself whether it should be merged with the<br />

paragraph bef<strong>or</strong>e <strong>or</strong> after it. Never leave very sh<strong>or</strong>t (one- <strong>or</strong> twosentence)<br />

paragraphs hanging around, because they are disruptive<br />

of the overall flow of the text. Always integrate them in<strong>to</strong><br />

one <strong>or</strong> other of their neighbours.<br />

The sequence of material within paragraphs should generally<br />

follow the Topic, Body, Wrap f<strong>or</strong>mula. The first ‘<strong>to</strong>pic’ sentence<br />

makes clear what the paragraph addresses, what its focus is on.<br />

The main ‘body’ of the paragraph comes next, giving reasoning,<br />

justification, elab<strong>or</strong>ation, analysis <strong>or</strong> evidence. The final<br />

‘wrap’ sentence makes clear the bot<strong>to</strong>m-line message of the<br />

paragraph, the conclusion you have reached. Readers will<br />

always pay special attention <strong>to</strong> the opening, <strong>to</strong>pic sentence of a<br />

paragraph, <strong>to</strong> glean as economically as they can what it is<br />

about. And they will also focus m<strong>or</strong>e on the last, wrap sentence,<br />

trying <strong>to</strong> garner the guts of your argument without reading the<br />

whole paragraph in detail. Many readers may only ‘eyeball’ the<br />

‘body’ text, <strong>or</strong> will skim it in advance of detailed reading, in<br />

effect deciding whether <strong>to</strong> read it <strong>and</strong> how intensively. Such<br />

people may fasten on little else but the <strong>to</strong>pic <strong>and</strong> wrap sentences,<br />

which hence need <strong>to</strong> be written with especial care.

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