How to plan, draft, write and finish a doctoral thesis or dissertation
How to plan, draft, write and finish a doctoral thesis or dissertation
How to plan, draft, write and finish a doctoral thesis or dissertation
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198 ◆ AUTHORING A PHD<br />
a project, recognizing that its imperfections <strong>and</strong> deficiencies<br />
(so intimately familiar <strong>to</strong> the auth<strong>or</strong>) have just <strong>to</strong> be lived with,<br />
<strong>to</strong>lerated, perhaps never remedied <strong>or</strong> improved upon?<br />
An apt parallel f<strong>or</strong> writing a PhD is taking part in an amateur<br />
dramatics society’s production of a play. In the early days there<br />
are apparently endless casting meetings <strong>and</strong> leisurely <strong>or</strong>ientation<br />
sessions. The ac<strong>to</strong>rs, the direc<strong>to</strong>r, the producer <strong>and</strong> the art<br />
direc<strong>to</strong>r endlessly swap differing visions of the play’s period <strong>and</strong><br />
setting, its visual ‘look <strong>and</strong> feel’, the characters’ motivations<br />
<strong>and</strong> the significance of different scenes <strong>and</strong> plot developments.<br />
The early rehearsals are wracked by personality conflicts <strong>and</strong><br />
tensions about who is m<strong>or</strong>e imp<strong>or</strong>tant than whom, <strong>and</strong> what<br />
overall emotional <strong>or</strong> dramatic style should be achieved. But as<br />
the actual perf<strong>or</strong>mances get nearer <strong>and</strong> nearer suddenly the<br />
motivations of ac<strong>to</strong>rs <strong>and</strong> direc<strong>to</strong>r coarsen up in a miraculous<br />
way. The ac<strong>to</strong>rs w<strong>or</strong>ry m<strong>or</strong>e about remembering their lines <strong>and</strong><br />
not looking a fool on stage, getting through all right rather<br />
than being the star of the whole show. And the direc<strong>to</strong>r<br />
becomes m<strong>or</strong>e accommodating, grateful f<strong>or</strong> any scene <strong>or</strong> perf<strong>or</strong>mance<br />
that passes half-way professionally rather than stumbling<br />
in<strong>to</strong> dis<strong>or</strong>der. Finally the curtain opens on a production<br />
that everyone involved knows would benefit hugely from<br />
another four weeks of rehearsal, another stab at this <strong>or</strong> that.<br />
Except that it would never have got this focused this quickly<br />
without that curtain opening. If we put back the start of the<br />
show, everyone involved would simply adjust their time-scale<br />
<strong>to</strong> reach much the same condition of preparedness/unpreparedness<br />
four weeks further on, rather than now.<br />
Getting <strong>to</strong> a first <strong>draft</strong> of your entire <strong>thesis</strong> is a very imp<strong>or</strong>tant<br />
miles<strong>to</strong>ne in your w<strong>or</strong>k. At this point your pri<strong>or</strong>ity shifts<br />
away from doing m<strong>or</strong>e research <strong>or</strong> adding new bits <strong>to</strong> your text<br />
mountain <strong>and</strong> <strong>to</strong>wards <strong>finish</strong>ing things off, having done with<br />
it, putting it behind you, moving on <strong>to</strong> other <strong>to</strong>pics <strong>and</strong> other<br />
projects. This is not an easy transition <strong>to</strong> make. There comes a<br />
point in the life of any book <strong>or</strong> <strong>thesis</strong> project where the ‘fear<br />
<strong>and</strong> loathing’ fac<strong>to</strong>r tends <strong>to</strong> <strong>to</strong>p out on your other enthusiasms<br />
<strong>and</strong> your <strong>or</strong>iginal motivation. This is an infallible sign that<br />
enough is enough, <strong>and</strong> that the time <strong>to</strong> enter the completion<br />
phase has arrived. Ending is not simple, however. Your first<br />
challenge will usually be <strong>to</strong> upgrade a patchy <strong>draft</strong> text in<strong>to</strong>