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How to plan, draft, write and finish a doctoral thesis or dissertation

How to plan, draft, write and finish a doctoral thesis or dissertation

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144 ◆ AUTHORING A PHD<br />

Three steps provide the foundations f<strong>or</strong> remodelling:<br />

– Write out the chapter heading in full, <strong>and</strong> then all the<br />

subheadings in full as they come up, in the same font as<br />

used in the chapter. It is best <strong>to</strong> do remodelling with pen<br />

<strong>and</strong> paper, <strong>and</strong> not on a PC. (There are a couple of specialist<br />

PC packages which might assist auth<strong>or</strong>s doing extensive<br />

remodelling, especially people whose research already uses<br />

a lot of interviews <strong>or</strong> case study materials. 11 )<br />

– F<strong>or</strong> each paragraph in the chapter, <strong>write</strong> a one-line summary<br />

of what it says. Try <strong>to</strong> express the argumentative c<strong>or</strong>e of what<br />

the paragraph says. Be cold-bloodedly realistic, <strong>or</strong> perhaps<br />

downright cynical <strong>or</strong> sceptical. F<strong>or</strong> instance if a paragraph<br />

only says a bit m<strong>or</strong>e on a point already made, express that<br />

judgement in your summary line. It is very imp<strong>or</strong>tant not <strong>to</strong><br />

let these summaries lengthen out beyond a single line.<br />

– Number all the paragraph summaries in sequence from the<br />

beginning <strong>to</strong> the end of the chapter.<br />

You should now have a drastically summarized version of what<br />

your chapter says, one that rec<strong>or</strong>ds all the key points being made<br />

within one <strong>or</strong> two pages. This view should be much m<strong>or</strong>e accessible<br />

<strong>and</strong> comprehensible than your previous impression of the<br />

chapter.<br />

With the couple of pages showing this chapter skele<strong>to</strong>n on<br />

the desk in front of you, begin a series of basic checks:<br />

◆ Is the chapter structure simple (good) <strong>or</strong> complex (bad)?<br />

◆ Is the argument pattern clear <strong>and</strong> logical (good) <strong>or</strong><br />

unclear (bad)?<br />

◆ Do the current sections <strong>and</strong> subsections divide up the<br />

chapter text evenly (good) <strong>or</strong> unevenly (bad)? Even division<br />

shows up because each section <strong>or</strong> subsection has much<br />

the same number of component paragraphs as the<br />

others at the same level.<br />

◆ Does the chapter’s argument have a developmental <strong>or</strong><br />

cumulative feel about it (good) <strong>or</strong> does it by contrast seem<br />

recursive <strong>and</strong> repetitive (bad)? You need <strong>to</strong> follow a ‘say it<br />

once, say it right’ philosophy, gathering <strong>to</strong>gether closely<br />

related points which can be h<strong>and</strong>led at one place in a<br />

full-f<strong>or</strong>ce way, not dissipated across different bits of the text.

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