time she refuses to have a sexual relationship with Cliges so long as she is his uncle's wife. Apotion of the kind later to be used by Juliet at last delivers her and she is united with Cliges,having broken the triangle by her seeming death.In the late 1170s Chretien wrote two yet more fantastic romances at the same time,Yvain and Lancelot (The knight with the lion and The knight on the cart). In Yvain, the initialsituation is a triangle, caused when Yvain kills the knight of the magic fountain and falls inlove with his widow, Laudine. Time allows their union, but while Yvain simply loves, thelady is only brought to accept his love by her maid's persuasion. The next part of Yvainreturns to the conflict between love for a woman and martial activity in a man's public life.Yvain leaves his wife to go on tourneys, promising to return by a certain day; then he forgetsand she sends a message rejecting him for ever. After many adventures, during which herescues a lion that then always follows him, he nearly kills his dearest friend in a combat bymistake. He decides to try to get Laudine back, and succeeds, thanks again mainly to hermaid's help. This reliance on the cunning of a servant seems to suggest an ironic touch.Lancelot is the starting-point of a huge literary tradition, and again it can be seen as are-writing of Tristan. The Arthurian court offers merely a setting for Chretien's first threepoems, but here the central triangle involves Arthur himself, his wife Guinevere, andLancelot, who is given the traditional role of Guinevere's lover, in place of Mordred. Thesubject-matter of this tale is the obsessive fin'amors of Lancelot for Guinevere, a love thatendures endless testing and cruelty from the beloved. Misunderstandings and conflict bringboth of them to the brink of suicide, before Guinevere, who has been abducted by themysterious Meleagant, calls Lancelot to her; he rips the bars from her window and they areunited. In the rest of the poem, Guinevere exploits her total control of Lancelot's will to bringhim to ever higher feats of knighthood, but the moral conflict inherent in their adultery wasnot resolved when Chretien turned the story over to another writer to finish. In the 13thcentury prose 'Vulgate' romance, adapted by Malory, it is the discovery by Arthur of theiraffair, years later, that brings about a break between him and Lancelot, and the tragic collapseof the Round Table.The fundamental tension that Chretien examines in all his romances involves society:two people in love are happier alone together, but they have wider responsibilities theycannot avoid. Above all it involves difference: the man falls dramatically in love with awoman who in many cases is not ready to reciprocate. The active person is the man, yet hislove makes him entirely dependant on the lady's response. Their relationship evolves throughlong periods of introspection expressed in monologue. Chretien is often seen as the father ofthe psychological novel, but Thomas and Benoit went before him, with the inner monologuesthey give their characters.In the 13th century, the most important development in romantic love is expressed in thecontrast between the two parts of the Roman de la Rose. The first 4058 lines, written about1230 by Guillaume de Lorris, represent in allegory the power of a beautiful lady, the sightof whom is enough to captivate the lover's heart. The fragment was 'completed' forty yearslater by Jean de Meun, in 17,622 lines of encyclopedic content, where the dominant tone isstrongly anti-feminist; love, it says, is no ideal but a terrible danger for any man. In the end,the male is allowed to 'pluck the rose' that is the allegorical goal of his quest, but it has cometo seem a pointless triumph, and the work fails to see what Thomas and Chretien knew, thatsexual union is the beginning of a relationship, happy or unhappy, not the end of a quest.
Dante AlighieriThen romantic love entered real life! It happened in Florence at 3 o'clock one afternoon in1283, when an eighteen year old youth met a girl a few months younger dressed in whiteaccompanied by two older friends: 'e per la sua ineffabile cortesia... mi saluto moltovirtuosamente tanto che mi parve allora vedere tutti i termini della beatitudine.' (And by herunspeakable courtesy... she greeted me with such skill that at that moment I seemed toglimpse all the farthest bounds of bliss.)The love-experience meditated on in the autobiographical narrative and poems whichmake up Dante's La Vita Nuova begins with the sight of the Lady. Unlike the romances, theman here is no soldier, and is in control of his physical desire. Sex as such is not at allinvolved; yet once again, the effect on the man of seeing the woman is a sickness; he cannotspeak, he grows pale and almost faints. The great distance that marks their relationship issuch that all his desire (and it is largely frustrated) is to hear Beatrice greet him: Salute(which means salvation!) Then on June 8, 1290 he was writing a poem in her praise:So long a time has <strong>Love</strong> kept me a slaveAnd in his lordship fully seasoned meThat even though at first I felt him harsh,Now tender is his power in my heart.But when he takes my strength away from meSo that my spirits seem to run away,My fainting soul then feels overcome1 And my face is drained of all its colour,For in me <strong>Love</strong> is working up such powerHe makes my spirits rant and wander offThat rushing out they call1 My Lady, begging her to grant me grace.This happens every time she sees meand I am humbled more than you'll believe.he had written those words, he says, when he learned that 'the God of Justice had called thismost gracious one to glory under the banner of the Blessed Virgin Mary, whose name wasalways spoken with the greatest reverence by the blessed Beatrice.' This unfinished poemstands in the centre of the Vita Nuova, before it are poems about the growth of his love, andafter it are the poems in which he comes to understand that the dead Beatrice is now evenmore his love, leading his pilgrim soul into a new life of heavenly vision:Beyond the sphere that makes the longest roundPasses the sigh which issues from my heart;A quickened understanding that sad <strong>Love</strong>Imparts to it keeps drawing it on high.When it has come to the desired placeIt sees a lady held in reverenceAnd who shines so, that through her radianceThe pilgrim spirit gazes upon her.