approaches to creativity in the music classroom - University of ...
approaches to creativity in the music classroom - University of ...
approaches to creativity in the music classroom - University of ...
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ContentsAcknowledgementsiiiAbstractivChapter 1: Introduction 11.1 The Research question 31.2 Def<strong>in</strong>ition <strong>of</strong> “creative <strong>music</strong> response” 31.3 Study design 4Chapter 2: The Review <strong>of</strong> Literature 62.1 Def<strong>in</strong><strong>in</strong>g Creativity 72.1.1 From God <strong>to</strong> Man 72.1.2 A contemporary perspective 82.1.3 Product versus process? 82.1.4 Asian Perspectives 132.2 Student-Centred Music Education 152.3 Research studies <strong>in</strong> <strong>music</strong> <strong>creativity</strong> 182.3.1 Student focused observations 18Chapter 3: Methodology 213.1 The research focus 213.2 Methodological approach 213.3 Methods 223.3.1 The sett<strong>in</strong>g 223.3.2 The participants 233.3.3 The Tasks 243.3.4 Inform<strong>in</strong>g students and ga<strong>in</strong><strong>in</strong>g consent 253.3.5 Adopt<strong>in</strong>g pseudonyms 263.3.6 Interviews 273.4 Data Analysis 29Chapter 4: Results and Discussion 304.1 Data Analysis <strong>of</strong> Student Reflections 304.1.1 The Structure and Dynamic Interaction <strong>of</strong> The Groups 304.1.2 The process 364.1.3 O<strong>the</strong>r <strong>in</strong>fluences 464.2 Data Analysis <strong>of</strong> Interviews 50Chapter 5: Conclusion 575.1 Pedagogical implications 575.2 Limitations <strong>of</strong> <strong>the</strong> study 595.3 Future directions 59References 61Appendix 1 - Tasks 68Appendix 2 – Pla<strong>in</strong> Language Statement 69Appendix 3 – Consent Form 70Appendix 4 – Interview questions 72Appendix 5 – F<strong>in</strong>al Anonymous Reflections 73i