approaches to creativity in the music classroom - University of ...
approaches to creativity in the music classroom - University of ...
approaches to creativity in the music classroom - University of ...
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Green, L. (2008a). Music, <strong>in</strong>formal learn<strong>in</strong>g and <strong>the</strong> school: A new <strong>classroom</strong> pedagogy.Aldershot, England: Ashgate.Green, L. (2008b). Group cooperation, <strong>in</strong>clusion and disaffected pupils: some responses <strong>to</strong><strong>in</strong>formal learn<strong>in</strong>g <strong>in</strong> <strong>the</strong> <strong>music</strong> <strong>classroom</strong>. Music Education Research, 10:2, 177-192.Habibis, D. (2006). Ethics and Social Research. In M. Walter (Ed.), Social researchmethods: an Australian perspective. Oxford: Oxford <strong>University</strong> Press, 53-82.Hennessey, B. A. & Amabile, T. M. (1988). Conditions <strong>of</strong> <strong>creativity</strong>. In R. J. Sternberg(Ed.), The nature <strong>of</strong> <strong>creativity</strong>: Contemporary psychological perspectives. New York:Cambridge <strong>University</strong> Press, 11-38.Hennessey, B. A. (2004). The social psychology <strong>of</strong> <strong>creativity</strong>. In S.Lau, A. N. N. Hui, &G. Y. C. Ng (Eds.), Creativity: When east meets west. River Edge, NJ: WorldScientific, 201-226.Hickey, M. (2002). Creativity research <strong>in</strong> <strong>music</strong>, visual art, <strong>the</strong>ater, and dance. In R.Colwell & C. P. Richardson (Eds.), The New Handbook <strong>of</strong> Research on MusicTeach<strong>in</strong>g and Learn<strong>in</strong>g. New York: Oxford <strong>University</strong> Press, 398-415.Humphreys, J.T. (2006). Toward a reconstruction <strong>of</strong> ‘<strong>creativity</strong>’ <strong>in</strong> <strong>music</strong> education(electronic version). British Journal <strong>of</strong> Music Education, 23:3, 351-361.Jeanneret, N. (1995). Develop<strong>in</strong>g preservice primary (elementary) teachers’ confidence <strong>to</strong>teach <strong>music</strong> through a <strong>music</strong> fundamentals course. Unpublished doc<strong>to</strong>ral <strong>the</strong>sis,<strong>University</strong> <strong>of</strong> Sydney.Jeanneret, N. (2010). Musical futures <strong>in</strong> Vic<strong>to</strong>ria (electronic version). Australian Journal<strong>of</strong> Music Education 2010:2, 148-64.Jick, T. D. (2006). Strategies <strong>of</strong> multiple triangulation. In Bryman, A. (Ed.). MixedMethods (Vol. 2). London: Sage, 217-228.Joubert, M. M. (2001). The art <strong>of</strong> creative teach<strong>in</strong>g: NACCCE and Beyond. In A. Craft, B.Jeffrey & M. Leibl<strong>in</strong>g (Eds.), Creativity <strong>in</strong> education. London: Cont<strong>in</strong>uum, 17-34.Kennedy, M. A. (2002). Listen<strong>in</strong>g <strong>to</strong> <strong>the</strong> <strong>music</strong>: Compositional processes <strong>of</strong> high schoolcomposers. (electronic version). Journal <strong>of</strong> Research <strong>in</strong> Music Education, 50:2, 94–107.Kumar, R. (2005). Research methodology. London: Sage.Kyung, H. K. (2007). Explor<strong>in</strong>g <strong>the</strong> <strong>in</strong>teractions between Asian culture (Confucianism)and <strong>creativity</strong>. Journal <strong>of</strong> Creative Behavior, 41:1, 28-53.63