AUTUMN <strong>2009</strong>News and Reviews 10The partnership with Kilkenny Arts Festival was established to co-create a programmethat would highlight and celebrate the huge quality <strong>of</strong> Irish craft talent visible in <strong>Ireland</strong>.L-r: damien downes (Kilkenny arts Festival director) and Úna Parsons(ceo <strong>of</strong> the crafts council <strong>of</strong> ireland) at the <strong>of</strong>ficial launch <strong>of</strong> the craft strandcraft on display in castle Yard, Kilkenny during Kilkenny arts FestivalNew Craft Strand atKilkenny Arts Festival 09a great successCCoI’s partnership with Kilkenny Arts Festival in the first ever craft strandwas a great success. Kilkenny Arts Festival is <strong>Ireland</strong>’s longest running artsfestival and the partnership was established earlier in <strong>2009</strong> to co-create aprogramme that would highlight and celebrate the huge quality <strong>of</strong> Irishcraft talent visible in <strong>Ireland</strong>.Kilkenny Arts Festival, Craft Strand curatorAngela O’Kelly and the CCoI combined forcesto produce a memorable series <strong>of</strong> events forthe duration <strong>of</strong> the ten-day festival. Some <strong>of</strong>the key objectives in establishing a craft strandwere to further highlight the creativity <strong>of</strong> Irishcraftspeople living and working both in<strong>Ireland</strong> and abroad and also to provideopportunities to encourage all the audiencesthat attended the festival to engage with craft.Having all <strong>of</strong> the craft activities that were part<strong>of</strong> the festival recognised under a separate‘strand’ was a significant achievement in thefirst year <strong>of</strong> operation <strong>of</strong> the agreement andplaced the craft strand on a similar footing toother strands including visual arts and classicalmusic and literature.The Craft Strand comprised <strong>of</strong> several activitiesthroughout the city including two NationalCraft Gallery exhibitions; a retrospective <strong>of</strong> Irishborn, UK based potter Jack Doherty and‘Object’ a show that explored the relationshipsbetween works from the Arts <strong>Council</strong>collection and craftwork from Irish makers. Themain headline show created and curated byAngela O’Kelly was ‘Sterling Irish’ whichcelebrated the work <strong>of</strong> Irish makers living andworking abroad. This show was very wellreceived and was held in the Castle YardGalleries at the rear <strong>of</strong> the National CraftGallery thus allowing visitors to visit both theexhibitions and see the huge diversity <strong>of</strong> workon show. Many <strong>of</strong> the makers in the SterlingIrish show were present for the opening and inmany cases it was the first time they hadexhibited in <strong>Ireland</strong> and that the Irish publichad an opportunity to see their work.In addition to the above there were manyother events including kids craft eventseach day, and featured talks between theparticipating makers and the curators.Piece by claire curneen, sterling irish
AUTUMN <strong>2009</strong>11News and ReviewsOther notable events were theexhibition <strong>of</strong> new work fromGillian Freedman at RudolfHeltzel Gallery, WorkhouseStudios artists at Red AestheticGallery and the debut exhibition<strong>of</strong> work from members <strong>of</strong> MADEin Kilkenny - a new collective <strong>of</strong>designer makers in Kilkenny. (Seepage 23 for more information onthis new network). The festival wasblessed with good weather; one <strong>of</strong>the best days <strong>of</strong> the year was theexhibition day <strong>of</strong> the openingsand a huge crowd gathered in theCastle Yard to hear the openingspeeches and to see the crafton display.There were significant numbers<strong>of</strong> visitors to all the exhibitionsduring the duration <strong>of</strong> the festival.Des Doyle,CCoI’s Collector & Craft TourismDevelopment ManagerAn exciting range <strong>of</strong> craft wenton show in the National Craft Galleryand in the grounds <strong>of</strong> the Castle Yardtextile art by maeve coultermember <strong>of</strong> the made in Kilkenny networkCraft had a very visible presence in the heart <strong>of</strong> Kilkenny during theArts Festival - the green space in the Castle Yard featured colourfullarge scale work by a number <strong>of</strong> makers who had been selectedthrough open submission for Bloom <strong>2009</strong> in Dublin earlier this year.This bright parade led into the National CraftGallery exhibition spaces, which featured asolo show by acclaimed Irish potter JackDoherty (see pages 26 and 27 for a review) inone gallery, and Object, a group exhibition,in the second gallery.Object was curated by Brian Kennedy, andfeatured work from the Arts <strong>Council</strong> Collectionjuxtaposed with contemporary Irish craft.Kennedy’s various roles as an abstract printmaker,curator and collector resulted in an exhibitionthat managed to be both a thoughtfulexploration <strong>of</strong> the shared ground between artand craft in terms <strong>of</strong> the tenets <strong>of</strong> abstraction,and was also a highly personal one. Kennedyorganised and grouped the work in theexhibition around central themes <strong>of</strong> form,colour, mark-making and material construction,with no demarcation between art and craftobject. The subtle gradations <strong>of</strong> colour thatformed the textured surface <strong>of</strong> Ciarán Lennon’spainting D.6 found a perfect counterpart in thethick, painterly glaze <strong>of</strong> Cormac Boydell’scharcoal-black ceramic vessel. Elsewhere,Frances Lambe’s Shiny Oval with Indent struckup conversation with the similarly scaled bronze,Funnelling the Dish by Eilis O’Connell in whichthe importance <strong>of</strong> contrast and form to bothwas clearly evident. Throughout the exhibition,similar dialogues were evoked - from the angulararticulation <strong>of</strong> Stephen O’Briain’s chair and thesculptural forms <strong>of</strong> Michael Warren and CorbanWalker, to the interest in basic or elementalsymbols shared by Nigel Rolfe and NeilRead. All in all, a most absorbing andindepth exhibition.Beyond the National Craft Gallery, SterlingIrish (which was a key part <strong>of</strong> the Kilkenny ArtsFestival Craft Strand Programme <strong>of</strong> Events) washoused in a new exhibition space within theCastle Yard. Curated by Angela O’Kelly, this wasthe flagship craft exhibition <strong>of</strong> the KilkennyArts Festival. It brought together a number <strong>of</strong>talented Irish makers who are now based in theUK and gave audiences an opportunity to seework that is seldom exhibited in <strong>Ireland</strong>.Although featuring an eclectic mix <strong>of</strong> disciplinesfrom glass to metal to textiles, the work sharedan exuberance and an experimental approachthat revealed a depth <strong>of</strong> research and skill. JamesToal’s mesmerizing and ornate glass panels withrichly swirling black interiors, CJ O’Neill’s quirky,conceptual plates that spoke <strong>of</strong> domesticaspiration, Grainne Morton’s exquisite miniaturetrees with magnetized and jewel-like leaves andflowers and Coilín O’Dubhgall’s remarkablepatinated copper vessels were particularhighlights in a very strong grouping.With so much work on display (and exhibitionssuch as MADE in Kilkenny and Gillian Friedmanliterally around the corner), the August openingwas a celebration <strong>of</strong> the quality and diversity <strong>of</strong>Piece by gráinne morton, sterling irishwork by michelle maher atKilkenny arts Festival