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159telah pula merekan kepedihan dan keterp<strong>in</strong>ggiran mereka dalamkarya sastra yangmnerekahasilkan.Kata Kunci: Aborig<strong>in</strong>, Oodgeroo Noonuccal.WeAre Go<strong>in</strong>gA. IntroductionRecently the Aborig<strong>in</strong>al Land Rights issue seems to have beenpolitically prom<strong>in</strong>ent <strong>in</strong> Australia. Aborig<strong>in</strong>al activists have alwaysprotested over the dispossessionof their <strong>land</strong> by white people and foughtto rega<strong>in</strong> their <strong>land</strong>. When Australia organized the WorldExpo <strong>in</strong> 1988<strong>in</strong>Brisbane, Aborig<strong>in</strong>al people brought about a demonstration <strong>in</strong> MusgravePark, which is near the expo location. It was a clever undertak<strong>in</strong>g as theworld would give their attention to them. They also make use of art as ameans of manifest<strong>in</strong>g their struggle for their <strong>land</strong> <strong>rights</strong>. In 1988 <strong>in</strong>Sidney, for example, they performed a drama called The Struggle ofNaga Tribe. It is about the Naga tribe's struggle to protect their <strong>land</strong>sfrom the government which wants to sell them because they have richm<strong>in</strong>erals. It was orig<strong>in</strong>ally written by one of the most outstand<strong>in</strong>gIndonesian playw<strong>rights</strong>, W. S. Rendra, which was then translated <strong>in</strong>toEnglish by Max Lane. In fact, they adapted the story to meet Aborig<strong>in</strong>alconditions.This paper explores how the <strong>land</strong>s are traditionally andeconomically essential to Aborig<strong>in</strong>es. It also po<strong>in</strong>ts out that Aborig<strong>in</strong>alpeople and the white people aredifferent<strong>in</strong> their perception of<strong>land</strong>.B. Aborig<strong>in</strong>al LiteratureAborig<strong>in</strong>al literature is seen to bear peculiarity. A reflection ofthe oppressed and marg<strong>in</strong>alized life-experiences of these <strong>in</strong>digenouspeople can be explored <strong>in</strong> their literary production. Moore (1971: 4)highlights such a relationship by stat<strong>in</strong>g that literature "is ultimatelyautobiographical, spun with thread drawn, like a spider's web, from theAborig<strong>in</strong>al Land Rights Issue (Sugi Iswalono)- ---

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