Samdok - Nordiska museet

connecting collecting: rassool
References
Bleek, WHI & Lloyd, LC (1911), Specimens of Bushman Folklore.
London: George Allen.
Crawhall, Nigel (1998), ‘Reclaiming Rights, Resources and
Identity: the Power of an Ancient San Language’, in Dladla,
Yvonne, ed, Voices, Values and Identities Symposium: Record of
Proceedings. Pretoria: South African National Parks.
Deacon, Janette (1996), ‘A tale of two families: Wilhelm Bleek,
Lucy Lloyd and the /Xam San of the Northern Cape’, in
Skotnes, Pippa, ed, Miscast: Negotiating the Presence of the
Bushmen. Cape Town: UCT Press.
Deacon, Janette & Dowson, Thomas A, eds (1996), Voices from
the Past: /Xam Bushmen and the Bleek and Lloyd Collection.
Johannesburg: Wits University Press.
Deacon, Janette (1996), ‘Archaeology of the Grass and Flat
Bushmen’, in Deacon, Janette & Dowson, Thomas A, eds,
Voices from the Past: /Xam Bushmen and the Bleek and Lloyd
Collection. Johannesburg: Wits University Press.
Deacon, Janette & Foster, Craig (2005), My Heart Stands in the
Hill. London, Cape Town, Sydney and Auckland: Struik
Publishers.
Delport, Peggy (2001),’Signposts for Retrieval’, in Rassool, Ciraj
& Prosalendis, Sandra, eds, Recalling Community in Cape
Town: Creating and Curating the District Six Museum. Cape
Town: District Six Museum.
District Six Museum (2000), ‘A Guide to the District Six
Museum and the Digging Deeper Exhibition’ in District Six
Museum Brochure. Cape Town.
Douglas, Stuart (2001), ‘The Re-Enchantment of the World and
the Threat to Reason: The Great Dance: A Hunter’s Story.’
Kronos, Special Issue: Visual History, vol. 27, Nov. 304-19.
Edwards, Elizabeth (1999), ‘Anthropological Deconstructions’,
in Puranen, Jorma, Imaginary Homecoming. Oulu: Kustantaja.
Hall, Martin (1996), ‘The Proximity of Dr Bleek’s Bushman’,
in Skotnes, Pippa, ed, Miscast: Negotiating the Presence of the
Bushmen. Cape Town: UCT Press.
Hamilton, Carolyn; Harris, Verne; Taylor, Jane; Pickover,
Michelle; Reid, Graeme & Saleh, Razia, eds (2002),
Refiguring the Archive. Cape Town: David Philip.
Lewis-Williams, J David (1981), Believing and Seeing: symbolic
Meanings in Southern San Rock Paintings. London: Academic
Press.
Lewis-Williams, J David, ed (2000), Stories that Float from Afar:
Ancestral Folklore of the San of Southern Africa. Cape Town:
David Philip.
Lewis Williams, J David & Dowson, Thomas (1989), Images
of power: understanding Bushman rock art. Johannesburg:
Southern Book Publishers.
Lewis Williams, J David & Dowson, Thomas (1994), Contested
Images: diversity in southern African rock art research.
Johannesburg: Wits University Press.
Puranen, Jorma (1999), Imaginary Homecoming. Oulu: Kustantaja.
Rassool, Ciraj (2006), ‘Community museums, memory
politics and social transformation: histories, possibilities
and limits’, in Karp, Ivan; Kratz, Corinne A; Szwaja,
Lynn & Ybarra-Frausto, Tomás, with Buntinx, Gustavo;
Kirshenblatt-Gimblett, Barbara & Rassool, Ciraj, eds,
Museum Frictions: Global Transformations/ Public Cultures.
Durham, NC: Duke University Press.
Skotnes, Pippa (1996), ‘Introduction’ in Pippa Skotnes, ed,
Miscast: Negotiating the Presence of the Bushmen. Cape Town:
UCT Press.
Skotnes, Pippa (2001), ‘“Civilised Off the Face of the Earth”:
Museum Display and the Silencing of the /Xam’, Poetics
Today, Vol 22 (2), Summer.
Smith, Tina & Rassool, Ciraj (2001), ‘History in photographs at
the District Six Museum’, in Rassool, Ciraj & Prosalendis,
Sandra, eds, Recalling Community in Cape Town. Cape Town:
District Six Museum.
Thorne, Jos (2003), ‘The Choreography of Display: Experiential
Exhibitions in the Context of Museum Practice and
Theory.’ Unpublished M. Phil Thesis, University of Cape
Town.
Weintroub, Jill (2006), ‘From tin trunk to worldwide memory:
the making and re-making of the Bleek-Lloyd archives.’
Unpublished M. Phil Mini-thesis, University of Cape Town.
Image captions
Fig 1. Portraits of I B Tabata & Dora Taylor
displayed in the District Six Museum, c 2006.
Photo: Patricia Hayes.
Fig 2. District Six Museum interior, c 2000.
Photo: Paul Grendon.
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