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Samdok - Nordiska museet

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connecting collecting: thomlinson<br />

example at present is the stopping of Sunday collections.<br />

There has been a lot of coverage in press on this and the<br />

BPMA are currently collecting to reflect this.<br />

The BPMA also collects the topical/political issues<br />

of the contemporary postal service. This type of material<br />

is particularly good for displays and events in the<br />

future. Examples include material donated recently<br />

from the National Federation of Subpostmasters (NFSP).<br />

In 2006 they organised a rally and a petition against<br />

the Government taking vital business away from Post<br />

Offices and their plans to close a large number of Post<br />

Offices. The petition presented to the Prime Minister on<br />

18th October 2006 was the largest ever presented to the<br />

Government and consisted of four million signatures. It<br />

was so big a double decker bus had to be hired to transport<br />

the petition! Protests in Westminster and a lobby of<br />

Parliament followed.<br />

Another example is of material donated by the<br />

Communication Workers Union (CWU) that was used<br />

during the national postal strikes that have occurred with<br />

Royal Mail staff between June and October 2007 over<br />

pay, pensions and Royal Mail’s modernization plans. The<br />

material consisted of posters, leaflets, armbands, T-shirts<br />

and stickers produced by the CWU for use on the picket<br />

lines during the strikes. Two staff from the BPMA also<br />

filmed and made oral history recordings at the picket<br />

line of Mount Pleasant on the day of the first strike, 29th<br />

June.<br />

It is important to collect the people of the postal<br />

service. Oral history is one way to do this but there are a<br />

number of other ways too, such as through photographs,<br />

chat rooms and discussions blogs, staff magazines, diaries<br />

and objects associated with them (e g medals).<br />

Conclusion<br />

This has given you a very brief overview of what the<br />

BPMA has been doing to collect contemporary material.<br />

The policy has meant that contemporary material is being<br />

collected in a more structured way and as a result<br />

collecting has become wider and far more representative<br />

of the postal service as a whole. Continued monitoring<br />

and research means we do not miss out on new devel-<br />

opments and can tell a fuller story of the postal service<br />

of our times to future generations. A proactive approach<br />

means collecting the contemporary is no longer left to<br />

chance and hopefully means we are collecting now what<br />

is important for future generations to come.<br />

Reference<br />

Understanding the Future: Priorities for England’s Museums<br />

(2006). London: Department for Culture, Media and<br />

Sport.<br />

Image captions<br />

Fig 1. National Federation of Subpostmasters’ rally, October<br />

18th 2006. Photo & copyright: NFSP.<br />

Fig 2. BPMA volunteer interviewing postman Don Burrett prior<br />

to going out on delivery. Photo: Julian Stray, BPMA.<br />

Fig 3. BPMA Community Project with Royal Mail staff,<br />

February 2007. Photo: BPMA.<br />

Fig 4. Sue Buckley, Postmistress at Bringsty Common Post<br />

Office, hard at work behind her Post Office counter. Photo:<br />

Julian Stray, BPMA.<br />

44

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