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Johann Wolfgang Goethe: Wilhelm Meisters Lehrjahre

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Eberhard-Karls-Universität Tübingen 14. 11. 2006<br />

Englisches Seminar<br />

LPS: Education and political identity<br />

Dozent: Alexander Böhm<br />

WS 2006/07<br />

Referentinnen: Katja und Stefanie Krietsch<br />

<strong>Johann</strong> <strong>Wolfgang</strong> <strong>Goethe</strong>: <strong>Wilhelm</strong> <strong>Meisters</strong> <strong>Lehrjahre</strong><br />

Structure and content<br />

<strong>Wilhelm</strong> Meister’s <strong>Lehrjahre</strong> consists of eight books<br />

Each book is divided into chapters<br />

1<br />

First book:<br />

The reader is introduced to two characters: the main character of the bildungsroman, <strong>Wilhelm</strong>,<br />

and Mariane, an actress. They are in love with each other but unfortunately there is another<br />

man in Mariane’s life. His name is Norberg. He is very rich and supports Mariane and her<br />

nurse, Barbara financially. <strong>Wilhelm</strong> is interested in puppet theatre. He has been fascinated by<br />

the theatre since he has been a child. But <strong>Wilhelm</strong>’s father does not like his son visiting the<br />

theatre so often. He wants his son to become a business man, so he sends him away on a<br />

business trip. When saying goodbye to Mariane, <strong>Wilhelm</strong> wanted to give her a letter with a<br />

proposal in it. But then he finds out that there is this other man, Norberg, in his love’s life. He<br />

leaves the town.<br />

Second book:<br />

On one of his business trips he meets a theatrical group. <strong>Wilhelm</strong> gets to know Philine, who<br />

lives in the room next to his, in the guesthouse he stays. There, he catches sight of a twelve or<br />

thirteen year old girl who is called Mignon. <strong>Wilhelm</strong> buys her off the rough group of tightrope<br />

acrobats she was with. An old harpist appears.<br />

Third book:<br />

<strong>Wilhelm</strong> has joined the theatrical group. They are invited to come to the Earl’s castle to<br />

perform a play, so they meet the Earl and his wife. The prince arrives at the castle and<br />

watches the group’s play. Through Jarno, a hard-hearted favourite of the prince, <strong>Wilhelm</strong> gets<br />

to know Shakespeare. He is fascinated by Shakespeare and reads almost all the time.


2<br />

Fourth book:<br />

The group leaves the castle and moves on. <strong>Wilhelm</strong> has become their leader. On their way<br />

they are attacked and plundered. <strong>Wilhelm</strong> is wounded by a shot. A beautiful Amazon (die<br />

„schöne Amazone“) and her companions (an „alter Herr“ and a „Wundarzt“) come by but<br />

<strong>Wilhelm</strong> faints and when he wakes up again the beautiful woman is not there anymore.<br />

<strong>Wilhelm</strong>, Mignon, the harpist and Philine have come through the attack and arrive at their<br />

emergency accomodation where they can stay. There, they meet the others again. The group is<br />

angry because they were attacked and they express their annoyance about <strong>Wilhelm</strong> being their<br />

leader. Only Mignon and the harpist remain with <strong>Wilhelm</strong>. They move on and <strong>Wilhelm</strong><br />

constantly thinks of the beautiful Amazon. Then they meet Serlo, a theatre manager and<br />

<strong>Wilhelm</strong>’s friend. Serlo introduces them to his sister Aurelie, who is an actress. Philine<br />

spreads gossip about Aurelie having a love affair and being the mother of a three year old<br />

boy, Felix. Philine reveals her love to <strong>Wilhelm</strong>.<br />

Fifth book:<br />

<strong>Wilhelm</strong> is successful with his performance of the play ‘Hamlet’. The theatre is burned down.<br />

<strong>Wilhelm</strong> suspects that the harpist is insane and takes him to a priest because he thinks that the<br />

harpist started the fire since he wanted to sacrifice Felix. Aurelie tells <strong>Wilhelm</strong> that she is ill.<br />

A doctor visits her and he gives his friends a book, called „Bekenntnisse einer schönen<br />

Seele“. Aurelie gives <strong>Wilhelm</strong> the task of delivering a letter to Lothar. She dies.<br />

Sixth book:<br />

The content of „Bekenntnisse einer schönen Seele“ is described in the sixth book of <strong>Wilhelm</strong><br />

<strong>Meisters</strong> <strong>Lehrjahre</strong>. One of Lothar’s aunts describes her religious life. Incidentally, the family<br />

background becomes obvious: Lothario has a sister who is called Natalie.<br />

Seventh book:<br />

<strong>Wilhelm</strong> is on his way to Lothario with Aurelie’s letter. <strong>Wilhelm</strong> departs from the theatre<br />

more and more, the actors do not follow his instructions anymore and his passion for the<br />

theatre comes to an end. <strong>Wilhelm</strong> arrives at Lothario’s castle. Lothario is wounded and his<br />

lover Lydie is always near him which does not help his recovery. Therefore, she is send to a<br />

distant town and <strong>Wilhelm</strong> is supposed to be her companion. They travel to Therese. When<br />

<strong>Wilhelm</strong> comes back to Lothario’a castle he is allowed to send for the children Mignon and<br />

Felix. He realizes that the old woman, who looked after the children, is Barabara, Mariane’s<br />

former nurse. She tells him the truth about Mariane and Felix. <strong>Wilhelm</strong> gets to know that<br />

Felix is his son and that Mariane died after Felix’ birth.


3<br />

Eighth book:<br />

Mignon’s secret is revealed: She is the harpist’s daughter. The harpist, who is called<br />

Augustin, loved a girl named Sperata when he was young. When Sperata was pregnant, they<br />

discovered that they were brother and sister. The couple was seperated and their child,<br />

Mignon, was taken away from them. <strong>Wilhelm</strong> asks for Therese’s hand in marriage who is also<br />

Lothario’s beloved. But then <strong>Wilhelm</strong> meets the Amazon again. It is Natalie, Lothario’s sister.<br />

Mignon dies. At the end Lothario and Therese marry and <strong>Wilhelm</strong> marries Natalie.<br />

Characters<br />

<strong>Wilhelm</strong>: main character; loves Mariane, but leaves her; father of Felix<br />

Mariane: loves <strong>Wilhelm</strong>; Felix’ mother<br />

Felix: Mariane’s and <strong>Wilhelm</strong>’s son<br />

Mignon: daughter of Sperata and the harpist Augustin; <strong>Wilhelm</strong> buys her off a<br />

rough group of tightrope acrobats; dies in the end<br />

Natalie: beautiful Amazon; Lothario’s sister; marries <strong>Wilhelm</strong> in the end<br />

Lothario: marries Therese; Natalie’s brother<br />

The harpist (Augustin): Marchese Cipriani’s brother; Mignon’s father<br />

Aurelie: Serlo’s sister<br />

Barbara: Mariane’s nurse<br />

Lydie: Lothario’s lover; Lothario does not want her anymore<br />

Marchese Cipriani: Mignon’s uncle<br />

Norberg: Mariane’s lover<br />

Philine: actress; loves <strong>Wilhelm</strong><br />

Serlo: theatre manager; <strong>Wilhelm</strong>’s friend<br />

Sperata: the harpist’s sister; Mignon’s mother<br />

Therese: marries Lothario in the end<br />

The character of Mignon<br />

,,Seine Augen und sein Herz wurden unwiderstehlich von dem geheimnisvollen Zustand dieses<br />

Wesens angezogen. Er schätzte sie zwölf bis dreizehn Jahre alt, ihr Körper war gut gebaut,<br />

nur dass ihre Glieder einen stärkern Wuchs versprachen oder einen zurückgehaltenen<br />

ankündigten. Ihre Bildung war nicht regelmäßig, aber auffallend; ihre Stirne geheimnisvoll,<br />

ihre Nase außerordentlich schön, und der Mund [...] noch immer treuherzig und reizend<br />

genug“ (Seite 99, Zeile 4-14).


4<br />

- this is what <strong>Wilhelm</strong> Meister thinks when he sees Mignon for the very first time<br />

- is not mentioned too often, but nevertheless she is omnipresent<br />

� <strong>Goethe</strong> said once that he only wrote <strong>Wilhelm</strong> <strong>Meisters</strong> <strong>Lehrjahre</strong> because of Mignon<br />

- because of her mysterious figure, <strong>Wilhelm</strong> first cannot decide if Mignon is a boy or a girl<br />

- but this is also what attracts him: her androgynous appearance<br />

- she is physically underdeveloped because of the circumstances of her childhood<br />

- when she is asked for her name she says: ,,Sie heißen mich Mignon”(Seite 98, Zeile 32).<br />

- never says ‘I am’ (Ich bin)<br />

- not only her appearance is mysterious but also her name: in this time male lovers of<br />

princes in France were called Mignon<br />

� this name also shows her sexual neutrality<br />

- when the story-teller talks about Mignon he often uses the words<br />

,,Wesen, Gestalt and Kreatur”<br />

- Mignon has great problems with the German language and so she often prefers to sing and<br />

not to talk<br />

- after <strong>Wilhelm</strong> has bought Mignon off the tightrope acrobates she devotes herself to serve<br />

<strong>Wilhelm</strong><br />

- Mignon wants to be dressed like <strong>Wilhelm</strong>, she identifies with him and this goes along<br />

with the development of her passion for him<br />

Mignon’s and <strong>Wilhelm</strong>’s relationship<br />

- there are three events which have a forming effect on Mignon’s life while she is with<br />

<strong>Wilhelm</strong><br />

- the first event takes place when Mignon waits for <strong>Wilhelm</strong> to come home one night and<br />

presents the so-called “Eiertanz”<br />

- with the help of music and dance Mignon expresses her feelings which she cannot do with<br />

words, therefore the moment of the Eiertanz is one of extreme vulnerability<br />

- she submits to <strong>Wilhelm</strong> and looks at him as her master<br />

- as a countermove to this, he strokes her and she feels sheltered by him<br />

- what she does not know is that she is also the object of his desire for love<br />

- <strong>Wilhelm</strong> gives Mignon warmth and security, which she longs for so much<br />

� for her <strong>Wilhelm</strong> embodies father, protector and lover (but at the end of the novel the<br />

reader gets to know that <strong>Wilhelm</strong> fails concerning all three roles)


5<br />

,,Wenn sie kam oder ging, guten Morgen oder gute Nacht sagte, schloß sie ihn so fest in ihre<br />

Arme und küsste ihn mit solcher Inbrunst, dass ihm die Heftigkeit dieser aufkeimenden Natur<br />

oft Angst und bange machte“ (Seite 272, Zeile 8-12).<br />

- the second drastic event for Mignon is after the presentation of Hamlet when <strong>Wilhelm</strong><br />

spends the night with a beauty<br />

,, ,Erinnern Sie sich’, sagte der Arzt, ,eines geheimen, nächtlichen, weiblichen Besuchs nach<br />

der Aufführung des Hamlets?’<br />

,Ja, ich erinnere mich dessen wohl!’ rief <strong>Wilhelm</strong> beschämt, ,aber ich glaubte nicht, in<br />

diesem Augenblick daran erinnert zu werden.’<br />

,Wissen Sie, wer es war?’<br />

,Nein! Sie erschrecken mich um Himmels Willen, doch nicht Mignon? wer war’s? Sagen Sie<br />

mir’s!’<br />

,Ich weiß es selbst nicht.’<br />

,Also nicht Mignon?’<br />

,Nein, gewiss nicht! aber Mignon war im Begriff, sich zu Ihnen zu schleichen, und musste aus<br />

einem Winkel mit Entsetzen sehen, dass eine Nebenbuhlerin ihr zuvorkam.’ (Seite 548,<br />

Zeile18-31)“<br />

- Mignon is no child anymore, she has become a woman, and what she discovers in that<br />

night means a breach of confidence for her<br />

- she considers this as a betrayal of her extensive love she feels for him<br />

- Mignon is always at <strong>Wilhelm</strong>’s side and when the group is attacked and <strong>Wilhelm</strong> is<br />

injured she wants to help him<br />

- but nevertheless it seems as if <strong>Wilhelm</strong> is just interested in other women which really<br />

hurts Mignon deeply<br />

- she feels replaced by Philine and Natalie, and even the role as a child is not hers anymore<br />

� Felix is the child now � there is a fight between Mignon and Felix<br />

- therefore she becomes estranged from <strong>Wilhelm</strong> (he never sees her as a woman)<br />

- the third and last event is another breach of confidence Mignon experiences and that<br />

probably leads to her death<br />

- this event is <strong>Wilhelm</strong>’s proposal of marriage to Therese which finally breaks his devotion<br />

he vowed when he adopted Mignon


6<br />

The solution of the secret<br />

- shortly before her death Mignon plays an angel which has the character of final answers to<br />

all secrets throughout the story (and she finally wears women’s clothes which she has<br />

never done before) � everything becomes clear at the end<br />

- but her secret only becomes clear after her death: Mignon is the daughter of the harpist<br />

(who has become a friend of hers) and his sister � because of this forbidden relationship<br />

the parents had to give Mignon away<br />

Mignon’s function in the novel<br />

- she is at <strong>Wilhelm</strong>’s side in every decisive and emotional moment, always helps him in<br />

difficult situations (� Mignon as refugee for Wilhem and not the other way round)<br />

- because she influences <strong>Wilhelm</strong>’s development she is structurally very important<br />

Mignon as a part of the bildungsroman<br />

- besides <strong>Wilhelm</strong>, Mignon is a prime example of a character in a bildungsroman<br />

- at the beginning of the novel everything concerning Mignon remains mysterious: her<br />

appearance, her character and her past<br />

- throughout the book the reader gets to know more and more about her and at the end her<br />

secret becomes clear to everyone<br />

- as a round character Mignon develops within the story<br />

- furthermore her development can be described as: from abstruseness to clarity, because of<br />

the mysterious beginning and the solution at the end when she dies<br />

bibliography<br />

<strong>Goethe</strong>, <strong>Johann</strong> <strong>Wolfgang</strong>. 1982. <strong>Wilhelm</strong> <strong>Meisters</strong> <strong>Lehrjahre</strong>. Stuttgart: Philipp Reclam jun.<br />

GmbH & Co.<br />

Hass, Hans-Egon. 1963. “<strong>Goethe</strong> – <strong>Wilhelm</strong> <strong>Meisters</strong> <strong>Lehrjahre</strong>.” In: Benno von Wiese, ed.<br />

Der deutsche Roman. Düsseldorf: August Bagel Verlag.<br />

Mahlendorf, Ursula. 1994. “The Mystery of Mignon: Object Relations, Abandonment, Child<br />

Abuse and Narrative Structure.” In: Thomas P. Saine, Ellis Dye, eds. <strong>Goethe</strong> Year book.<br />

Columbia: Camden House.<br />

Jirku Brigitte E. 2000. “Mignon: Rätsel oder Geheimnis.” Monatshefte für deutschsprachige<br />

Literatur und Kultur. Madison: University of Wisconsin Press. 283-301.

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