JerseyArticlesJazzDan’s DenOn the Birthday BeatBy Dan MorgensternThe week <strong>of</strong> March 17, kicking <strong>of</strong>f withSaint Paddy’s Day and peaking onMarian McPartland’s 90th birthday on the20th, was one big jazz birthday blast. I hadplanned to do a double dip on the 19th, buthad to forgo my dear friend GeorgeAvakian’s 89th at Birdland, celebrated fourdays late (same day as Bob Wilber’s 80th),but with one <strong>of</strong> George’s favorite groups,David Ostwald’s Gully Low Jazz Band, a.k.a.The Louis Armstrong Memorial Band, ondeck.George gets around on the jazz scene betterthan your correspondent! The music startedat 5:30, as it does every Wednesday—a greatbargain at ten bucks, no minimum, and theonly regularly scheduled traditional jazz in aManhattan club these days, highly recommended.Idea was to congratulate Georgeand then make my way uptown to SymphonySpace, where many <strong>of</strong> the Ostwald regularswere gathered for a Sidney Bechet MemorialSociety double-header, under the leadership<strong>of</strong> multitalented Anat Cohen.That was the plan. But as it turned out, Icould get away from the Institute barely intime to catch the <strong>first</strong> downbeat at 6:15.With a lineup <strong>of</strong> Jon-Erik Kellso, trumpet;Vince Gardner, trombone and vocals; Anaton clarinet, soprano and tenor; KeithIngham, piano; Howard Alden, guitar; JonBurr, bass, and Marion Felder, drums, t<strong>his</strong>added up to one <strong>of</strong> the best mainstreambands in recent memory. (I hate categorizingmusic, and detest the term Dixieland,so what these musicians played can best bedescribed with the term used for Avakian’searly album productions: Hot Jazz.)Ol’ Sidney would have been pleased withtheir version <strong>of</strong> <strong>his</strong> rarely heard “SouthernSunset,” and blazing rendition <strong>of</strong> “There’llBe Some Changes Made” (Anat outstandingon soprano) that closed the <strong>first</strong> concert.Gardner proved himself a fetching vocalistand expert plunger manipulator; Kellso was<strong>his</strong> steady-lead-and-fine-solos self, Alden issimply a marvel, and it was good to hearand see Keith, whose feature, “Yesterdays,”was more than ably supported by Burr—whose choice <strong>of</strong> notes is as good as <strong>his</strong> timeand sound—and Felder, the baby <strong>of</strong> theband at a mere 23, but so adept at how thedrums should function in a variety <strong>of</strong> stylesand moods—here he was fine on brushes,and elsewhere he even trotted out <strong>some</strong>press rolls—clearly a young man to beheard from. As for Miss Cohen, aside fromher topnotch musical contributions, sheknows how to put together, present andpace a good program, and earn herleader’s spurs.Time for SchmoozingWe now deployed back to midtown, gettingto Dizzy’s Club Coca Cola, at Jazz at LincolnCenter, in what proved more than plenty <strong>of</strong>time to catch Marian McPartland’s second90th Birthday set. Waiting on line, we wereperfectly positioned to watch the <strong>first</strong> setcustomers emerge, and they all lookedhappy; those we knew, including our ownJoe Lang, confirmed that a good time washad. Some others lingered on so long thatthe house was not cleared until more than ahalf hour past the scheduled 9:30 start, butthat allowed for schmoozing time. Once theshow <strong>got</strong> under way, the birthday girl in theenchanting gold lamé dress presided fromthe keyboard, and it was what Lord Buckleywould have called a gasser.The lovely leader did not seem the least bitfrail at the piano, providing sterling supportfor such sit-in guests as Regina Carter (aholdover from set one), Karrin Allyson(ditto), trumpeter Jeremy Pelt (good but abit too loud), and, as a most welcomesurprise, Wynton Marsalis, whose playingon a spirited “All The Things You Are” wasnot one bit too loud and marvelouslyinventive, proving to t<strong>his</strong> listener, at least,that he may be at <strong>his</strong> best when not incharge <strong>of</strong> a programmed occasion, but justbeing the great jazz trumpeter he is.Moreover, Wynton interacted with the guest<strong>of</strong> honor in a more relaxed and intimateway than did the others.Two fellow pianists did their solo tributes,both splendid: Bill Charlap and KennyBarron. Marian had several trio features,outstandingly “I’ll Remember April,” withthose special voicings in evidence. She alsocame up with <strong>some</strong> great one-liners inresponse to the many well-meant wordssuch occasions engender. “I guess I shouldsay thank you to the Arthritis Foundation”took the cake—which, piano-shaped, waspart <strong>of</strong> the <strong>first</strong> show, so I <strong>got</strong> no sample.Marian’s production team from NationalPublic Radio presented her with a generoussizedhand doll named—you guessed?—Marian McPuppet. We hung around tocongratulate t<strong>his</strong> truly amazing, agelessnonagenarian.Caught Off GuardThe next day’s celebrant, six years younger,was Stanley Kay. And he was totally caught<strong>of</strong>f guard by the party cooked up by <strong>his</strong>devoted DIVA team. The DIVA JazzOrchestra, as you should know, is the greatbig band led by Sherri Maricle who, likeStanley, is a drummer. Stanley put <strong>his</strong> ownsticks and brushes in the toolbox when hemade the decision to become Buddy Rich’sace man. There are <strong>some</strong>, myself amongthem, who think that the man who startedout as Traps, the Drum Wonder, at agethree, and in <strong>some</strong> ways never grew up,would not have accomplished all he did ifStanley hadn’t been in <strong>his</strong> corner, throughthick and thin. Some years ago, Stanley Kaytook charge <strong>of</strong> the destiny <strong>of</strong> DIVA, and theresults speak for themselves. DIVA is not agreat all-female band, it is a great band,period. A band that can hold its own withanything out there.30__________________________________ May 2008
JerseyArticlesJazzThe party took place at Nola Studios, trumpeter-bandmanager Jami Dauber havingdone the planning and overseen the catering,which was superb. Studio owner JimZack was <strong>his</strong> usual benign presence, and theguests, including bassist Bob Cranshaw and<strong>his</strong> charming wife; my longtime friend,singer Janet Lawson; author-discographer<strong>James</strong> Doran; ex-DIVA Nicky Parrott, thefine bassist and vocalist, and her sister, still-DIVA baritone saxist Lisa (two gifts fromDown Under), and the birthday boy’s sister,a vivacious lady whose story I hope to get(and then share) in the near future, all had agrand time. The birthday cake, fromGreenberg’s, was delicious, as befittedStanley’s sweet tooth.The following day’s birthday bash was aneven more private affair, and I will confinemyself to reporting that it was swell. (Yes,swell—a descriptive worth reviving.) It ishard to believe that my dear friend, theauthor and critic Gary Giddins, rounded 60on March 21. We <strong>first</strong> met when I was editingDown Beat and Gary, fresh out <strong>of</strong> college,sent in a writing sample so good that Iinstantly grabbed him as a regular contributor.And the rest, as they say, is <strong>his</strong>tory.One tends to forget that one’s friends growolder, too, but Gary has never lost <strong>his</strong>youthful passion for the music, and <strong>his</strong>other great love, filmmaking. The partycast was stellar, and the birthday cake, Imust confess, even tastier than Stanley’s.What a birthday week. Many happyreturns to all!JJDan Morgenstern, a columnist for Jersey Jazz, isdirector <strong>of</strong> the Institute <strong>of</strong> Jazz Studies at RutgersUniversity, Newark, and author <strong>of</strong> Jazz People(Pantheon Books).Hall <strong>of</strong> FameAward Presentedto Annie RossBy Frank NisselSecretary, American Jazz Hall <strong>of</strong> FameAnnie Ross, the fabulous survivor <strong>of</strong> thefamed Lambert, Hendricks and Rossvocal trio, was inducted into the AmericanJazz Hall <strong>of</strong> Fame t<strong>his</strong> year by almostunanimous vote <strong>of</strong> the 11 electors.The singer still appears regularly every Tuesdaynight at The Metropolitan Room, a cozylittle nightclub in Manhattan where she isaccompanied by an all-star quartet <strong>of</strong> WarrenVaché, cornet, Tardo Hammer, piano, NealMiner, bass and Tony Jefferson, drums.And so, on Tuesday March 18, NJJSPresident Andrea Tyson and I paid asurprise visit on Annie there to present herthe well-deserved trophy in front <strong>of</strong> a fullhouse <strong>of</strong> eager and admiring guests, <strong>some</strong>who came from as far away as Sweden toattend t<strong>his</strong> performance without evenknowing about the special occasion.Annie’s charming singing was introducedby double talking 92-year-old comedianPr<strong>of</strong>essor Irvin Corey who frequently doesan opening act for her. She sang a halfdozen well-known standards by <strong>John</strong>nyMercer, Harold Arlen and other classictunesmiths, <strong>some</strong>times prompted bymusical director Tardo. All were performedflawlessly in her inimitable lucid vibratostyle and resulted in long applause by theappreciative audience.Annie Ross is all smiles as Frank Nissel presents her award.The Metropolitan Room (34 West 22ndStreet, 212-206-0440) is an intimate streetlevel cabaret which features a great variety <strong>of</strong>singers every night <strong>of</strong> the week. While theydo not serve meals, I can highly recommendArezzo, a nearby excellent Italian restaurantat 46 West 22nd Street (212-206-0555)for dinner before the show.JJEstablished in 1983, the AmericanJazz Hall <strong>of</strong> Fame is a joint venture<strong>of</strong> The Rutgers Institute <strong>of</strong> JazzStudies and the New Jersey JazzSociety. Eleven electors, comprised<strong>of</strong> representatives from bothorganizations as well as the jazzpress, annually elect new living anddeceased members. There are nowmore than 250 honorees.May 2008___________________________________ 31