ed 366 967 aut7or title institution report no pub date note ... - ERIC

PermissionsSeveral of these essays appeared in slightly different versions in thefollowing journals and magazines. We thank the editors for the opportunityto reprint this work:R. M. Berry's "Theory, Creative Writing, and the Impertinence ofHistory" in The Centennial Review (36.2 [Spring 1992]: 243-64) underthe title: "Literary History, Theory and Practice."Wendy Bishop's "Crossing the Lines: On Creative Composition andComposing Creative Writing" in Writing on the Edge (forthcoming).Maxine Clair's "Oral Literature in the Teaching of Creative Writing"in AWP Chronicle (24.2 [Oct./Nov. 1991]: 1-3).Robert Coover's "The End of Books" in The New York Times BookReview (June 21, 1992: 1, 23-25) is reprinted with permission of theauthor and Georges Borchardt, Inc.Carl Leggo's "Voice(s) in Writing: Symphony and/or Cacophony" inRhetoric Review (10.1 [Fall 1991]: 143-52) under the title: "QuestionsI Need to Ask before I Advise My Students to Write in Their OwnVoices:'Jay Parini's "Literary Theory and the Writer" in The Chronicle ofHigher Education (September 9, 1992: Blunder the title: "The Theoryand Practice of Literature: A New Dialogue?")x2