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The Harps of Jubal, of David and of God (pdf) - Bible Sermons and ...

The Harps of Jubal, of David and of God (pdf) - Bible Sermons and ...

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From the pages <strong>of</strong>www.biblesermons<strong>and</strong>studies.orgTHE HARPS OF JUBAL, OF DAVID AND OF GOD( A sermon by brother Tarran Dookie)THE HARPS OF JUBALIsa 14:11-12 Thy pomp is brought down to the grave, <strong>and</strong> the noise <strong>of</strong> thyviols: the worm is spread under thee, <strong>and</strong> the worms cover thee. How artthou fallen from heaven, O Lucifer, son <strong>of</strong> the morning! how art thou cutdown to the ground, which didst weaken the nations!Ezek 28:13-14 Thou hast been in Eden the garden <strong>of</strong> <strong>God</strong>; every preciousstone was thy covering, the sardius, topaz, <strong>and</strong> the diamond, the beryl, theonyx, <strong>and</strong> the jasper, the sapphire, the emerald, <strong>and</strong> the carbuncle, <strong>and</strong>gold: the workmanship <strong>of</strong> thy tabrets <strong>and</strong> <strong>of</strong> thy pipes was prepared in theein the day that thou wast created. Thou art the anointed cherub thatcovereth; <strong>and</strong> I have set thee so: thou wast upon the holy mountain <strong>of</strong> <strong>God</strong>;thou hast walked up <strong>and</strong> down in the midst <strong>of</strong> the stones <strong>of</strong> fire.Gen 4:16-21 And Cain went out from the presence <strong>of</strong> the LORD, <strong>and</strong> dweltin the l<strong>and</strong> <strong>of</strong> Nod, on the east <strong>of</strong> Eden. And Cain knew his wife; <strong>and</strong> sheconceived, <strong>and</strong> bare Enoch: <strong>and</strong> he builded a city, <strong>and</strong> called the name <strong>of</strong>the city, after the name <strong>of</strong> his son, Enoch. And unto Enoch was born Irad:<strong>and</strong> Irad begat Mehujael: <strong>and</strong> Mehujael begat Methusael: <strong>and</strong> Methusaelbegat Lamech. And Lamech took unto him two wives: the name <strong>of</strong> the onewas Adah, <strong>and</strong> the name <strong>of</strong> the other Zillah. And Adah bare Jabal: he wasthe father <strong>of</strong> such as dwell in tents, <strong>and</strong> <strong>of</strong> such as have cattle. And hisbrother's name was <strong>Jubal</strong>: he was the father <strong>of</strong> all such as h<strong>and</strong>le the harp<strong>and</strong> organ.Ex 32:18 -19 And he said, It is not the voice <strong>of</strong> them that shout for mastery,neither is it the voice <strong>of</strong> them that cry for being overcome: but the noise <strong>of</strong>them that sing do I hear. And it came to pass, as soon as he came nigh untothe camp, that he saw the calf, <strong>and</strong> the dancing: <strong>and</strong> Moses' anger waxed


hot, <strong>and</strong> he cast the tables out <strong>of</strong> his h<strong>and</strong>s, <strong>and</strong> brake them beneath themount.<strong>The</strong> worship <strong>of</strong> <strong>God</strong> has always included music, be it with voices lifted up insongs unto <strong>God</strong> or the playing <strong>of</strong> instruments. Lucifer was created withinstruments as a part <strong>of</strong> his being. He led the angels <strong>of</strong> <strong>God</strong> in worship <strong>of</strong> theCreator. When Lucifer fell <strong>and</strong> was cast out from the presence <strong>of</strong> <strong>God</strong> hismusic did not die or come to an end. He has always used music to drawsouls unto himself. He has infiltrated the church with his music today <strong>and</strong> hehas many souls worshipping him instead <strong>of</strong> <strong>God</strong>.After Adam fell two sons were born to him, Cain <strong>and</strong> Abel. Cain was thefirstborn. Cain’s <strong>of</strong>fering <strong>of</strong> the fruit <strong>of</strong> the ground was rejected by <strong>God</strong> butAbel’s <strong>of</strong>fering <strong>of</strong> the flock was accepted by <strong>God</strong>. This did not please Cain<strong>and</strong> he slew his brother. Cain was cast out from the presence <strong>of</strong> <strong>God</strong> <strong>and</strong>went to dwell in the l<strong>and</strong> <strong>of</strong> Nod. Coming directly from the lineage <strong>of</strong> Cainwas <strong>Jubal</strong> who became the father <strong>of</strong> all such as h<strong>and</strong>le the harp <strong>and</strong> organ.Underst<strong>and</strong> that <strong>Jubal</strong> was not <strong>of</strong> the lineage <strong>of</strong> Seth (from whence cameAbraham), but rather he was <strong>of</strong> Cain <strong>and</strong> his harp <strong>and</strong> organ is none otherthan the music <strong>of</strong> Lucifer.We have no record <strong>of</strong> any worshipper <strong>of</strong> <strong>God</strong> using instruments beforeMiriam <strong>and</strong> the women <strong>of</strong> Israel used tambourines or timbrels in singingpraises unto <strong>God</strong> when Israel crossed the Red Sea <strong>and</strong> the pursuingEgyptians were drowned. But where did they get the timbrels from? <strong>The</strong>yhad only now crossed the Red Sea <strong>and</strong> before this they were slaves in Egypt.<strong>The</strong> timbrels were from Egypt <strong>and</strong> can be traced back to <strong>Jubal</strong>.So <strong>God</strong> allowed the timbrels <strong>of</strong> Egypt to be used by Miriam in singingpraises to Him. <strong>God</strong> does allow us to use things <strong>of</strong> the world in our serviceunto Him. But we must be careful when we employ the things <strong>of</strong> this worldin the service <strong>of</strong> <strong>God</strong>. <strong>The</strong>ir use must be covered by prayer <strong>and</strong> consecration.We cannot be flippant <strong>and</strong> careless. It was not long before the saidinstruments <strong>of</strong> Egypt were used in the idolatrous worship <strong>of</strong> the molten calf.Joshua thought the sound he heard was the sound <strong>of</strong> war. But Mosesproperly discerned that the sound was associated with dancing unto devils. Itis always dangerous when Christians use the things <strong>of</strong> this world. Love notthe world, neither the things that are in the world. (1 Jn 2:15) And they that


use this world , as not abusing it: for the fashion <strong>of</strong> this world passeth away.(1Cor 7:31)Drums are never mentioned in the Scriptures in respect <strong>of</strong> worship unto <strong>God</strong>.While the timbrel was used on occasions <strong>of</strong> rejoicing <strong>and</strong> celebration such asbanquets or victory over an enemy (as when Miriam <strong>and</strong> the women playedthe timbrels after the defeat <strong>of</strong> the Egyptians) the timbrel was never used inthe temple service. <strong>The</strong> only percussion instrument mentioned as part <strong>of</strong> thetemple service is the cymbal. It was not used to create a beat but toaccentuate certain points in a song. <strong>The</strong> percussion instruments <strong>of</strong> the oldTestament made light sounds not the fracas one hears today. Drums are adominant part <strong>of</strong> music today. However, the beating <strong>of</strong> drums has alwaysbeen associated with hedonism <strong>and</strong> the worship <strong>of</strong> idols <strong>and</strong> demons. Whenchildren were <strong>of</strong>fered up as sacrifices to idols such as Moloch <strong>and</strong> they werepassed through the fire the drums were played to drown out the cries <strong>of</strong> thescreaming children.An equally if not more sinister instrument than the drum has appeared on thescene in the twentieth century. It may very well turn out to be Satan’smasterpiece in the array <strong>of</strong> <strong>Jubal</strong>’s instruments he uses to captivate <strong>and</strong>bewitch souls, including naive, undiscerning <strong>and</strong> worldly Christians. I referto the abominable, ubiquitous electronic bass guitar.<strong>The</strong> electronic bass guitar was invented in the 1930s <strong>and</strong> has been massproduced since the 1950s. It gave great impetus to the sinful music genreknown as rock music. <strong>The</strong> electronic bass guitar is found in almost everystyle <strong>of</strong> music today including rock, metal, pop, punk rock, country, reggae,blues, jazz <strong>and</strong> <strong>of</strong> course so-called gospel music. <strong>The</strong>re is hardly a piece <strong>of</strong>recorded music without it. Live performances by various artistes almostalways have the bass featured. It establishes the beat in conjunction withdrums <strong>and</strong> many times without the drums.<strong>The</strong> electronic bass guitar cannot be heard unless it is plugged into anamplifier <strong>and</strong> speaker. It can be amplified to just about any volume withoutfeedback. In places where parties are thrown the droning, annoying sound <strong>of</strong>the bass can be heard a considerable distance away (sometimes well overhalf a mile). It dominates <strong>and</strong> drowns out everything else. <strong>The</strong> bass guitaremits low frequency waves which are not as easily dissipated as higherfrequency waves. <strong>The</strong>y will travel around a column <strong>and</strong> not be deflected <strong>of</strong>fit. Low frequencies can fill spaces <strong>and</strong> saturate them, causing vibrations to


floors, walls <strong>and</strong> ceilings. Undoubtedly, this instrument has come from thepit <strong>of</strong> hell. <strong>The</strong> electronic bass guitar, like the drum, appeals to the baseinstincts <strong>of</strong> man.Drums <strong>and</strong> electronic bass guitars are also much utilised in the creation <strong>of</strong>syncopated music. Syncopation is a deliberate disruption <strong>of</strong> the regular flow<strong>of</strong> rhythm, most <strong>of</strong>ten by stressing an <strong>of</strong>f-beat, or a note that is not on thebeat. Syncopation is a placement <strong>of</strong> rhythmic stresses or accents where theywouldn't normally occur. Syncopation is the essence <strong>of</strong> the back beat, usedin virtually all contemporary popular music (<strong>and</strong> that includes much <strong>of</strong> socalledChristian contemporary music). Syncopation is an integral part <strong>of</strong> thedevil’s music <strong>and</strong> is very pronounced in ritualistic, religious voodoo music.Drums, electronic bass guitars <strong>and</strong> syncopated music should have no placein any assembly <strong>of</strong> <strong>God</strong>’s people. <strong>The</strong>y are an abomination.THE HARPS OF DAVID1 Sam 16:23 And it came to pass, when the evil spirit from <strong>God</strong> was uponSaul, that <strong>David</strong> took an harp, <strong>and</strong> played with his h<strong>and</strong>: so Saul wasrefreshed, <strong>and</strong> was well, <strong>and</strong> the evil spirit departed from him.1 Chr 15:16 And <strong>David</strong> spake to the chief <strong>of</strong> the Levites to appoint theirbrethren to be the singers with instruments <strong>of</strong> music, psalteries <strong>and</strong> harps<strong>and</strong> cymbals, sounding, by lifting up the voice with joy.2 Chr 7:6 And the priests waited on their <strong>of</strong>fices: the Levites also withinstruments <strong>of</strong> music <strong>of</strong> the LORD, which <strong>David</strong> the king had made to praisethe LORD, because his mercy endureth for ever, when <strong>David</strong> praised bytheir ministry; <strong>and</strong> the priests sounded trumpets before them, <strong>and</strong> all Israelstood.Isa 5:11-12 Woe unto them that rise up early in the morning, that they mayfollow strong drink; that continue until night, till wine inflame them! And theharp, <strong>and</strong> the viol, the tabret, <strong>and</strong> pipe, <strong>and</strong> wine, are in their feasts: butthey regard not the work <strong>of</strong> the LORD, neither consider the operation <strong>of</strong> hish<strong>and</strong>s.Amos 6:3-7 Ye that put far away the evil day, <strong>and</strong> cause the seat <strong>of</strong> violenceto come near; That lie upon beds <strong>of</strong> ivory, <strong>and</strong> stretch themselves upon their


couches, <strong>and</strong> eat the lambs out <strong>of</strong> the flock, <strong>and</strong> the calves out <strong>of</strong> the midst <strong>of</strong>the stall; That chant to the sound <strong>of</strong> the viol, <strong>and</strong> invent to themselvesinstruments <strong>of</strong> music, like <strong>David</strong>; That drink wine in bowls, <strong>and</strong> anointthemselves with the chief ointments: but they are not grieved for theaffliction <strong>of</strong> Joseph. <strong>The</strong>refore now shall they go captive with the first thatgo captive, <strong>and</strong> the banquet <strong>of</strong> them that stretched themselves shall beremoved.<strong>David</strong> used a harp in worshipping <strong>God</strong> long before he became king. <strong>The</strong>music <strong>of</strong> his harp refreshed Saul <strong>and</strong> the evil spirit departed from him. When<strong>David</strong> became king he invented instruments to be used in the worship <strong>of</strong><strong>God</strong>. He appointed singers <strong>and</strong> musicians to praise <strong>and</strong> worship <strong>God</strong>. <strong>David</strong>was anointed <strong>of</strong> <strong>God</strong> to do this. <strong>David</strong>’s instruments were actually called theinstruments <strong>of</strong> <strong>God</strong> because <strong>God</strong> was with him when he made theseinstruments. <strong>The</strong>se instruments had the sanction <strong>of</strong> <strong>God</strong>.Even after <strong>David</strong> died the instruments continued to be used. We see whenSolomon dedicated the temple that <strong>David</strong>’s instruments were used. Hezekiahalso used the instruments <strong>of</strong> <strong>David</strong> (see 2 Chr 29:25-27).Unfortunately, Israel fell away <strong>and</strong> while some good kings tried to bringthem back to <strong>God</strong>, they drifted further <strong>and</strong> further away from <strong>God</strong>. <strong>God</strong> wasno longer pleased with their <strong>of</strong>ferings <strong>and</strong> worship as it came from defiledh<strong>and</strong>s <strong>and</strong> unclean hearts. Even the use <strong>of</strong> <strong>David</strong>’s instruments could notright the wrong. Some even invented instruments like <strong>David</strong> did but this stilldid not please <strong>God</strong>. <strong>God</strong> even said ‘ And I will cause the noise <strong>of</strong> thy songsto cease; <strong>and</strong> the sound <strong>of</strong> thy harps shall be no more heard.’ Ezek 26:13.This did happen as they were led into Babylonian captivity.Mat 26:30 And when they had sung an hymn, they went out into the mount<strong>of</strong> Olives.Eph 5:19 Speaking to yourselves in psalms <strong>and</strong> hymns <strong>and</strong> spiritual songs,singing <strong>and</strong> making melody in your heart to the Lord.Col 3:16 Let the word <strong>of</strong> Christ dwell in you richly in all wisdom; teaching<strong>and</strong> admonishing one another in psalms <strong>and</strong> hymns <strong>and</strong> spiritual songs,singing with grace in your hearts to the Lord.


By the time <strong>of</strong> the incarnation <strong>of</strong> Jesus Christ the use <strong>of</strong> musical instrumentsin the worship <strong>of</strong> <strong>God</strong> had almost ceased. Historians hold that there were noinstruments in the temple during the time <strong>of</strong> Christ. Christ sang an hymnbefore the crucifixion <strong>and</strong> we see no hint <strong>of</strong> an instrument being used. <strong>The</strong>instructions to sing <strong>and</strong> make melody in our hearts as found in the NewTestament give no support to the use <strong>of</strong> instruments. History confirms thatthe early church did not use any instruments in singing unto <strong>God</strong>. Althoughfamiliar with instruments it is generally believed that the early church failedto adopt the use <strong>of</strong> instrumental music in their religious worship. <strong>The</strong> organis said to have been introduced into church music by Pope Vitalian in 666A.D. However, this did not become general practice <strong>and</strong> the church did notuse instrumental music for 1200 years, in spite <strong>of</strong> its availability.Is this accidental? Why did not the early church or the churches for manycenturies after not use instruments? <strong>The</strong> truth is that the instruments <strong>of</strong><strong>David</strong> were not around. <strong>The</strong> instruments that could be found were inventedby the world for the world. <strong>The</strong> children <strong>of</strong> <strong>God</strong> rightfully shunned their usefor centuries. Such men as John Calvin, Adam Clarke, John Wesley <strong>and</strong>Martin Luther all denounced the use <strong>of</strong> instruments in the worship <strong>of</strong> <strong>God</strong>.But how times have changed. Apart from a few denominations that do notuse instruments, every church wants to have as many instruments aspossible. And more <strong>and</strong> more they sound like the world. <strong>The</strong> people <strong>of</strong> theworld are even entertained when so-called gospel music is being played.<strong>The</strong>y have no problem dancing lewdly to it. After all the beat played bymusicians in churches generally mimic the world <strong>and</strong> is the music <strong>of</strong>Lucifer. <strong>The</strong> harps <strong>of</strong> <strong>Jubal</strong> <strong>and</strong> not the harps <strong>of</strong> <strong>David</strong> are in the churchestoday. Most times unconsecrated, carnal Christian musicians are playingthese instruments.<strong>The</strong> reality is that the harps <strong>of</strong> <strong>David</strong> are nowhere to be seen today. Children<strong>of</strong> <strong>God</strong> are not making instruments as <strong>David</strong> did. What we have therefore arethe harps <strong>of</strong> <strong>Jubal</strong> (the musical instruments <strong>of</strong> the world) in the assemblies.<strong>The</strong> majority <strong>of</strong> Christian music played today is nothing but shallow,worldly entertainment. It will entertain <strong>and</strong> woo some but it will never edifyanyone, much less bring them to Christ. It must surely grieve the Holy Spiritwhen believers think worldly so-called Christian music could draw souls tothe Lord. Such a substitute for the Holy Spirit has never worked <strong>and</strong> willnever work. <strong>The</strong>re is such a thing as false regeneration.


We do not want to say that all instrumental music used in worship is wrongor sinful. However, it is obvious to those with discernment that much <strong>of</strong> themusic played in churches <strong>and</strong> so-called Christian radio stations <strong>and</strong> by‘Christian’ recording artistes is nothing but entertainment. <strong>The</strong> beat <strong>and</strong>tenor <strong>of</strong> this music is <strong>of</strong> the world <strong>and</strong> does not bring glory to <strong>God</strong>. Ratherself is aggr<strong>and</strong>ised in much <strong>of</strong> this music. How we have borrowed from theworld <strong>and</strong> have conformed to the world! <strong>The</strong> world has its recording artistes<strong>and</strong> stars <strong>and</strong> there are believers who want their recording artistes <strong>and</strong> stars.<strong>The</strong> world has its top twenty <strong>and</strong> some Christians want their top twenty aswell. When Christians pay for these recordings <strong>and</strong> attend concerts featuringthese artistes, they lend support <strong>and</strong> promote these artistes in their folly. Thisworldly entertainment (disguised by so-called Christian lyrics) encouragesbelievers to love the world <strong>and</strong> the things <strong>of</strong> this world. Believers ought notto be conformed to the world.<strong>God</strong> in his wisdom <strong>and</strong> providence ensured that the church <strong>of</strong> the firstcentury <strong>and</strong> for several centuries after that did not use instruments as theywould have used the harps <strong>and</strong> instruments <strong>of</strong> <strong>Jubal</strong>. Think not that <strong>God</strong> didnot see the abomination that music would become in these last days.Instruments played soberly with a view to worship <strong>and</strong> praise <strong>God</strong> <strong>and</strong> not tocreate entertainment <strong>and</strong> appeal to man’s base instincts may still have itsplace. However, the safer ground is to sing individually or congregationallywithout the addition <strong>of</strong> instruments. Let us not try to think that we are wiser,stronger or more discerning than the early church, because we are not.THE HARPS OF GODRev 5:8 And when he had taken the book, the four beasts <strong>and</strong> four <strong>and</strong>twenty elders fell down before the Lamb, having every one <strong>of</strong> them harps,<strong>and</strong> golden vials full <strong>of</strong> odours, which are the prayers <strong>of</strong> saints.Rev 14:2-3 And I heard a voice from heaven, as the voice <strong>of</strong> many waters,<strong>and</strong> as the voice <strong>of</strong> a great thunder: <strong>and</strong> I heard the voice <strong>of</strong> harpers harpingwith their harps: And they sung as it were a new song before the throne, <strong>and</strong>before the four beasts, <strong>and</strong> the elders: <strong>and</strong> no man could learn that song butthe hundred <strong>and</strong> forty <strong>and</strong> four thous<strong>and</strong>, which were redeemed from theearth.


Rev 15:2 -4 And I saw as it were a sea <strong>of</strong> glass mingled with fire: <strong>and</strong> themthat had gotten the victory over the beast, <strong>and</strong> over his image, <strong>and</strong> over hismark, <strong>and</strong> over the number <strong>of</strong> his name, st<strong>and</strong> on the sea <strong>of</strong> glass, having theharps <strong>of</strong> <strong>God</strong>. And they sing the song <strong>of</strong> Moses the servant <strong>of</strong> <strong>God</strong>, <strong>and</strong> thesong <strong>of</strong> the Lamb, saying, Great <strong>and</strong> marvellous are thy works, Lord <strong>God</strong>Almighty; just <strong>and</strong> true are thy ways, thou King <strong>of</strong> saints. Who shall not fearthee, O Lord, <strong>and</strong> glorify thy name? for thou only art holy: for all nationsshall come <strong>and</strong> worship before thee; for thy judgments are made manifest.<strong>The</strong> above verses in the book <strong>of</strong> Revelation clearly establishes that there ismusic in heaven. <strong>The</strong> harps <strong>of</strong> <strong>God</strong> will be heard. Not the harps <strong>of</strong> <strong>Jubal</strong>, noteven the harps <strong>of</strong> <strong>David</strong> but rather the harps <strong>of</strong> <strong>God</strong> will be heard. Three sets<strong>of</strong> people are mentioned as having harps: the twenty-four elders, the hundred<strong>and</strong> forty-four thous<strong>and</strong>, <strong>and</strong> those who got victory over the beast. Thisencompasses the entirety <strong>of</strong> the elect <strong>of</strong> <strong>God</strong>. We shall all have harps <strong>of</strong><strong>God</strong>!<strong>The</strong> redeemed will sing the song <strong>of</strong> Moses <strong>and</strong> the song <strong>of</strong> the Lamb to theaccompaniment <strong>of</strong> the harps <strong>of</strong> <strong>God</strong>. It is noteworthy that there is no hint <strong>of</strong>percussion instruments in heaven. It is the sweet, pleasant tones <strong>of</strong> the harps<strong>of</strong> <strong>God</strong> that will blend in with the voices <strong>of</strong> <strong>God</strong>’s elect.In the presence <strong>of</strong> <strong>God</strong> there will be no cacophony, no discordant sounds, nomusic that elevates self. <strong>The</strong> music <strong>of</strong> the redeemed <strong>and</strong> all the host <strong>of</strong>heaven will fill the heavenly air as praise <strong>and</strong> worship ascends to <strong>God</strong>. Suchmusic can hardly be imagined as we abide on this earth for it belongs to theheavenly realm.Believers in Christ Jesus may freely copy, use <strong>and</strong> distribute this sermon. Under no circumstances must itbe sold. Freely ye have received, freely give.You may write me at: brothertarran@yahoo.com

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