Future of Creative Industries - Implications for Research ... - Europa

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European CommissionEUR 21471 — Future of Creative Industries - Implications for Research Policy2005 — 46 pp. — 21.0 x 29.7 cmISBN 92-894-9022-5
The creative industries comprise a large variety of fields, from those heavily industrialized such as advertising andmarketing, broadcasting, film industries, Internet and mobile content industry, music industries, print and electronicpublishing, and video and computer games, to the traditional fields of visual arts, performing arts, museums andlibrary services. The sector is increasingly important from the economic point of view representing already a leadingarea of the economy in the OECD countries, with significant values of annual growth rates. Also, according todifferent cited sources, the creative sector could bring a significant contribution to the knowledge-based economyas it is knowledge and labour intensive and fosters innovation, with a huge potential for generation of employmentand export expansion.15 Ki-NA-21471-EN-CThis Working Paper identifies possible research needs for the creative industries. The technological challengesoccupy a central place, approaching issues such as: the change of industries value chain under digital codingand therefore the need for new business models, the challenge of developing content for the new digital technologies,the Internet as future locus of art consumption, or the new distribution channels – like P2P, mobile onlinecontent and ad hoc device networks. Beside the technological challenges, issues such as cultural diversity andthe circulation and exchange of cultural products are placed among the current concerns of the cultural policy.
Page 1 and 2: WORKING DOCUMENTEUR 21471
Page 3 and 4: EUROPEAN COMMISSIONFORESIGHT WORKIN
Page 5 and 6: AcknowledgementsCarmen Marcus works
Page 7 and 8: 1. Overview of the field1.1. Matter
Page 9 and 10: 1.1.2. What type of industries does
Page 11 and 12: Another feature of the large corpor
Page 13: freelancers. Moreover, among them t
Page 16 and 17: twentieth century. In its logic, du
Page 18 and 19: “The culture is ‘street-level
Page 20 and 21: 3. European characteristics3. 1. Eu
Page 22 and 23: European Audiovisual Observatory st
Page 24 and 25: 3.2.4. Book readingBeside the high
Page 26 and 27: 4. Technological development releva
Page 28 and 29: making content protection as their
Page 30 and 31: However, according to Miles, there
Page 32 and 33: 5. Possible research needs based on
Page 34 and 35: A useful study would aim to analyze
Page 36 and 37: In this context, the European Parli
Page 38 and 39: Annex I. Specific organisation patt
Page 40 and 41: Table 7: The share of booksellers (
Page 42 and 43: 5. Formal training, apprenticeship
Page 44 and 45: BibliographyAustralian Government,

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