Future of Creative Industries - Implications for Research ... - Europa

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Europe Direct is a service to help you find answersto your questions about the European UnionFreephone number:00 800 6 7 8 9 10 11LEGAL NOTICENeither the European Commission nor any person acting on behalf of the Commission is responsible for the use which might bemade of the following information.The views expressed in this publication are the sole responsibility of the author and do not necessarily reflect the views of theEuropean Commission.A great deal of additional information on the European Union is available on the Internet.It can be accessed through the Europa server (http://europa.eu.int).Cataloguing data can be found at the end of this publication.ISBN 92-894-9022-5© European Communities, 2005Reproduction is authorised provided the source is acknowledged.Printed in BelgiumPRINTED ON WHITE CHLORINE-FREE PAPER
AcknowledgementsCarmen Marcus works as a Seconded National Expert in the European Commission,Directorate General for Research, Science and Technology Foresight Unit of Directorate K –Social Sciences and Humanities, Foresight.She wishes to warmly thank Paraskevas Caracostas, the Head of Unit, for his coordinationand support during the whole work on this document.The author expresses her gratitude for comments received on earlier drafts from Ian Perry andother colleagues from the European Commission, notably DG EAC and DG INFSO, as wellas for the support related to statistics of Roya Kamran and the technical assistance of FotiniChiou and Valerie Anderlin.This working document can be downloaded from the website: www.cordis.lu/foresight/. Theviews expressed here are those of the author and may not in any circumstances be regarded asstating an official position of the European Commission.
Page 1 and 2: WORKING DOCUMENTEUR 21471
Page 3: EUROPEAN COMMISSIONFORESIGHT WORKIN
Page 7 and 8: 1. Overview of the field1.1. Matter
Page 9 and 10: 1.1.2. What type of industries does
Page 11 and 12: Another feature of the large corpor
Page 13: freelancers. Moreover, among them t
Page 16 and 17: twentieth century. In its logic, du
Page 18 and 19: “The culture is ‘street-level
Page 20 and 21: 3. European characteristics3. 1. Eu
Page 22 and 23: European Audiovisual Observatory st
Page 24 and 25: 3.2.4. Book readingBeside the high
Page 26 and 27: 4. Technological development releva
Page 28 and 29: making content protection as their
Page 30 and 31: However, according to Miles, there
Page 32 and 33: 5. Possible research needs based on
Page 34 and 35: A useful study would aim to analyze
Page 36 and 37: In this context, the European Parli
Page 38 and 39: Annex I. Specific organisation patt
Page 40 and 41: Table 7: The share of booksellers (
Page 42 and 43: 5. Formal training, apprenticeship
Page 44 and 45: BibliographyAustralian Government,
Page 46 and 47: European CommissionEUR 21471 — Fu

Future of Creative Industries - Implications for Research ... - Europa

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