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Thursday, January 17, 1957 - the Quesnel & District Museum and ...

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Page 14 - CARIBOO OBSERVER - <strong>Thursday</strong>, <strong>January</strong> <strong>17</strong>,<strong>1957</strong><br />

Some fellers won't thaw out<br />

tJU <strong>the</strong>y're knocked cold.<br />

• • •<br />

Yep, bringto' a teacher an<br />

apple Is a mild form of Mack-<br />

The female of <strong>the</strong> speeches is<br />

«ior« deadly than <strong>the</strong> male.<br />

• • •<br />

Wonder what an opinion<br />

looks Uke after It's been<br />

formed?<br />

• • •<br />

Tkat horse of ano<strong>the</strong>r color<br />

makes us wonder about <strong>the</strong><br />

color of <strong>the</strong> first one.<br />

• • •<br />

How come it's always bring<br />

home <strong>the</strong> bacon <strong>and</strong> never <strong>the</strong><br />

steak?<br />

M O V I E<br />

N E W S<br />

by<br />

Glen Nadeau<br />

MGM's filmization of Lillian<br />

Roth's, remarkable autobiography<br />

"I'LL CRY TO­<br />

MORROW" wUl be coming<br />

soon to <strong>Quesnel</strong>.<br />

It is <strong>the</strong> story of a young<br />

<strong>and</strong> beautiful girl that is deprived<br />

of a normal childhood<br />

by her mo<strong>the</strong>r <strong>and</strong> achieves<br />

Broadway <strong>and</strong> Hollywood<br />

stardom before she is twenty<br />

<strong>the</strong>n endures sixteen years<br />

as an alcoholic before she is<br />

able to overcome her malady<br />

<strong>and</strong> start a new life.<br />

The portrayal of Lillian<br />

Roth ejves SUSAN HAY-<br />

WARD <strong>the</strong> best dramatic<br />

role of her career. The picture<br />

also gives her her first<br />

chance to sing, for she sings<br />

such songs identified with<br />

Lillian Roth as "Sing Yoii<br />

Sinners", "When <strong>the</strong> Red;<br />

Red Robbin Comes Bob, Bob^<br />

DOWN<br />

1. Batters '<br />

2. A single thing '<br />

t. A volcano<br />

4. Grades<br />

%. Ironing<br />

C High<br />

T. Trial<br />

a. Young girl<br />

9. Beached<br />

It. Look at<br />

II. Beast of burdea<br />

16. God of war<br />

». Braio pas«%«<br />

Some le* church folks need to<br />

have <strong>the</strong>ir faith lifted.<br />

• * *<br />

Jr. Hinch says he'd like to<br />

see an Indian dart, but not In<br />

his direction.<br />

• • •<br />

Some gals are well framed<br />

by nature, o<strong>the</strong>rs by <strong>the</strong>ir<br />

girdles.<br />

• • •<br />

Yep, some tellers<br />

process of progress.<br />

make a<br />

« • •<br />

Even If we did give <strong>the</strong><br />

country back to <strong>the</strong> Indians <strong>the</strong><br />

politicians wouldn't let 'era<br />

keep it.<br />

» • •<br />

Where is this bridge that we<br />

are always told not to cross?<br />

••1-S7 REV. CHARLEY GRANT<br />

Bobbin Along" <strong>and</strong> o<strong>the</strong>rs.<br />

Impressive perfoi-mances<br />

•;ie also given by <strong>the</strong> four<br />

leading men in <strong>the</strong> picture.<br />

;RICHARD CONTE gives a<br />

frightening, snake-like quality<br />

to <strong>the</strong> part of <strong>the</strong> sadistic<br />

Tony Bardeman, while ED­<br />

DIE ALBERT offers a contrasting<br />

warmth <strong>and</strong> sympathy<br />

to his role as Burt Mc-<br />

Qiiire, <strong>the</strong> ex-drunkard who<br />

helps restore LiUian to<br />

health. DON TAYLOR is<br />

convincing as Wallie, a guy<br />

looking for a good time, <strong>and</strong><br />

RAY DANTON gives a forthright<br />

honesty <strong>and</strong> appeal to<br />

<strong>the</strong> part of David Fredman,<br />

<strong>the</strong> first man in Lillians life.<br />

Ano<strong>the</strong>r st<strong>and</strong>out perform-^<br />

ance is by JO VAN FLEET,<br />

cast as Katie Roth, <strong>the</strong> mo<strong>the</strong>r<br />

eager to give Lillian <strong>the</strong><br />

security <strong>and</strong> comforts she<br />

never had in her own life.<br />

The picture was directed<br />

by Academy Award winner<br />

Daniel Mann who directed<br />

both <strong>the</strong> stage <strong>and</strong> screen<br />

version of "Come Back Little<br />

'^helia".<br />

€ro@@W(Q)irdl<br />

m a DDDQ EDDOS<br />

ACROSS 82. Fiatth«d<br />

I. Regret 24 BriaUe<br />

i. Slight quarrel 25. Kind of eheess<br />

8. High plateau 2«. Network<br />

12. An insctt 27. Italian<br />

13. Shield bearinc community<br />

II. Chopping toolt 28. Choke<br />

ID. Toivcni .10. Awful<br />

<strong>17</strong>. Follower* 32. To<br />

18. Begins 3I>. Interstic*<br />

19. Rise <strong>and</strong> fat) of nfi. Mimicked<br />

ocean 39. Images<br />

21. Alutract being 41. Roman emperor<br />

2.1. Tight 43. MiliUrf KssisUnt<br />

26. Untidy condition 44. Rip<br />

29. Meant 45. Slave<br />

SL Superlative suffix 40. Friend n'i ship If j<br />

r<br />

48. Incorporates<br />

1<br />

SO. Grinding machin* It<br />

"<br />

91 Small stream •'<br />

iZ Bov's nicknamt<br />

r<br />

n.1. Notion<br />

if<br />

M. Poems<br />

U. Before<br />

• 3 _<br />

Si<br />

tss<br />

THOSE WERE THE DAYS<br />

T H O S E<br />

W E R E<br />

T H E<br />

D A Y S -<br />

SONNY SOUTH<br />

IT DID YO'KNOW WE'RE<br />

[ MOVIN' OVAH BV TH' RAILk^OAD<br />

TRACKS HEVCTW/EEK<br />

HOSSFACE H A N K<br />

HOSSFACe, BY YORE LATE<br />

UNCLE'S VNILL,YOU BECOME , ,<br />

SOLE 0\NNER OF LAiY-S *iA<br />

RANCH AND FlFlY THOOSANO^<br />

yY/?>i^ HEAD OF CATTLEf<br />

OFF MAIN STREET<br />

so LONG,MA/<br />

I'M OFF TO<br />

SCHOOL/<br />

GR.«^'DPA'S BOY<br />

RURAL DELIVERY<br />

UTTLE FARMER<br />

CAPTAIN FLAME<br />

HO\NEVER, THE \NILL<br />

ALSO STATES THET VOU<br />

MUST MARRY YORE LAIE<br />

UNCLE'S V4ARO. fsAlSS<br />

6INA L^LLAPALOOZAl<br />

F T H E V PUT<br />

HIM IN JAIL<br />

FOR DOING HIS<br />

CHRISTMAS<br />

EARLV/<br />

THEV DONT<br />

THR0WA6UV<br />

IH JAIL FOR<br />

DOING HIS<br />

SHOPPING<br />

EARLV<br />

OW HO?<br />

•XWBV DID<br />

w m -<br />

By ART BEEMAN<br />

By AL SONDERS<br />

r so- WEAM GOHNA LIVE S/E ^<br />

WITH AUNT DIXIE ON TH'l TH<br />

OTHAH SIDE 0"TOW/N<br />

TH' FIRST THREE DAV5<br />

BY FRANK THOMAS<br />

By JOE DENNETT<br />

^KVA NEV/BR KETCH<br />

'VE ALWAYS HOLOIMS<br />

UP MV HANDS "<br />

LIKE THEM<br />

J SMART<br />

I ALECK,<br />

T KIDS/J<br />

By BRAD ANDERSON<br />

VifripoR IT TO CCMB m<br />

By AL SMITH<br />

By KERN PEDERSON<br />

By DON SHERWOOD

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