Cath Alexandrine Danneskiold-‐Samsøe Gallery March 1 -‐ April 30th, 2012‘The Window to Vanished Memories'-‐ a solo exhibiAon presenAng works by Geoffroy Medinger'The Window to Vanished Memories' series, invites to the world of nostalgia and detachment, expressed by a sophis8cated romance between color, light and structure.Geoffroy Medinger's works encapsulate ephemeral moments of grace; moments of in8macy, discovered by him in hide-away places around the world. The ar8st oCen plays with shades of ruby and emerald colors, blending them together into a delicate seDng. His work focuses -‐ or some8mes defocuses -‐ on capturing the coincidence of beauty, its fragility, its omnipresence. The 18 photography works, all square as to make them all equal, are like windows opened to a childhood world, where dreams arise in reality, just before they fade or vanish like a mystery, like a memory. In Geoffroy Medinger's world, grace never goes without a sense of loneliness, as if, in spite of natures overwhelming magic and the vibrant colors, beauty could remain unno8ced and love unanswered.Geoffroy Medinger (FR)(B. 1970 in Paris, lives & works in London & Paris)Geoffroy Medinger explored photography already at a young age, seDng up his own darkroom to experiment with B&W film processing, prin8ng and enlarging. Geoffroy Medinger studied History of Art at Columbia University 1991, followed by studies at F.I.T., New York, 1992 (photographic and pain8ng techniques); Geoffroy Medinger owes his extraordinary sensi8vity for color to ar8sts like Gustave Moreau, Odilon Redon and Frederic Leighton.
Un5tled #1 (Dora, 2009), 100 x 100 cmC-‐print mounted on aluminum, plexiglass, Ed. 3/5 + 1 AP
- Page 4: Un5tled # 2 (Tokyo, 2008), 100
- Page 7 and 8: Un5tled #5 (Buthiers, 2009), 10
- Page 9 and 10: Un5tled #7 (Montreux, 2011), 10
- Page 11 and 12: Un5tled #9 (Cap Ferrat, 2010),
- Page 13 and 14: Un5tled #11 (Marrakech, 2009),
- Page 15 and 16: Un5tled #13 (Gregoire, 2010), 1
- Page 17 and 18: Un5tled #15 (Kamakura, 2008), 1
- Page 19 and 20: Un5tled #17 (Mandawa, 2011), 10