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SCHOOL OF ARCHITECTURE . CUHK . 2O11 - 2O12


Ryukoku Museum, Kyoto, Nikken Sekkei<br />

Message from the Director<br />

We will be celebrating 20th Anniversary <strong>of</strong> the <strong>School</strong> <strong>of</strong> <strong>Architecture</strong> this coming year. It is a time not only <strong>of</strong> looking back at the path we have<br />

taken but also forward to seeing where we might be going. Our past shaped who we are today, and our future projects us forward to be who we<br />

might want to be. So the question <strong>of</strong> positioning <strong>of</strong> our <strong>School</strong> is <strong>of</strong> utmost importance as we celebrate the 20th anniversary. <strong>The</strong> hallmark <strong>of</strong> this<br />

<strong>School</strong> in development in the last 20 years is placing emphasis on the quality <strong>of</strong> our teaching and research. Teachers both past and present had spent<br />

enormous time looking into teaching pedagogy. Our curriculum defines our position in architectural education. We believe in many core values<br />

in architectural education and practices, including the quality <strong>of</strong> design, informed decision in the process <strong>of</strong> design development, protection <strong>of</strong> the<br />

environment through technical know-how, engagement with the community in architectural and urban design, development <strong>of</strong> pr<strong>of</strong>essionalism,<br />

readiness in dealing with enormous issues facing architectural and urban environment in China, and the list can go on. <strong>The</strong>se are reflected in<br />

curriculum design and constant refinements, as well as in teaching and learning activities taking place in studio and other courses. <strong>The</strong> selection <strong>of</strong><br />

<strong>MArch</strong> design teachers and the design problem they introduced also reflects the current state <strong>of</strong> architectural practice in this region.<br />

In research we are constantly engaged in working with the community out there as well as engaging our students in participating in<br />

research activities. In the field <strong>of</strong> design, theory, history, environmental sustainability, materials and construction, computation, urban design,<br />

conservation, and pr<strong>of</strong>essional practice, we have made much progress in this last year. I am gratified by research and actions undertaken by<br />

our teachers in projects such as Sichuan earthquake relief and rebuilding, Wuzhi Bridge and school projects, Kai Tak River redevelopment etc.<br />

I am also excited by the publication this year <strong>of</strong> an elegant book: Chung Chi Original Campus <strong>Architecture</strong>, authored by Pr<strong>of</strong>essor Gu Daqing.<br />

Research exists not just to advance knowledge, but also to engage the community to bring about a better living and working environment.<br />

Looking into the future, the <strong>School</strong> is preparing several new programmes for starting in 2012-13, including BSSc in Urban Studies, MSc in<br />

Urban Design and MSc in Architectural Conservation and Design. <strong>The</strong>y are designed to provide both general overview in urban issues to<br />

specific pr<strong>of</strong>essional expertise. This is also a reflection <strong>of</strong> the current multi-disciplinary dimension in the pr<strong>of</strong>essional field. Our aim is to allow<br />

greater flexibility in crossing over <strong>of</strong> pr<strong>of</strong>essional boundary and encourage greater mutual cooperation. As such, the curricula are designed<br />

so that students from different programmes, including <strong>MArch</strong>, can take courses across the spectrum. We hope that the <strong>School</strong> will develop<br />

into an integrated teaching and research platform for the design <strong>of</strong> the built and urban environment.<br />

At the end <strong>of</strong> this academic year, we will witness the completion <strong>of</strong> the building for the <strong>School</strong> <strong>of</strong> <strong>Architecture</strong>. <strong>The</strong> new building is not only a<br />

statement about who we are, but should also be a vehicle for advocating teaching pedagogy and the core values <strong>of</strong> the <strong>School</strong>. I would welcome<br />

contributions from staff and students for further fine-tuning <strong>of</strong> the design and the preparation for the move into the new building in August 2012.<br />

All in all, this year looks promising as an exciting time in the history <strong>of</strong> the <strong>School</strong>. I would also urge all <strong>of</strong> us not to lose sight <strong>of</strong> our raison<br />

d'être here, that is to learn <strong>of</strong> how we can deal with social, urban, technical and environmental issues through architectural design. I am sure<br />

with the programme and activities set out in this book, we will all learn together and this year will turn out to be yet another milestone in<br />

our pr<strong>of</strong>essional career.<br />

Ho Puay-Peng<br />

3


TO UPDATE<br />

construction site <strong>of</strong> new building for school <strong>of</strong> architecture<br />

Contents<br />

Message from the Director 3<br />

Programme Overview 7<br />

Curriculum 8<br />

Calendar 10<br />

BSSc (AS)<br />

Overview 12<br />

Studio U1 process | tool 14<br />

Studio U2 space | method 16<br />

Studio U3 use | programme 18<br />

Studio U4 force | performance 20<br />

Studio U5 place | context 22<br />

Studio U6 project | articulation 24<br />

<strong>MArch</strong><br />

Overview 26<br />

<strong>MArch</strong>+ 28<br />

<strong>MArch</strong> 1<br />

Studios G1, G2, G4 30<br />

Studios G3, G6, G7 32<br />

Studios G5, G8, G11, G12 34<br />

Studios G9, G10, G13 36<br />

<strong>MArch</strong> 2 <strong>The</strong>sis Project 38<br />

MSc 40<br />

MPhil / PhD 42<br />

Faculty / Staff 44<br />

20 x 20 Vertical Workshop 46<br />

Scholarship / Exchange 48<br />

Summer Activities 50<br />

Location 52<br />

5


6<br />

Programme Overview<br />

Pr<strong>of</strong>essional Programme<br />

BSSc (AS)<br />

Architectural Studies<br />

<strong>The</strong> Bachelor <strong>of</strong> Social Science (Architectural<br />

Studies) - BSSc (AS) - is the first part <strong>of</strong> a<br />

two-degree sequence in pr<strong>of</strong>essional<br />

architectural education. This sequence is<br />

designed to provide a basis for education<br />

in general and preparation for pr<strong>of</strong>essional<br />

work as an architect in particular. Students<br />

are encouraged to enrich their core <strong>of</strong><br />

studies in architecture by exploring lateral<br />

relationships with other subjects and<br />

disciplines as well as through independent<br />

study and experience <strong>of</strong> other cultures. <strong>The</strong><br />

core <strong>of</strong> studies consists <strong>of</strong> design studios in<br />

addition to courses <strong>of</strong>fered in humanities,<br />

technology, pr<strong>of</strong>essional practice and design<br />

computation.<br />

<strong>MArch</strong><br />

<strong>Architecture</strong><br />

<strong>The</strong> Master <strong>of</strong> <strong>Architecture</strong> programme –<br />

<strong>MArch</strong> - is the second part <strong>of</strong> a two-degree<br />

sequence in pr<strong>of</strong>essional architectural<br />

education. It is a taught postgraduate<br />

programme for students who intend to<br />

become architects. <strong>The</strong> programme <strong>of</strong>fers<br />

a series <strong>of</strong> research-based advanced studios<br />

and independent design explorations which<br />

both articulate an intellectual position and<br />

demonstrate the impact <strong>of</strong> that position<br />

in design. Applicants should have a prepr<strong>of</strong>essional<br />

architecture degree (equivalent<br />

to RIBA part I), such as the BSSc (AS) from<br />

CUHK, and relevant work experience.<br />

Concentrations (<strong>MArch</strong>+)<br />

<strong>The</strong> Master <strong>of</strong> <strong>Architecture</strong> Plus (<strong>MArch</strong>+)<br />

encompasses four core areas that reflect<br />

upon interests and expertises at the <strong>School</strong><br />

<strong>of</strong> <strong>Architecture</strong>: Conservation, Sustainability,<br />

Urban Design, Computation. Each area<br />

<strong>of</strong>fers required and elective courses,<br />

seminars and studios that are both specific<br />

to the area and interdisciplinary in nature.<br />

<strong>The</strong> concentration aims to <strong>of</strong>fer additional<br />

learning experience in one <strong>of</strong> the four areas<br />

to enhance the knowledge and abilities <strong>of</strong><br />

students within their pr<strong>of</strong>essional degree.<br />

Postgraduate Programmes<br />

MSc<br />

Sustainable and<br />

Environmental Design<br />

<strong>The</strong> Master <strong>of</strong> Science - MSc - in Sustainable and<br />

Environmental Design is a taught postgraduate<br />

programme, for practitioners in all sectors <strong>of</strong><br />

the building industry. It usually requires one<br />

year <strong>of</strong> full-time study or two years part-time.<br />

Applicants should have a bachelor’s degree<br />

and work experience in a related field.<br />

MPhil<br />

<strong>The</strong> MPhil is a research degree. Students<br />

learn primarily by doing independent original<br />

research, usually by participating in the work<br />

<strong>of</strong> the <strong>School</strong>’s design studios or research units<br />

– <strong>Chinese</strong> architectural heritage, community<br />

participation, computation and simulation,<br />

sustainable and environmental design, and<br />

housing. In some cases, students may also<br />

pursue their own topics, if feasibility <strong>of</strong> the<br />

topic can be demonstrated upon application.<br />

PhD<br />

<strong>The</strong> PhD is a research degree. Students learn<br />

primarily by conducting independent original<br />

research, usually by participating in the work<br />

<strong>of</strong> the <strong>School</strong>’s design studios or research units<br />

– <strong>Chinese</strong> architectural heritage, community<br />

participation, computation and simulation,<br />

sustainable and environmental design, and<br />

housing. In some cases, students may also<br />

pursue their own topics, if feasibility <strong>of</strong> the topic<br />

can be demonstrated upon application.<br />

2012 New Programmes<br />

BSSc (US)<br />

Urban Studies<br />

<strong>The</strong> Bachelor <strong>of</strong> Social Science (Urban<br />

Studies) - BSSc (US) is designed for students<br />

to explore the complexities and challenges<br />

<strong>of</strong> the rapidly evolving urban world, global<br />

urbanization processes and various strands<br />

<strong>of</strong> urbanism. It is jointly organized by the<br />

Department <strong>of</strong> Geography and Resource<br />

Management and the <strong>School</strong> <strong>of</strong> <strong>Architecture</strong>,<br />

with inputs by various departments in<br />

the Faculties <strong>of</strong> Social Science and Arts.<br />

Besides the learning <strong>of</strong> theories <strong>of</strong> urban<br />

development, the rigorous application <strong>of</strong><br />

skills and techniques for urban analysis, and<br />

the contextual understanding <strong>of</strong> sustainable<br />

practices, students are required to develop<br />

expertise in the concentration areas: urban<br />

planning and design, urban environment, or<br />

urban policy and governance.<br />

MSc<br />

Architectural Conservation and Design<br />

Architectural conservation is increasingly an<br />

important area <strong>of</strong> work for architects and<br />

architectural conservationists in <strong>Hong</strong> Kong<br />

and the region. With increased awareness<br />

<strong>of</strong> the value <strong>of</strong> architectural heritage,<br />

the society looks to proper and careful<br />

interpretation, conservation and reuse <strong>of</strong><br />

historic buildings in cities and countryside.<br />

This taught postgraduate programme places<br />

emphasis on pr<strong>of</strong>essionalism in approaching<br />

historic buildings, learning from and with<br />

pr<strong>of</strong>essionals in countries, such as the US<br />

and United Kingdom, where conservation<br />

practices have been well established.<br />

Students will master the latest theory in<br />

architectural conservation, and be exposed<br />

to the best practices in conservation<br />

planning and documentation. Through<br />

lecture courses, hands-on experience, field<br />

trips and case studies, students will learn<br />

to interpret historic buildings, formulate<br />

conservation strategies and engage in<br />

design dealing with historic buildings. <strong>The</strong><br />

programme will allow students to develop<br />

independent positions on current issues in<br />

architectural conservation.<br />

MSc<br />

Urban Design<br />

Over the last decades, <strong>Hong</strong> Kong and the<br />

Pearl River Delta has been a laboratory<br />

<strong>of</strong> urbanism. Rapid urban growth, mass<br />

migration and new policies have led to<br />

new urban forms, but environmental<br />

deterioration and social imbalance have<br />

also increased. Urban design can play an<br />

important role to create more liveable and<br />

sustainable cities if it is able to integrate<br />

knowledge about ecological, economic,<br />

and social issues and is based on a clear<br />

set <strong>of</strong> values. <strong>The</strong> M.Sc. Programme in<br />

Urban Design is based on a fundamental<br />

understanding <strong>of</strong> environmental and<br />

urban economics as well as urban history.<br />

Combining design studios and focused<br />

course modules, it aims to integrate specific<br />

knowledge about urban processes, complex<br />

ecosystems and transport networks. <strong>The</strong><br />

modules act as catalysts for the studio<br />

projects, and are organized as think tanks<br />

in which students discuss with experts from<br />

academia and practice. After an additional<br />

period <strong>of</strong> pr<strong>of</strong>essional experience, graduates<br />

can apply for a pr<strong>of</strong>essional registration <strong>of</strong><br />

the <strong>Hong</strong> Kong Institute <strong>of</strong> Urban Design<br />

(HKIUD).<br />

7


8<br />

Curriculum<br />

BSSc(AS) 1<br />

BSSc(AS) 2<br />

BSSc(AS) 3<br />

total units 75<br />

Year Out<br />

<strong>MArch</strong> 1<br />

<strong>MArch</strong> 2<br />

total units 52<br />

Studio Humanities Technology<br />

arch 1110 / arch 1120<br />

Introduction to Architectural Design I & II<br />

[U1 / U2]<br />

arch 2110 / arch 2120<br />

Architectural Design Studio I & II<br />

[U3 / U4]<br />

arch 3110 / arch 3120<br />

Architectural Design Studio III & IV<br />

[U5 / U6]<br />

arch 5110 / arch 5120<br />

Advanced Architectural Design Studio I & II<br />

[G1 - 13]<br />

arch 6111 / arch 6121<br />

<strong>The</strong>sis Project I & II<br />

30<br />

28<br />

arch 1311<br />

Introduction to <strong>Architecture</strong><br />

arch 1322<br />

Architectural History and <strong>The</strong>ory I<br />

arch 2311<br />

Architectural History and <strong>The</strong>ory II<br />

arch 2321<br />

Architectural History and <strong>The</strong>ory III<br />

arch 3310<br />

Land and City<br />

arch 5310<br />

Urban Design and Planning<br />

arch 6310<br />

Architectural <strong>The</strong>ory and Criticism<br />

15<br />

6<br />

arch 1411<br />

Introduction to Building Technology<br />

arch 1420<br />

Building Technology I<br />

(Materials and Construction)<br />

arch 2411<br />

Building Technology II<br />

(Building Structure)<br />

arch 2420<br />

Building Technology III<br />

(Environmental Technology)<br />

arch 3411<br />

Building Systems Integration<br />

arch 5410<br />

Advanced Structures and Construction<br />

arch 5420<br />

Advanced Building Services<br />

15<br />

6<br />

Design Computation Pr<strong>of</strong>essional Practice Electives<br />

arch 1210<br />

Graphics and Visual Studies<br />

activities<br />

T1 Blended Learning and Social learning<br />

Environment<br />

T2 Desktop Publishing<br />

arch 2210<br />

Computer-Aided Architectural Design<br />

activities<br />

T1 3D Modelling<br />

T2 Fabrication<br />

activities<br />

T1 Building Information Modelling<br />

T2 Synthesis & Simulation<br />

arch 3510<br />

Pr<strong>of</strong>essional Practice<br />

6 3<br />

arch 5510<br />

Pr<strong>of</strong>essional Practice and Management<br />

3<br />

arch 4501 Topical Studies in Design <strong>The</strong>ory<br />

arch 4601 Topical Studies in Architectural History and <strong>The</strong>ory<br />

arch 4701 Topical Studies <strong>of</strong> Cities<br />

arch 4801 Topical Studies in Building Technology<br />

arch 4901 Topical Studies in Computational Design<br />

arch 5201 Topical Studies in Design <strong>The</strong>ory<br />

arch 5301 Topical Studies in History, <strong>The</strong>ory and Criticism<br />

arch 5401 Topical Studies in Sustainable Design<br />

arch 5501 Topical Studies in Building Technology<br />

arch 5601 Topical Studies in Pr<strong>of</strong>essional Practice Management<br />

arch 5701 Topical Studies in Urbanism<br />

arch 5801 Topical Studies in Conservation Design<br />

arch 5901 Topical Studies in Computational Design<br />

arch 6303 Materials and Construction in <strong>Architecture</strong> Conservation<br />

arch 6304 Issues in Heritage Conservation<br />

arch 6701 <strong>The</strong> Studies <strong>of</strong> Cities<br />

arch 6702 Critical Issues in Contemporary Urbanism<br />

senv 7005 Building Environmental Assessment Method Plus*^<br />

senv 7006 Topical Study II in Environmental and Sustainable Design*^<br />

senv 7200 Bioclimatic Building Design*^<br />

senv 7300 Daylighting and Lighting Design*^<br />

senv 7400 Building Environmental Performance Assessment*^<br />

senv 7500 Urban Climate for Design and Urban Planning*^<br />

* registration subject to available quota<br />

^block teaching electives, i.e. 36-hour lecture courses in 9 days with assignment 1 month later<br />

6<br />

9<br />

9


10<br />

Calendar<br />

week event date<br />

2011-12 Term 1<br />

1 First teaching day/ Safety talk 05.09 M<br />

2011-12 Term 2<br />

2 12.09 M<br />

Mid Autumn Festival 13.09 T<br />

3 19.09 M<br />

4 26.09 M<br />

National Day 01.10 S<br />

5 03.10 M<br />

Chung Yeung Festival 05.10 W<br />

6 10.10 M<br />

7 17.10 M<br />

8 24.10 M<br />

9 31.10 M<br />

10 07.11 M<br />

11 Course evaluation week 14.11 M<br />

12 21.11 M<br />

13 Final review week 28.11 M<br />

14 05.12 M<br />

15 12.12 M<br />

16 19.12 M<br />

Portfolio submission 23.12 F<br />

week event date<br />

1 First teaching day 09.01 M<br />

2 16.01 M<br />

3 Lunar New Year 23.01 M<br />

24.01 T<br />

25.01 W<br />

4 30.01 M<br />

5 20/20 Forum & Vertical Workshop 06.02 M<br />

6 20 x 20 Vertical Workshop 13.02 M<br />

7 20.02 M<br />

8 27.02 M<br />

9 05.03 M<br />

Student Forum 07.03 W<br />

10 12.03 M<br />

11 19.03 M<br />

12 Course evaluation week 26.03 M<br />

13 02.04 M<br />

Ching Ming Festival 04.04 W<br />

Good Friday 06.04 F<br />

Day following Good Friday 07.04 S<br />

14 Easter 09.04 M<br />

15 Final review week 16.04 M<br />

16 23.04 M<br />

<strong>The</strong> Buddha's Birthday 28.04 S<br />

17 30.04 M<br />

Labour Day 01.05 T<br />

18 07.05 M<br />

Portfolio submission 11.05 F<br />

11


12<br />

BSSc(AS)<br />

Programme Director<br />

Bruce Lonnman<br />

<strong>The</strong> Bachelor <strong>of</strong> Social Science (Architectural Studies) programme is designed to provide a basis<br />

for education in general and preparation for pr<strong>of</strong>essional work as an architect in particular. <strong>The</strong><br />

core <strong>of</strong> studies consists <strong>of</strong> design studios in addition to courses <strong>of</strong>fered in humanities, technology,<br />

pr<strong>of</strong>essional practice and design computation.<br />

Design studios are now structured in a sequential manner through the six semesters <strong>of</strong> the<br />

programme. <strong>The</strong> intention is to allow better integration <strong>of</strong> studio courses and required courses,<br />

and to enable students to start from fundamental concepts and advance progressively to more<br />

complex issues in architectural design.<br />

<strong>The</strong> foundation studio in the first semester introduces students to the field <strong>of</strong> architectural design<br />

through studio learning. In the subsequent four studios students learn design skill by either focusing<br />

on specific aspects <strong>of</strong> architecture or by addressing various factors that influence architectural form.<br />

Arranged in a sequence, these factors include architectural space conception, human behavior,<br />

environmental technology and sustainable design, and urban setting. Students are also required<br />

to demonstrate a basic understanding <strong>of</strong> construction system, structure and material character<br />

through their design. In the sixth semester, a culminating studio serves to integrate previous<br />

knowledge and themes into a comprehensive architectural design project.<br />

Elective courses are <strong>of</strong>fered to investigate a particular field <strong>of</strong> architecture. Areas represented in<br />

these topical study courses include design theory, architectural history and theory, cities, building<br />

technology and computational design. Each elective is created to provide students an opportunity<br />

to gain in-depth knowledge <strong>of</strong> a specific topic or set <strong>of</strong> issues related to the theory and practice <strong>of</strong><br />

architecture. Each year repeating as well as new electives are announced with course descriptions<br />

to guide students in their selection.<br />

Studio sequence<br />

semester learning | teaching topic<br />

U1 [Y1 T1] process | tool Foundation<br />

design as visual and conceptual process; habitable environments; space as form;<br />

abstraction and transformation; form and making; design concept, parti and formal composition<br />

U2 [Y1 T2] space | method Tectonics, Space, Design<br />

design process; sequential steps; tectonic concept; enveloped, continuous and modular space;<br />

spatial composition and tectonic form; graphic representation; digital and physical modeling<br />

U3 [Y2 T1] use | programme Programme and Use<br />

use <strong>of</strong> space both functional and symbolic; space planning; human scale and dimension;<br />

habitable space; structure (form and organization) on building design<br />

U4 [Y2 T2] force | performance Structure & Passive Environmental Design<br />

impact <strong>of</strong> natural forces; tools for measuring design performance; sustainability in architecture;<br />

urban design and conservation; design <strong>of</strong> sustainable and energy efficient human environments<br />

U5 [Y3 T1] place | context Place Making and Contextual Response<br />

influences on urban form generation and articulation; interface between architecture and city;<br />

contextual design <strong>of</strong> places; evolution <strong>of</strong> architecture in cities; making <strong>of</strong> sustainable cities<br />

U6 [Y3 T2] project | articulation Comprehensive Building Design<br />

comprehensive project with program and site; conceptual integration <strong>of</strong> building systems: structure,<br />

enclosure and interior space; high resolution and articulation<br />

13


14<br />

Studio U1 process | tool<br />

DESIGN STUDIO Foundation arch 1110<br />

REQUIRED COURSE<br />

Introduction to <strong>Architecture</strong><br />

arch 1311 Wallace Chang<br />

“What is <strong>Architecture</strong>?” <strong>The</strong> course introduces<br />

this question to arouse students’ interests in<br />

seeing, feeling, and understanding architecture<br />

via two perspectives, the beginner’s and the<br />

architect's. <strong>The</strong> first is more a personal and<br />

subjective enquiry, while the second is more an<br />

experiential and analytical viewpoint. Students will<br />

understand architecture through - the personal<br />

to communal environment, historical evolution<br />

<strong>of</strong> architectural expressions, and spatial aspects <strong>of</strong><br />

design culture.<br />

<strong>The</strong> Foundation Studio begins with an enquiry on Idea, Form, Body, Space, and Context.<br />

<strong>The</strong> studio will further develop on these basic concepts with specific exercises to train<br />

students to acquire basic skills, hands-on experiences and creative ideas. <strong>The</strong> studio will<br />

take a step-by-step approach to equip students to build up their confidence in architectural<br />

knowledge. <strong>The</strong> pedagogy <strong>of</strong> the studio takes a progressive approach from an extension <strong>of</strong><br />

person journey in generating idea and abstract form, to the adaptation <strong>of</strong> form and object<br />

onto the body, and finally leads to composing space with site context.<br />

For our studio, inquiring basic generic issues is an excellent way to understand and learn<br />

architecture through conceptualizing, exploring, verifying and building, thus the teaching<br />

team will guide and help students to be strategic <strong>of</strong> where to start and how to make, or<br />

when to implement the intension. Systematic approach from geometry, composition, and<br />

mutation is applied in a progressive manner through the design exploration process. <strong>The</strong><br />

pedagogy is constructed according to specific goals, approaches and clear methodologies<br />

in order to focus the basic design issues regarding “spatial configuration, human behavior,<br />

contextual relevance and building logic.”<br />

Introduction to Building Technology<br />

arch 1411 Zhu Jingxiang<br />

This course introduces aspects <strong>of</strong> technologies<br />

relating to a building. Before students proceed<br />

to take specialized course on the topics <strong>of</strong><br />

Material & Construction, Building Structure,<br />

Environmental Technology and Building Services<br />

in later semesters, they will be exposed to the<br />

fundamentals in this introductory course just<br />

around a question: “How a system is formed?”<br />

Graphics and Visual Studies<br />

arch 1210 Maggie Hui<br />

This course deals with visual communication for<br />

architectural design. It investigates visual media<br />

and examines how they are used to record and<br />

interpret built form, and to visualize and express<br />

design ideas. <strong>The</strong> course has a dual emphasis<br />

on representation and presence. Together, they<br />

require not only technical skill in drawing and<br />

making with clarity and conviction, but also an<br />

awareness for composition and visual sensibility<br />

for graphic options and design intentions.<br />

GENERAL EDUCATION<br />

Experiencing <strong>Architecture</strong><br />

arch 1330 Raymond Fung<br />

This course is specially designed with such “guided<br />

experience” for students <strong>of</strong> non-architecture<br />

major. It <strong>of</strong>fers opportunities for students to have<br />

real life interaction with architecture, especially<br />

<strong>of</strong> local context; whilst providing a platform<br />

for students to have direct dialogue with the<br />

designers who have created it.<br />

ACTIVITY<br />

Design Computation<br />

blended learning & social learning<br />

environment<br />

Students engage in Blended Learning and Social<br />

Learning Activities online and face-to-face to<br />

engage in a multi-media communication learning<br />

environment.<br />

Maggie Hui / Shirley Chang / Philip Fung / Gary Yeung<br />

Event<br />

life drawing workshop<br />

guest artist talk:<br />

amy cheung<br />

maureen hung<br />

jesse mclin<br />

Facility<br />

introduction to model workshop<br />

introduction to laser cutter workshop<br />

introduction to library<br />

student works 2010<br />

15


16<br />

Studio U2 space | method<br />

DESIGN STUDIO Tectonics, Space, Design arch 1120<br />

Rietveld pavilion, Arnhem, 1955<br />

Architectural History and <strong>The</strong>ory I<br />

arch 1322 Ho Puay-Peng<br />

Buildings are physical expressions <strong>of</strong> a culture.<br />

<strong>The</strong>y are the embodiments <strong>of</strong> the physical needs<br />

<strong>of</strong> people as well as their aspirations. From<br />

the fundamental requirements <strong>of</strong> a shelter to<br />

accommodating transcendental desires as in a<br />

religious structure, buildings are the most visible<br />

artifacts that make up our civilization. This first<br />

course in architectural history will focus on the<br />

buildings <strong>of</strong> China during imperial times, and its<br />

ramifications in East Asia.<br />

<strong>The</strong> aim <strong>of</strong> the course is to introduce students to the exploration <strong>of</strong> architectural space<br />

in a series <strong>of</strong> accumulative exercises. It is intended to cultivate a method <strong>of</strong> work through<br />

which space concept is conceived through working with different types <strong>of</strong> media, and<br />

crystallized with the consideration <strong>of</strong> habitation and further materialized through the means<br />

<strong>of</strong> building materials and construction. Drawing and model-making skills are taught integrated<br />

with exercises from basic concepts to sophisticated skills. <strong>The</strong> objectives are to understand<br />

basic design concepts captured in the keywords as element, space, form, organization, use,<br />

scale, site, structure, material, component, construction and expression at different levels<br />

<strong>of</strong> complexity; to develop a method <strong>of</strong> work from conception to realization; and to be<br />

able to use model-making and graphic techniques to conceive, study, explore, articulate,<br />

and present design ideas. <strong>The</strong> course will be conducted in a way <strong>of</strong> program centered and<br />

research based team teaching in a highly structured manner. <strong>The</strong> program consists <strong>of</strong> three<br />

projects, each with a specific focus: space, habitation, and construction. Each project consists<br />

<strong>of</strong> several precisely defined exercises, each <strong>of</strong> which deals with a particular design issue and<br />

method <strong>of</strong> work.<br />

REQUIRED COURSE ACTIVITY<br />

Building Technology I<br />

(Materials and Construction)<br />

arch 1420 Zhu Jingxiang<br />

<strong>The</strong> course is designed for studies in materials<br />

and construction with an approach based on<br />

operation and observation exercises. <strong>The</strong> process<br />

<strong>of</strong> integrating knowledge framework, observation<br />

skill and exploration ability related to architectural and<br />

construction practice is emphasized. Students will<br />

learn to appreciate the essential knowledge <strong>of</strong> basic<br />

building materials, the ethics <strong>of</strong> using materials and<br />

the importance <strong>of</strong> tectonic and sustainable issues.<br />

Design Computation<br />

desktop publishing<br />

Students use Desktop Publishing tools to collage<br />

in a mixed media environment. Digital and<br />

analogue visual communication techniques<br />

support the students in their design expressions.<br />

Gu Daqing / Caroline Wüthrich / Allen Poon / Zhu Jingxiang<br />

17


18<br />

Studio U3 use | programme<br />

DESIGN STUDIO Programme and Use arch 2110<br />

a complex <strong>of</strong> a band, wong shu wan<br />

REQUIRED COURSE<br />

Architectural History and <strong>The</strong>ory II<br />

arch 2311 Li Shiqiao<br />

In this course, students will explore ideas and<br />

practices that shape our architectural heritage.<br />

From the Greek conception <strong>of</strong> ideal beauty to the<br />

19 th century idea <strong>of</strong> time and history, intellectual<br />

formulations inspire us and give us technics for<br />

work. In this course, we will attempt to understand<br />

how, in various times in the past, these ideas<br />

manifest themselves through individual works <strong>of</strong><br />

art and architecture; and how ideas are connected<br />

across places, times, and types <strong>of</strong> works.<br />

Use lies at the beginning <strong>of</strong> any conception <strong>of</strong> architecture. Human life creates demands towards its<br />

environment, which in consequence is shaped to accommodate it. Use involves our body with all<br />

its sensory abilities; when using space it measures and senses its surroundings, and forms patterns <strong>of</strong><br />

activity within them. Use is embedded in a cultural context. <strong>Architecture</strong> is a cultural artifact, which<br />

embodies the values <strong>of</strong> a society at a particular time and in relation to a specific use. It therefore<br />

becomes expression <strong>of</strong> social structure and status, traditions and habits, spiritual meaning and rituals,<br />

political and economic power, or conceptions <strong>of</strong> aesthetics and beauty.<br />

Program is the question <strong>of</strong> use formulated specifically as an architectural problem. With regard to the<br />

design process, program can be understood as the leitmotif for a spatial organization which draws its<br />

justification from the envisioned function. A virtuous manipulation <strong>of</strong> the program results in a sequence<br />

<strong>of</strong> rooms which optimally serves the purpose <strong>of</strong> the project and suggests the respective usage, and in<br />

a physical form which expresses the programmatic intention.<br />

This studio grounds architectural creation on the investigation <strong>of</strong> use and program. Students engage<br />

in a process which evolves from own spatial experience to the understanding <strong>of</strong> the relationship<br />

between use and spatial forms in consideration <strong>of</strong> cultural context. First design ideas are further<br />

conceptualized through variation on program, study <strong>of</strong> precedents, testing <strong>of</strong> scenarios and the<br />

translation <strong>of</strong> programmatic hierarchy into spatial organization. In the design resolution the reflection<br />

on programmatic determination versus flexibility clarifies the roles <strong>of</strong> building and furnishing.<br />

Building Technology II (Building Structure)<br />

arch 2411 Bruce Lonnman<br />

Emphasizing the role <strong>of</strong> structure in architecture,<br />

the course is organized according to four basic<br />

categories <strong>of</strong> structure: form active, vector active,<br />

section active and surface active. Each type is studied<br />

to understand physical performance characteristics<br />

based on the action <strong>of</strong> forces as well as the design<br />

parameters determined by economy, life safety and<br />

architectural context. Exercises employing physical<br />

models, graphical statics techniques and designaid<br />

charts provide guidance in the selection and<br />

configuration <strong>of</strong> a few basic structural systems.<br />

Computer-Aided Architectural Design<br />

arch 2210 Marc Aurel Schnabel<br />

Digital design media, methods <strong>of</strong> communications,<br />

and design computing in architecture are the core<br />

topics addressed in this course. Digital instruments<br />

for drawing, drafting, image processing, 3D<br />

modelling and visualization, layout, (Internet-)<br />

publishing, and fabrication are introduced<br />

through lectures covering theoretical concepts<br />

and practical skill building exercises. <strong>The</strong>se<br />

learning outcomes are applied and transferred to<br />

problems and situations arising from the design<br />

studio.<br />

ACTIVITY<br />

Design Computation<br />

3d modelling<br />

Student use digital 3D modelling, rendering<br />

and animation to explore and communicate<br />

programmes within various spatial conditions.<br />

<strong>The</strong>y study 3D relationships between humans,<br />

activities and experiences that are simulated with<br />

design computation.<br />

Esther Lorenz / Bernard V. Lim / Jenny Lovell / Johnny Wong<br />

cinema for independent films, chan ho him justin<br />

19


20<br />

Studio U4 force | performance<br />

DESIGN STUDIO Structure & Passive Environmental Design arch 2120<br />

habitable lookout tower, ip wilton hugh<br />

<strong>The</strong> studio addresses architectural issues with a particular focus: to examine the role <strong>of</strong><br />

building technology in architectural design. More comprehensively, studio projects engage<br />

design in ways that relate to architectural theories, design technologies, critical innovations,<br />

and pragmatic processes. It provides a context for understanding the forces <strong>of</strong> nature and<br />

their impact on the design <strong>of</strong> buildings. <strong>The</strong> studio employs a systematic approach that begins<br />

with identifying real or perceived potentials latent in the physical environment, developing<br />

them as an architectural strategy, and lastly evaluating performance through either simulation<br />

or physical testing.<br />

<strong>The</strong> principal themes <strong>of</strong> the studio summarized are:<br />

Natural forces serve as primary generators <strong>of</strong> form and architectural intention.<br />

Building technologies can be an inspiration and basis for architectural strategy.<br />

Making describes a process involving materials, fabrication, connection and assembly.<br />

Performance evaluation allows us to predict and measure outcomes by means <strong>of</strong> physical<br />

modeling, proto-type testing and computer simulation.<br />

REQUIRED COURSE ACTIVITY<br />

Architectural History and <strong>The</strong>ory III<br />

arch 2321 Thomas Chung<br />

This course examines the history and theory <strong>of</strong><br />

modern architecture through significant works<br />

<strong>of</strong> the 20 th century. Modern buildings will be<br />

situated within the discourse on Modernism,<br />

and diverse ideas and designs through the<br />

different movements and periods will be traced.<br />

<strong>The</strong> course focuses on how individual works<br />

relate to important manifestoes, critical writings,<br />

parallel developments in the arts, as well as the<br />

more general cultural, intellectual and historical<br />

circumstances <strong>of</strong> the time.<br />

Building Technology III<br />

(Environmental Technology)<br />

arch 2420 Edward Ng<br />

This course introduces the fundamental concepts <strong>of</strong><br />

passive environmental design, and examines the effect<br />

on buildings and their occupants <strong>of</strong> environmental<br />

conditions <strong>of</strong> light, temperature, air movement,<br />

and sound. Case studies are used to review both<br />

traditional and current approaches <strong>of</strong> representative<br />

building types in more depth. Students will learn to<br />

appreciate the application and integration <strong>of</strong> passive<br />

environmental design in architectural works.<br />

Design Computation<br />

Simulation & Fabrication<br />

Students simulate their design with digital<br />

models testing basic environmental factors<br />

and/or translate them in tangible objects<br />

that are manually or digitally fabricated<br />

by exploring their designs’ inherent logical<br />

structure and steps <strong>of</strong> assembly.<br />

Bruce Lonnman / Francesca Madeo / Edward Ng / Yutaka Yano<br />

habitable lookout tower, ip wilton hugh<br />

21


22<br />

Studio U5 place | context<br />

DESIGN STUDIO Place Making and Contextual Response arch 3110<br />

Land and City<br />

arch 3310 Leng Woo<br />

This course is an introduction to the<br />

form <strong>of</strong> cities, and includes a series<br />

<strong>of</strong> lectures to examine the form<br />

and process <strong>of</strong> cities. Through the<br />

study <strong>of</strong> urban form and fabric in<br />

history, the course will examine the<br />

urban process. Students will study<br />

selected parts <strong>of</strong> <strong>Hong</strong> Kong, and<br />

develop a theoretical view about<br />

land and city.<br />

Luigi Snozzi<br />

<strong>The</strong> idea <strong>of</strong> relating a building to its context represents a basic understanding in designing<br />

architecture on a site, and in the company <strong>of</strong> other buildings. At the level <strong>of</strong> building, it<br />

exploits the unique quality <strong>of</strong> a site, informs the placement <strong>of</strong> building, and shapes the insideoutside<br />

relationship. At the contextual level, it considers architecture as a part <strong>of</strong> the city, and<br />

contributes to the making <strong>of</strong> public places.<br />

In traditional societies, this architectural response is obvious- a house forming a part <strong>of</strong> a<br />

village, several houses forming a village square, and a village fitting seamlessly into the rural<br />

context. With increasing demand for individuality, larger scale <strong>of</strong> cities, and rapid urbanization,<br />

this fundamental requirement <strong>of</strong> architecture is <strong>of</strong>ten ignored. Contextual design is sometimes<br />

argued to be <strong>of</strong> lesser importance given the vast scale, and internal concerns <strong>of</strong> architecture<br />

today. Yet the making <strong>of</strong> connectivity, openness, and publicness in architecture is ever more<br />

pressing in the contemporary city, for it alleviates isolation, fosters tolerance, and gives<br />

pleasure and meaning to places.<br />

This studio investigates contextual response and place making in architecture. Using the<br />

New Territories as a context, the studio searches for the design <strong>of</strong> building and space so as<br />

to respond to: 1) the disintegration <strong>of</strong> urban fabric; 2) the ineffective use <strong>of</strong> space; and 3) the<br />

lack <strong>of</strong> a coherent urban strategic plan. Behind the studio is an attempt to use architecture<br />

as a tool to explore alternative urban strategies to the current architectural and planning<br />

practices in <strong>Hong</strong> Kong.<br />

Building Systems Integration<br />

arch 3411 KS Wong / Raymond Yau<br />

This course consolidates an integrative<br />

consideration <strong>of</strong> building technology<br />

in building design and construction. It<br />

explores the integration <strong>of</strong> structure,<br />

envelope, building services, interior<br />

and environmental considerations in<br />

architectural design, and how systems are<br />

coordinated through a multi-disciplinary<br />

approach. Case studies illustrate concept<br />

and practice, and the value <strong>of</strong> integration<br />

for sustainability in design.<br />

Thomas Chung / Géraldine Borio / Leng Woo / TC Yuet<br />

REQUIRED COURSE ELECTIVE<br />

ACTIVITY<br />

Painting toward<br />

<strong>Architecture</strong> Part I<br />

arch 4501a Gu Daqing<br />

<strong>The</strong> course investigates the method<br />

<strong>of</strong> space organization in both painting<br />

and architecture. It concerns issues<br />

as listed: perspective as illusion,<br />

simultaneous representation, change<br />

<strong>of</strong> focus from deep to flat space,<br />

spatial organization in paintings to<br />

development <strong>of</strong> spatial perception.<br />

China Urban Housing<br />

arch 4701a Tsou Jin-Yeu<br />

To introduce China urban housing<br />

development history, social economic<br />

background, government policy,<br />

land and economic considerations,<br />

green building guidelines, sustainable<br />

urban design and development,<br />

implementation systems etc. Students<br />

are to focus on the different research,<br />

through the method <strong>of</strong> comparative<br />

analysis between China urban housing<br />

and international experiences.<br />

Urban Metabolism in<br />

<strong>Hong</strong> Kong<br />

arch 4701b Thomas Chung<br />

This course explores how architecture,<br />

urban settings and sequences play<br />

key roles in the city-making process,<br />

primarily in relation to urban imagination<br />

and representation. First, to explore<br />

how the city’s contexts condition evolve<br />

out <strong>of</strong> indigenous practices. <strong>The</strong>n, how<br />

the city is conceived, experienced<br />

and imagined through the interplay <strong>of</strong><br />

physical settings and cultural narratives.<br />

above: theatre and library, zhong jiaqi don; below left: tai po plan; below middle: theatre and gallery, lau wing shan sarah; below right: market and gallery, li chong yan tommy<br />

Bridging <strong>Architecture</strong><br />

arch 4801 Bruce Lonnman<br />

Bridging <strong>Architecture</strong> examines longspan<br />

structures common to both<br />

engineering (bridge) and architecture<br />

(ro<strong>of</strong>). Primarily for economy and<br />

efficiency, bridges embody attributes<br />

<strong>of</strong>ten admired by architects. We will<br />

investigate strategies used in bridge<br />

design and discover parallel applications<br />

in buildings. Emphasis is placed on a<br />

conceptual understanding <strong>of</strong> structures<br />

and their behavior.<br />

Digital <strong>Architecture</strong>:<br />

Ornaments & Patterns<br />

arch 4901 Marc Aurel Schnabel<br />

<strong>The</strong> aim <strong>of</strong> this course is for students to<br />

become eloquent in using parametric<br />

architectural design techniques.<br />

Students shall explore ideas, analyze<br />

data, present and communicate design<br />

concepts electronically by exploring a<br />

variety <strong>of</strong> parameters <strong>of</strong> their design.<br />

Students will gain a broad knowledge<br />

<strong>of</strong> architectural design computing<br />

instruments and techniques.<br />

Design Computation<br />

building information modelling<br />

Students establish overarching design<br />

rules and dependencies to understand<br />

relationships between entities<br />

that form larger clusters. Building<br />

Information Modelling forms the basis<br />

for this exploration.<br />

23


24<br />

Studio U6 project | articulation<br />

DESIGN STUDIO<br />

REQUIRED COURSE ELECTIVE<br />

ACTIVITY<br />

Pr<strong>of</strong>essional Practice<br />

arch 3510 Bernard Lim<br />

<strong>The</strong> course connects the arena <strong>of</strong> the architecture<br />

school with the domain <strong>of</strong> architectural practice.<br />

<strong>The</strong> student is given a working appreciation <strong>of</strong> the<br />

contractual, ethical, economic, legal, and sociocommunal<br />

issues that relate to the pr<strong>of</strong>ession. In<br />

particular the course introduces the concept <strong>of</strong><br />

pr<strong>of</strong>essionalism, emphasising the role <strong>of</strong> the architect<br />

working in relationship with others. Generally<br />

the course prepares the student for a role in the<br />

architect’s <strong>of</strong>fice during the practical experience year.<br />

Comprehensive Building Design arch 3120<br />

<strong>The</strong> intention behind comprehensive building is to guide students in the design <strong>of</strong> a building that<br />

addresses most <strong>of</strong> the issues common to a medium size building. Some aspects <strong>of</strong> the design<br />

may remain at a schematic level, such as the structural system, the site development or certain<br />

building services, such as fire code compliance (the design should demonstrate an understanding<br />

<strong>of</strong> egress requirements and other basic fire safety design rules). Other areas should indicate a<br />

level <strong>of</strong> development beyond previous studio work. <strong>The</strong> accommodation <strong>of</strong> program area<br />

requirements should be met and the spatial composition <strong>of</strong> the plan resolved to a higher level<br />

than previous work (compare to U5). <strong>The</strong> use and functions <strong>of</strong> the major space should be<br />

carefully studied and articulated. <strong>The</strong> design should satisfy these fundamental requirements<br />

while also expressing a design concept that has clarity and a consistent formal order.<br />

Building Systems Integration - lighting via structure, envelope & interior<br />

In developing the functional and aesthetic character <strong>of</strong> the exterior wall the designer must be<br />

familiar with materials, fenestration components, structure and assembly techniques in order to<br />

make informed decisions. <strong>The</strong> design focus typically alternates between concept and realization<br />

Program - congregation <strong>of</strong> 300 worshippers with priests’ quarters<br />

A special requirement <strong>of</strong> the program is the control <strong>of</strong> natural light entering the big space. <strong>The</strong><br />

nature <strong>of</strong> the lighting will be determined by the specifics <strong>of</strong> the program and the designer. It<br />

is envisioned that the building section and the articulation <strong>of</strong> the envelope will be the primary<br />

means to achieve lighting control. Interior lighting will be tested using either model or digital<br />

simulation, or both.<br />

Painting toward <strong>Architecture</strong> Part II<br />

arch 4501b Gu Daqing<br />

<strong>The</strong> course investigates the method <strong>of</strong> space<br />

organization in both painting and architecture.<br />

Instead <strong>of</strong> restricting knowledge to the doctrine<br />

<strong>of</strong> Modern <strong>Architecture</strong>, the course takes a<br />

fresh look with the intention <strong>of</strong> establishing<br />

a body <strong>of</strong> knowledge concerning issues as<br />

listed: fundamentals <strong>of</strong> space concept, spatial<br />

organization in architecture, operation and<br />

perception, realization <strong>of</strong> space concept,<br />

materiality, and construction.<br />

Traditional <strong>Architecture</strong>, Heritage,<br />

Built Environment and Society<br />

arch 4601a Maggie Hui<br />

This course adopts an interdisciplinary approach to the<br />

study <strong>of</strong> vernacular architecture and built environment<br />

in the Himalayan region. To understand the value <strong>of</strong><br />

architectural heritage in Asia, one shall consider issues<br />

and dynamics driven by culture, geography, society,<br />

religion. <strong>The</strong> course introduces cases across the Tibetan<br />

Plateau and its neighboring culture, such as Nepal,<br />

Bhutan, Northern India and the periphery among the<br />

<strong>Chinese</strong>, Tibetan and Muslim at Qinghai, Gansu region.<br />

Cinematic Space<br />

arch 4601b Esther Lorenz t2<br />

<strong>The</strong> aim <strong>of</strong> the course is to strengthen space<br />

perception, observation and discovery <strong>of</strong><br />

issues with audio-visual media as tool. It <strong>of</strong>fers<br />

an introduction to film theory and to video in<br />

relation to space perception. Different examples<br />

<strong>of</strong> movies and experimental films will be screened<br />

and discussed in regard to the way they represent<br />

space and city. Students will learn basic techniques<br />

<strong>of</strong> filming and editing and will produce their own<br />

short films.<br />

Design Computation<br />

synthesis & simulation<br />

Students use computational models to simulate or<br />

analyze their design. Digital instruments allow for<br />

a synthesis <strong>of</strong> data, function and spatial expression<br />

within the <strong>of</strong> architectural realm.<br />

Wallace Chang / Patrick Hwang / Sebastian Law / Kelvin Chu<br />

25


26<br />

<strong>MArch</strong><br />

Programme Director<br />

Li Shiqiao<br />

<strong>The</strong> Master <strong>of</strong> <strong>Architecture</strong> Programme at the <strong>School</strong> <strong>of</strong> <strong>Architecture</strong> <strong>of</strong>fers a series <strong>of</strong> researchbased<br />

Advanced Studios and independent design explorations. <strong>The</strong>se studios and explorations<br />

contribute, from different perspectives, towards a research agenda with a strong focus on<br />

emerging issues in Asian cities, which we believe contain elements <strong>of</strong> spatial intelligence situated<br />

in cultures and geographies. This focus is rooted in understandings <strong>of</strong> a rich human experience<br />

in conceiving and designing cities in history, from antiquity to the twenty-first century; it is<br />

also concerned with various new aspects <strong>of</strong> urban realities such as density, urban memory,<br />

sustainability, mobility, capital influx, technology, politics and migration.<br />

We are deeply committed to research-based urban interventions that emerge from the<br />

strengths <strong>of</strong> the long-standing and distinguished research activities <strong>of</strong> studio leaders ranging<br />

from tectonics experiments, scientific data collection and analysis, urban studies, historical<br />

investigations, and theoretical explorations. <strong>The</strong> Master <strong>of</strong> <strong>Architecture</strong> Programme now<br />

<strong>of</strong>fers <strong>MArch</strong>+ certification, allowing focused and specialized streams to achieve a greater<br />

engagement with the city.<br />

<strong>MArch</strong> 1<br />

<strong>The</strong> programme consists <strong>of</strong> Advanced Studios focusing on issues that are closely connected<br />

to the research agendas <strong>of</strong> studio leaders. <strong>The</strong> studios aim to both articulate an intellectual<br />

position and demonstrate the impact <strong>of</strong> that position in design, <strong>of</strong>fering opportunities for<br />

research-based architectural exploration while maintaining pr<strong>of</strong>essional standards appropriate<br />

at the Master level.<br />

Design Studios<br />

<strong>The</strong> <strong>MArch</strong> 1 Advanced Studios engage with issues such as design and fabrication technology, culture and the city,<br />

and Asian urbanism.<br />

<strong>The</strong>se studios aim to achieve two principal objectives:<br />

i) In-depth exploration <strong>of</strong> architectural issues closely connected to studio leaders’ research agendas. <strong>The</strong> Studios<br />

will emphasize on focus; innovation; research and intellectual content<br />

ii) Pr<strong>of</strong>essional competence, demonstrated in materials submitted by students. This includes: programme <strong>of</strong><br />

appropriate complexity; skills in space planning, awareness <strong>of</strong> regulatory requirements; detailed knowledge <strong>of</strong><br />

construction and building technology; awareness <strong>of</strong> issues such as sustainability and economy.<br />

Required Courses<br />

Term 1: Architectural <strong>The</strong>ory and Criticism; Advanced Building Services<br />

Term 2: Urban Design and Planning; Advanced Structures and Construction<br />

Electives<br />

Studio leaders are encouraged to combine an elective on design issues with studio teaching, exploring<br />

design issues within two different contexts. With the coupling <strong>of</strong> electives and studios, there is a greater<br />

space for different teaching methods which may require unique modes <strong>of</strong> research and teaching (such as<br />

field surveys and workshops). Electives courses and design studios are currently <strong>of</strong>fered in the following<br />

areas: Sustainability, Digital Design, Conservation, Urbanism, Design and Culture<br />

<strong>MArch</strong> 2 <strong>The</strong>sis Project<br />

<strong>MArch</strong> 2 is a one-year thesis project. Students have the freedom to explore different issues relating to architecture,<br />

built environment, building technology and urbanism. <strong>The</strong>y will formulate their research and study issue, and relate<br />

it to architectural design. <strong>The</strong> issue addressed in the thesis should fall within the stated research interests <strong>of</strong> the<br />

advising faculty. <strong>The</strong> final outcome <strong>of</strong> the thesis should demonstrate the student’s ability to explore an architectural<br />

issue independently and in depth. <strong>The</strong> work should be innovative in research and study. <strong>The</strong> proposed design<br />

should be both comprehensive in scope and detailed in its execution. To this end, students are required to work on<br />

a special study focusing on one <strong>of</strong> the three areas: detailed design development, building technology, and urbanism/<br />

urban design.<br />

27


28<br />

<strong>MArch</strong>+<br />

Certificate in <strong>MArch</strong> Concentrations<br />

<strong>The</strong> Master <strong>of</strong> <strong>Architecture</strong> Plus (<strong>MArch</strong>+) encompasses four core areas that reflect upon interests and expertises at the <strong>School</strong> <strong>of</strong><br />

<strong>Architecture</strong>: computational, conservation, sustainable, and urban design.<br />

Each area <strong>of</strong>fers required and elective courses, seminars and studios that are both specific to the area and interdisciplinary in nature.<br />

<strong>MArch</strong>+ aims to <strong>of</strong>fer additional learning experience in one <strong>of</strong> the four areas to enhance the knowledge and abilities <strong>of</strong> students within their<br />

pr<strong>of</strong>essional degree. Students would have a full two years to fulfill the necessary requirements without having to declare the concentration<br />

at the outset <strong>of</strong> entering <strong>MArch</strong> programme.<br />

Concentrations<br />

Computational Design<br />

Coordinator: Marc Aurel Schnabel<br />

You explore and deepen your knowledge and exposure in the<br />

discipline <strong>of</strong> computational architecture and digital manufacturing.<br />

<strong>The</strong> courses are grouped around digital technologies for<br />

architectural design and the challenges <strong>of</strong> producing socially and<br />

environmentally sustainable environments. You are encouraged to<br />

reframe challenges <strong>of</strong> the built environment, to become a central<br />

participant in the larger context and to implement architectural<br />

computation in your designs.<br />

Requirements<br />

design studios G1, G8;<br />

<strong>The</strong>sis<br />

electives arch 5201b;<br />

arch 5901a; arch 5901b;<br />

arch 5901<br />

requirements electives: 9 units;<br />

studios: 6-unit M1 studio or<br />

16-unit thesis with<br />

computational design<br />

as focus<br />

Conservation Design<br />

Coordinator: Ho Puay-Peng<br />

Heritage conservation impacts many aspects <strong>of</strong> the cultural life <strong>of</strong><br />

the society, including historical continuum, urban landscape, and<br />

cultural regenerations. In many urban projects, architects working<br />

are increasingly confronted with heritage building located within or<br />

adjacent to the site. This concentration is to provide a framework for<br />

understanding the theory and practice <strong>of</strong> heritage conservation, and<br />

skill in design with historic buildings. <strong>The</strong>re will also be an opportunity<br />

to work with expert and students in Beijing.<br />

design studios G6;<br />

<strong>The</strong>sis<br />

electives arch 5801;<br />

arch 6303; arch 6304<br />

requirements electives: 9 units;<br />

studios: 6-unit M1 studio or<br />

16-unit thesis with<br />

conservation design as<br />

focus<br />

Mechanism<br />

In addition to the requirements <strong>of</strong> the studio, required and elective courses for the fulfilment <strong>of</strong> the degree <strong>of</strong> Master <strong>of</strong> <strong>Architecture</strong>, a<br />

student opt to take three electives <strong>of</strong>fered in one concentration and an <strong>MArch</strong> 1 or <strong>MArch</strong> 2 concentration studio in order to qualify for the<br />

award <strong>of</strong> a certificate in that concentration. Of the 9 credits gained from concentration electives, 3 can be counted towards the 52-credit<br />

graduation requirement <strong>of</strong> the <strong>MArch</strong> programme, except for Sustainable Design.<br />

Sustainable Design<br />

Coordinator: Edward Ng<br />

<strong>The</strong> sustainable design concentration allows the student a better indepth<br />

understanding <strong>of</strong> design issues related to the topical concern<br />

<strong>of</strong> sustainable and environmental design in architecture. Graduate<br />

may have a competitive ability to practice sustainable-environmental<br />

design especially in <strong>Hong</strong> Kong and mainland China<br />

design studio any M1 Studio;<br />

<strong>The</strong>sis<br />

electives senv 7005 ^ ; senv 7006 ^ ;<br />

senv 7200 ^ ; senv 7300 ^ ;<br />

senv 7400 ^ ; senv 7500 ^<br />

requirements electives: 9 units;<br />

studios: 6-unit M1 studio or<br />

16-unit thesis with<br />

sustainable design as focus<br />

and an independent<br />

study/technical report<br />

^block teaching electives, i.e. 36-hour lecture courses in 9 days with assignment 1 month later<br />

Urban Design<br />

Coordinator: Hendrik Tieben<br />

Students in this concentration area can take advantage <strong>of</strong> the<br />

<strong>School</strong>’s unique location in <strong>Hong</strong> Kong and the Pearl River Delta<br />

for in-depth studies <strong>of</strong> contemporary urban issues related to<br />

rapid urban transformation and high density living. Studios and<br />

seminars explore new emerging urban forms and the underlying<br />

processes <strong>of</strong> their creation. <strong>The</strong> focus in this concentration area<br />

shifts from the design <strong>of</strong> objects to places. Summer <strong>School</strong>s give<br />

opportunities to learn in international teams and experience a<br />

broader range <strong>of</strong> urban conditions.<br />

design studios G2, G3, G7, G9, G10, G11;<br />

<strong>The</strong>sis<br />

electives arch 5701a; arch5701b<br />

arch 6701; arch 6702<br />

requirements electives: 9 units;<br />

studios: 6-unit M1 studio or<br />

16-unit thesis with<br />

urban design as focus<br />

29


30<br />

<strong>MArch</strong> 1<br />

DESIGN STUDIO<br />

G1 Mark Hemel t1<br />

Information Based <strong>Architecture</strong>: <strong>The</strong> High-<br />

Rise-Village, Evolutionary Design Strategy<br />

By using an evolutionary design strategy we will<br />

investigate how we can merge the context <strong>of</strong><br />

modern metropolitan high-rises with the social<br />

and programmatic cohesion <strong>of</strong> village life. We<br />

will design our own version <strong>of</strong> contemporary<br />

21 century high-rise-village, hoping to improve<br />

onto programmatic and social content <strong>of</strong> the<br />

existing modern variant. Contemporary s<strong>of</strong>tware<br />

and automatic fabrication techniques allow us<br />

nowadays as designers to focus on complexity<br />

and explore mass-customisation. And so will<br />

we. In our experimentation we will be radically<br />

consistent, following our projects to where ever<br />

they lead us. We will limit ourselves to study<br />

variations on a theme, rather than waist our time<br />

on many different concepts. Each student will set a<br />

geometrical objective, using a line- a surface- or a<br />

volumetric approach. From there the evolutionary<br />

process will start. Step by step we will integrate<br />

new information into our project. Over time we<br />

will evolve a richer complex system.<br />

REQUIRED COURSE ELECTIVE<br />

Advanced Structures<br />

and Construction<br />

arch 5410 Bruce Lonnman t2<br />

This course studies structure, building envelope<br />

systems, and materials and methods <strong>of</strong><br />

construction. In addition, there is a focus on<br />

building technology in hi-rise architecture. In this<br />

regard, the structural design for lateral forces<br />

is emphasized. Case studies will be used to<br />

illustrate the building systems and contribute to<br />

an understanding <strong>of</strong> the relationships between<br />

constructed form and design intention.<br />

G2 Patrick Hwang t1<br />

Border X'Change<br />

Border is commonly defined as a barrier or a<br />

dividing line between two entities. In sociopolitical<br />

relationships, border could be the cause for hostile<br />

disputes between sovereign nations, from Thailand<br />

and Cambodia to Israel and its Arab neighbors.<br />

It could also be the perverse but sometimes<br />

opportunistic interdependence between America<br />

and Mexico, where flows <strong>of</strong> legitimate and illegitimate<br />

trade and commerce across the porous border<br />

have reshaped their threshold cities, such that they<br />

are neither distinctively American nor Mexican, but<br />

instead contains the cultural and social characteristics<br />

<strong>of</strong> the other. Depending on the contexts, border<br />

can be a barrier, a welcoming entrance or “spaces <strong>of</strong><br />

debate and productive ambiguity”<br />

Border X’Change studio aims to explore the latent<br />

potentials <strong>of</strong> border (both subjects and spaces)<br />

and transform it from a threshold that demarcates,<br />

into an In-between space <strong>of</strong> hosted events and<br />

influences. We will use socio-economic and political<br />

issues as subjects <strong>of</strong> inquiry to provide clues for spatial<br />

and programmatic interventions.<br />

Advanced Building Services<br />

arch 5420 Daniel Chan t1<br />

<strong>The</strong> course aim to equip students with basic<br />

principles <strong>of</strong> building services systems, the<br />

technique <strong>of</strong> integration amongst the building<br />

services systems, the building and its structure.<br />

<strong>The</strong> course will highlight systems <strong>of</strong> special<br />

interest, the key issues, benefits and limitations,<br />

as well as the local practice in the building services<br />

field. Students will learn about the consequences<br />

<strong>of</strong> using alternative systems, their technical<br />

performances, economics, energy usages and<br />

environmental effects.<br />

G4 Li Shiqiao t1<br />

Centre For Electronic Arts<br />

<strong>The</strong> Roman poet Horace thought that there<br />

were two kinds <strong>of</strong> arts: ars poetica, the art <strong>of</strong><br />

creating poetic dimensions through poetry,<br />

literature and theatre; and ars graphica, the art<br />

<strong>of</strong> creating visual sensations much like in the<br />

case <strong>of</strong> poetry (ut pictura poesis). This <strong>MArch</strong><br />

Studio explores the idea <strong>of</strong> a “third art”, the art<br />

that changes both forms <strong>of</strong> traditional art and<br />

develops its own identity (ars electronica). This is<br />

the art <strong>of</strong> the electronic media. In collaboration<br />

with the world renowned Ars Electronica Centre<br />

in Linz, this studio studies electronic artists and<br />

their works, tests ideas <strong>of</strong> mediation between<br />

the human and the world, and proposes designs<br />

for a Centre for Electronic Arts in <strong>Hong</strong> Kong.<br />

Students taking part in this studio must at the<br />

same time take arch5201B: Interactive Space –<br />

Design Research across Media theory, Electronic<br />

Arts and <strong>Architecture</strong>.<br />

Interactive Space<br />

arch 5201b Esther Lorenz t1<br />

This course investigates media theory and<br />

electronic arts with the aim to develop an<br />

expanded understanding <strong>of</strong> architectural space and<br />

to find new inspiration for design. Through the<br />

engagement with theory and study into precedents<br />

in art and architecture, creative experimentation,<br />

and discussion with leading practitioners in the field,<br />

students will find a framework for a unique learning<br />

experience, which will deepen their understanding<br />

<strong>of</strong> meaning and practice <strong>of</strong> design research.<br />

above: G2 play time-volleyball game along the border<br />

below: line as symbolic border-haskell library between quebec and vermont<br />

Cinematic Space<br />

arch 5301b Esther Lorenz t2<br />

<strong>The</strong> aim <strong>of</strong> the course is to strengthen space<br />

perception, observation and discovery <strong>of</strong><br />

issues with audio-visual media as tool. It <strong>of</strong>fers<br />

an introduction to film theory and to video in<br />

relation to space perception. Different examples<br />

<strong>of</strong> movies and experimental films will be screened<br />

and discussed in regard to the way they represent<br />

space and city. Students will learn basic techniques<br />

<strong>of</strong> filming and editing and will produce their own<br />

short films.<br />

ACTIVITIES<br />

Workshop with Ars Electronica Futurelab<br />

design studio G4 / arch 5201b<br />

With leading specialists <strong>of</strong> the Ars Electronica<br />

Futurelab (Linz, Austria), students are asked<br />

to experiment, develop ideas and propose<br />

concepts within the field <strong>of</strong> electronic arts and<br />

architectural space. Since 1979, Ars Electronica<br />

has been investigating the consequences <strong>of</strong> the<br />

Digital Revolution. Ars Electronica assembles and<br />

configures the commentary, concepts and visions <strong>of</strong><br />

our modern, information-based society, whereby<br />

currently prevailing facts & circumstances are always<br />

taken as points <strong>of</strong> departure for speculation about<br />

above: G1 example <strong>of</strong> evolutionary design method<br />

below: G4 t_visionarium 2006, neil brown, dennis del favero, jeffrey shaw and peter weibel<br />

where we’re headed. Future manifestations that<br />

are presently in the process <strong>of</strong> emerging are what<br />

Ars Electronica is interested in. Attention is never<br />

focused singularly on art, technology or society,<br />

but rather on their complex metamorphoses<br />

and interrelationships. Since its very inception,<br />

Ars Electronica’s focus has been on the tension<br />

and interplay at the nexus <strong>of</strong> art, technology and<br />

society. Formulating and implementing the future<br />

manifestations <strong>of</strong> this interaction is the chosen<br />

mission <strong>of</strong> the Ars Electronica Futurelab.<br />

31


32<br />

<strong>MArch</strong> 1<br />

DESIGN STUDIO<br />

G3 Wallace Chang t1<br />

Green & <strong>The</strong> City - SOHO Habitat<br />

‘<strong>The</strong> Kowloon City Bay Area’ [KCBA] was<br />

suggested as a cultural concept during a forum on<br />

how our city could be planned more proactively<br />

with the cultural landscape. As a common<br />

interest for both architectural schools <strong>of</strong> <strong>Chinese</strong><br />

<strong>University</strong> and Yokohama <strong>University</strong>, the KCBA<br />

provides an intensive laboratory where new and<br />

old neighborhoods should connect, urban and<br />

natural landscapes co-exist, communities and<br />

bureaucracies, however, are confronting.<br />

<strong>The</strong> studio explores architectural and urban<br />

design alternatives through a focused investigation<br />

<strong>of</strong> SOHO Habitat that addresses the social agenda<br />

<strong>of</strong> ‘no-fills housing’ for the post-80s generations.<br />

<strong>The</strong> issues are multi-tasking where the young<br />

generation’s homes are habitats to fulfill their<br />

cultural desires, to realize the public interests, to<br />

accommodate the ecological restoration within<br />

the post-industrial landscape along Kai Tak River<br />

and To Kwa Wan, at potential sites <strong>of</strong> Tai Hom<br />

Village,13 Streets, and Kowloon City.<br />

G6 Ho Puay-Peng t2<br />

Designing with Historic Buildings<br />

<strong>The</strong> memory <strong>of</strong> a city is <strong>of</strong>ten carried in its building<br />

fabrics. In the changing urban landscape, buildings<br />

individually and collectively carry meaning and<br />

memory. This is how cities are recognized and<br />

preserved. Cities evolve and project forward<br />

with new building stocks. <strong>The</strong> identity <strong>of</strong> the city<br />

is constantly under construction. This studio takes<br />

a critical view <strong>of</strong> this process <strong>of</strong> city renewal and<br />

questions the possibilities <strong>of</strong> retaining memory and<br />

meaning while allowing the future identity to be<br />

forged. <strong>Architecture</strong> interventions within an urban<br />

fabric will work in harmony with existing historic<br />

buildings and forge an identity forward. <strong>The</strong> city in<br />

focus this year is Tianjin. An important semi-colonial<br />

city preserving an extraordinary amount <strong>of</strong> historic<br />

buildings in foreign settlements, Tianjin is also on the<br />

verge <strong>of</strong> development with an identity that is drawn<br />

from its past as well as location between Beijing and<br />

the sea. Projects will be initiated in several sites in<br />

Tianjin addressing issues <strong>of</strong> memory and a vibrant<br />

commercial centre. Studio will collaborate with<br />

<strong>School</strong> <strong>of</strong> <strong>Architecture</strong> at Tianjin <strong>University</strong>.<br />

G7 Marisa Yiu t1<br />

New Market Commune, Aberdeen -<br />

<strong>Architecture</strong> <strong>of</strong> Cultural Production<br />

This Research and Design Studio will examine<br />

the intersections <strong>of</strong> ‘<strong>Architecture</strong> and <strong>The</strong> Social’,<br />

by defining and understanding contemporary<br />

strategies in the socio-political role that food and<br />

cultural production can provide. In this studio we<br />

will first examine networks <strong>of</strong> various old and new<br />

social enterprises that relate to food production:<br />

such as wet markets, farms, wholesale fish markets<br />

to supermarket typologies in HK. <strong>The</strong> studio<br />

will then examine façade and environmental<br />

skins as case studies and prototypes leading to<br />

a final project <strong>of</strong> a design and formulation <strong>of</strong> a<br />

new Market Commune structure. <strong>The</strong> design<br />

<strong>of</strong> a building and public space in the Aberdeen<br />

waterfront area will combine hybrid programs<br />

to accentuate food production and consumption<br />

into formal and spatial strategies. This project will<br />

investigate into the intersections <strong>of</strong> consumers<br />

and producers exchanges to form new social<br />

relations and an emerging aesthetic <strong>of</strong> space and<br />

experience.<br />

above, below: G3 workshop in july 2011<br />

ELECTIVE ACTIVITIES<br />

Painting toward <strong>Architecture</strong> Part I Painting toward <strong>Architecture</strong> Part II Curating <strong>Architecture</strong>, Light- Art<br />

Introduction to Architectural G3 Workshops<br />

arch 5201a Gu Daqing t2<br />

arch 5201b Gu Daqing t2<br />

Installations And Transformative<br />

Conservation<br />

Cultural Landscapes<br />

arch 5801 Ho Puay-Peng t1<br />

26-29 July 2011 Workshop 1 at Y-GSA,<br />

<strong>The</strong> course investigates the method <strong>of</strong> space<br />

organization in both painting and architecture.<br />

<strong>The</strong> course investigates the method <strong>of</strong> space<br />

organization in both painting and architecture.<br />

arch 5201c Marisa Yiu t2<br />

<strong>The</strong> preservation <strong>of</strong> architectural heritage <strong>of</strong> a culture<br />

Yokohama [Pr<strong>of</strong>. Wallace Chang , Mathias Woo<br />

visited and gave talks to Y-GSA students]<br />

Instead <strong>of</strong> restricting knowledge to doctrine <strong>of</strong><br />

Modern <strong>Architecture</strong>, the course take a fresh look<br />

with intention <strong>of</strong> establishing a body <strong>of</strong> knowledge<br />

concerning issues as listed: perspective as illusion,<br />

simultaneous representation, change <strong>of</strong> focus from<br />

deep to flat space, spatial organization in paintings<br />

to development <strong>of</strong> spatial perception.<br />

Instead <strong>of</strong> restricting knowledge to doctrine <strong>of</strong><br />

Modern <strong>Architecture</strong>, the course take a fresh look<br />

with intention <strong>of</strong> establishing a body <strong>of</strong> knowledge<br />

concerning issues as listed: fundamentals <strong>of</strong> space<br />

concept, spatial organization in architecture,<br />

operation and perception, realization <strong>of</strong> space<br />

concept, materiality, and construction.<br />

This course examines how design and arts<br />

objects interface with the larger discourse <strong>of</strong><br />

the urban environment and sustainability issues.<br />

Investigation <strong>of</strong> a specific HK condition with global<br />

concerns will be used as a site for a research,<br />

design and built agenda. Students will design<br />

and fabricate a light installation that builds into a<br />

curatorial strategy to form social interactions with<br />

its participants.<br />

is an indication <strong>of</strong> the importance that culture placed<br />

on its past. <strong>The</strong> trend in the developed world is to<br />

preserve historical monuments, district, tangible<br />

and intangible heritage. This course introduces basic<br />

concepts and practices in conservation, serving as<br />

foundation for further development <strong>of</strong> interest and<br />

skill in conservation. It is desirable for students taking<br />

design studio arch 5110b.<br />

3-12 October 2011 Workshop 2 at CUHK,<br />

<strong>Hong</strong> Kong [Pr<strong>of</strong>. Koh Kitayama, Kazuhiro<br />

Kojima, Yoshihiko Iida, Mariko Terada, will visit<br />

and conduct exchange studio workshop with<br />

both Y-GSA & CUHK students]<br />

G7 aberdeen waterfront<br />

G7 Spain-<strong>Hong</strong> Kong 'Water and<br />

Culture' Exchange Workshop<br />

Nov 2011 - A workshop will be held by Pr<strong>of</strong>. Blanca<br />

Lleo, Lead Pr<strong>of</strong>. in Practice <strong>of</strong> <strong>Architecture</strong> at the<br />

Superior Technical <strong>School</strong> <strong>of</strong> <strong>Architecture</strong> <strong>of</strong> Madrid<br />

(ETSAM). It will be part <strong>of</strong> the Spain-HK 'Water<br />

and Culture' exchange as part <strong>of</strong> the International<br />

Conference <strong>of</strong> <strong>Architecture</strong> 2011 on Nov 12, where<br />

architects, pr<strong>of</strong>essors and pr<strong>of</strong>essionals will discuss<br />

on topics <strong>of</strong> "<strong>Hong</strong> Kong -Spain. Water & Culture".<br />

Relevant contemporary city and cultural developments<br />

and design strategies relating to sustainability and interdisciplinary<br />

practice will be shared.<br />

33


34<br />

<strong>MArch</strong> 1<br />

DESIGN STUDIO<br />

G5 John Ng t1<br />

High-Density Urban Housing and<br />

Sustainable Community<br />

Housing composes the major bulk <strong>of</strong> our urban<br />

built environment. Its provision and quality<br />

come up every now and then as both political<br />

and social issues. This studio tries to provide<br />

an understanding and appreciation <strong>of</strong> the issues<br />

relating to the design <strong>of</strong> high-density housing<br />

as sustainable communities. It requires critical<br />

questioning: What are the needs and aspirations<br />

associated with housing; Where does the balance<br />

between “shelters to the populace” and “homes<br />

for the people” lie? Individuality and communality?<br />

Can we have high-density and high quality living?<br />

What makes housing affordable, comfortable,<br />

environmentally viable and socially enjoyable?<br />

ELECTIVE<br />

Advanced Pr<strong>of</strong>essional Practice Issues<br />

arch 5601 Bernard V. Lim (coordinator) t1<br />

This course aims to provide students an exchange<br />

platform with leading pr<strong>of</strong>essionals to explore and<br />

understand topical issues and important aspects<br />

in pr<strong>of</strong>essional practice. Students will have the<br />

unique opportunity to experience the real-life<br />

working environment into which they will merge<br />

upon graduation. Students will study select and<br />

research on topical issues, in order to deepen<br />

their understanding and appreciation <strong>of</strong> important<br />

pr<strong>of</strong>essional values.<br />

G8 Marc Aurel Schnabel t2<br />

Urban Digitalics<br />

Rethinking the city, its use and how we live and<br />

work is a crucial task <strong>of</strong> architects. Buildings define<br />

how we engage with each other, how we engage<br />

socially, economically, politically and emotionally.<br />

<strong>The</strong>y form the core and the border <strong>of</strong> our public<br />

and private lives.<br />

In this studio, you are to develop an urban &<br />

architectural design in which your definition <strong>of</strong><br />

architecture has the potential to affect the wider<br />

architectural landscape in pr<strong>of</strong>ound ways. Let<br />

emerge new architectural topologies that engage<br />

with context, form, function, material and<br />

understanding <strong>of</strong> an innovative, high-density<br />

metropolitan lifestyle. You will thus allow new<br />

influences <strong>of</strong> urban appreciation to be absorbed.<br />

Your design will have concrete effects on its users<br />

and its urban environment. At the end <strong>of</strong> this studio,<br />

you will present both a philosophy and a specific<br />

architectural language, in addition to a design<br />

solution that will catalyze urban and architectural<br />

advancement within an Urban Digitalic Rhythm.<br />

Digital <strong>Architecture</strong>:<br />

Ornaments & Patterns<br />

arch 5901a Marc Aurel Schnabel t1<br />

<strong>The</strong> aim <strong>of</strong> this course is for students to become<br />

eloquent in using parametric architectural design<br />

techniques. Students shall explore ideas, analyze<br />

data, present and communicate design concepts<br />

electronically by exploring a variety <strong>of</strong> parameters<br />

<strong>of</strong> their design. Students will gain a broad<br />

knowledge <strong>of</strong> architectural design computing<br />

instruments and techniques.<br />

G11 Tsou Jin-Yeu t2<br />

Sustainable Urban Project for China Tomorrow<br />

This Joint Studio will collaborate with different design/<br />

planning schools in the region to provide students<br />

an platform to establish in-depth understanding on<br />

China housing and community design, to strengthen<br />

academic communication and learn different design<br />

methodologies, to implement performance based<br />

design into their design solution exploration, and<br />

to establish the basic framework on China green<br />

building and low carbon eco city development.<br />

Based on comparative study approach, two sites<br />

have been selected. One is in Sanshan New Town,<br />

Nanhai, Foshan city, and another is the connection<br />

zone <strong>of</strong> Taipei and New Taipei district. <strong>The</strong> studio<br />

project includes group urban design strategies and<br />

individual design <strong>of</strong> public/social housing for local<br />

low-mid income families/individuals. <strong>The</strong> studio will<br />

demonstrate design method and possible solutions<br />

to sustainable community (transformation from a<br />

suburban area to an eco-community), in special<br />

consideration to the environmental and social<br />

conditions <strong>of</strong> the site and architectural design.<br />

Performance Based Simulation in<br />

Design<br />

arch 5901b Tsou Jin-Yeu t2<br />

This course provides students an opportunity to<br />

establish in-depth understanding on performance<br />

based simulation theory, to gain hands-on<br />

knowledge on computational performance<br />

modeling, and to apply these techniques on<br />

investigating design issues on studio and real<br />

design project.<br />

G12 Jenny Lovell t2<br />

In.ter.face<br />

“A building’s envelope serves two primary<br />

conditions: it has to enclose and make sense <strong>of</strong> the<br />

internal volume it contains, and it has to delineate<br />

and characterize external space. <strong>The</strong>re is invariably<br />

a distinction between the obligations <strong>of</strong> these<br />

inner and outer conditions, and the surface depth<br />

<strong>of</strong> a building must respond to both. In terms <strong>of</strong><br />

external space, the building envelope has to relate<br />

to micro- and macro-environments: orientation,<br />

exposure, ground conditions, adjacencies, and<br />

climate, as well as the existing historical, cultural,<br />

and social contexts <strong>of</strong> a specific place.”<br />

Studio In.ter.face will address the relationship<br />

between inside and outside through building<br />

enclosure - not as boundary but as interconnection<br />

<strong>of</strong> space. We will explore the possibilities <strong>of</strong><br />

envelope from the scale <strong>of</strong> the body to the scale<br />

<strong>of</strong> the city for a historic site in Central, <strong>Hong</strong><br />

Kong – gathering the energy <strong>of</strong> the city toward<br />

environmental, social and cultural sustainability<br />

through an architecture <strong>of</strong> longevity.<br />

ACTIVITIES<br />

Relational Modularity<br />

arch 5901 Wendy Fok, Marc Aurel Schnabel<br />

1 - 30 Jun 11- This Summer Studio is an elective<br />

<strong>of</strong> the <strong>MArch</strong>+ Computational Design, and<br />

can be taken in conjunction with studio G8.<br />

<strong>The</strong> course used parametric design systems to<br />

contribute to a full scale designed installation. It<br />

acquaints students with conditions needed for<br />

the creating <strong>of</strong> experimental relational modularity<br />

between geometry and materials and the ability<br />

to combine quick intuitive studies with definitive<br />

quantifiable decisions.<br />

above left: G5 high-density urban housing and sustainable community, above right: G8 shibuya digital point-cloud<br />

below left: G11 sustainable urban project for china tomorrow, below right: G12 lovell gallery.hallmark.edu<br />

35


36<br />

<strong>MArch</strong> 1<br />

DESIGN STUDIO<br />

G9 Hendrik Tieben t2<br />

Designing Macau-Zhuhai’s Water Space II<br />

This urban design studio continues the<br />

investigation <strong>of</strong> the water space along the Macau-<br />

Zhuhai boundary. This space will transform<br />

fundamentally in the coming decade. <strong>The</strong> <strong>Chinese</strong><br />

Central Government declared Hengqin Island<br />

(located at the boundary) a “New Zone” similar<br />

to Qianhai (Shenzhen) and Pudong (Shanghai).<br />

It’s planning is envisioned as an “Ecocity” model<br />

for China. At the same time on the Macau side,<br />

five new reclamation projects are being planned,<br />

as to ease pressure on the World Heritage sites<br />

in the historic centre and accommodate new<br />

residents. <strong>The</strong> studio will analyse the current<br />

approaches to achieve sustainability and develop<br />

alternatives where needed. <strong>The</strong> studio starts with<br />

the hypothesis that the regeneration <strong>of</strong> the water<br />

space between the two cities would be a more<br />

successful approach to achieve environmental,<br />

economic and social sustainability.<br />

G10 Doreen Heng Liu t2<br />

Thick Street/ Thick City: <strong>The</strong> Case <strong>of</strong> Hou Jie,<br />

Dong Guan<br />

<strong>The</strong> studio will focus on issues <strong>of</strong> instant<br />

urbanization, random and controlled urbanism<br />

with chinese characteristics. Dongguan, "the<br />

third city" as Rem Koolhaas called, is located in<br />

the Pearl River Delta region, a booming urban<br />

agglomeration <strong>of</strong> 42.3 million people over a<br />

total area 41,698 sqkm. A city <strong>of</strong> in-between -<br />

Guangzhou and Shenzhen; always in-flux – with<br />

no past only the present and possible future.<br />

<strong>The</strong> studio will search for Dongguan’s possible<br />

future based on its condition <strong>of</strong> being fragmental,<br />

in-between, in flux and uncertain; <strong>of</strong> people, <strong>of</strong><br />

their living space in time. <strong>The</strong> site is in Hou Jie, a<br />

linear street-city along the provincial expressway<br />

S256; currently famous for hotel & sex industry<br />

locally; as well as shoe industry in global context<br />

<strong>of</strong> “Made in China”.<br />

<strong>The</strong> Studio is in colloboration with the GSD,<br />

Harvard <strong>University</strong>.<br />

REQUIRED COURSE ELECTIVE<br />

Urban Design and Planning<br />

arch 5310 Marisa Yiu t2<br />

This course is an introductory course in urban<br />

design and planning for graduate architecture<br />

majors. <strong>The</strong> course introduces cities as economic<br />

and social places and also covers a brief survey<br />

<strong>of</strong> urban forms, twentieth-century approaches<br />

to urban design, and case studies emphasizing<br />

current urban design issues and practice. <strong>The</strong><br />

course exposes students to a pr<strong>of</strong>essional setting<br />

and introduces some basic methodologies<br />

adopted in urban design and planning.<br />

Architectural <strong>The</strong>ory and Criticism<br />

arch 6310 Hendrik Tieben t1<br />

This course introduces and discusses themes <strong>of</strong><br />

contemporary architectural theory. It is divided<br />

in a series <strong>of</strong> lectures and seminar sessions. <strong>The</strong><br />

course will prepare <strong>MArch</strong>1 students to formulate<br />

their future thesis proposal by introducing<br />

contemporary discourses and by training research<br />

ability and critical thinking. Students will analyze<br />

theoretical texts and architectural examples, and<br />

formulate a final paper on a self-defined topic.<br />

G13 Bernard V. Lim t2<br />

Vertical Cities Asia<br />

In an age <strong>of</strong> ever increasing urbanization with massive<br />

migrations from the countryside to the city, Asia is at a<br />

crossroads. Either existing urban architectural models<br />

will continue to be recycled to accommodate<br />

increased populations with devastating effects on<br />

land, infrastructure, and the environment or new<br />

models <strong>of</strong> urban architecture will be formed to take<br />

on the specifics <strong>of</strong> Asian urban development.<br />

This studio will encourage research and design<br />

explorations into the prospects <strong>of</strong> “new models <strong>of</strong><br />

urban architecture.” It will explore the development<br />

<strong>of</strong> ideas and theories in urban growth and<br />

architectural form related to density, livability and<br />

sustainability specific to the rapid and exponential<br />

growth <strong>of</strong> urbanism in Asia.<br />

Students will follow the programme <strong>of</strong> the “Vertical<br />

Cities Asia International Design Competition”<br />

organized by NUS and World Future Foundation.<br />

Ten participating universities in Asia, Europe and the<br />

United States will participate in the competition.<br />

Urban Metabolism in <strong>Hong</strong> Kong<br />

arch 5701b Thomas Chung t1<br />

This course explores how architecture, urban settings<br />

and sequences play key roles in the city-making<br />

process, primarily in relation to urban imagination and<br />

representation. First, to explore how the city’s contexts<br />

condition evolve out <strong>of</strong> indigenous practices. <strong>The</strong>n,<br />

how the city is conceived, experienced and imagined<br />

through the interplay <strong>of</strong> physical settings and cultural<br />

narratives.<br />

House Form and the City<br />

arch 6701 Leng Woo t2<br />

It includes lectures on urban morphology <strong>of</strong> cities<br />

by studying the basic unit <strong>of</strong> cities- the house.<br />

Using <strong>Hong</strong> Kong as a reference, it explores<br />

issues <strong>of</strong> the house - its form, programme,<br />

open space, path, and its relationship with other<br />

houses. What is the relationship between the<br />

house and the city? To what extent do such house<br />

forms continue to affect our understanding <strong>of</strong> the<br />

contemporary city? <strong>The</strong>se are questions we will<br />

explore in the course.<br />

above: G9 macau-zhuhai’s joint water space 2011, below left: G10 the case <strong>of</strong> hou jie - dong guan, below right: G13 vertical cities asia 2011<br />

Macau-Zhuhai: Investigating Public<br />

Spaces in the <strong>Chinese</strong> City<br />

arch 6702 Hendrik Tieben t2<br />

<strong>The</strong> theory seminar ARC6702 is related to the<br />

design studio ARC5120 and focuses on public<br />

spaces in the border cities Macau and Zhuhai. <strong>The</strong><br />

seminar will use the examples <strong>of</strong> these spaces for<br />

a fundamental discussion on contemporary public<br />

space in China. It will combine both empirical and<br />

theoretical studies.<br />

ACTIVITIES<br />

G13 - Vertical City Asia Competition<br />

Selected student projects to present in Singapore<br />

in July 2012.<br />

37


38<br />

<strong>MArch</strong> 2 <strong>The</strong>sis Project<br />

DESIGN STUDIO<br />

Stages <strong>of</strong> <strong>The</strong>sis Project<br />

Jun<br />

Sep<br />

Oct<br />

Dec<br />

Feb<br />

Mar<br />

Apr<br />

briefing to students<br />

completion <strong>of</strong> supervisor selection<br />

review design research<br />

interim review<br />

submission <strong>of</strong> research report<br />

major design review<br />

beginning <strong>of</strong> special study<br />

review <strong>of</strong> special study<br />

layout <strong>of</strong> final presentation<br />

dissecting imagination past.future, lee kang yau<br />

final review<br />

submission <strong>of</strong> thesis report<br />

<strong>The</strong>sis Advisors Areas <strong>of</strong> Interest<br />

Wallace Chang<br />

Urban conservation; community building;<br />

sustainable planning; vernacular architecture<br />

Thomas Chung<br />

Urban metabolism, habitation and culture<br />

Gu Daqing<br />

Transformable, flexible, transportable, dismountable,<br />

and temporary buildings; Building system and<br />

method with emphasis on modularity, repetition,<br />

variation; material, component and structure in<br />

design; Study <strong>of</strong> space types, methods <strong>of</strong> spatial and<br />

formal organization; Public housing in <strong>Hong</strong> Kong;<br />

Transformation <strong>of</strong> old into new<br />

Ho Puay-Peng<br />

Intersection between architecture and culture<br />

and the resulting architectural forms; Architectural<br />

solutions that address cultural / societal issues<br />

Maggie Hui<br />

Spatial design and interaction; sacred and pr<strong>of</strong>ane<br />

space to read settlements; intangible qualities <strong>of</strong><br />

place, shaping house form as well as site pattern<br />

Patrick Hwang<br />

Fields within the diabolically opposed, in<br />

particular, spaces, programs and conditions <strong>of</strong> the<br />

urban in-betweens; Applied digital technology in<br />

the design and development <strong>of</strong> topics pertaining<br />

to matrix and metric (or system and units) with<br />

aim to create integrated space, structure and<br />

envelope.<br />

Sebastian Law<br />

Public buildings – museum, transportation terminal,<br />

entertainment complex and institutional building<br />

Li Shiqiao<br />

<strong>Architecture</strong> as forms <strong>of</strong> critical culture and with<br />

conditions for their development in Asian cities<br />

Bernard V. Lim<br />

Community participation; innovative institutional<br />

building designs; educational buildings; elderly<br />

care facilities and housing; community architecture<br />

design; participatory design process<br />

Doreen Heng Liu<br />

Contemporary urbanism in the PRD: exploring<br />

general conditions <strong>of</strong> (instant) urbanization, their<br />

impacts on specific locality; Issues include infrastructure<br />

urbanism; waterscape urbanism; public space, public<br />

art & architecture; and urban regeneration<br />

Bruce Lonnman<br />

High-rise buildings: form, program diversity, urban<br />

context (integration with urban site), sustainability;<br />

Urban pedestrian movement design: pedestrian<br />

network systems involving elevated walkways,<br />

bridges, covered circulation paths, and places <strong>of</strong><br />

connection with transportation.<br />

Esther Lorenz<br />

<strong>Architecture</strong> and its intersections with urban design,<br />

landscape and new media; exploration <strong>of</strong> their<br />

potential to shape viable places for contemporary<br />

human life; interdisciplinary approaches<br />

Edward Ng<br />

Work to improve life <strong>of</strong> people, here in HK or in the<br />

middle <strong>of</strong> nowhere in China; no more and no less.<br />

Marc Aurel Schnabel<br />

Computational architecture; digital media in<br />

architectural design & learning; mixed reality,<br />

parametric design, fabrication, Manga, & digital<br />

architecture.<br />

Hendrik Tieben<br />

Exploring the potential <strong>of</strong> urban rules and design<br />

to increase sustainability and livability <strong>of</strong> Asian cities.<br />

Tsou Jin-Yeu<br />

Design/planning advice; domain knowledge or<br />

technical supports; pr<strong>of</strong>essional skills sharing<br />

Leng Woo<br />

Housing as urban form and city fabric<br />

Marisa Yiu<br />

Architectural design's relationship to Culture and<br />

Cities, social sustainability, environmental material<br />

technologies (integrated facades and buildings),<br />

urban landscapes, exhibitions, public institutions<br />

and global networks.<br />

Yuet Tsang Chi<br />

High density urban housing; landscape urbanism<br />

Zhu Jingxiang<br />

Space organization strategy; articulation <strong>of</strong> load<br />

bearing structure and space organization; lightweight<br />

construction; transformable structure;<br />

principles in settlement formation; basic building<br />

materials and construction; investigation <strong>of</strong><br />

vernacular and temporary construction.<br />

REQUIRED COURSE<br />

Pr<strong>of</strong>essional Practice and Management<br />

arch 5510<br />

This course is the second part <strong>of</strong> the pr<strong>of</strong>essional<br />

practice and management curriculum. It provides<br />

fundamental and understanding knowledge<br />

<strong>of</strong> pr<strong>of</strong>essional practice in line with the HKIA<br />

pr<strong>of</strong>essional practice examination requirements.<br />

<strong>The</strong> course covers principles on: pr<strong>of</strong>essionalism;<br />

architect/client agreement; code <strong>of</strong> pr<strong>of</strong>essional<br />

conduct; contract and building contracts; project<br />

management. Comparisons will also be drawn<br />

between pr<strong>of</strong>essional practices in <strong>Hong</strong> Kong and<br />

mainland China.<br />

ambiguous boundary, wong chi ming housing for 100000 inhabitants, lam yan yu ian urban funeral' scape, hon chung hei ben alley as the communal space in beijing, wan chi ying architecture as dialogue with water, lee man yeng athena the space in-between, cheung nga wun new monumentality architecture <strong>of</strong> money, mo kar him residential buffer, leung yiu ming presence <strong>of</strong> absence, li ho yin leo<br />

39


40<br />

MSc<br />

Sustainable and Environmental Design<br />

Programme Director<br />

Edward Ng<br />

Building Environmental Assessment Method(BEAM) Plus<br />

Environmental Design <strong>of</strong> Urban and City Spaces<br />

Green and Sustainable Architectural Development<br />

Climate, <strong>The</strong>rmal Comfort, Natural and Hybrid Ventilation<br />

Daylighting and Lighting Design in High-Density Cities<br />

Computational Building Performance Simulation<br />

Selective Environment - Case Studies<br />

Building Integrated Renewable Energy and Technologies<br />

Environmental Ecology and Impact Assessment<br />

Green and Sustainable Building Materials<br />

Building and Urban Acoustics<br />

Healthy Building<br />

Bioclimatic Building Design<br />

Urban Climate for Design and Urban Planning<br />

<strong>The</strong> Programmes<br />

Green and sustainable architectural design is a major concern <strong>of</strong> architects, engineers,<br />

government and developers in the world. Climatic responsive architecture requires<br />

less energy and fewer resources to run. <strong>The</strong>y also provide a natural, economical and<br />

comfortable environment for its occupants.<br />

<strong>The</strong> MSc (Sustainable and Environmental Design) Programmes at CUHK are designed<br />

for architects, engineers, surveyors, developers, contractors and pr<strong>of</strong>essionals <strong>of</strong> the<br />

construction and building industry. <strong>The</strong> Programmes intend to bring together the theory and<br />

practice <strong>of</strong> the subject through lectures, tutorials, design projects and research dissertations.<br />

Teaching<br />

<strong>The</strong> Programmes are taught by a group <strong>of</strong> eminent international teachers from around the<br />

world, some example members <strong>of</strong> the teaching team are:<br />

Pr<strong>of</strong> Dean Hawkes, Cambridge <strong>University</strong> & Cardiff <strong>University</strong>, UK<br />

Pr<strong>of</strong> Baruch Givoni, <strong>University</strong> California Los Angeles, USA<br />

Pr<strong>of</strong> Brenda Vale, <strong>University</strong> <strong>of</strong> Auckland, New Zealand<br />

Pr<strong>of</strong> Lutz Katzschner, Kassel <strong>University</strong>, Germany<br />

Pr<strong>of</strong> Ray Cole, <strong>University</strong> <strong>of</strong> British Columbia, Canada<br />

Pr<strong>of</strong> George Baird, Victoria <strong>University</strong> <strong>of</strong> Wellington, New Zealand<br />

Pr<strong>of</strong> Edward Ng (Programme Director) <strong>Chinese</strong> <strong>University</strong> <strong>of</strong> <strong>Hong</strong> Kong<br />

Learning<br />

<strong>University</strong> semesters start at the beginning <strong>of</strong> September and finish at the end <strong>of</strong> May.<br />

<strong>The</strong>re is a winter break <strong>of</strong> 1 month in December. All lecture courses are delivered in<br />

“block modules”, that is to say, each <strong>of</strong> the courses is given intensively over 2 weekends<br />

and a mid-week evening. <strong>The</strong> medium <strong>of</strong> instruction, all notes, assignments and projects<br />

are in English. Pr<strong>of</strong>iciency in English, both spoken and written, is a pre-requisite. <strong>The</strong><br />

programme could be taken Full Time or Part Time.<br />

<strong>The</strong> Full Time programme (1 year) is suitable for pr<strong>of</strong>essionals wishing to complete the<br />

course quickly and who could take a year <strong>of</strong>f their work. Full time students will be based in<br />

<strong>Hong</strong> Kong. <strong>The</strong>y typically take 4 teaching (lecture) courses a semester, as well as spending<br />

time on their own design projects and independent studies.<br />

<strong>The</strong> Part Time programme (2 years) is suitable for working pr<strong>of</strong>essionals who could only<br />

attend the courses amidst their normal working schedules, and/or are based in China.<br />

Part time students, based in <strong>Hong</strong> Kong or in China, are required to come the <strong>University</strong><br />

to receive their teaching (lecture) courses (up to 4 times a year and 10 days per trip).<br />

After the teaching, they will need to complete their assignments, design projects and<br />

dissertations remotely and with Internet contacts with their teachers.<br />

Upon completion <strong>of</strong> the Programme, students will have the knowledge to improve the<br />

environmental design <strong>of</strong> buildings and cities. <strong>The</strong>y will have a better understanding <strong>of</strong> the<br />

fundamentals <strong>of</strong> sustainable and environmental design, and how they could be achieved in<br />

their works. <strong>The</strong>y will also be able to draw on a wider base <strong>of</strong> expertise, knowledge, and<br />

friendship with others in the field and may have a competitive ability to practice sustainableenvironmental<br />

design especially in <strong>Hong</strong> Kong and mainland China.<br />

For more information, please visit the programme website www.sustain-cuhk.info<br />

41


42<br />

MPhil / PhD<br />

Urban Pedestrian Level Wind<br />

Environment Study Using CFD<br />

Simulation<br />

An Xipo / PhD<br />

Wind flow in urban places is important for<br />

pollutant dispersion and maintaining pedestrian<br />

level thermal comfort. <strong>The</strong> wind speed within<br />

the urban canopy, however, is much decreased.<br />

In my study, I will use Computational Fluid<br />

Dynamics to study the impact <strong>of</strong> different urban<br />

geometries on the urban wind environment and<br />

propose useful urban planning guidelines based<br />

on the simulation results.<br />

supervisor: Edward Ng<br />

Pingdan: the Aesthetics <strong>of</strong> Simplicity and<br />

Affectivity - Late-Ming Scholar’s Moral<br />

Cultivation in Art and Design<br />

Cai Jiajun / PhD<br />

<strong>The</strong> scholarly taste in art and design in the Ming<br />

dynasty was exemplified in Ming furniture or Ming<br />

gardens. <strong>The</strong>se artistic products always strike<br />

modern observers with the beauty <strong>of</strong> simplicity<br />

and subtlety. In the Ming scholars’ words, this<br />

is the characteristic <strong>of</strong> pingdan. Simple as the<br />

art <strong>of</strong> pingdan aesthetics may appear, pingdan is<br />

not a simple notion: it is not merely simplicity or<br />

neutrality, nor is it Puritanism, nor dullness. This<br />

dissertation examines the concept <strong>of</strong> pingdan in<br />

its own specific discourse to reveal its capacity to<br />

engage with humanity within a moral framework.<br />

supervisor: Li Shiqiao<br />

Green <strong>Architecture</strong> Development<br />

Strategies in Rural China Based on the<br />

Regional Design<br />

Chen Yang / PhD<br />

Traditional buildings in rural china compromised<br />

the merits <strong>of</strong> ecological and regional design<br />

in a natural way during the past thousands <strong>of</strong><br />

years, but now, people started to ignore those<br />

ecological advantages and lose their regional<br />

features gradually, built the same way all over<br />

China. In my study, I will try to draft green<br />

and regional development strategies through<br />

traditional reviews, demonstration projects,<br />

suitable assesses system and appropriate policy.<br />

Recommendations will be provided for planners<br />

and designers to develop rural China.<br />

supervisor: Edward Ng<br />

Impact <strong>of</strong> Urban Form on Urban <strong>The</strong>rmal<br />

Conditions in Similar Geographical<br />

Scenarios<br />

Dai Qun Carol / PhD<br />

Heat release and ventilation in <strong>Hong</strong> Kong<br />

is an essential issue for the planners to study.<br />

<strong>The</strong>re is a direct relationship between the form<br />

and orientation <strong>of</strong> buildings, and the thermal<br />

conditions within and around them. Hereby the<br />

study demonstrates factors related to urban form<br />

that contributes to the urban thermal conditions<br />

in <strong>Hong</strong> Kong; identifies spatial configurations in<br />

an urban scenario; studies the impact <strong>of</strong> specific<br />

urban forms on the thermal condition; researches<br />

variations <strong>of</strong> thermal conditions in similar urban<br />

settings and finally projects the findings to new<br />

developments in <strong>Hong</strong> Kong geographical area.<br />

supervisor: Marc Aurel Schnabel , Leung Yee<br />

<strong>The</strong> Direction System in Mini<br />

<strong>Architecture</strong>, Han Dynasty<br />

Jiang Zhidan / PhD<br />

Han dynasty is one <strong>of</strong> the most important periods<br />

when traditional architecture took a great cultural<br />

turn in forms. <strong>The</strong> recovery and study <strong>of</strong> material<br />

evidence remaining in Han dynasty, such as<br />

graves, buildings, tools, and pottery, especially the<br />

mini architecture and paintings in tombs, show<br />

great differences from Tang dynasty. <strong>The</strong> study<br />

will focus on the changes <strong>of</strong> the direction system<br />

and try to explore its mechanism how influence<br />

the layout and architectural forms.<br />

supervisor: Ho Puay-Peng<br />

<strong>Hong</strong> Kong Modern <strong>Architecture</strong>:<br />

Building in the 1950s to 70s<br />

Han Man / PhD<br />

<strong>The</strong> <strong>Hong</strong> Kong modern architecture has rarely<br />

been studied and its achievement is underestimated<br />

in the architectural discourse. <strong>The</strong> research <strong>of</strong><br />

<strong>Hong</strong> Kong modern architecture inquires building<br />

properties and architectural concept and design<br />

skill <strong>of</strong> architect with a comparison to the advanced<br />

architecture <strong>of</strong> Western countries at that time, so<br />

as to unveil and promote the achievement <strong>of</strong><br />

modern architecture in <strong>Hong</strong> Kong.<br />

supervisor: Gu Daqing<br />

Statistical Downscaling <strong>of</strong> Climate<br />

Change Scenarios and its Applications in<br />

Urban Planning and Design<br />

Lau Ka Lun / PhD<br />

Changes in urban climate has received much<br />

attention as they affect the living quality <strong>of</strong> urban<br />

dwellers. However, the lack <strong>of</strong> information on<br />

the changing urban climate leads to insufficient<br />

consideration in urban planning and design.<br />

<strong>The</strong> study uses statistical downscaling to obtain<br />

local weather information from global circulation<br />

model outputs. Planning recommendations will<br />

be provided for urban planners and designers to<br />

create a better urban environment.<br />

supervisor: Edward Ng<br />

Dynamics <strong>of</strong> foreign architectural bodies<br />

in the ‘Far East’, 1920s-1940s<br />

Lau Leung Kwok Prudence / PhD<br />

This research addresses foreign architectural<br />

bodies and their interaction with local contexts<br />

in colonies and trading ports <strong>of</strong> the ’Far East’<br />

during the two World Wars, amidst a spectrum<br />

<strong>of</strong> colonial presences. <strong>The</strong> perception that<br />

foreign architectural firms and their designs are<br />

limited to imperial agenda in this period has<br />

resulted in a comprehensive category <strong>of</strong> ‘colonial’<br />

architecture, leaving much representative works<br />

disregarded in architectural history <strong>of</strong> the cities.<br />

This study explores the collaboration and<br />

response <strong>of</strong> particular foreign bodies with local<br />

communities, delineate the ways <strong>of</strong> contestation<br />

against prevailing architectural styles, and thus<br />

compile an overlooked section in early modern<br />

construction history that would exemplify<br />

indigenous architectural movements in regions <strong>of</strong><br />

the ‘Far-east’.<br />

supervisor: Ho Puay-Peng<br />

Study <strong>of</strong> Sustainable Building<br />

Environmental Assessment in<br />

Southwest Rural China<br />

Wan Li / PhD<br />

In the face <strong>of</strong> tremendous impact on rural<br />

settlement environment from the massive New<br />

Countryside Construction, the lack <strong>of</strong> sustainable<br />

Building Environmental Assessment system has<br />

become an increasingly prominent issue. This<br />

study will investigate the current situation <strong>of</strong><br />

building construction in southwest rural China,<br />

combined with the sustainable building strategies<br />

appropriate to southwest rural China and existing<br />

sustainable building environmental assessment<br />

methods in China and abroad, to establish a<br />

framework <strong>of</strong> sustainable building environmental<br />

assessment system for southwest rural China.<br />

supervisor: Edward Ng<br />

<strong>The</strong> design <strong>of</strong> a low-cost but high<br />

performance prefabricated construction<br />

system with light gauge steel structures<br />

Xia Heng / PhD<br />

This system is developed from the light gauge<br />

steel system <strong>of</strong> Japan and its infilled panels play<br />

importance roles in structural safety. It has<br />

continuous thermal insulations with large thermal<br />

capacity materials. Its performance <strong>of</strong> interior<br />

environment would be much better than the<br />

others with much the same costs.<br />

supervisor: Zhu Jingxiang<br />

Toward urban planning strategies to<br />

adapt the high-density urban morphology<br />

with a sub-tropic climate<br />

Yuan Chao / PhD<br />

High-density living makes cities more efficient<br />

in the natural resource usage by decreasing the<br />

traffic cost and other energy usage. However,<br />

the design <strong>of</strong> a high-density city needs to solve<br />

the serious environmental problems that arise<br />

from the congested urban condition, especially<br />

with a sub-tropic climate. My work aims to allow<br />

urban planners and architects practical planning<br />

strategies to improve the high-density urban living<br />

environment, by bridging the gap between urban<br />

meteorology and urban planning.<br />

supervisor: Edward Ng<br />

Campus <strong>Architecture</strong> – Virtues and the<br />

Transformative Role <strong>of</strong> Universities in the<br />

21st Century<br />

Alexander Zipprich / PhD<br />

<strong>University</strong> campuses are nucleuses <strong>of</strong> society<br />

and <strong>of</strong> cultural change. New campus designs are<br />

effecting transformations <strong>of</strong> the built environment.<br />

<strong>The</strong> planning and expansion <strong>of</strong> university<br />

campuses plays a strategic role in China’s 21st<br />

century unprecedented process <strong>of</strong> urbanization.<br />

<strong>University</strong> towns serve as catalysts for new<br />

developments, as well as university projects<br />

create new academic and urban communities on<br />

campus and in its vicinities. <strong>The</strong> research seeks to<br />

investigate the drivers and implications <strong>of</strong> planning<br />

strategies, and novel syntheses <strong>of</strong> architectural<br />

styles and spatial constellations in the cultural<br />

and geographic context <strong>of</strong> China and its Special<br />

Administrative Regions <strong>Hong</strong> Kong and Macau.<br />

supervisor: Li Shiqiao<br />

Incoming Postgraduate Students 2011-12<br />

Tan Zheng / PhD<br />

supervisor: Edward Ng<br />

Mika Savela / PhD<br />

supervisor: Li Shiqiao<br />

Wu Jia Wei / PhD<br />

supervisor: Gu Daqing<br />

43


44<br />

Faculty / Staff<br />

Full Time Faculty<br />

Essy Baniassad Research Pr<strong>of</strong>essor<br />

Wallace Chang Associate Pr<strong>of</strong>essor<br />

Thomas Chung Assistant Pr<strong>of</strong>essor<br />

Gu Daqing Associate Pr<strong>of</strong>essor<br />

Ho Puay-Peng Director and Pr<strong>of</strong>essor<br />

Maggie Hui Assistant Pr<strong>of</strong>essor<br />

Li Shiqiao Associate Pr<strong>of</strong>essor<br />

Bernard V. Lim Pr<strong>of</strong>essor<br />

Bruce Lonnman Pr<strong>of</strong>essional Consultant<br />

Esther Lorenz Assistant Pr<strong>of</strong>essor<br />

Edward Ng Pr<strong>of</strong>essor<br />

Marc Aurel Schnabel Associate Pr<strong>of</strong>essor<br />

Hendrik Tieben Assistant Pr<strong>of</strong>essor<br />

Tsou Jin-Yeu Pr<strong>of</strong>essor<br />

Leng Woo Associate Pr<strong>of</strong>essor<br />

Marisa Yiu Assistant Pr<strong>of</strong>essor<br />

Zhu Jingxiang Associate Pr<strong>of</strong>essor<br />

Part-Time Faculty<br />

George Baird Adjunct Pr<strong>of</strong>essor<br />

Géraldine Borio Adjunct Assistant Pr<strong>of</strong>essor<br />

Daniel Chan Adjunct Pr<strong>of</strong>essor<br />

Shirley Chang Adjunct Associate Pr<strong>of</strong>essor<br />

Kelvin Chu Adjunct Assistant Pr<strong>of</strong>essor<br />

Raymond Cole Adjunct Pr<strong>of</strong>essor<br />

Wendy Fok Adjunct Assistant Pr<strong>of</strong>essor<br />

Philip Fung Adjunct Assistant Pr<strong>of</strong>essor<br />

Raymond Fung Adjunct Associate Pr<strong>of</strong>essor<br />

Lam Khee Poh Adjunct Pr<strong>of</strong>essor<br />

Mark Hemel Adjunct Associate Pr<strong>of</strong>essor<br />

Patrick Hwang Adjunct Associate Pr<strong>of</strong>essor<br />

Sebastian Law Adjunct Associate Pr<strong>of</strong>essor<br />

Jenny Lovell Adjunct Associate Pr<strong>of</strong>essor<br />

Doreen Heng Liu Adjunct Associate Pr<strong>of</strong>essor<br />

Katzschner Lutz Adjunct Pr<strong>of</strong>essor<br />

Francesca Madeo Adjunct Associate Pr<strong>of</strong>essor<br />

John Ng Adjunct Pr<strong>of</strong>essor<br />

Allen Poon Adjunct Assistant Pr<strong>of</strong>essor<br />

Michael Wilson Adjunct Pr<strong>of</strong>essor<br />

Johnny Wong Adjunct Assistant Pr<strong>of</strong>essor<br />

Wong Kam-Sing Adjunct Associate Pr<strong>of</strong>essor<br />

Caroline Wüthrich Adjunct Assistant Pr<strong>of</strong>essor<br />

Yutaka Yano Adjunct Assistant Pr<strong>of</strong>essor<br />

Raymond Yau Adjunct Associate Pr<strong>of</strong>essor<br />

Gary Yeung Adjunct Assistant Pr<strong>of</strong>essor<br />

Yuet Tsang-Chi Adjunct Associate Pr<strong>of</strong>essor<br />

Honorary Staff<br />

Nelson Chen Honorary Pr<strong>of</strong>essor<br />

Cheung Tat-Tong Honorary Adjunct Associate Pr<strong>of</strong>essor<br />

Donald Choi Honorary Adjunct Associate Pr<strong>of</strong>essor<br />

Steve Chung Honorary Adjunct Assistant Pr<strong>of</strong>essor<br />

James Lee Honorary Adjunct Pr<strong>of</strong>essor<br />

Baruch Givoni Honorary Adjunct Pr<strong>of</strong>essor<br />

Christine Hawley Honorary Adjunct Pr<strong>of</strong>essor<br />

Rembert Lai Honorary Adjunct Associate Pr<strong>of</strong>essor<br />

Dominic Lam Honorary Adjunct Pr<strong>of</strong>essor<br />

Michael Ma Honorary Adjunct Associate Pr<strong>of</strong>essor<br />

Brenda Vale Honorary Adjunct Pr<strong>of</strong>essor<br />

Alfred Yeung Honorary Adjunct Associate Pr<strong>of</strong>essor<br />

Abraham Yezioro Honorary Adjunct Associate Pr<strong>of</strong>essor<br />

Frank Yu Honorary Adjunct Associate Pr<strong>of</strong>essor


46<br />

20 x 20 Vertical Workshop<br />

Wallace Chang, Marisa Yiu, Bruce Lonnman<br />

Nga Tsin Wai Bridge & Grassroot Market<br />

Kai Tak River Green Corridor - Community Education Project<br />

<strong>The</strong> <strong>School</strong> <strong>of</strong> <strong>Architecture</strong> will hold the 20 x 20 Vertical Workshop involving students<br />

from Year 1 to <strong>MArch</strong> 1 between 13-19 February 2012. It will include the “Nga Tsin<br />

Wai Bridge” Design Competition and the “Grassroot Market” project. In the Vertical<br />

Workshop, students will explore innovative design solutions to bridge and habitational<br />

units. <strong>The</strong> projects also aim to reinforce relationship with the local community as well<br />

as their participation. <strong>The</strong>se two projects will form part <strong>of</strong> the “Kai Tak River Green<br />

Corridor – Community Education Project” organized by the Urban Research Place Unit<br />

(initiated by Pr<strong>of</strong>essor Wallace Chang).<br />

Nga Tsin Wai Bridge<br />

Co-responding to the preservation request <strong>of</strong> Nga Tsin Wai – the only oldest village left<br />

from the 13 ancient counties <strong>of</strong> Kowloon, the Nga Tsin Wai bridge design competition<br />

will create proposals for future development to restore the historic moat bridge and<br />

strengthen community connections (Zone D on site plan).<br />

<strong>The</strong> project will be held in collaboration with the <strong>Hong</strong> Kong <strong>Architecture</strong> Centre and<br />

invited architects. <strong>The</strong> 8-10m-span footbridge will be a joint effort linking the community<br />

with students from the <strong>School</strong> <strong>of</strong> <strong>Architecture</strong> and 20 secondary / primary schools along<br />

Kai Tak River to realize the humanistic ideal - “Plan Together, Build Together, Share<br />

Together” with our environment, social and human resources.<br />

Grassroot Market<br />

<strong>The</strong> Grassroot Market will inhabit the Kai Tak River and the village front to create a<br />

dynamic street life in collaboration with Culture Factory (Zone B on site plan).<br />

wu zhi qiao project shigeru ban, paper bridge project<br />

47


48<br />

Scholarship 2010-11 Exchange 2011-12<br />

Gu Daqing Marisa Yiu<br />

Scholarships * Recipient <strong>of</strong> Award Eligibility<br />

AIA HK Scholastic Award Li Kwan Ho Felita Year 3<br />

Clifford Wong Prize in Housing Design Lam Yan Yu Ian <strong>MArch</strong> 2<br />

Cornerstone Training Programme , USA Chan Chun Yu Ricco Year 2 - <strong>MArch</strong> 1<br />

Mok Hiu Fong Ariel<br />

CUAAA Award Chen Yue <strong>MArch</strong> 1<br />

DLN Awards 2011 Lam Yan Yu Ian Year 3 + <strong>MArch</strong> 2<br />

Li Ho Yin<br />

Mo Kar Him<br />

Chow Ka Wong<br />

Li Chong Yan<br />

Formica Scholarship IP Wilton Hugh Year 1- 3<br />

HKIA Student Award under selection <strong>MArch</strong> 2<br />

L&O Travel Scholarship for Design Innovation Wong Sau Yin Year 2<br />

Wong Tung & Partners Scholarship under selection <strong>MArch</strong> 2<br />

HK Housing Society Academy Award under selection Year 2 or above<br />

HKIA Green Tour Student Scholarship 2011 Leung Kai Fung Tony Year 2 or above<br />

<strong>The</strong> RIBA President’s Medals Student Awards under selection <strong>MArch</strong> 2<br />

<strong>The</strong> Best Studio Work Award Mo Kar Him All Years<br />

Chan Chi Kwan<br />

Johannes Wuerzler<br />

Li Chong Yan<br />

Wong Ho Man Francis<br />

IP Wilton Hugh<br />

Ma Vickie Ka Ki<br />

Ng Siu Cheong<br />

Wu Shuqin<br />

Wharf Architectural Design Internship Lau Hing Ching <strong>MArch</strong> 2<br />

Wong Chi Kan Kenneth<br />

* Please refer to school <strong>of</strong> architecture website for application details<br />

Exchange Programme * Outgoing Incoming<br />

Ecole d'<strong>Architecture</strong> de Paris-Belleville under selection<br />

Graz <strong>University</strong> <strong>of</strong> Technology under selection Dominik Tagger<br />

Philipp Stefan Kramer<br />

L'Universite Jean Moulin Lyon 3 under selection<br />

<strong>University</strong> <strong>of</strong> Applied Science, Stuttgart under selection<br />

* Please refer to school <strong>of</strong> architecture website for application details<br />

DLN award 2011 CUAAA award exhibition<br />

L&O travel scholarship for design innovation exhibition<br />

49<br />

<strong>MArch</strong> graduation exhibition 2011


50<br />

Summer Activities 2011<br />

Hendrik Tieben<br />

Heritage Master Classes<br />

Ho Puay-Peng, and Teachers from Peking<br />

<strong>University</strong>, Tsinghua <strong>University</strong>, Tianjin <strong>University</strong><br />

and <strong>Chinese</strong> Academy <strong>of</strong> Cultural Heritage<br />

22 May - 10 Jun 11<br />

<strong>The</strong> summer master classes involved six<br />

<strong>MArch</strong> students, one PhD student for the<br />

study <strong>of</strong> heritage conservation theory and<br />

practices in China. <strong>The</strong> group had lectures<br />

from various experts in the field and visited<br />

many facilities in Beijing and Tianjin involved<br />

in heritage conservation. Site visit was an<br />

important element <strong>of</strong> the master classes and<br />

the group visited the Imperial Palace and<br />

many modern architecture in Beijing, as well<br />

as two field trips to Luoyang, Zhengzhou and<br />

Zhengding for traditional <strong>Chinese</strong> architecture,<br />

and Tianjin for contemporary architecture.<br />

heritage master classes<br />

Human Landscape - Green Habitat<br />

Wallace Chang, Urban Place Research Unit,<br />

<strong>School</strong> <strong>of</strong> <strong>Architecture</strong> CUHK, Pr<strong>of</strong>. Bojan Boric,<br />

<strong>School</strong> <strong>of</strong> <strong>Architecture</strong>, KTH Stockholm (Royal<br />

<strong>School</strong> <strong>of</strong> Technology)<br />

25 May - 31 Jul 11<br />

<strong>The</strong> workshop aims to create an exchange<br />

platform between collaborative schools to<br />

investigate and design green habitats for both<br />

human beings and wildlife in urban situations<br />

through,<br />

1. Green Living Concepts and <strong>Architecture</strong><br />

2. Urban Ecology and Public Space Habitats<br />

3. Sustainable Living and Green Communities<br />

Relational Modularity<br />

Wendy Fok, Marc Aurel Schnabel<br />

1 - 30 Jun 11<br />

<strong>The</strong> focus <strong>of</strong> the studio deliberated and used<br />

parametric design systems through digital and<br />

analog modeling to contribute to a full scale<br />

designed installation, while actively working with<br />

a commercial fabricator and material sponsor<br />

(Luxx Newhouse & LG Hausys HI-MACS). <strong>The</strong><br />

human landscape - green habitat<br />

aim <strong>of</strong> the course was to acquaint students with<br />

theoretical and practical conditions needed for<br />

the creating <strong>of</strong> experimental relational modularity<br />

between geometry and materials as well as<br />

the ability to negotiate between quick intuitive<br />

studies and definitive quantifiable decisions.<br />

Vertical Cities Asia: Competition,<br />

Presentation And Jury, And Symposium,<br />

Singapore<br />

Marisa Yiu (organizer/charette advisor)<br />

Ho Puay-Peng, KS Wong, John Ng (advisors),<br />

Hendrik Tieben, Marc Aurel Schnabel (charette advisors)<br />

1 Jun - 10 Jul 11<br />

<strong>The</strong> international event was hosted by<br />

National <strong>University</strong> <strong>of</strong> Singapore and the<br />

World Future Foundation on the theme <strong>of</strong><br />

“Fresh Air”. It encouraged design explorations<br />

into the prospects <strong>of</strong> new models <strong>of</strong> urban<br />

architecture. <strong>The</strong> CUHK team (staff and<br />

students) explored existing tall building<br />

typologies based on research with a design<br />

charette, culminating in a final presentation and<br />

symposium in Singapore.<br />

Building Eco-Base For Nature Reserve<br />

Anzihe Nature Reserve, Chengdu<br />

Zhu Jingxiang, Xia Heng, Peng Qiang<br />

15 - 30 Jun 11<br />

<strong>The</strong> CUHK team designed and built a new<br />

building for Anzihe Nature Reserve donated by<br />

the WWF to replace the destroyed buildings.<br />

<strong>The</strong> 200 sqm 3-storey building showcased<br />

ecological design and construction with an<br />

innovative composite structure system. Students<br />

participated in the real construction, experienced<br />

the prefabrication and assembly, learnt on<br />

climate confrontation and building safety issues.<br />

Western Japan Architectural Study Trip<br />

Maggie Hui, Ho Puay-Peng, Thomas Chung,<br />

Allen Poon<br />

11 - 18 Jul 11<br />

An eight-day visit to Japan’s Kansai region<br />

including Osaka, Kyoto, Naoshima and<br />

Awajishima to see both contemporary and<br />

traditional architecture, with a focus on religious,<br />

monumental and museum spaces. Students<br />

carried out investigations relating to architectural<br />

relational modularity western japan architectural study trip vertical cities asia<br />

architecture and confrontations<br />

design, from spatial settings to architectural<br />

details, from traditional construction to modern<br />

technological assemblage.<br />

<strong>Architecture</strong> and Confrontations<br />

Bruce Lonnman, Zhu Jingxiang<br />

20 - 27 Jul 11<br />

<strong>The</strong> course introduces pre-university students<br />

to architecture design with a focus on structure<br />

and construction.<br />

Studying the Impact <strong>of</strong> Urban Design<br />

and Guidelines, San Francisco & Seattle<br />

Hendrik Tieben<br />

29 Jul - 8 Aug 11<br />

San Francisco and Seattle have sophisticated<br />

Urban Guidelines regulating densities, view<br />

axes, location <strong>of</strong> high rise buildings, public<br />

spaces. <strong>The</strong> trip investigates the impact <strong>of</strong><br />

these guidelines on urban form and public<br />

spaces, include visits <strong>of</strong> UC Berkeley &<br />

<strong>University</strong> <strong>of</strong> Washington and meetings with<br />

academics, planners, designers, developers<br />

and community groups.<br />

Wu Zhi Qiao bridge building<br />

programme in Yunnan<br />

Edward Ng<br />

8 - 15 Aug 11<br />

In a remote Xianyuan village in Yongsheng<br />

County, Yunnan, a temporary stone bridge is<br />

washed away during the rainy season every<br />

year. <strong>The</strong> villagers have to build the bridge<br />

yearly afterwards. Wu Zhi Qiao teams from<br />

<strong>The</strong> <strong>University</strong> <strong>of</strong> <strong>Hong</strong> Kong and Tsinghua<br />

<strong>University</strong> are planning to build a footbridge in<br />

this summer for the villagers and the kids.<br />

Wu Zhi Qiao Bridge Building<br />

Programme in Sichuan<br />

Edward Ng<br />

16 - 24 Aug 11<br />

In a remote Heping village in Guangyuan City,<br />

Sichuan, the locals and students have to wade<br />

across the river during the rainy season. Thus,<br />

Wu Zhi Qiao teams from Sichuan <strong>University</strong><br />

and <strong>The</strong> <strong>Hong</strong> Kong Polytechnic <strong>University</strong><br />

are planning to build a safe footbridge for them<br />

in this summer.<br />

building eco-base for nature reserve impact <strong>of</strong> urban design and guidelines wu zhi qiao bridge building programme (sichuan)<br />

51


Location<br />

Research units<br />

<strong>Architecture</strong> library<br />

Studio<br />

Studio<br />

7<br />

6 6<br />

5 5<br />

4<br />

text<br />

editor<br />

assistant editor<br />

images<br />

08/2011<br />

Information technology lab<br />

Exhibition<br />

General <strong>of</strong>fice<br />

SCHOOL OF ArCHITECTUr E<br />

香 港 中 文 大 學 建 築 學 院<br />

the chinese university <strong>of</strong> hong kong<br />

5th floor wong foo yuan building<br />

tel +852 2609 6517 fax +852 2603 5267<br />

email architecture@cuhk.edu.hk<br />

w w w . a r c h . c u h k . e d u . h k<br />

studios and staff<br />

thomas chung<br />

andrew yu<br />

students and staff<br />

www.arch.cuhk.edu.hk

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