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Discovery & Engagement Discovery & Engagement
Discovery & Engagement Discovery & Engagement
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“The gift will make a significant difference for<br />
Purdue,” says Dean Toby Parcel. “Thanks to the Rueffs’<br />
support, the department will be able to pursue discovery<br />
and learning opportunities that will accelerate its rise to<br />
preeminence,” Parcel notes. “Such an endowment will<br />
allow flexible use of funds to support the creative endeavors<br />
of the faculty, enhance learning experiences for students,<br />
and strengthen engagement with arts communities<br />
in central Indiana. This is an opportunity that very few<br />
comparable departments will have, thus giving Purdue a<br />
clear competitive advantage in recruiting the best faculty<br />
and students.”<br />
Rueff earned a bachelor’s degree in radio and television<br />
in 1984 and a master’s degree in counseling in 1986<br />
from Purdue. Electronic Arts Inc., in Redwood City,<br />
California, is a global leader in developing and publishing<br />
interactive entertainment personal computer software,<br />
with well-known titles including “Sim City,” “Madden<br />
NFL,” and “The Sims.” Following a career in radio, Rueff<br />
held several human resource positions in companies such<br />
as PepsiCo, Pizza Hut, and Frito-Lay Inc. Rueff is a<br />
member of Purdue’s campaign committee for the Visual<br />
and Performing Arts Building and the School of Liberal<br />
Arts Dean’s Advisory Council.<br />
Patti Rueff is an event-planning consultant in<br />
California. A graduate of Wood Business School in<br />
Manhattan, she worked for 24 years for Pepsico Inc.,<br />
including 20 years as the executive assistant to the CEO<br />
and chair of the board of directors. She currently serves<br />
on the board of the Women’s Health Council for San<br />
Mateo County and the Hillsborough Auxiliary to Family<br />
Services of the Peninsula. She also is active in organizing<br />
the corporate competition for the Susan G. Komen Race<br />
for the Cure in San Francisco.<br />
J. Russell “Rusty” Rueff and wife<br />
Patti with Dean Toby L. Parcel<br />
at a regional alumni event in<br />
San Francisco earlier this year.<br />
Photo courtesy Photo International.<br />
The Department of Visual and Performing Arts was<br />
created in 1966. There are more than 900 undergraduates<br />
in the department, 60 graduate students, and 40 faculty<br />
members. As David Sigman, head of the department,<br />
notes, the most popular areas of study are visual communications<br />
design, interior design, industrial design, and<br />
photography. “The Rueffs’ support for our department and<br />
new building is very inspiring,” Sigman adds. “Just as<br />
Rusty has made great contributions to electronic arts, our<br />
department will strive to be a leader in art and technology<br />
in evolving areas driven by art and design research.”<br />
This fall, the 166,700-square-foot Visual and<br />
Performing Arts Building, at Marsteller and Wood streets,<br />
opened for classes in art and design and dance. The divisions<br />
of theatre, music, and art education will move in<br />
after the second phase of construction, which is scheduled<br />
to begin this summer. The second phase includes<br />
two theatres and space for costume design and storage,<br />
dressing rooms, prop storage, and scenery construction,<br />
as well as studios and workshop space for theatre, music,<br />
and art education classes. The Nancy T. Hansen Theatre,<br />
a 300-seat proscenium, will take the place of the<br />
Experimental Theatre in Stewart Center. The second, the<br />
Carole and Gordon Mallett Theatre, will seat 138–170<br />
people, depending upon its configuration, and will replace<br />
an existing, smaller black box theatre.<br />
Fund-raising for the building is nearing completion. An<br />
anonymous donor gave $2 million to the building this fall<br />
and will match another $2 million to be raised by the<br />
School of Liberal Arts, completing the $41 million facility.<br />
LIBERAL ARTS MAGAZINE Spring 2004<br />
21