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September 2012 - Music Connection

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orking a room” is a variant of the art<br />

“Wof mingling, of blending into any given<br />

space containing groups of socializing people<br />

and becoming part of the action. Making the<br />

transition from foreground to background, from<br />

intruder to “one of us,” is no easy matter, and<br />

requires considerable finesse, especially in music<br />

circles. Here are some time-tested tips from author,<br />

MC Song Biz columnist and expert music-biz<br />

mingler Dan Kimpel:<br />

<br />

<br />

a conversation. We are sometimes so focused on<br />

<br />

<br />

out like a sore thumb. Be easy on yourself. Learn<br />

cess<br />

the dynamic of the room. Enjoy the art, the<br />

<br />

imaging that no one can see you.<br />

<br />

conscious of your reaction to alcohol. For some,<br />

<br />

anxiety, but nothing can be more detrimental to<br />

creating a good impression than being under the<br />

<br />

mise.<br />

Pace yourself.<br />

<br />

<br />

<br />

event, and then offer to introduce them to some-<br />

<br />

<br />

people pick up on that.<br />

<br />

gives, it’s easy for others to<br />

give to you in return.<br />

-<br />

<br />

talk to is the only goal of<br />

<br />

<br />

needy if you cling to the first<br />

<br />

<br />

for meeting and greeting. If<br />

<br />

<br />

-<br />

<br />

<br />

evening.” Don’t pretend you don’t see them.<br />

<br />

people are in conversation, feel free to join them;<br />

<br />

-<br />

<br />

permissible to intrude. Odds are, they’re discussing<br />

something private (maybe even you!)<br />

<br />

<br />

shoulder more interesting than you? Being a good<br />

listener is the most important part of being a great<br />

<br />

<br />

<br />

<br />

Dan Kimpel is the author of several acclaimed music-industry books,<br />

including Networking Strategies for the New Music Business and It<br />

All Begins With The Music. Visit http://dankimpel.com.<br />

recently where the performers<br />

who showcased were given a<br />

booth in the exhibition hall. Going<br />

to the showcases is a great<br />

opportunity to meet potential<br />

contacts before, during, and<br />

after the performance, and also<br />

provides a place to reconnect<br />

with attendees you met earlier.<br />

EXHIBITION BOOTHS<br />

Music confabs will typically<br />

have an area for exhibitors,<br />

who are providers of products<br />

and services to the industry.<br />

This is another great place for<br />

you to network and establish<br />

contacts. And take note that<br />

the exhibition booth area is<br />

usually a good place to find free<br />

snacks, pens and other conference<br />

goodies.<br />

AT THE PARTIES<br />

Most conferences have various social events<br />

including opening-night and closing-night parties.<br />

Some have parties at nightclubs, and are<br />

little more than a typical club night<br />

so they may not be ideal for<br />

networking. Others have<br />

cocktail “mixers” where<br />

you have a great<br />

opportunity to meet<br />

people. Get to the<br />

party early because<br />

there is no<br />

benefit to being<br />

fashionably late.<br />

Sometimes if<br />

you get there<br />

early, when it<br />

isn’t too crowded,<br />

it is easier<br />

to meet people.<br />

Most conference<br />

websites<br />

have pictures and<br />

bios of the speakers.<br />

Since you have<br />

already researched<br />

and targeted people you<br />

would like to meet, you<br />

may notice some of them in<br />

the room.<br />

What you say when you meet someone<br />

at the party depends on the circumstances<br />

and your personal style. Of course have your<br />

business cards ready and a warm smile. Carefully<br />

limit your alcohol intake. Stay focused.<br />

Hold your drink in your left hand so that your<br />

right hand is available to shake hands and is<br />

not wet from holding your drink. Again the best<br />

networking opportunity at the mixer may be<br />

waiting for the restroom or waiting in line to get<br />

into the event. If you have someone with you at<br />

the conference (husband, wife or friend, etc.),<br />

they might also make good connections for you<br />

to meet.<br />

minBio: Glenn Litwak is a veteran music and entertainment<br />

attorney who has appeared at numerous music<br />

conferences as a panelist, moderator, and keynote<br />

speaker. He represents recording artists, production<br />

and management companies, music producers, and<br />

independent record labels, as well as songwriters<br />

and music publishers. He can be contacted at<br />

glenn@litwakand havkin.com. Learn more at his<br />

law firm website: http://litwakandhavkin.com.<br />

AFTER THE CONFERENCE<br />

When the conference ends it does not mean<br />

that your networking should end. I have<br />

shared a taxi from the hotel to the<br />

airport and have made excellent<br />

contacts. When you get<br />

home, input all the data<br />

from the business cards<br />

and other information.<br />

Then send follow-up<br />

emails to those you<br />

have met saying,<br />

“Nice to have met<br />

you. Let’s keep<br />

in touch.”<br />

You can post<br />

on your social<br />

networking sites<br />

what you did at<br />

the conference<br />

and pictures that<br />

you took as well.<br />

Consider sending<br />

new friend requests<br />

from your Facebook<br />

and/or LinkedIn pages,<br />

etc. In your follow-up<br />

email afterward, make certain<br />

to remind the person of who<br />

you are and what you do. Perhaps<br />

in the future you will both be attending another<br />

music conference where you could<br />

meet again.<br />

September 2012 www.musicconnection.com 43

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