CONTENTS
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– TOM KIDD prespak1@verizon.net<br />
games designers and anyone creative who has<br />
a love for all things nerdy. If that’s you, contact<br />
spindles@wonkyspanner.com.<br />
It’s All Geek To Me Podcast is looking for<br />
musicians, actors, comedians, video game<br />
designers and people involved with technology.<br />
Pitch to Jackson Herod, 903-690-1418 or<br />
jacksonherod@gmail.com.<br />
The comedy-oriented<br />
Studio D Podcast wants to<br />
hear from musicians looking<br />
to get their music exposed<br />
and opinionated people with<br />
something to get off their<br />
chests. Call 513-315-7335<br />
or contact musickminds@<br />
gmail.com.<br />
Wide Open Radio is<br />
looking for interviews with<br />
Pop and Top 40 artists, DJs<br />
and more. This is a Top 40/<br />
Urban format weekend<br />
daytime talk show typically<br />
featuring music and 2-3<br />
guests. Contact Rob<br />
Anthony, wideopenbooking<br />
@gmail.com.<br />
Johnny Kush Show, a<br />
nightly late night show<br />
at 1 a.m. EST, is open<br />
to musicians and performers of any stripe.<br />
Email the producer at marijuanahappyhour@<br />
gmail.com.<br />
WhiskeyBoy Radio, a comedy and<br />
entertainment podcast, loves to have<br />
musicians on the show, particularly in the rock,<br />
metal or alternative genres though they are<br />
open to hearing from anyone with a musical<br />
connection. Talk to WhiskeyBoy directly at<br />
whiskeyboy@whiskeyboyradio.com.<br />
Reel 2 Reel Sessions needs solo artists and<br />
bands who write and play original music who<br />
live in or will be in the San Diego County area.<br />
Guests must be able to go to the recording<br />
JEFF LIPPENCOTT<br />
DEE DEE O'MALLEY<br />
studio for an interview, talk about their music<br />
and play two of their original songs. Based in<br />
Santee, CA, Reel 2 Reel Sessions is part of<br />
East County Magazines Radio Show and is<br />
aired on KNSJ 89.1 every Monday and Friday.<br />
Contact producer Jerrie Dean at 619-654-7427<br />
or jerriedean@gmail.com.<br />
The Rajah Perkins Show in Kansas City,<br />
MO, wants to interview inspirational singers<br />
and musicians with life stories of triumph and<br />
beating all odds. Contact guest coordinator at<br />
rperkins2012@gmail.com.<br />
PROPS<br />
Janet Cole Valdez along with Deedee O’Malley,<br />
who has composed music for shows such as<br />
Dawson’s Creek, Beautiful People, Strong<br />
Medicine and Joan of Arcadia, have launched<br />
an Indiegogo pledge campaign for their new<br />
musical Waiting For Johnny Depp. Music<br />
for this hilarious and<br />
heartwarming production<br />
is being provided by<br />
PledgeMusic. For more<br />
information about the<br />
film, contact deedee@<br />
deedeemusic.com. For<br />
more about PledgeMusic,<br />
visit http://pledgemusic.<br />
com.<br />
Leading independent<br />
music publisher Spirit<br />
Music Group has<br />
announced the signing<br />
of a global multi-year<br />
co-publishing agreement<br />
with Neil Davidge, the<br />
UK composer, producer<br />
and artist responsible<br />
for some of the most<br />
critically acclaimed and<br />
commercially successful<br />
albums, videogame<br />
soundtracks and film<br />
scores of the last two<br />
decades. Through the deal, Spirit will provide<br />
a wide range of creative services for Davidge’s<br />
entire back catalog as well as marketing<br />
and promotion for his debut solo album and<br />
future work. Contact Eileen Thompson-Ray<br />
at Rogers & Cowan, 310-854-8137 or eray@<br />
rogersandcowan.com.<br />
Grammy Award-winning country singersongwriter<br />
Hank Williams Jr. will headline the<br />
fifth annual Music City New Year’s Eve Bash<br />
on Broadway event in downtown Nashville,<br />
TN. Music City celebrates the new year with<br />
multiple days of free live music and Nashville’s<br />
own midnight Music Note Drop. “This year is<br />
going to be very special on New Year’s Eve,”<br />
says Williams. “December 31st will mark the 60th<br />
anniversary of daddy’s death. For years, I have<br />
not performed on New Year’s Eve, in honor of my<br />
father, but this year is a monumental year in the<br />
history of Hank Williams.” For more information,<br />
contact Kirt Webster at Webster & Associates,<br />
615-777-6995 ext. 232 or kirt@websterpr.com.<br />
Twice Emmy-nominated composer Jeff<br />
Lippencott is known for dominating the<br />
reality TV music scene along with composing<br />
partner, Mark T. Williams. Lippencott’s<br />
latest theatrical release, Lionsgate’s Grace<br />
Unplugged, features a score, conducted with<br />
a 40-piece Seattle orchestra, narrating the<br />
inspirational story of an 18-year-old Christian<br />
singer-songwriter who aspires to do more than<br />
sing in her church’s worship band and travels<br />
to Los Angeles to land a record deal. Grace<br />
Unplugged is currently in theaters. Contact<br />
Ashley Patterson at CW3PR, 323-476-1050 or<br />
ashley@cw3pr.com.<br />
TOM KIDD's 20-year career includes extensive experience as<br />
an artist, producer and performer. Tom has promoted, marketed<br />
and developed Emmy- and Oscar-winning composers. He is<br />
President of Pres Pak Public Relations.<br />
Out Take<br />
Joe Mardin<br />
Co-Director<br />
Email: Dan Gurlitz at TDC Entertainment,<br />
dan@disinfo.com<br />
Web: http://shelterisland.net<br />
Most Recent: The Greatest Ears in Town:<br />
The Arif Mardin Story<br />
Joe Mardin never wanted to be a film<br />
guy. His newly released documentary, The<br />
Greatest Ears in Town: The Arif Mardin<br />
Story, started simply as a way to capture<br />
for posterity the work of the legendary<br />
music producer––Joe’s father––Arif Mardin<br />
as he recorded what would be the senior<br />
Mardin’s final project.<br />
“I’m a music person,” Joe Mardin says<br />
of the project, which began filming in the<br />
middle of the sessions that would emerge<br />
as the 2010 compilation All My Friends<br />
Are Here. “I was hoping we’d have some<br />
support with the finances from the studio<br />
or Warner Music Group. Instead, the film<br />
became the responsibility of myself and my<br />
family. I became involved in every aspect.”<br />
After Arif Mardin’s death a few months<br />
after filming began, Joe took time to finish<br />
the recording. He and his crew regrouped<br />
later and began interviewing some of the<br />
many major stars who had worked with<br />
Arif throughout his lengthy career. There<br />
were roadblocks. Some artists presented<br />
Mardin with scheduling conflicts and some<br />
songs presented issues with copyright.<br />
Joe Mardin was ready for none of it.<br />
“We don’t have the infrastructure of<br />
even a small movie studio,” he admits. “It<br />
was a daunting task to tell the story of this<br />
huge life.”<br />
A lesser artist might have given up, but<br />
Mardin had a larger purpose than simply<br />
getting something to the screen. “It was<br />
important to me as a lover of music to<br />
document my father’s life and work and<br />
to make it available to both students and<br />
music lovers,” he says of the task. “I look<br />
at it as a forever sort of project.”<br />
November 2013<br />
musicconnection.com<br />
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