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Angela Predhomme<br />

Contact: info@angelapredhomme.com<br />

Web: angelapredhomme.com<br />

Seeking: Publisher, Writing, Film/TV<br />

Style: Singer-Songwriter, Soulful Pop<br />

Username: apredhomme<br />

Lannie Flowers<br />

Contact: buckjudkins@charter.net<br />

Web: lannieflowers.com<br />

Seeking: Film/TV, Booking<br />

Style: Indie Power Pop<br />

Username: LannieFlowers<br />

Production<br />

8<br />

Lyrics<br />

7<br />

Music<br />

7<br />

Vocals<br />

7<br />

Musicianship 9<br />

Predhomme's recordings feature<br />

an artist whose sensitive, assured,<br />

hi-touch band can handle sustained<br />

chord intervals with art and ease.<br />

However, the singer's generally<br />

appealing voice, despite having<br />

chops derived from evident training,<br />

is not exactly up to the challenge<br />

presented by her ambitious arrangements<br />

("Let It Fall"). A further<br />

handicap is original material, such<br />

as the upbeat open-road song, "It's<br />

a Breeze," the bluesy "Dead Wrong,"<br />

whose hooks are in need of more<br />

sticking power.<br />

Production<br />

7<br />

Lyrics<br />

8<br />

Music<br />

7<br />

Vocals<br />

7<br />

Musicianship 8<br />

Flowers and his band deliver guitardriven<br />

power pop with an effective<br />

punk edge. His voice, which reminds<br />

us a bit of Billy Corgan, achieves a<br />

nasally resonance on "Circles" and<br />

especially the vibrant "Turn Up The<br />

Radio." "Around The World" has a<br />

harsher vocal texture and is a pretty<br />

catchy tune. It's a shame, though,<br />

that these recordings consistently<br />

bury the lead vocal in the mix instead<br />

of placing it front and center. The<br />

result is dense, smashed and muddy.<br />

Material as solid and commercial as<br />

this deserves top-notch production.<br />

Sons of Origin<br />

Contact: sonsoforigin@gmail.com<br />

Web: sonsoforigin.com<br />

Seeking: Label, Booking, Film/TV, Distr.<br />

Style: Alternative Rock, Pop/Rock<br />

Username: sonsoforigin<br />

The Oddfathers<br />

Contact: theoddfathers@live.com<br />

Web: theoddfathers.bandcamp.com<br />

Seeking: Booking, Film/TV<br />

Style: Rock & Roll<br />

Username: theoddfathers<br />

Production<br />

7<br />

Lyrics<br />

8<br />

Music<br />

7<br />

Vocals<br />

8<br />

Musicianship 7<br />

This NY-based quartet specializes<br />

in effervescent pop-rock that's<br />

distinctive for its unusual vocal<br />

blend, which harks back to classic,<br />

clean-cut '60s vocal groups. With<br />

its clever lyrics, "Morning In New<br />

York" is sweet, optimistic, romantic;<br />

somehow from a whole 'nother era.<br />

This throwback glow is also felt on<br />

"Nothing Left To Lose," while the<br />

pensive and foreboding "Falling<br />

Down" mutes the sunlight. Though<br />

each song is in a different genre, the<br />

vocals remain unvaried. We advise<br />

the band to pick a style.<br />

Production<br />

7<br />

Lyrics<br />

7<br />

Music<br />

7<br />

Vocals<br />

8<br />

Musicianship 7<br />

Well-seasoned Minnesota mob<br />

delivers full-tilt, unabashed rock &<br />

roll with lots of Stones and Kiss in<br />

its DNA. Brynn Arens' vocals emit<br />

plenty of David Lee Roth swagger<br />

on "Another Tear Goes By," and<br />

the song allows room for solid solo<br />

breaks. The bluesy "Bleecker Street"<br />

has a wistful "Waiting On A Friend"<br />

vibe, building patiently with an<br />

endearing raggedness. Though all<br />

these recordings have muddiness<br />

issues, what's crystal clear is that,<br />

on a live stage, this band must be a<br />

force to reckoned with.<br />

Shaheed<br />

Contact: shaheedxl@gmail.com<br />

Web: shaheedworld.com<br />

Seeking: Mgmt, Label, Booking, Distr.<br />

Style: Hip-Hop<br />

Username: Shaheed<br />

1000 Suns<br />

Contact: info@1000-suns.com<br />

Web: 1000-suns.com<br />

Seeking: Gigs, Film/TV<br />

Style: Post-Rock<br />

Username: 1000suns<br />

Production<br />

6<br />

Lyrics<br />

7<br />

Music<br />

7<br />

Vocals<br />

8<br />

Musicianship 7<br />

As a rapper and singer, this Miami<br />

artist's gifts are solid. "Ah Yea"<br />

shows a dynamic vocal flow and<br />

"Let It Be" allows him to croon<br />

soulfully. It's too bad, though, that<br />

he's handicapped not only by poor<br />

production that sullies the sound mix,<br />

but his subject matter is well-worn<br />

and overly familiar. More substance<br />

would go a long way to making this<br />

performer stand out from a crowded<br />

pack. First and foremost, Shaheed<br />

would do well to figure out who his<br />

audience is—hip-hop headz or club<br />

rats. He won't get both.<br />

Production<br />

7<br />

Lyrics<br />

x<br />

Music<br />

7<br />

Vocals<br />

x<br />

Musicianship 7<br />

These alt-rock instrumentalists<br />

send their message through music,<br />

not lyrics. But, honestly, due to the<br />

all-rhythm/no-melody direction of<br />

these tracks, it sounds like they're<br />

waiting for a singer to step to the<br />

mic. The funereal "Lament..." is an<br />

8-minute excursion that is extremely<br />

simplistic—and ultimately dull. More<br />

compelling is "Aurora Revelation,"<br />

a spacey, Tool-like track with<br />

aggressive soloing and FX fireworks.<br />

This is a tight band with potential.<br />

We urge them to continue to develop<br />

their compositions.<br />

SUBMISSION GUIDELINES: There is absolutely no charge for a New Music Critique. We critique recordings that have yet to connect with a label or distributor.<br />

To be considered please go to http://musicconnection.com/amp and click on “Get Reviewed.” All submissions are randomly selected and reviewed by committee.<br />

November 2013<br />

musicconnection.com<br />

51

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