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Angela Predhomme<br />
Contact: info@angelapredhomme.com<br />
Web: angelapredhomme.com<br />
Seeking: Publisher, Writing, Film/TV<br />
Style: Singer-Songwriter, Soulful Pop<br />
Username: apredhomme<br />
Lannie Flowers<br />
Contact: buckjudkins@charter.net<br />
Web: lannieflowers.com<br />
Seeking: Film/TV, Booking<br />
Style: Indie Power Pop<br />
Username: LannieFlowers<br />
Production<br />
8<br />
Lyrics<br />
7<br />
Music<br />
7<br />
Vocals<br />
7<br />
Musicianship 9<br />
Predhomme's recordings feature<br />
an artist whose sensitive, assured,<br />
hi-touch band can handle sustained<br />
chord intervals with art and ease.<br />
However, the singer's generally<br />
appealing voice, despite having<br />
chops derived from evident training,<br />
is not exactly up to the challenge<br />
presented by her ambitious arrangements<br />
("Let It Fall"). A further<br />
handicap is original material, such<br />
as the upbeat open-road song, "It's<br />
a Breeze," the bluesy "Dead Wrong,"<br />
whose hooks are in need of more<br />
sticking power.<br />
Production<br />
7<br />
Lyrics<br />
8<br />
Music<br />
7<br />
Vocals<br />
7<br />
Musicianship 8<br />
Flowers and his band deliver guitardriven<br />
power pop with an effective<br />
punk edge. His voice, which reminds<br />
us a bit of Billy Corgan, achieves a<br />
nasally resonance on "Circles" and<br />
especially the vibrant "Turn Up The<br />
Radio." "Around The World" has a<br />
harsher vocal texture and is a pretty<br />
catchy tune. It's a shame, though,<br />
that these recordings consistently<br />
bury the lead vocal in the mix instead<br />
of placing it front and center. The<br />
result is dense, smashed and muddy.<br />
Material as solid and commercial as<br />
this deserves top-notch production.<br />
Sons of Origin<br />
Contact: sonsoforigin@gmail.com<br />
Web: sonsoforigin.com<br />
Seeking: Label, Booking, Film/TV, Distr.<br />
Style: Alternative Rock, Pop/Rock<br />
Username: sonsoforigin<br />
The Oddfathers<br />
Contact: theoddfathers@live.com<br />
Web: theoddfathers.bandcamp.com<br />
Seeking: Booking, Film/TV<br />
Style: Rock & Roll<br />
Username: theoddfathers<br />
Production<br />
7<br />
Lyrics<br />
8<br />
Music<br />
7<br />
Vocals<br />
8<br />
Musicianship 7<br />
This NY-based quartet specializes<br />
in effervescent pop-rock that's<br />
distinctive for its unusual vocal<br />
blend, which harks back to classic,<br />
clean-cut '60s vocal groups. With<br />
its clever lyrics, "Morning In New<br />
York" is sweet, optimistic, romantic;<br />
somehow from a whole 'nother era.<br />
This throwback glow is also felt on<br />
"Nothing Left To Lose," while the<br />
pensive and foreboding "Falling<br />
Down" mutes the sunlight. Though<br />
each song is in a different genre, the<br />
vocals remain unvaried. We advise<br />
the band to pick a style.<br />
Production<br />
7<br />
Lyrics<br />
7<br />
Music<br />
7<br />
Vocals<br />
8<br />
Musicianship 7<br />
Well-seasoned Minnesota mob<br />
delivers full-tilt, unabashed rock &<br />
roll with lots of Stones and Kiss in<br />
its DNA. Brynn Arens' vocals emit<br />
plenty of David Lee Roth swagger<br />
on "Another Tear Goes By," and<br />
the song allows room for solid solo<br />
breaks. The bluesy "Bleecker Street"<br />
has a wistful "Waiting On A Friend"<br />
vibe, building patiently with an<br />
endearing raggedness. Though all<br />
these recordings have muddiness<br />
issues, what's crystal clear is that,<br />
on a live stage, this band must be a<br />
force to reckoned with.<br />
Shaheed<br />
Contact: shaheedxl@gmail.com<br />
Web: shaheedworld.com<br />
Seeking: Mgmt, Label, Booking, Distr.<br />
Style: Hip-Hop<br />
Username: Shaheed<br />
1000 Suns<br />
Contact: info@1000-suns.com<br />
Web: 1000-suns.com<br />
Seeking: Gigs, Film/TV<br />
Style: Post-Rock<br />
Username: 1000suns<br />
Production<br />
6<br />
Lyrics<br />
7<br />
Music<br />
7<br />
Vocals<br />
8<br />
Musicianship 7<br />
As a rapper and singer, this Miami<br />
artist's gifts are solid. "Ah Yea"<br />
shows a dynamic vocal flow and<br />
"Let It Be" allows him to croon<br />
soulfully. It's too bad, though, that<br />
he's handicapped not only by poor<br />
production that sullies the sound mix,<br />
but his subject matter is well-worn<br />
and overly familiar. More substance<br />
would go a long way to making this<br />
performer stand out from a crowded<br />
pack. First and foremost, Shaheed<br />
would do well to figure out who his<br />
audience is—hip-hop headz or club<br />
rats. He won't get both.<br />
Production<br />
7<br />
Lyrics<br />
x<br />
Music<br />
7<br />
Vocals<br />
x<br />
Musicianship 7<br />
These alt-rock instrumentalists<br />
send their message through music,<br />
not lyrics. But, honestly, due to the<br />
all-rhythm/no-melody direction of<br />
these tracks, it sounds like they're<br />
waiting for a singer to step to the<br />
mic. The funereal "Lament..." is an<br />
8-minute excursion that is extremely<br />
simplistic—and ultimately dull. More<br />
compelling is "Aurora Revelation,"<br />
a spacey, Tool-like track with<br />
aggressive soloing and FX fireworks.<br />
This is a tight band with potential.<br />
We urge them to continue to develop<br />
their compositions.<br />
SUBMISSION GUIDELINES: There is absolutely no charge for a New Music Critique. We critique recordings that have yet to connect with a label or distributor.<br />
To be considered please go to http://musicconnection.com/amp and click on “Get Reviewed.” All submissions are randomly selected and reviewed by committee.<br />
November 2013<br />
musicconnection.com<br />
51