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EVNTLIVE INC.<br />

Partners With Bands To Develop Immersive Live Experiences Online<br />

ne reality of the great shift in the music<br />

industry over the past several years is<br />

Othat live shows are increasingly important<br />

to an artist’s career. Though recorded music is<br />

still a factor, the digital/Spotify/satellite/vinyl/CD<br />

formats are still settling into the new landscape,<br />

while live performances are also thriving on<br />

multiple platforms. One of the companies offering<br />

new ways for artists and fans to experience<br />

live shows is EvntLive, Inc.<br />

Launched earlier this year by tech entrepreneur<br />

(and former CISCO CTO) Judy Estrin with<br />

son David Carrico, the company partners with<br />

“The cost of producing these types of shows is<br />

much cheaper than satellite, and the cost of online<br />

distribution has come way down.”<br />

– BRETT BUSH<br />

EvntLive licenses the artist’s broadcast for<br />

a limited time, for the live broadcast and as<br />

part of the “curation” of events. The fees paid<br />

to the artists vary. EvntLive aims to keep most<br />

(and eventually all) of the events free for users.<br />

“The cost of producing these types of shows<br />

is much cheaper than satellite, and the cost of<br />

online distribution has come way down in the<br />

past few years,” explains Carrico. “There are<br />

advances in technology on the production side,<br />

and also an increase in the potential audience.<br />

Users are more mobile and engaged online,<br />

and much more throughout the day than<br />

bands to develop immersive live experiences<br />

online. Unlike other sites offering streaming live<br />

performances, EvntLive.com provides viewers<br />

with a fully engaged experience, including multiple<br />

camera angles that the viewer can choose,<br />

and onscreen interaction between fans.<br />

“EvntLive.com is beyond the box-and-screen<br />

experience,” says Chief Marketing Officer David<br />

Carrico, referring to sites and networks that<br />

simply broadcast or stream a live event. “It is<br />

socially owned by the fans. You can’t separate<br />

the participation between the artist and the<br />

audience. It’s symbiotic.”<br />

Artists who have partnered with EvntLive<br />

include Slash, Wale and Shelby Lynne, as well<br />

as up-and coming bands and several major festivals.<br />

The details of the partnerships with EvntLive<br />

vary—the company will provide a production<br />

crew to capture the show, work with an existing<br />

crew provided by the artist or venue or combine<br />

efforts to produce a multi-camera show with high<br />

video and audio quality. “We allow the audience<br />

to experience the show as if they were there<br />

physically,” says Carrico. “Users can chat during<br />

the show—on average, 60 percent engage in<br />

chat 11 times during a show. They comment on<br />

the songs, previous shows they’ve seen, just as if<br />

they were attending the show in person.”<br />

The four founding principals in the company,<br />

CEO Estrin, Carrico, and brothers Jonathan<br />

Beckman (VP) and Alex Beckman (CCO),<br />

each come from different fields of expertise.<br />

Estrin has an extensive background in developing<br />

tech software, as well as serving on the<br />

board of the Walt Disney Company and other<br />

major companies. Carrico was CEO of CMG,<br />

a music marketing and management company.<br />

Jonathan Beckman brings extensive experience<br />

as a touring musician, and Alex Beckman<br />

brings his background as a commercial,<br />

music video and multimedia content executive.<br />

“We came together in 2012 from very different<br />

sides of the music business—we all looked<br />

at it from a different angle,” Carrico says. “Our<br />

strategy is to find top-quality artists looking to<br />

be creative with online concerts, and to offer a<br />

unique fan experience.”<br />

previously. Our differentiation is our curation of<br />

the shows, the interactivity––the focus on the<br />

social experience.”<br />

Carrico notes that the company is less focused<br />

on revenue stream right now as it builds<br />

awareness and an audience. Users sign up for<br />

free to participate in the live shows (by reserving<br />

online) and festivals, and typically pay a small<br />

fee for archived, or “curated,” events ($2.99, for<br />

example to view a Shelby Lynne show). “We will<br />

eventually bring in sponsors, and develop other<br />

platforms, such as merchandising partnerships.<br />

We want this to be the closest thing for the<br />

audience to being there live, or better. We’re the<br />

venue with the cleanest bathrooms!”<br />

Contact artists@evntlive.com, 650-306-9463<br />

46 November 2013 musicconnection.com

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