CONTENTS
View/Download the new issue PDF here - Music Connection
View/Download the new issue PDF here - Music Connection
- No tags were found...
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
EVNTLIVE INC.<br />
Partners With Bands To Develop Immersive Live Experiences Online<br />
ne reality of the great shift in the music<br />
industry over the past several years is<br />
Othat live shows are increasingly important<br />
to an artist’s career. Though recorded music is<br />
still a factor, the digital/Spotify/satellite/vinyl/CD<br />
formats are still settling into the new landscape,<br />
while live performances are also thriving on<br />
multiple platforms. One of the companies offering<br />
new ways for artists and fans to experience<br />
live shows is EvntLive, Inc.<br />
Launched earlier this year by tech entrepreneur<br />
(and former CISCO CTO) Judy Estrin with<br />
son David Carrico, the company partners with<br />
“The cost of producing these types of shows is<br />
much cheaper than satellite, and the cost of online<br />
distribution has come way down.”<br />
– BRETT BUSH<br />
EvntLive licenses the artist’s broadcast for<br />
a limited time, for the live broadcast and as<br />
part of the “curation” of events. The fees paid<br />
to the artists vary. EvntLive aims to keep most<br />
(and eventually all) of the events free for users.<br />
“The cost of producing these types of shows<br />
is much cheaper than satellite, and the cost of<br />
online distribution has come way down in the<br />
past few years,” explains Carrico. “There are<br />
advances in technology on the production side,<br />
and also an increase in the potential audience.<br />
Users are more mobile and engaged online,<br />
and much more throughout the day than<br />
bands to develop immersive live experiences<br />
online. Unlike other sites offering streaming live<br />
performances, EvntLive.com provides viewers<br />
with a fully engaged experience, including multiple<br />
camera angles that the viewer can choose,<br />
and onscreen interaction between fans.<br />
“EvntLive.com is beyond the box-and-screen<br />
experience,” says Chief Marketing Officer David<br />
Carrico, referring to sites and networks that<br />
simply broadcast or stream a live event. “It is<br />
socially owned by the fans. You can’t separate<br />
the participation between the artist and the<br />
audience. It’s symbiotic.”<br />
Artists who have partnered with EvntLive<br />
include Slash, Wale and Shelby Lynne, as well<br />
as up-and coming bands and several major festivals.<br />
The details of the partnerships with EvntLive<br />
vary—the company will provide a production<br />
crew to capture the show, work with an existing<br />
crew provided by the artist or venue or combine<br />
efforts to produce a multi-camera show with high<br />
video and audio quality. “We allow the audience<br />
to experience the show as if they were there<br />
physically,” says Carrico. “Users can chat during<br />
the show—on average, 60 percent engage in<br />
chat 11 times during a show. They comment on<br />
the songs, previous shows they’ve seen, just as if<br />
they were attending the show in person.”<br />
The four founding principals in the company,<br />
CEO Estrin, Carrico, and brothers Jonathan<br />
Beckman (VP) and Alex Beckman (CCO),<br />
each come from different fields of expertise.<br />
Estrin has an extensive background in developing<br />
tech software, as well as serving on the<br />
board of the Walt Disney Company and other<br />
major companies. Carrico was CEO of CMG,<br />
a music marketing and management company.<br />
Jonathan Beckman brings extensive experience<br />
as a touring musician, and Alex Beckman<br />
brings his background as a commercial,<br />
music video and multimedia content executive.<br />
“We came together in 2012 from very different<br />
sides of the music business—we all looked<br />
at it from a different angle,” Carrico says. “Our<br />
strategy is to find top-quality artists looking to<br />
be creative with online concerts, and to offer a<br />
unique fan experience.”<br />
previously. Our differentiation is our curation of<br />
the shows, the interactivity––the focus on the<br />
social experience.”<br />
Carrico notes that the company is less focused<br />
on revenue stream right now as it builds<br />
awareness and an audience. Users sign up for<br />
free to participate in the live shows (by reserving<br />
online) and festivals, and typically pay a small<br />
fee for archived, or “curated,” events ($2.99, for<br />
example to view a Shelby Lynne show). “We will<br />
eventually bring in sponsors, and develop other<br />
platforms, such as merchandising partnerships.<br />
We want this to be the closest thing for the<br />
audience to being there live, or better. We’re the<br />
venue with the cleanest bathrooms!”<br />
Contact artists@evntlive.com, 650-306-9463<br />
46 November 2013 musicconnection.com