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The-mythology-of-ancient-greece-and-italy-thomas-keightley

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HISTORIC VIEW. 21<br />

mixed up with the old tales <strong>of</strong> gods <strong>and</strong> heroes ; <strong>and</strong> the fable<br />

to be represented on the stage <strong>of</strong>ten varied so much from that<br />

h<strong>and</strong>ed down by tradition, that, as is more especially the case<br />

with Euripides, the poet appears at times to have found it<br />

necessary to inform his audience in a long prologue <strong>of</strong> what<br />

they were about to witness.<br />

Such was -the state <strong>of</strong> the <strong>ancient</strong> <strong>mythology</strong> <strong>of</strong> Greece in<br />

her days <strong>of</strong> greatest intellectual culture. Few <strong>of</strong> the mythes<br />

remained unaltered. Priests, philosophers, <strong>and</strong> poets com<br />

bined to vary, change, <strong>and</strong> modify them. <strong>The</strong> imagination<br />

<strong>of</strong> these various classes produced new mythes, <strong>and</strong> the local<br />

tales <strong>of</strong> foreign l<strong>and</strong>s were incorporated into the Grecian<br />

mythic cycle.<br />

When the Ptolemies, those munificent patrons <strong>of</strong> learning,<br />

had assembled around them at Alex<strong>and</strong>ria the scholars <strong>and</strong><br />

the men <strong>of</strong> genius <strong>of</strong> Greece, the science <strong>of</strong> antiquity was, by<br />

the aid <strong>of</strong> the extensive royal library, assiduously cultivated ;<br />

<strong>and</strong> the <strong>ancient</strong> <strong>mythology</strong> soon became a favourite subject<br />

<strong>of</strong> learned investigation. Some worked up the mythes into<br />

poems ; others arranged them in prose narratives ; several oc<br />

cupied themselves in the explication <strong>of</strong> them.<br />

At this time what is named Pragmatism, or the effort to<br />

reduce the mythes to history, began greatly to prevail8. It<br />

is probable that this took its rise from the Egyptian priests,<br />

who, as we may see in Herodotus, represented their gods as<br />

having dwelt <strong>and</strong> reigned on earth b. Hecataeus <strong>of</strong> Miletus,<br />

one <strong>of</strong> the earliest Grecian historians, would seem to have<br />

laboured to give a rational form to the old legendsc; <strong>and</strong> we<br />

may observe in the explanation given by Herodotus, after the<br />

Egyptian priests, <strong>of</strong> the legend <strong>of</strong> the soothsaying pigeon <strong>of</strong><br />

Dodona, <strong>and</strong> in other places <strong>of</strong> that historian, a similar de<br />

sired. This mode <strong>of</strong> rationalising was carried to a much<br />

greater extent by Ephorus : but the work which may be re<br />

garded as having contributed by far the most to give it vogue,<br />

* Miiller, Proleg. 97-99. Lobeck, Aglaoph. 987. seg. Buttmann, i. 197.<br />

b Herodotus, ii. 144.<br />

c HecatEeus began his work in these words : " I write as it appears to me to be<br />

true ; for the narratives <strong>of</strong> the Hellenes are very various <strong>and</strong> ridiculous, as it<br />

seems to me." He said that Cerberos was a serpent that lay at Tjenaron,<br />

1 Herod, ii. 54-57.

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