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(Kristin Chenoweth) and Elphaba - Camera Obscura: Feminism ...

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Wicked Divas <strong>and</strong> Internet Girl Fans • 47<br />

of loyal <strong>and</strong> close female friendship, while she also becomes, as a<br />

single woman, a public leader.<br />

Wicked reinvents the Broadway diva for the twenty-first<br />

century <strong>and</strong> for twenty-first-century girl fans. While drawing on<br />

well-established (some might say well-worn) conventions of musical<br />

theater, the show injects a contemporary sensibility that transforms<br />

the typical Broadway diva from a larger-than-life force to an everyday<br />

girl. By presenting an ordinary personality in an extraordinary<br />

singer, Wicked invites young female spectators’ identifications <strong>and</strong><br />

attachments. Glinda <strong>and</strong> <strong>Elphaba</strong> experience the typical challenges<br />

of adolescence — of identity formation, of social acceptance, of success,<br />

of loneliness, of loyalty <strong>and</strong> the challenges of friendship — all<br />

issues to which girls readily relate. 27 Yet it is the practice of performance<br />

that truly confers divadom in Wicked. Each character sings,<br />

<strong>and</strong> the actress who plays her sings. Whatever the situation in the<br />

musical itself, the performer transcends that place through singing.<br />

Whatever the problems in the character’s life, the performer<br />

makes that character into a heroine. Audiences assimilate these<br />

layers of performance at once; this is the pleasure of musical theater.<br />

Girl fans’ discussions of Wicked’s divas demonstrate the ease<br />

with which they move among analyzing these characters, relating<br />

to them, <strong>and</strong> performing the diva themselves.<br />

Interpreting the Everyday Diva<br />

Girl fans first approach the diva through interpreting her character.<br />

28 They see how Glinda performs the diva who always plays<br />

to her audience — from the awestruck citizens of Oz to her giggly<br />

entourage of schoolchum fans to the crowd that cheers her brash<br />

imitation of Evita (as one girl fan complains knowingly, “Why does<br />

no one ever get the Megan/Evita pose; I think it’s hysterical”). 29 In<br />

the Jerry Herman (Dolly Levi, Mame) tradition, she is a cheerful<br />

meddler. 30 Her solos are funny <strong>and</strong> character oriented.<br />

Even as fans observe Glinda’s sparkly gown, blond curls, <strong>and</strong><br />

her frequent, hilarious malapropisms, they read her as an everyday<br />

girl, <strong>and</strong> they judge her accordingly. On one thread, for example,<br />

they look closely at her troubling self-centeredness. “Is she Wicked?”

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