(Kristin Chenoweth) and Elphaba - Camera Obscura: Feminism ...
(Kristin Chenoweth) and Elphaba - Camera Obscura: Feminism ...
(Kristin Chenoweth) and Elphaba - Camera Obscura: Feminism ...
- No tags were found...
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
Wicked Divas <strong>and</strong> Internet Girl Fans • 47<br />
of loyal <strong>and</strong> close female friendship, while she also becomes, as a<br />
single woman, a public leader.<br />
Wicked reinvents the Broadway diva for the twenty-first<br />
century <strong>and</strong> for twenty-first-century girl fans. While drawing on<br />
well-established (some might say well-worn) conventions of musical<br />
theater, the show injects a contemporary sensibility that transforms<br />
the typical Broadway diva from a larger-than-life force to an everyday<br />
girl. By presenting an ordinary personality in an extraordinary<br />
singer, Wicked invites young female spectators’ identifications <strong>and</strong><br />
attachments. Glinda <strong>and</strong> <strong>Elphaba</strong> experience the typical challenges<br />
of adolescence — of identity formation, of social acceptance, of success,<br />
of loneliness, of loyalty <strong>and</strong> the challenges of friendship — all<br />
issues to which girls readily relate. 27 Yet it is the practice of performance<br />
that truly confers divadom in Wicked. Each character sings,<br />
<strong>and</strong> the actress who plays her sings. Whatever the situation in the<br />
musical itself, the performer transcends that place through singing.<br />
Whatever the problems in the character’s life, the performer<br />
makes that character into a heroine. Audiences assimilate these<br />
layers of performance at once; this is the pleasure of musical theater.<br />
Girl fans’ discussions of Wicked’s divas demonstrate the ease<br />
with which they move among analyzing these characters, relating<br />
to them, <strong>and</strong> performing the diva themselves.<br />
Interpreting the Everyday Diva<br />
Girl fans first approach the diva through interpreting her character.<br />
28 They see how Glinda performs the diva who always plays<br />
to her audience — from the awestruck citizens of Oz to her giggly<br />
entourage of schoolchum fans to the crowd that cheers her brash<br />
imitation of Evita (as one girl fan complains knowingly, “Why does<br />
no one ever get the Megan/Evita pose; I think it’s hysterical”). 29 In<br />
the Jerry Herman (Dolly Levi, Mame) tradition, she is a cheerful<br />
meddler. 30 Her solos are funny <strong>and</strong> character oriented.<br />
Even as fans observe Glinda’s sparkly gown, blond curls, <strong>and</strong><br />
her frequent, hilarious malapropisms, they read her as an everyday<br />
girl, <strong>and</strong> they judge her accordingly. On one thread, for example,<br />
they look closely at her troubling self-centeredness. “Is she Wicked?”