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(Kristin Chenoweth) and Elphaba - Camera Obscura: Feminism ...

(Kristin Chenoweth) and Elphaba - Camera Obscura: Feminism ...

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40 • <strong>Camera</strong> <strong>Obscura</strong><br />

F-ing incredible. OMG. . . . It sounds so freaking effortless.<br />

The obsessing was definitely worth it guys.<br />

— BelleOf TheB<strong>and</strong>, witchesofoz.com, April 2006<br />

Near the end of the 9 January 2005 Broadway performance of<br />

Wicked, Glinda the Good Witch (Jennifer Laura Thompson)<br />

floated twenty feet above the stage in her steel orb “bubble,”<br />

ready to accept her position as the new governor of Oz. Fiyero,<br />

now the Scarecrow (Joey McIntyre), knocked on a trapdoor<br />

in the Ger shwin Theatre’s stage floor to summon <strong>Elphaba</strong>, the<br />

Wicked Witch of the West (Shoshana Bean), who had faked her<br />

own death, to come out of hiding. Instead of the trap door opening<br />

<strong>and</strong> <strong>Elphaba</strong>/Bean’s head appearing, though, a different<br />

actress, Idina Menzel, walked gingerly from the wings onto the<br />

stage, decked out in a red Adidas warm-up suit <strong>and</strong> red sneakers.<br />

The actress, who originated the role of <strong>Elphaba</strong>, had been injured<br />

during the previous day’s performance when the elevator beneath<br />

the stage into which she “melts” dropped early, <strong>and</strong> she fell <strong>and</strong><br />

broke a rib. While few stage injuries are newsworthy, this one got<br />

coverage in the New York Times <strong>and</strong> by the Associated Press in part<br />

because Menzel, who had achieved considerable fame in the role,<br />

was to have appeared in it for the last time on 9 January.<br />

Those in the audience who had come especially to see<br />

Menzel’s final performance that evening may not have seen her<br />

play <strong>Elphaba</strong>, but they got what they paid for. As Jesse McKinley<br />

wrote in the New York Times, “She wasn’t in costume, she wasn’t in<br />

makeup, <strong>and</strong> she wasn’t even in character.” But as soon as Menzel<br />

entered from upstage left, the audience went wild. McKinley<br />

described a st<strong>and</strong>ing ovation “like few you’ve ever seen: a screaming,<br />

squealing, flashbulb-popping explosion that was equal parts<br />

ecstatic hello <strong>and</strong> tearful goodbye.” The performance was completely<br />

halted by “this outpouring of love,” with only a few lines of<br />

dialogue <strong>and</strong> a half verse of a song remaining in the show. 1 Finally,<br />

after much grinning <strong>and</strong> stammering from the actors, Thompson<br />

picked up her cue, “Fellow Ozians,” <strong>and</strong> then shouted, “I love you,<br />

Idina Menzel!” The crowd erupted again, but soon Thompson <strong>and</strong><br />

Menzel continued, spoke their lines <strong>and</strong> sang the last few phrases<br />

of the show together in harmony. 2

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