(Kristin Chenoweth) and Elphaba - Camera Obscura: Feminism ...
(Kristin Chenoweth) and Elphaba - Camera Obscura: Feminism ...
(Kristin Chenoweth) and Elphaba - Camera Obscura: Feminism ...
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70 • <strong>Camera</strong> <strong>Obscura</strong><br />
73. BelleOfTheB<strong>and</strong>, 16 April 2006, witchesofoz.com/forums/<br />
viewtopic.php?t=7641 (accessed 21 July 2006).<br />
74. Stacey, Star Gazing, 159 – 70.<br />
75. zonny88, 15 April 2005, theater2.nytimes.com/rnr/theater/rnr_<br />
read.html?id=1077011420441&fid=.f5616f6&sort=newest<br />
&oref=login (accessed 21 July 2006).<br />
76. DefyingGravity, 30 January 2005, verdigris.proboards19.com/<br />
index.cgi?board=general&action=display&thread=1078602508<br />
(accessed 21 July 2006).<br />
77. The show’s producers have taken advantage of fans’ desire<br />
to perform by organizing singing contests, called “Wicked<br />
Day,” where the winners get free tickets to the show. However<br />
empowering the use of Wicked is for girl fans, it certainly in<br />
no way critiques the workings of capitalism, or even how girls’<br />
subjectivities are commodified by way of their f<strong>and</strong>om. See<br />
Maurya Wickstrom, Performing Consumers: Global Capitalism <strong>and</strong> Its<br />
Theatrical Seductions (New York: Routledge, 2006).<br />
78. Kearney, Girls Make Media.<br />
79. RemedialSweetSap, 29 April 2006, musicals.net/forums/<br />
viewtopic.php?t=48550 (accessed 21 July 2006).<br />
80. DramaRobin2002, 17 April 2006, musicals.net/forums/<br />
viewtopic.php?t=48294 (accessed 21 July 2006).<br />
81. DefyingGravity, 30 January 2005, verdigris.proboards19.com/<br />
index.cgi?board=general&action=display&thread=1078602508<br />
(accessed 21 July 2006).<br />
82. Castle, The Apparitional Lesbian, 235; original emphasis.<br />
83. Leonardi <strong>and</strong> Pope, The Diva’s Mouth, 185.<br />
84. To historicize: In 1916, according to Shelley Stamp, McClure’s<br />
magazine advised treating the “infatuation” of a “stagestruck<br />
girl” with ‘“tender tolerance,’ since it was a passing phase that<br />
‘amounted only to a disease which every girl had in the course<br />
of evolution, like croup or the measles’ ” (Movie-Struck Girls:<br />
Women <strong>and</strong> Motion Picture Culture after the Nickelodeon [Princeton,<br />
NJ: Princeton University Press, 2000], 37). For other historical<br />
studies of girls, see, for example, Kelly Shrum, Some Wore Bobby<br />
Sox: The Emergence of Teenage Girls’ Culture, 1920 – 1945 (New York:<br />
Palgrave Macmillan, 2004); Sherrie A. Inness, ed., Delinquents
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