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Art Moves Adrica – Mobility & Touring in East Africa 2012

Visual Arts Sector Final Report September 2012 by Danda Jaroljmek

Visual Arts Sector Final Report September 2012 by Danda Jaroljmek

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13<br />

Methodology<br />

MEtH<br />

ODOL<br />

OGY<br />

—<br />

—<br />

The methodology used for<br />

this research <strong>in</strong>cluded the<br />

follow<strong>in</strong>g elements: questionnaire distribution, site visits and <strong>in</strong>terviews,<br />

and Internet- and text-based research.<br />

In the first phase of the study, questionnaires were distributed<br />

to 70 of these exist<strong>in</strong>g contacts. Along with their responses,<br />

they were asked to submit the names and contact <strong>in</strong>formation of the<br />

members of their own networks. In the second phase of the research,<br />

site visits were conducted <strong>in</strong> all seven countries, allow<strong>in</strong>g the author<br />

to distribute more questionnaires and to <strong>in</strong>terview many more artists<br />

and cultural practitioners directly.<br />

As a resident of the region and as a former employee of Kuona<br />

Trust and the Triangle Network, the author had extensive connections<br />

with artists and arts organizations <strong>in</strong> many of the 7 countries. These<br />

furnished a useful start<strong>in</strong>g po<strong>in</strong>t for the study.<br />

Internet- and text-based research was also useful for locat<strong>in</strong>g<br />

artists and cultural practitioners <strong>in</strong> the region. Many art spaces<br />

and artists have Facebook pages, some have websites and blogs,<br />

and there was some <strong>in</strong>formation on artists <strong>in</strong> Rwanda and Sudan<br />

available onl<strong>in</strong>e. The <strong>Art</strong>erial Network, <strong>Africa</strong>ncolours, Kuona Trust,<br />

GoDown <strong>Art</strong> Centre, Ivuka <strong>Art</strong>ists, 32 Degrees <strong>East</strong>, Nafasi <strong>Art</strong> Space,<br />

Mawazo Gallery, and the Sudanese Plastic <strong>Art</strong>ists’ Union were very<br />

helpful, arrang<strong>in</strong>g meet<strong>in</strong>gs, visits to artists studios and galleries, and<br />

shar<strong>in</strong>g contact details. Other onl<strong>in</strong>e sources <strong>in</strong>cluded: Res<strong>Art</strong>is, Culture<br />

360, ACP Cultures and Universes <strong>in</strong> Universe. Lastly, magaz<strong>in</strong>es<br />

such as Start Journal <strong>in</strong> Uganda, What’s Out Addis, and newspapers<br />

such as Kenya’s The <strong>East</strong> <strong>Africa</strong>n were also useful sources.

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