Art Moves Adrica – Mobility & Touring in East Africa 2012
Visual Arts Sector Final Report September 2012 by Danda Jaroljmek
Visual Arts Sector Final Report September 2012 by Danda Jaroljmek
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60<br />
AMA Th<strong>in</strong>k Tank Session<br />
In order to harness the expertise of participants of the AMA<br />
<strong>Mobility</strong> Th<strong>in</strong>k Tank <strong>in</strong> Tangier, the follow<strong>in</strong>g three questions were<br />
put to the participants of the workshop:<br />
1.<br />
2.<br />
3.<br />
What does it take to create a function<strong>in</strong>g<br />
tour<strong>in</strong>g circuit?<br />
How can it help artists and managers?<br />
How can it be implemented?<br />
Any feedback on methodology and<br />
recommendations?<br />
Are there practical solutions and case<br />
studies from other parts of <strong>Africa</strong>?<br />
What are the necessary practical<br />
next steps to move from research<br />
to action?<br />
The follow<strong>in</strong>g is a summary of key po<strong>in</strong>ts identified by the work<br />
groups <strong>in</strong> response to the question “what does it take to create<br />
a function<strong>in</strong>g tour<strong>in</strong>g network?”<br />
All agreed that some degree of control is necessary for a function<strong>in</strong>g<br />
tour<strong>in</strong>g network:<br />
· Credibility of venues (equipment, ... )<br />
· Credibility of managers<br />
· <strong>Art</strong>istic quality of the production,<br />
<strong>in</strong>clud<strong>in</strong>g cultural sensitivities<br />
· Ongo<strong>in</strong>g and cont<strong>in</strong>u<strong>in</strong>g exchange<br />
of <strong>in</strong>formation<br />
· Regular meet<strong>in</strong>gs<br />
· Organization <strong>in</strong>to sub-sectors (dance,<br />
music, art etc)<br />
· Clear <strong>in</strong>formation re visa and<br />
travel arrangements<br />
· Clear legal <strong>in</strong>formation on transport,<br />
customs, copyright, taxes<br />
· Contacts with IP associations,<br />
Collect<strong>in</strong>g societies, National <strong>Art</strong>s<br />
councils