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Art Moves Adrica – Mobility & Touring in East Africa 2012

Visual Arts Sector Final Report September 2012 by Danda Jaroljmek

Visual Arts Sector Final Report September 2012 by Danda Jaroljmek

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60<br />

AMA Th<strong>in</strong>k Tank Session<br />

In order to harness the expertise of participants of the AMA<br />

<strong>Mobility</strong> Th<strong>in</strong>k Tank <strong>in</strong> Tangier, the follow<strong>in</strong>g three questions were<br />

put to the participants of the workshop:<br />

1.<br />

2.<br />

3.<br />

What does it take to create a function<strong>in</strong>g<br />

tour<strong>in</strong>g circuit?<br />

How can it help artists and managers?<br />

How can it be implemented?<br />

Any feedback on methodology and<br />

recommendations?<br />

Are there practical solutions and case<br />

studies from other parts of <strong>Africa</strong>?<br />

What are the necessary practical<br />

next steps to move from research<br />

to action?<br />

The follow<strong>in</strong>g is a summary of key po<strong>in</strong>ts identified by the work<br />

groups <strong>in</strong> response to the question “what does it take to create<br />

a function<strong>in</strong>g tour<strong>in</strong>g network?”<br />

All agreed that some degree of control is necessary for a function<strong>in</strong>g<br />

tour<strong>in</strong>g network:<br />

· Credibility of venues (equipment, ... )<br />

· Credibility of managers<br />

· <strong>Art</strong>istic quality of the production,<br />

<strong>in</strong>clud<strong>in</strong>g cultural sensitivities<br />

· Ongo<strong>in</strong>g and cont<strong>in</strong>u<strong>in</strong>g exchange<br />

of <strong>in</strong>formation<br />

· Regular meet<strong>in</strong>gs<br />

· Organization <strong>in</strong>to sub-sectors (dance,<br />

music, art etc)<br />

· Clear <strong>in</strong>formation re visa and<br />

travel arrangements<br />

· Clear legal <strong>in</strong>formation on transport,<br />

customs, copyright, taxes<br />

· Contacts with IP associations,<br />

Collect<strong>in</strong>g societies, National <strong>Art</strong>s<br />

councils

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